История Аудиокниги

On the morning of November 4, 2019, a caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities—fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century. The massacre produced international headlines for weeks, and prompted President Donald Trump to threaten to send in the US Army. In The Colony, Sally Denton delves into the complex story of the LeBaron clan. Their homestead—Colonia LeBaron—is a portal into the past, a place that offers a glimpse of life within a polygamous community on an arid and dangerous frontier in the mid-1800s, though with smartphones and machine guns. Rooting her narrative in written sources as well as interviews with anonymous women from LeBaron itself, Denton unfolds an epic, disturbing tale that spans the first polygamist emigrations to Mexico through the LeBarons' internal blood feud in the 1970s and up to the family's recent alliance with the NXIVM sex cult, whose now-imprisoned leader, Keith Raniere, may have based his practices on the society he witnessed in Colonia LeBaron.

Sisters separated by war forge new identities as they are forced to choose between family, nation, and their own independence. Scions of a once-great southern Chinese family that produced the tutor of the last emperor, Jun and Hong were each other’s best friends until, in their twenties, they were separated by chance at the end of the Chinese Civil War. For the next thirty years, while one became a model Communist, the other a model capitalist, they could not even communicate. On Taiwan, Jun married a Nationalist general, established an important trading company, and ultimately emigrated to the United States. On the Communist mainland, Hong built her medical career under a cloud of suspicion about her family and survived two waves of “re-education” before she was acclaimed for her achievements. Zhuqing Li recounts her aunts’ experiences with extraordinary sympathy and breathtaking storytelling. A microcosm of women’s lives in a time of traumatic change, this is a fascinating, evenhanded account of the recent history of separation between mainland China and Taiwan.

From the Pulitzer Prize–winning Washington Post reporter David E. Hoffman comes the riveting biography of Oswaldo Payá, a dissident who dared to defy Fidel Castro, inspiring thousands of Cubans to fight for democracy. Oswaldo Payá was seven years old when Fidel Castro seized power in Cuba, promising to create a “free, democratic, and just Cuba.” But Castro instead created an authoritarian regime with little tolerance of free speech or thought. His secret police were trained to crush dissent by East Germany’s ruthless Stasi. Throughout Cuba’s 20th century history, the dream of democracy was often just within reach, only to be dashed by dictatorship and revived again by a new generation. Payá inherited this dream and it became his life’s work. As a teenager in Communist Cuba, he led a protest against the Soviet-led shattering of the Prague Spring. Before long, he was sent to Castro’s forced labor camps. Payá later became a leading voice of opposition and formed a pro-democracy movement. A devoted Catholic, he championed a simple, bedrock belief that rights are bestowed by God, and not the state. Every day, he witnessed these rights trampled in Cuba. He could not stay silent. Payá’s most daring challenge to the Cuban government was the Varela Project, a one-page citizen petition demanding free speech, a free press, freedom of association, freedom of belief, private enterprise, free elections and freedom for political prisoners. More than 35,000 people signed the Varela Project, an extraordinary outpouring of protest—with nothing more than pen and paper—against Castro’s decades of despotism. The regime responded by ignoring the petition, arresting dozens of Payá’s followers and sending them to prison for many years. After receiving multiple death threats, Payá was killed in a suspicious car wreck on a remote country road. Pulitzer Prize–winning reporter David E. Hoffman returns with an epic portrait of a lone individual who had the courage, faith, and persistence to struggle for democracy against an unforgiving dictator. At its heart, Give Me Liberty is a sweeping account of one country’s tragic and continuing struggle for its freedom.

