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    The Black Velvet Coat: A Novel
    The Black Velvet Coat: A Novel
    The Black Velvet Coat: A Novel
    Audiobook10 hours

    The Black Velvet Coat: A Novel

    Written by Jill G. Hall

    Narrated by Erin Bennett

    3.5/5

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    About this audiobook

    Twenty-eight-year-old struggling San Francisco artist Anne McFarland is determined to get a one-woman show, even though no one, including herself, believes she can do it. But when she buys a coat at a thrift shop with a key in its pocket, strange, even magical, occurrences begin to unfold, and she is inspired to create her best work ever.

    Fifty years earlier, it's 1963, and the coat's original owner, young heiress Sylvia Van Dam, is headed toward a disastrous marriage with a scoundrel. In a split-second reaction she does the unimaginable, which propels her on a trip of self-discovery to nature-filled Northern Arizona. When Anne and Sylvia's lives intersect, they are both forced to face their fears-and, in the process, realize their true potential.
    LanguageEnglish
    PublisherTantor Media, Inc
    Release dateSep 29, 2017
    ISBN9781541484825
    Author

    Jill G. Hall

    Jill G. Hall is the author of The Black Velvet Coat, an International Book Award Finalist for Best New Fiction, and The Silver Shoes, a Distinguished Favorite in the NYC Big Book Awards. Her poems have appeared in a variety of publications, including A Year in Ink, The Avocet, and Wild Women, Wild Voices. As a visual artist, Jill uses found objects to fashion whimsical mosaics and assemblages. She is a seasoned presenter at seminars, readings, and community events. She resides in San Diego, where she spends as much time in nature as possible. On her blog, Crealivity, she shares personal musings about the art of practicing a creative lifestyle. Learn more at www.jillghall.com.

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    Reviews for The Black Velvet Coat

    3.5/5

    12 ratings2 reviews

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    • 3/5
      This book was great for curing a book hangover, some of the language was kind of cringe he when it came to indigenous people etc. but if you need something that light in entertaining this book is good. I definitely wouldn’t read it again, but I also finished it.
    • 3/5
      You can never predict what seemingly ordinary item will catch your fancy and not let it go. Muse and inspiration are a mystery and as individual as snow flakes. But once something has captured your imagination, following it where it leads can make surprising connections or even change the trajectory of your life. In Jill G. Hall's debut novel, The Black Velvet Coat, muse and inspiration do both.Anne McFarland is a struggling artist in San Francisco when she sees a black velvet coat in the front window of a thrift shop. Inexplicably she spends some of the very little money she has, money she'd earmarked for her rent, on the coat and the lovely sparkling snowflake pin pinned to it. Throwing on the beautiful garment, she heads off to her job as a hotel valet, one of the small jobs she's taken to try and keep her head above water while she waits for her big break in the art world. When she stumbles across a 1960s era picture of a local heiress wearing what appears to be the same coat and pin, Anne is captivated and determined to uncover Sylvia Van Dam's story. In the picture, Sylvia is leaving her engagement party with her debonair fiance but there's something about the expression in her eyes, an unhappiness, that draws Anne to her story and she starts working on a collage series that could very well be the best thing she's ever produced.Alternating with Anne's story is Sylvia's story and what's behind the look in her eyes. Orphaned at a young age, Sylvia is a shy and unassuming young woman. Even before her parents died, she never felt she measured up to expectations and her lack of confidence in herself is heartbreaking. When she meets the flashy and charismatic Ricardo, she is entranced, falling for him quickly and ignoring the warnings all of her nearest and dearest give her about his character. When those warnings turn out to be based in truth, catastrophe strikes and Sylvia runs from the consequences.The novel starts with Sylvia on the run from a crime the reader knows was committed but doesn't yet understand. And its genesis will only become clear over the course of the novel. The chapters alternate between Anne in the present day and Sylvia in the 1960s. As Anne uncovers more about Sylvia's life through newspaper accounts of the time, the chapters centered on Sylvia flesh out this minimal information that Anne has read. And it is the mystery of this seemingly glamorous woman that inspires Anne in her work. Anne is still struggling, suffering from her own insecurities based on rejections from an uninspired and tradition bound gallery owner and the opinions of people who are, in truth, really only tangential to her world. She needs to learn to find an inherent internal value to herself and her art. In fact, her character is an odd combination of neediness and courage and the two didn't always mesh. Sylvia too needs to stop viewing herself through the eyes of others and recognize her own value. She is deserving of being loved, something that she only comes to appreciate in her flight and through the kindness of strangers. There are several romantic relationships in the novel, for both Anne and Sylvia, and they are rather flat and one dimensional feeling. The Sylvia story line felt much more historical than the 1960s; it almost had a Roaring Twenties air about it. The two different stories, Sylvia's disappearance and Anne's conflictedness about her life choices, were both compelling though and wondering how they'd come together keeps the reader turning the pages. The conclusion of the novel was too fast and a bit unfinished, especially given all the detail given in the beginning and middle of the novel. Full of issues like inspiration and its source, believing in yourself and creating your own happiness, learning courage, a reminder to look beneath the facade to find reality, and the grace of giving to others, over all, this was a fast and pleasurable read.