The Atlantic

Why Coal Symbolizes Naughtiness

And how it should be used instead. An Object Lesson.
Source: Susan Walsh / AP

In 2014, The Killers released a Christmas single, “Joel, the Lump of Coal.” Rather than featuring a traditional Christmas character, the song tells the bittersweet story of Joel, an animated chunk of coal who wants to be given as a Christmas present. Coal, everyone knows, is not a gift anyone desires; it is a punishment and a rebuke.

But there was a time when Joel—and coal—would have been happily received by many Americans. Until the turn of the 20th century, coal was a token to ward off winter’s chill. Only as fossil-fuel supplies and access expanded did a gift of coal become a consequence of naughtiness. But a century has passed since coal was in widespread domestic and industrial use. Today, as humans still burn coal despite the known ecological costs, it might better serve as a reminder of collective ecological arrogance.


In the 19th century, when the modern forms of both Christmas and Santa Claus were developing, there was little mention of punishing naughty children with coal. The,” imagines St. Nick as wholly benevolent, his bag containing only toys for the good little girls and boys. Even images that record his disciplinary role leave out the dark lumps: In a similar poem published two years before, “,” Santa states, “But where I found the children naughty, / […] I left a long, black, birchen rod” as a threat. A lash meant for punishment appears, but again no coal.

You're reading a preview, sign up to read more.

More from The Atlantic

The Atlantic3 min readPolitics
How American Women Are Amplifying Their Political Power
“I am not interested in building the capacity of people who are in office that want to take away my health care.”
The Atlantic2 min read
Free Solo Is Not a Life Lesson
Alex Honnold’s historic climb is too extraordinary to become a story of motivational-poster determination.
The Atlantic2 min readPsychology
A Rational Case for Following Your Emotions
In the popular American imagination, emotion and rationality are often mutually exclusive. One is erratic, unpredictable, and often a liability; the other, cool, collected, and absent obvious feeling. And even though research suggests that people exp