A magisterial dual biography of Crazy Horse and Sitting Bull, the two most legendary and consequential American Indian leaders, who triumphed at the Battle of Little Bighorn and led Sioux resistance in the fierce final chapter of the "Indian Wars." Crazy Horse and Sitting Bull: Their names are iconic, their significance in American history undeniable. Together, these two Lakota chiefs, one a fabled warrior and the other a revered holy man, crushed George Armstrong Custer’s vaunted Seventh Cavalry. Yet their legendary victory at the Little Big Horn has overshadowed the rest of their rich and complex lives. Now, based on years of research and drawing on a wealth of previously ignored primary sources, award-winning author Mark Lee Gardner delivers the definitive chronicle, thrillingly told, of these extraordinary Indigenous leaders. Both Crazy Horse and Sitting Bull were born and grew to manhood on the High Plains of the American West, in an era when vast herds of buffalo covered the earth, and when their nomadic people could move freely, following the buffalo and lording their fighting prowess over rival Indian nations. But as idyllic as this life seemed to be, neither man had known a time without whites. Fur traders and government explorers were the first to penetrate Sioux lands, but they were soon followed by a flood of white intruders: Oregon-California Trail travelers, gold seek - ers, railroad men, settlers, town builders—and Bluecoats. The buffalo population plummeted, disease spread by the white man decimated villages, and conflicts with the interlopers increased. On June 25, 1876, in the valley of the Little Big Horn, Crazy Horse and Sitting Bull, and the warriors who were inspired to follow them, fought the last stand of the Sioux, a fierce and proud nation that had ruled the Great Plains for decades. It was their greatest victory, but it was also the beginning of the end for their treasured and sacred way of life. And in the years to come, both Crazy Horse and Sitting Bull, defiant to the end, would meet violent—and eerily similar—fates. An essential new addition to the canon of Indigenous American history and literature of the West, The Earth Is All That Lasts is a grand saga, both triumphant and tragic, of two fascinating and heroic leaders struggling to maintain the freedom of their people against impossible odds. Supplemental enhancement PDF accompanies the audiobook.

"With We Carry Their Bones, Erin Kimmerle continues to unearth the true story of the Dozier School, a tale more frightening than any fiction. In a corrupt world, her unflinching revelations are as close as we'll come to justice." –Colson Whitehead, Pulitzer-Prize Winning author of The Nickel Boys and The Underground Railroad Forensic anthropologist Erin Kimmerle investigates of the notorious Dozier Boys School—the true story behind the Pulitzer Prize–winning novel The Nickel Boys—and the contentious process to exhume the graves of the boys buried there in order to reunite them with their families. The Arthur G. Dozier Boys School was a well-guarded secret in Florida for over a century, until reports of cruelty, abuse, and “mysterious” deaths shut the institution down in 2011. Established in 1900, the juvenile reform school accepted children as young as six years of age for crimes as harmless as truancy or trespassing. The boys sent there, many of whom were Black, were subject to brutal abuse, routinely hired out to local farmers by the school’s management as indentured labor, and died either at the school or attempting to escape its brutal conditions. In the wake of the school’s shutdown, Erin Kimmerle, a leading forensic anthropologist, stepped in to locate the school’s graveyard to determine the number of graves and who was buried there, thus beginning the process of reuniting the boys with their families through forensic and DNA testing. The school’s poorly kept accounting suggested some thirty-one boys were buried in unmarked graves in a remote field on the school’s property. The real number was at least twice that. Kimmerle’s work did not go unnoticed; residents and local law enforcement threatened and harassed her team in their eagerness to control the truth she was uncovering—one she continues to investigate to this day. We Carry Their Bones is a detailed account of Jim Crow America and an indictment of the reform school system as we know it. It’s also a fascinating dive into the science of forensic anthropology and an important retelling of the extraordinary efforts taken to bring these lost children home to their families—an endeavor that created a political firestorm and a dramatic reckoning with racism and shame in the legacy of America.   Supplemental enhancement PDF accompanies the audiobook.

A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination—its history, its meaning and its cultural significance—told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written, Fire Island is the definitive book on an iconic American destination and an essential contribution to queer history. Supplemental enhancement PDF accompanies the audiobook.

