Art New Zealand

Soft Light

According to Elizabeth Rees, ‘The most mundane aspects of our lives are often majestic, if only we knew it. In New Zealand we live in such overwhelming beauty that we so often take for granted and seldom stop to take in.’ This statement recalls remarks made by others about our assumed indifference to the beauty of our natural environment. For example, the painter Colin McCahon asked us in 1971 ‘Do you believe in the sunrise?’ However, in this age of the smartphone camera, we find a seemingly infinite number of people seeing and photographing natural beauty spots and recording sunrises and sunsets from Waikiki to Palmerston North, where Rees grew up. Landscape has been a well-explored subject in New Zealand art, in particular, and still is, as we can see with painters as diverse as Stanley Palmer and Dick Frizzell. Increasingly the photographic image is used as the reference point by

You’re reading a preview, subscribe to read more.

More from Art New Zealand

Art New Zealand5 min read
Revealing Correspondence
Dear Colin, Dear Ron: The Selected Letters of Colin McCahon and Ron O’Reilly by Peter Simpson Te Papa Press, Wellington 2024 MICHAEL DUNN Nobody has written more extensively on Colin McCahon in recent years than Peter Simpson. His landmark two-volume
Art New Zealand5 min read
A Commission in the North Chris Booth’s Te Haa o Te Ao
Chris Booth is obviously exhausted after the completion in December of his latest work, Te Haa o Te Ao (The Breath of the World). This kinetic sculpture, sitting on land at the entrance to Kerikeri township, comprises 120 boulders suspended from a 15
Art New Zealand4 min read
Pacific Fair Sylvia Marsters at the Aotearoa Art Fair
From the 2002 Pasifika Festival at Western Springs in Auckland, I have an enduring memory. Sylvia Marsters, on a sweltering afternoon standing at her easel, is perched on a small rise, painting detailed delicate frangipani on a small canvas. They wer

Related Books & Audiobooks