Lady Darby Mysteries Series

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage-a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to protect her family and prove her innocence, even as she risks becoming the next victim.

Returning to her childhood home, Lady Kiera Darby hopes her beloved brother Trevor and the merriment of the Hogmanay Ball will distract her. But when a caretaker is murdered and a grave is disturbed at nearby Dryburgh Abbey, Kiera is once more thrust into the cold grasp of death. While Kiera knows that aiding in another inquiry will only further tarnish her reputation, her knowledge of anatomy could make the difference in solving the case. But agreeing to investigate means Kiera must deal with the complicated emotions aroused in her by inquiry agent Sebastian Gage. When Gage arrives, he reveals that the incident at the Abbey was not the first-some fiend is digging up old bones and holding them for ransom. Now they must catch the grave robber . . . before another victim winds up six feet under.

Scotland, 1831. After a tumultuous courtship complicated by three deadly inquiries, Lady Kiera Darby is thrilled to have found both an investigative partner and a fiance in Sebastian Gage. But with her well-meaning-and very pregnant-sister planning on making their wedding the event of the season, Kiera could use a respite from the impending madness. Commissioned to paint the portrait of Lady Drummond, Kiera is saddened when she recognizes the pain in the baroness's eyes. Lord Drummond is a brute, and his brusque treatment of his wife forces Kiera to think of the torment caused by her own late husband. Kiera isn't sure how to help, but when she finds Lady Drummond prostrate on the floor, things take a fatal turn. The physician called to the house and Lord Drummond appear satisfied to rule her death natural, but Kiera is convinced that poison is the real culprit. Now, armed only with her knowledge of the macabre and her convictions, Kiera intends to discover the truth behind the baroness's death-no matter what, or who, stands in her way . . .

July 1831. In the midst of their idyllic honeymoon in England's Lake District, Kiera and Gage's seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter. Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous. Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend before their matrimonial bliss comes to an untimely end.

July 1831. It's been fifteen years since Sebastian Gage has set foot in Langstone Manor. Though he has shared little with his wife, Lady Kiera Darby, about his past, she knows that he planned never to return to the place of so many unhappy childhood memories. But when an urgent letter from his grandfather reaches them in Dublin, Ireland, and begs Gage to visit, Kiera convinces him to go. All is not well at Langstone Manor. Gage's grandfather, the Viscount Tavistock, is gravely ill, and Gage's cousin Alfred has suddenly vanished. He wandered out into the moors and never returned. The Viscount is convinced someone or something other than the natural hazards of the moors is to blame for Alfred's disappearance. And when Alfred's brother Rory goes missing, Kiera and Gage must concede he may be right. Now, they must face the ghosts of Gage's past, discover the truth behind the local superstitions, and see beyond the tricks being played by their very own eyes to expose what has happened to Gage's family before the moors claim yet another victim . . .

November 1831. After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals, Burke and Hare-killing people from the streets and selling their bodies to medical schools. Then Kiera's past-a past she thought she'd finally made peace with-rises up to haunt her. All of London is horrified by the evidence that "burkers" are, indeed, at work in their city. The terrified populace hovers on a knife's edge, ready to take their enmity out on any likely suspect. And when Kiera receives a letter of blackmail, threatening to divulge details about her late anatomist husband's involvement with the body snatchers and wrongfully implicate her, she begins to apprehend just how precarious her situation is. Not only for herself, but also her new husband and investigative partner, Sebastian Gage, and their unborn child. Meanwhile, the young scion of a noble family has been found murdered a block from his home, and the man's family wants Kiera and Gage to investigate. Is it a failed attempt by the London burkers, having left the body behind, or the crime of someone much closer to home?

Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence. A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered-in an imitation of a gruesome scene-the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner.

Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye's great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck's extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess's furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household. Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent.

Lady Kiera Darby and her husband Sebastian Gage are looking forward to celebrating with new friends at an exciting yearly soiree, but they soon learn that murder never takes a holiday. January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmont's Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious that all is not merry in their hostess's home. The family appears to be under a great strain, and someone seems determined to cause mayhem among the guests with a series of forged notes. Matters swiftly turn from irksome to downright deadly when the partygoers stumble upon a decomposing body in the castle's crypt. The corpse is thought to be the duchess's son-in-law who had purportedly traveled to Paris more than a month earlier. It is evident the man met with foul play, and Kiera and Gage soon realize that a ruthless murderer walks among them-and may well be a member of the duchess's own family. And when the investigation takes a treacherous turn, Kiera discovers just how deep the killer is willing to dig to keep their secrets from ever seeing the light of day.

New parents Lady Kiera Darby and Sebastian Gage look forward to introducing Sebastian's father to his granddaughter, but instead find themselves investigating an attempt on his life . . . Yorkshire, England. August 1832. Relations between Sebastian Gage and his father have never been easy, especially since the discovery that Lord Gage has been concealing the existence of an illegitimate son. But when Lord Gage is nearly fatally attacked on a journey to Scotland, Sebastian and Kiera race to his side. Given the tumult over the recent passage of the Reform Bill and the Anatomy Act, in which Lord Gage played a part, Sebastian wonders if the attack could be politically motivated. But something suspicious is afoot in the sleepy village where Lord Gage is being cared for. The townspeople treat Sebastian and Kiera with hostility when it becomes clear they intend to investigate, and rumors of mysterious disappearances and highway robberies plague the area. Lord Gage's survival is far from assured, and Sebastian and Kiera must scramble to make the pieces fit before a second attempt at murder is more successful than the first.