In the 1820s, two families, unknown to each other, worked on farms in the American wilderness. It seemed unlikely that the families would ever meet—and yet, they did. The son of one family, the famed actor John Wilkes Booth, killed the son of the other, President Abraham Lincoln, in the most significant assassination in American history. The murder, however, did not come without warning—in fact, it had been foretold. In the Houses of Their Dead is the first book of the many thousands written about Lincoln to focus on the president's fascination with Spiritualism, and to demonstrate how it linked him, uncannily, to the man who would kill him. Abraham Lincoln is usually seen as a rational, empirically-minded man, yet as biographer Terry Alford reveals, he was also deeply superstitious and drawn to the irrational. Like millions of other Americans, including the Booths, Lincoln and his wife, Mary, suffered repeated personal tragedies, and turned for solace to Spiritualism, a new practice sweeping the nation that held that the dead were nearby and could be contacted by the living. Remarkably, the Lincolns and the Booths even used the same mediums, including Charles Colchester, a specialist in "blood writing" whom Mary first brought to her husband, and who warned the president after listening to the ravings of another of his clients, John Wilkes Booth.

In the seventy years since the disappearance of Amelia Earhart and her navigator Fred Noonan during a flight over the Central Pacific, their fate has remained one of history's most debated mysteries despite dozens of books offering solutions. This book is different. It draws on thousands of never before published primary source documents to present a narrative that corrects decades of misconception. Ric Gillespie offers a very realistic picture of Earhart, her attempted world flight, the events surrounding her disappearance, and the U.S. government’s failed attempt to find her. Scrupulously accurate yet thrilling to read, the book is based on information uncovered by the International Group for Historic Aircraft Recovery (TIGHAR). Gillespie, TIGHAR's executive director and a former aviation accident investigator, notes that he does not argue for a particular theory but supports the hypothesis that Earhart and Noonan died as castaways on a remote Pacific atoll.

The fascinating story of America’s national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself. Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song’s resonance and meaning. From its first lines Key’s lyric poses questions: “O say can you see?” “Does that banner yet wave?” Likewise, Clague’s O Say Can You Hear? raises important questions about the banner; what it meant in 1814, what it means to us today, and why it matters.

"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. The audiobook is read by actor Daniel Gillies who is the great, great nephew of the pioneering surgeon, Harold Gillies. From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror. A Macmillan Audio production from Farrar, Straus and Giroux.

For the 50th anniversary of the Watergate break-in: The untold story of President Richard Nixon, CIA Director Richard Helms, and their volatile shared secrets that ended a presidency. Scorpions' Dance by intelligence expert and investigative journalist Jefferson Morley reveals the Watergate scandal in a completely new light: as the culmination of a concealed, deadly power struggle between President Richard Nixon and CIA Director Richard Helms. Nixon and Helms went back decades; both were 1950s Cold Warriors, and both knew secrets about the disastrous Bay of Pigs invasion of Cuba as well as off-the-books American government and CIA plots to remove Fidel Castro and other leaders in Latin America. Both had enough information on each other to ruin their careers. After the Watergate burglary on June 17, 1972, Nixon was desperate to shut down the FBI's investigation. He sought Helms' support and asked that the CIA intervene—knowing that most of the Watergate burglars were retired CIA agents, contractors, or long-term assets with deep knowledge of the Agency's most sensitive secrets. The two now circled each other like scorpions, defending themselves with the threat of lethal attack. The loser would resign his office in disgrace; the winner, however, would face consequences for the secrets he had kept. Rigorously researched and dramatically told, Scorpions' Dance uses long-neglected evidence to reveal a new perspective on one of America's most notorious presidential scandals. A Macmillan Audio production from St. Martin's Press.

In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of twenty-five miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times bestselling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it.

"Narrator Eric Jason Martin adds gusto to this mini-memoir, which spans much of author Bill McKibben's lifetime."-AudioFile on The Flag, the Cross, and the Station Wagon Bill McKibben—award-winning author, activist, educator—is fiercely curious. “I’m curious about what went so suddenly sour with American patriotism, American faith, and American prosperity.” Like so many of us, McKibben grew up believing—knowing—that the United States was the greatest country on earth. As a teenager, he cheerfully led American Revolution tours in Lexington, Massachusetts. He sang “Kumbaya” at church. And with the remarkable rise of suburbia, he assumed that all Americans would share in the wealth. But fifty years later, he finds himself in an increasingly doubtful nation strained by bleak racial and economic inequality, on a planet whose future is in peril. And he is curious: What the hell happened? In this revelatory cri de coeur, McKibben digs deep into our history (and his own well-meaning but not all-seeing past) and into the latest scholarship on race and inequality in America, on the rise of the religious right, and on our environmental crisis to explain how we got to this point. He finds that he is not without hope. And he wonders if any of that trinity of his youth—The Flag, the Cross, and the Station Wagon—could, or should, be reclaimed in the fight for a fairer future. A Macmillan Audio production from Henry Holt and Co.

