Romance in Marseille
Written by Claude McKay
Narrated by Dion Graham
4/5
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About this audiobook
and one of the earliest overtly queer fictions in the African American tradition.
Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers—
collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely
in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala,
an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic ship, Lafala is
discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses
both of his lower legs. Thanks to a successful lawsuit against the shipping line, Lafala doubles back to Marseille and
resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for
pleasure and liberty, McKay’s novel explores the heritage of slavery amid an unforgiving modern economy.
Claude McKay
Claude McKay (1889—1948) was a Jamaican poet and novelist. Born in Sunny Ville, Jamaica, McKay was raised in a strict Baptist family alongside seven siblings. Sent to live with his brother Theo, a journalist, at the age of nine, McKay excelled in school while reading poetry in his free time. In 1912, he published his debut collection Songs of Jamaica, the first poems written in Jamaican Patois to appear in print. That same year, he moved to the United States to attend the Tuskegee Institute, though he eventually transferred to Kansas State University. Upon his arrival in the South, he was shocked by the racism and segregation experienced by Black Americans, which—combined with his reading of W. E. B. Du Bois’ work—inspired him to write political poems and to explore the principles of socialism. He moved to New York in 1914 without completing his degree, turning his efforts to publishing poems in The Seven Arts and later The Liberator, where he would serve as co-executive editor from 1919 to 1922. Over the next decade, he would devote himself to communism and black radicalism, joining the Industrial Workers of the World, opposing the efforts of Marcus Garvey and the NAACP, and travelling to Britain and Russia to meet with communists and write articles for various leftist publications. McKay, a bisexual man, was also a major figure of the Harlem Renaissance, penning Harlem Shadows (1922), a successful collection of poems, and Home to Harlem (1928), an award-winning novel exploring Harlem’s legendary nightlife.
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