Cinema Scope

Jodie Mack

he rigorous and vibrant visual rhythms of Jodie Mack’s cinema were first impressed upon me in 2009, when I premiered a short film at the Ann Arbor Film Festival in a section titled “Feminist Travelogues.” I was fortunate to have been programmed alongside Jodie, who was screening a 28-minute stop-motion animation musical epic titled (2008). During the screening I sat completely dazzled as I watched an intimidating wall of meticulously cut images pulled

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