The heroic story of the founding of the US Navy during the Revolution has been told many times, yet largely missing from maritime histories of America's first war is the ragtag fleet of private vessels that truly revealed the new nation's character—above all, its ambition and entrepreneurial ethos. In Rebels at Sea, Eric Jay Dolin corrects that significant omission, and contends that privateers, as they were called, were in fact critical to the American victory. Privateers were privately owned vessels that were granted permission by the new government to seize British merchantmen and men of war. As Dolin stirringly demonstrates, at a time when the young Continental Navy numbered no more than about sixty vessels, privateers rushed to fill the gaps. Nearly 2,000 set sail over the course of the war, with tens of thousands of Americans serving on them and capturing some 1,800 British ships. Some Americans viewed these men as cynical opportunists whose only aim was loot. Yet Dolin shows that privateersmen were as patriotic as their fellow Americans, and moreover that they greatly contributed to the war's success: diverting critical British resources to protecting their shipping, providing much-needed supplies at home, and bolstering the new nation's confidence that it might actually defeat the most powerful military force in the world.

The forgotten story of a criminal trial that brought national attention to a young defendant named Rev. Martin Luther King Jr. as told by Fred D. Gray, Dr. King’s lawyer and friend, along with New York Times bestselling authors Dan Abrams and David Fisher. The audiobook concludes with an exclusive conversation between Fred Gray and Dan Abrams. On December 1, 1955, Rosa Parks was arrested when she refused to give up her seat to a white man on a segregated bus in Montgomery, Alabama. After years of mistreatment on public buses, the African American community organized a bus boycott. Eighty-nine people were indicted for violating the city’s anti-boycott statute. But rather than putting each of them on trial, the prosecutors chose to make an example of just one: twenty-seven-year-old minister Dr. Martin Luther King Jr. This became the moment that transformed Dr. King into a national leader. Fred D. Gray, then twenty-four years old and one of only two Black lawyers in Montgomery, had prepared with Rosa Parks for the bus moment and now became Dr. King’s first defense lawyer. The stakes were huge. This was not just a trial about a state statute; this was an attempt to launch a movement in the face of an often violent effort by a Southern city fighting to preserve segregation. And it would set Gray on a path that would lead him to making an impassioned argument to the Supreme Court against segregation in Montgomery’s public transit. On the eve of the trial, Dr. King commented, “When the history books are written in the future generations, the historians will pause and say, ‘There lived a great people—a Black people—who injected new meaning and dignity into the veins of civilization.’” Supplemental enhancement PDF accompanies the audiobook.

In 1885 Jane and Leland Stanford cofounded a university to honor their recently deceased young son. After her husband's death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner's jury, of strychnine poisoning. With her vast fortune the university's lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth, and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford's murder and its cover-up. Against a backdrop of the city's machine politics, rogue policing, tong wars, and heated newspaper rivalries, White's search for the murderer draws us into Jane Stanford's imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means.

A “spellbinding, thriller-like” (Shelf Awareness) history about the invention of the motion picture and the mysterious, forgotten man behind it—detailing his life, work, disappearance, and legacy. The year is 1888, and Louis Le Prince is finally testing his “taker” or “receiver” device for his family on the front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience—from the most mundane to the most momentous—would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and half years later, Thomas Edison, Le Prince’s rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history—until now. The Man Who Invented Motion Pictures pulls back the curtain and presents a “passionate, detailed defense of Louis Le Prince…unfurled with all the cliffhangers and red herrings of a scripted melodrama” (The New York Times Book Review). This “fascinating, informative, skillfully articulated narrative” (Kirkus Reviews, starred review) presents the never-before-told history of the motion picture and sheds light on the unsolved mystery of Le Prince’s disappearance.

“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's Tale The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped. Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told? Supplemental enhancement PDF accompanies the audiobook.

