Ceramics: Art and Perception

Carolyn Genders: ‘Do I Know Before I Start?’

This article would have been impossible to write if I had not had the privilege of spending time with Carolyn Genders, visiting her studio and witnessing the act of her making. Making with Carolyn illustrates the idea of a master of their craft – the sheer amount of knowledge that is both consciously technical and intuitively executed. Seeing the ability of a committed practitioner to draw upon many years of doing, thinking, making, as well as equal amounts of undoing, remaking and rethinking.

“The world is full of intellectual makers – without the knowledge of materiality.” This phrase, one of the first we exchanged, encapsulates the rigour which Carolyn brings to her work.

Carolyn embodies haptic knowledge. The pieces she

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception5 min read
Fresh New Talent at the British Ceramics Biennial
Nurturing, inspiring and showcasing new talent are at the heart of what we do at the British Ceramics Biennial – and have been since we started our work back in 2009. The most prominent way that we do this is through our platform for emerging ceramic
Ceramics: Art and Perception6 min read
My Grandfather’s Marbles
My grandfather John Wilbur Carr grew up in Jefferson County, Pennsylvania in the town of Punxsutawney. His ancestors settled in Western Pennsylvania after the Wyoming Valley Massacre of 1778 forced them from the farm they had, near the present-day Na
Ceramics: Art and Perception21 min read
Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics
Some of my earliest recollections include examining myself in a mirror and mentally separating my physical attributes. Growing up in India, my appearance was frequently commented on and either praised, or criticised, which is normal in our culture (C

Related Books & Audiobooks