Martin Scorsese’s Radical Act of Turning Theology Into Art

The face of Jesus appears early in , Martin Scorsese’s new film about 17th-century Jesuits in Japan. The missionary priest Sebastião Rodrigues, played by Andrew Garfield, is speaking at length about his faith and feeling God’s call. Instead of cutting to metaphorical imagery, or to scenes of an actor playing Jesus,Scorsese displays an ancient-looking portrait. Jesus, expressionless in his crown of thorns, stares straight at the audience for what feels like 10 seconds or more. It’s a striking cinematographic choice and an apt metaphor for Scorsese’s depiction of faith: Humans can attempt to describe, emulate, and revere God, but ultimately, this is only imitation, the director seems to say. As the priests discover, sometimes it is impossible to know what this imitation should look like. Yet, no matter how they implore God to speak and show them the way, he is often