When Argentine journalist Javier Sinay discovers an article from 1947 by his great-grandfather detailing twenty-two murders that had occurred in Moisés Ville at the end of the nineteenth century, he launches into his own investigation that soon turns into something deeper: an exploration of the history of Moisés Ville, one of the first Jewish agricultural communities in Argentina, and Sinay’s own connection to this historically thriving Jewish epicenter. Seeking refuge from the pogroms of Czarist Russia, a group of Jewish immigrants founded Moisés Ville in the late 1880s. Like their town’s prophetic namesake, these immigrants fled one form of persecution only to encounter a different set of hardships: exploitative land prices, starvation, illness, language barriers, and a series of murders perpetrated by roving gauchos who preyed upon their vulnerability. Sinay, though a descendant of these immigrants, is unfamiliar with this turbulent history, and his research into the spate of violence plunges him into his family’s past and their link to Moisés Ville. He combs through libraries and archives in search of documents about the murders and hires a book detective to track down issues of Der Viderkol, the first Yiddish newspaper in Argentina started by his great-grandfather. He even enrolls in Yiddish classes so he can read the newspaper and other contemporaneous records for himself. Through interviews with his family members, current residents of Moisés Ville, historians, and archivists, Sinay compiles moving portraits of the victims of these heinous murders and reveals the fascinating and complex history of the town once known as the “Jerusalem of South America.” “Sinay acknowledges the impossibility of fully separating legends from facts. . . but his diligence has produced as definitive an account as possible of what actually happened during this bloody period. This nuanced search for truth should have broad appeal.” ―Publishers Weekly, starred review "I greatly admire Javier Sinay's enlightening and humane account of his sleuthing―the disinterment of a violent episode of buried history―now no longer forgotten. Its implications resonate far beyond the borders of Argentina." ―Paul Theroux, author of The Mosquito Coast and Under the Wave at Waimea "Part detective story, part family history, The Murders of Moisés Ville: The Rise and Fall of the Jerusalem of South America ― by Buenos Aires journalist Javier Sinay― offers a compelling path to learn more." ―Howard Freedman, Jewish News of Northern California

Since the first day after the tragedy was announced, controversy has surrounded the death of rap and cultural icon Tupac Shakur. In this work, preeminent researcher on the topic, John Potash, puts forward his own theories of the events leading up to and following the murder in this meticulously researched and exhaustive account of the story. Never before has there been such a detailed and shocking analysis of the untimely death of one of the greatest musicians of the modern era. The FBI War on Tupac Shakur contains a wealth of names, dates, and events detailing the use of unscrupulous tactics by the Federal Bureau of Investigation against a generation of leftist political leaders and musicians. Based on twelve years of research and including extensive footnotes, sources include over 100 interviews, FOIA-released CIA and FBI documents, court transcripts, and mainstream media outlets. Beginning with the birth of the Civil Rights Movement in America, Potash illustrates the ways in which the FBI and the United States government conspired to take down and dismantle the various burgeoning activist and revolutionary groups forming at the time. From Martin Luther King Jr. to Malcolm X to Fred Hampton, the methods used to thwart their progress can be seen repeated again and again in the 80s and 90s against later revolutionary groups, musicians, and, most notably, Tupac Shakur. Buckle up for this winding, shocking, and unbelievable tale as John Potash reveals the dark underbelly of our government and their treatment of some of our most beloved Black icons.

With a sharp eye and wry wit, Roger Hall recounts his experiences as an American Army officer assigned to the Office of Strategic Services (OSS) during World War II. First published in 1957 to critical and popular acclaim, his book has become a cult favorite in intelligence circles. The story follows Hall's experiences from a junior officer fleeing a tedious training assignment in Louisiana to his quirky and rigorous OSS training rituals in the United States, England, and Scotland. Quick to pick up on the skills necessary for behind-the-lines intelligence work, he became an expert instructor. But he was only reluctantly given operational duties because of his reputation as an iconoclast. In his droll story-telling style, Hall describes his first parachute jump in support of the French resistance as a comedy of errors that terminated prematurely. His last assignment in the war zone came when William Colby appointed him section head of an operations group that made its way on foot through Sweden. Called one of the funniest and most perceptive works ever written about life in the OSS, the book includes a wealth of unforgettable personalities that Hall encountered over the years.

