Computer Music

Sub Focus studio focus

Roland D-50. [It was delivered by courier and arrived in the middle of the interview. Douwma immediately plumbed it into the studio and got to work, tinkering around with the presets.]

ND: “I’ve been trying to keep a balance between digital and analogue in my setup. I’ve been in some studios where they’ve got a fantastic selection of vintage monosynths, but I prefer to have a bit more of a range of tonal characters.

“The music that really first drew me into drum ‘n’ bass was Goldie, LTJ Bukem… I love those pad sounds. Digital pads can be very different to anything you’ll find on an analogue machine. Much thinner and shinier. Analogue pads sound fantastic, but they can also take up a lot of room in the mix with loads of low-mid. I like the idea of having lots of sounds from different eras at

You’re reading a preview, subscribe to read more.

More from Computer Music

Computer Music4 min read
Oeksound Bloom £169
> Oeksound has become the developer to watch. It has big support for its small number of plugins, with their often dynamic and adaptive natures processing your signals as you go. Titles like Spiff control transients while the multi-award winner Sooth
Computer Music1 min read
Next Issue
In our next issue we’re going to show you how to craft and deploy time-based effects such as stutter, reverse, half-time playback, pitchbending and beyond, simply and effectively. We’ll also arm you with a very cool gift to aid you in your time-trave
Computer Music7 min read
Inphonik Rym2612
It’s always exciting when we get to give away a synth, and this month’s offering is an absolute corker. Inphonik RYM2612 (VST, VST3, AU, AAX, Apple Silicon and Reason Rack) makes an excellent addition to your sonic toolkit and this £44 synth is yours

Related