Reproductions In A Time Of The Culture Of Originality
The first time I laid eyes on Michelangelo's Pietà in St. Peter's Basilica at the Vatican, I let out a sob.
I don't know why. I was surrounded by a dense crowd of tourists; the sculpture was set back behind a thick Plexiglas panel. Whatever view I was able to enjoy was punctuated by the lights of auto-focus cameras reflected in the intervening panel.
Despite the noise and distraction, or maybe because of it, I felt the power of the figure — the frail, boyish body of the dead Jesus limp across the lap of his powerful (indeed, disproportionately large), grief-stricken mother.
I didn't have that sort of emotional reaction when I got to see the the Pietà again a few days ago in London, where it is on display as part of the excellent exhibition at the National Gallery. This time, I could get right up to the work and examine it in