In ancient Athens, thousands would attend theatre festivals that turned writing into a fierce battle for fame, money, and laughably large trophies. While the tragedies earned artistic respect, it was the comedies—the raunchy jokes, vulgar innuendo, outrageous invention, and barbed political commentary—that captured the imagination of the city. The writers of these comedic plays feuded openly, insulting one another from the stage, each production more inventive and outlandish than the last, as they tried to win first prize. Of these writers, only the work of Aristophanes has survived and it’s only through his plays that we know about his peers: Cratinus, the great lush; Eupolis, the copycat; and Ariphrades, the sexual deviant. It might have been the golden age of Democracy, but for comic playwrights, it was the age of Rude Talk. Watching a production of an Aristophanes play in 2019 CE and seeing the audience laugh uproariously at every joke, Mark Haskell Smith began to wonder: what does it tell us about society and humanity that these ancient punchlines still land? When insults and jokes made thousands of years ago continue to be both offensive and still make us laugh? Through conversations with historians, politicians, and other writers, the always witty and effusive Smith embarks on a personal mission (bordering on obsession) exploring the life of one of these unknown writers, and how comedy challenged the patriarchy, the military, and the powers that be, both then and now. A comic writer himself and author of many books and screenplays, Smith also looks back at his own career, his love for the uniquely dynamic city of Athens, and what it means for a writer to leave a legacy.

A book can open an entire world of experience or provide a recipe for meatloaf. Either is wonderful to Lewis Buzbee, who has spent much of his life in bookstores as a bookseller, a sales representative, and a customer. In The Yellow-Lighted Bookshop, Buzbee celebrates the unique experience of the bookstore—the smell and touch of books, getting lost in the deep canyons of shelves, and the silent community of readers. He shares his passion for books, which began with ordering through The Weekly Reader in gradeschool. Interwoven throughout is a fascinating historical account of the bookseller trade—from the great Alexandria library with an estimated one million papyrus scrolls to Sylvia Beach's famous Paris bookstore, Shakespeare & Co., that led to the extraordinary effort to publish and sell James Joyce's Ulysses during the 1920s. Rich with anecdotes, Buzbee offers a delightful look at bookstores past and present. For those who relish the enduring pleasures of spending an afternoon finding just the right book, The Yellow-Lighted Bookshop is the perfect choice.

When Ashraf Marwan fell to his death from the balcony of a London flat, he took his secrets with him. Was he working for Egypt or Israel? And did the revelation of his identity lead to his murder?

From an acclaimed New York Times bestselling biographer, an “eloquently written, impeccably researched, and intensely moving” (The Wall Street Journal) reassessment of Abraham Lincoln’s indispensable Secretary of the Treasury: a leading proponent for black rights during his years in cabinet and later as Chief Justice of the United States. Salmon P. Chase is best remembered as a rival of Lincoln’s for the Republican nomination in 1860—but there would not have been a national Republican Party, and Lincoln could not have won the presidency, were it not for the groundwork Chase laid over the previous two decades. Starting in the early 1840s, long before Lincoln was speaking out against slavery, Chase was forming and leading antislavery parties. He represented fugitive slaves so often in his law practice that he was known as the attorney general for runaway negroes. Tapped by Lincoln to become Secretary of the Treasury, Chase would soon prove vital to the Civil War effort, raising the billions of dollars that allowed the Union to win the war while also pressing the president to recognize black rights. When Lincoln had the chance to appoint a chief justice in 1864, he chose his faithful rival because he was sure Chase would make the right decisions on the difficult racial, political, and economic issues the Supreme Court would confront during Reconstruction. Drawing on previously overlooked sources, Walter Stahr offers a “revelatory” (The Christian Science Monitor) new look at the pivotal events of the Civil War and its aftermath, and a “superb” (James McPherson), “magisterial” (Amanda Foreman) account of a complex forgotten man at the center of the fight for racial justice in 19th century America.

