Fiona Griffiths Series

Harry Bingham’s Talking to the Dead introduced readers to one of the most compelling new heroines in crime fiction, Detective Constable Fiona Griffiths, earning comparisons to Stieg Larsson’s Lisbeth Salander. Now D.C. Griffiths returns to investigate a series of gruesome murders—and their connection to her own shadowy past. D.C. Fiona Griffiths is facing the prospect of a dull weekend when the call comes in, something about illegal dumping in a Cardiff suburb. But when she arrives on the scene she finds, in a garage freezer, a severed human leg, complete with a pink suede high-heeled shoe. South Wales police are able to ID the body part as that of a young woman who went missing five years earlier; a young woman who once made a living as an exotic dancer. All at once, Fiona’s job as a detective and her role as a loving daughter collide: Fiona’s father owns a Cardiff strip club and was once deeply involved in the local crime scene. Still in recovery from a devastating psychotic breakdown, Fiona is wary of exploring a path that might end at her father’s door . . . yet her obsessive approach to criminal investigation leaves her no other option. But Fiona’s specialty is not the living, it is the dead. And as she is just starting to get into the murdered girl’s head, a severed hand is found—and this one is male. Soon, police are swamped with an increasing number of body parts found in and around suburban gardens, sheds, and garages. Media attention is intense, and investigators are working from a list of hundreds of persons of interest. When the department identifies the second victim, Fiona struggles to connect him with the dead stripper. What do the victims have in common? And why this macabre method of disposing the corpses? The answers may be more than Fiona can handle. Because in order to solve the riddle of these hideous murders, D.C. Fiona Griffiths will have to delve into the mysteries of her past—and hope she comes out intact . . . and alive. Praise for Love Story, with Murders “A most intriguing, if peculiar, detective . . . Although his volatile protagonist certainly dominates the first-person narrative, [Harry] Bingham doesn’t stint on plot (very complicated), procedures (very detailed) or action (very brutal). . . . Satisfying.”—Marilyn Stasio, The New York Times Book Review “Love Story, with Murders is a dark delight, and I look forward to Fiona’s future struggles with criminals, her demons and the mysteries of her past.”—The Washington Post “Bingham’s superb second police procedural featuring Det. Constable Fiona Griffiths delivers an even more intense plot and richer character study than his first. . . . Fiona’s past mental problems and her unconventional personality make her a distinctive lead.”—Publishers Weekly (starred review) “Some of the most memorably staccato narration in the genre . . . [Bingham’s] remote, unquenchable heroine makes her stand apart from every one of her procedural brothers and sisters.”—Kirkus Reviews “Compelling . . . [Love Story, with Murders] amply proves the freshness and flair that [Bingham] has brought to the police procedural. . . . Surprisingly delicate, it weaves a sinuous, seductive spell and confirms we have a new crime talent to treasure.”—Daily Mail (UK) “Love Story, with Murders boasts what must be the most startling protagonist in modern crime fiction.”—The Sunday Times (London)

Fiona Griffiths's toughest case yet: alone, undercover, scared A woman starved to death in a remote Welsh cottage. A computer guy left to bleed to death, his hands brutally hacked off at the wrist. When DC Fiona Griffiths and her colleagues realise they're staring at one of the world's most audacious robberies, she's asked to take on the challenge: will she go undercover to penetrate this criminal gang from within? When Fiona says yes, she has to give up her old life entirely. She becomes Fiona Grey, a homeless woman struggling to get her life back together again. When the criminal gang adopt her as one of their own, she's totally alone, vulnerable - and dangerous as hell. This international smash hit murder mystery series is ideal for fans of Stieg Larsson, Tana French ... and anyone else who loves strong female protagonists.

A hanged man, a stolen painting, an impossible crime A marine engineer is found hanged in a locked apartment. Some artwork is stolen, then mysteriously returned. A security guard is found dead at the base of a Welsh cliff. When Fiona Griffiths is tasked to look through a stackload of cold cases, her bosses don't expect her to find anything of interest. But then she finds that an impossible robbery really happened. That a nailed-on suicide was anything but. That the dead security guard was almost certainly murdered. Before long, Fiona is embroiled in what will become the toughest case of her career so far - one that forces her to enter the heart of darkness, and a journey that will test her mental toughness to its very limits. This international smash hit murder mystery series is ideal for fans of Stieg Larsson, Gillian Flynn, Tana French ... and for anyone at all who loves their crime noir and their female protagonists strong, brave and smart.

Midnight in a country churchyard. A corpse lying at peace. The dead woman looks totally peaceful and there are no marks of violence. But why is she here, in this remote spot? Why does no one come forward to identify her? And why is she wearing a thin white dress on this howling October night? When young Welsh police sergeant Fiona Griffiths starts to investigate, her enquiries take her to a quiet monastery buried deep in the Welsh hills. And when she finds that a young teenager from the area went missing a few years earlier, her anxieties start to deepen. In a terrifying denouement - with echoes of Edgar Allan Poe - Fiona discovers the true horror of this crime . . . and she risks becoming its very next victim. The Fiona Griffiths crime thriller series has won countless admirers round the world. If you're looking for a gripping thriller led by a strong female protagonist, then look no further. The Dead House is your kind of book.

An ancient battle. A dead researcher. And a very modern crime. It's been more than a year since Detective Sergeant Fiona Griffiths had any sort of murder case . . . when all of a sudden, she gets the call. A local archaeologist has been found bloodily murdered. Her head severed from her body. Her eyes apparently fixed on a fragment of Latin text. The crime seems to summon the ghosts of Dark Age Britain - and the shade of King Arthur. But why are those ancient enmities alive once again? Why are armed burglars raiding remote country churches? And how many more people will die before these clues are unravelled? Fiona thinks she knows the answers to these questions . . . but the crime that underlies them all is so utterly unexpected, so breathtakingly audacious in its execution, that it hasn't yet been committed. This book will be perfect for anyone who's enjoyed the work of Ann Cleeves, Elly Griffiths, or Andrea Camilleri. Chosen as a Crime Book of the Year by the Seattle Times and the Boston Globe If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.