NEW YORK TIMES BESTSELLER * “Do we need still another Watergate book? The answer turns out to be yes—this one.” —The Washington Post * “Dazzling.” —The New York Times Book Review From the New York Times bestselling author of The Only Plane in the Sky, comes the first definitive narrative history of Watergate—“the best and fullest account of the crisis, one unlikely to be surpassed anytime soon” (Kirkus Reviews, starred review)—exploring the full scope of the scandal through the politicians, investigators, journalists, and informants who made it the most influential political event of the modern era. In the early hours of June 17, 1972, a security guard named Frank Wills enters six words into the log book of the Watergate office complex that will change the course of history: 1:47 AM Found tape on doors; call police. The subsequent arrests of five men seeking to bug and burgle the Democratic National Committee offices—three of them Cuban exiles, two of them former intelligence operatives—quickly unravels a web of scandal that ultimately ends a presidency and forever alters views of moral authority and leadership. Watergate, as the event is called, becomes a shorthand for corruption, deceit, and unanswered questions. Now, award-winning journalist and bestselling author Garrett M. Graff explores the full scope of this unprecedented moment from start to finish, in the first comprehensive, single-volume account in decades. The story begins in 1971, with the publication of thousands of military and government documents known as the Pentagon Papers, which reveal dishonesty about the decades-long American presence in Vietnam and spark public outrage. Furious that the leak might expose his administration’s own duplicity during a crucial reelection season, President Richard M. Nixon gathers his closest advisors and gives them implicit instructions: Win by any means necessary. Within a few months, an unsteady line of political dominoes are positioned, from the creation of a series of covert operations code-named GEMSTONE to campaign-trail dirty tricks, possible hostage situations, and questionable fundraising efforts—much of it caught on the White House’s own taping system. One by one they fall, until the thwarted June burglary attracts the attention of intrepid journalists, congressional investigators, and embattled intelligence officers, one of whom will spend decades concealing his identity behind the alias “Deep Throat.” As each faction slowly begins to uncover the truth, a conspiracy deeper and more corrupt than anyone thought possible emerges, and the nation is thrown into a state of crisis as its government—and its leader—unravels. Using newly public documents, transcripts, and revelations, Graff recounts every twist with remarkable detail and page-turning drama, bringing readers into the backrooms of Washington, chaotic daily newsrooms, crowded Senate hearings, and even the Oval Office itself during one of the darkest chapters in American history. Grippingly told and meticulously researched, Watergate is the defining account of the moment that has haunted our nation’s past—and still holds the power to shape its present and future.

A groundbreaking, revelatory history of Abraham Lincoln’s plan to secure a just and lasting peace after the Civil War—a vision that inspired future presidents as well as the world’s most famous peacemakers, including Nelson Mandela, Mahatma Gandhi, and Martin Luther King, Jr. It is a story of war and peace, race and reconciliation. As the tide of the Civil War turned in the spring of 1865, Abraham Lincoln took a dangerous two-week trip to visit the troops on the front lines accompanied by his young son, seeing combat up close, meeting liberated slaves in the ruins of Richmond, and comforting wounded Union and Confederate soldiers. The power of Lincoln’s personal example in the closing days of the war offers a portrait of a peacemaker. He did not demonize people he disagreed with. He used humor, logic, and scripture to depolarize bitter debates. Balancing moral courage with moderation, Lincoln believed that decency could be the most practical form of politics, but he understood that people were more inclined to listen to reason when greeted from a position of strength. Ulysses S. Grant’s famously generous terms of surrender to General Robert E. Lee at Appomattox that April were a direct expression of the president’s belief that a soft peace should follow a hard war. While his assassination sent the country careening off course, Lincoln’s vision would be vindicated long after his death, inspiring future generations in their own quests to secure a just and lasting peace. As US General Lucius Clay, architect of the post-WWII German occupation, said when asked what guided his decisions: “I tried to think of the kind of occupation the South would have had if Abraham Lincoln had lived.” Lincoln and the Fight for Peace reveals how Lincoln’s character informed his commitment to unconditional surrender followed by a magnanimous peace. Even during the Civil War, surrounded by reactionaries and radicals, he refused to back down from his belief that there is more that unites us than divides us. But he also understood that peace needs to be waged with as much intensity as war. Lincoln’s plan to win the peace is his unfinished symphony, but in its existing notes, we can find an anthem that can begin to bridge our divisions today.

Most of us give little thought to the back of the book—it's just where you go to look things up. But as Dennis Duncan reveals in this delightful and witty history, hiding in plain sight is an unlikely realm of ambition and obsession, sparring and politicking, pleasure and play. In the pages of the index, we might find Butchers, to be avoided, or Cows that sh-te Fire, or even catch Calvin in his chamber with a Nonne. Here, for the first time, is the secret world of the index: an unsung but extraordinary everyday tool, with an illustrious but little-known past. Charting its curious path from the monasteries and universities of thirteenth-century Europe to Silicon Valley in the twenty-first, Duncan uncovers how it has saved heretics from the stake, kept politicians from high office, and made us all into the readers we are today. We follow it through German print shops and Enlightenment coffee houses, novelists' living rooms and university laboratories, encountering emperors and popes, philosophers and prime ministers, poets, librarians and—of course—indexers along the way. Revealing its vast role in our evolving literary and intellectual culture, Duncan shows that, for all our anxieties about the Age of Search, we are all index-rakers at heart—and we have been for eight hundred years.

A bold and original argument that upends the myth of the Fifties as a decade of conformity to celebrate the solitary, brave, and stubborn individuals who pioneered the radical gay rights, feminist, civil rights, and environmental movements, from historian James R. Gaines. In a fascinating and beautifully written series of character portraits, The Fifties invokes the accidental radicals—people motivated not by politics but by their own most intimate conflicts—who sparked movements for change in their time and our own. Among many others, we meet the legal pathfinder Pauli Murray, who was tortured by both her mixed-race heritage and her “in between” sexuality. Through years of hard work and self-examination, she turned her demons into historic victories. Ruth Bader Ginsberg credited her for the argument that made sex discrimination illegal, but that was only one of her gifts to 21st-century feminism. We meet Harry Hay, who dreamed of a national gay-rights movement as early as the mid-1940s, a time when the US, Soviet Union, and Nazi Germany viewed gay people as subversives and mentally ill. And in perhaps the book’s unlikeliest pairing, we hear the prophetic voices of Silent Spring’s Rachel Carson and MIT’s preeminent mathematician, Norbert Wiener, who from their very different perspectives—she in the living world, he in the theoretical one—converged on the then-heretical idea that our mastery over the natural world carried the potential for disaster. Their legacy is the environmental movement. The Fifties is a dazzling and provocative work of history that transforms our understanding of a seemingly staid decade and honors the pioneers of gay rights, feminism, civil rights, and environmentalism. The book carries the powerful message that change actually begins not in mass movements and new legislation but in the lives of de-centered, often lonely individuals, who learn to fight for change in a daily struggle with themselves.

The incredible true story of the last ship to carry enslaved people to America, the remarkable town its survivors founded after emancipation, and the complicated legacy their descendants carry with them to this day—by the journalist who discovered the ship’s remains. Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide evidence of the crime, allowing the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation’s most important historical artifacts. Traveling from Alabama to the ancient African kingdom of Dahomey in modern-day Benin, Raines recounts the ship’s perilous journey, the story of its rediscovery, and its complex legacy. Against all odds, Africatown, the Alabama community founded by the captives of the Clotilda, prospered in the Jim Crow South. Zora Neale Hurston visited in 1927 to interview Cudjo Lewis, telling the story of his enslavement in the New York Times bestseller Barracoon. And yet the haunting memory of bondage has been passed on through generations. Clotilda is a ghost haunting three communities—the descendants of those transported into slavery, the descendants of their fellow Africans who sold them, and the descendants of their American enslavers. This connection binds these groups together to this day. At the turn of the century, descendants of the captain who financed the Clotilda’s journey lived nearby—where, as significant players in the local real estate market, they disenfranchised and impoverished residents of Africatown. From these parallel stories emerges a profound depiction of America as it struggles to grapple with the traumatic past of slavery and the ways in which racial oppression continue to this day. And yet, at its heart, The Last Slave Ship remains optimistic—an epic tale of one community’s triumphs over great adversity and a celebration of the power of human curiosity to uncover the truth about our past and heal its wounds.