Ebook99 pages1 hour
The Writer as Migrant
By Ha Jin
Rating: 3 out of 5 stars
3/5
()
About this ebook
Novelist Ha Jin raises questions about language, migration, and the place of literature in a rapidly globalizing world.
Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin’s own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov—who, like Ha Jin, adopted English for their writing—are enlisted to explore a migrant author’s conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie—refracting and refining the very idea of a literature of migration.
Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin’s mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.
Consisting of three interconnected essays, The Writer as Migrant sets Ha Jin’s own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of their birth, while Joseph Conrad and Vladimir Nabokov—who, like Ha Jin, adopted English for their writing—are enlisted to explore a migrant author’s conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie—refracting and refining the very idea of a literature of migration.
Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin’s mental library, The Writer as Migrant is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.
Author
Ha Jin
Ha Jin left his native China in 1985 to attend Brandeis University. He is the author of two books of poetry; two collections of stories, Ocean of Words, which won the PEN/Hemingway Award in 1997, and Under the Red Flag, which won the Flannery O'Connor Award for Short Fiction in 1996; and In the Pond, a novel. He lives near Atlanta, where he is a professor at Emory University.
Read more from Ha Jin
Under the Red Flag: Stories Rating: 5 out of 5 stars5/5A Distant Center Rating: 5 out of 5 stars5/5Novel Ideas: Contemporary Authors Share the Creative Process Rating: 3 out of 5 stars3/5
Related to The Writer as Migrant
Related ebooks
The Global Novel: Writing the World in the 21st Century Rating: 4 out of 5 stars4/5Go Home! Rating: 5 out of 5 stars5/5A Theory of Everything Rating: 3 out of 5 stars3/5Myself with Others: Selected Essays Rating: 4 out of 5 stars4/5Flashpoints for Asian American Studies Rating: 4 out of 5 stars4/5Trespassing: A Novel Rating: 3 out of 5 stars3/5By the Time You Read This: Stories Rating: 0 out of 5 stars0 ratingsAn Obedient Father Rating: 4 out of 5 stars4/5The Secret Miracle: The Novelist's Handbook Rating: 5 out of 5 stars5/5Basho's Narrow Road: Spring and Autumn Passages Rating: 4 out of 5 stars4/5The Restless Dead: Necrowriting and Disappropriation Rating: 5 out of 5 stars5/5The Interrogation: A Novel Rating: 3 out of 5 stars3/5The Grave on the Wall Rating: 5 out of 5 stars5/5Like a Fading Shadow: A Novel Rating: 3 out of 5 stars3/5Everyday People: The Color of Life--a Short Story Anthology Rating: 5 out of 5 stars5/5Perfume Dreams: Reflections on the Vietnamese Diaspora Rating: 4 out of 5 stars4/5Of Color: Essays Rating: 5 out of 5 stars5/5The Years, Months, Days: Two Novellas Rating: 0 out of 5 stars0 ratingsDiary of a Madman and Other Stories Rating: 4 out of 5 stars4/5Raised by Wolves Rating: 5 out of 5 stars5/5The Embroidered Shoes: Stories Rating: 4 out of 5 stars4/5Big Breasts and Wide Hips: A Novel Rating: 5 out of 5 stars5/5Fault Lines: A Memoir Rating: 0 out of 5 stars0 ratingsBest European Fiction 2011 Rating: 4 out of 5 stars4/5Conscripts of Migration: Neoliberal Globalization, Nationalism, and the Literature of New African Diasporas Rating: 0 out of 5 stars0 ratingsFish in Exile Rating: 4 out of 5 stars4/5Who's on First?: New and Selected Poems Rating: 0 out of 5 stars0 ratingsEnough to Say It's Far: Selected Poems of Pak Chaesam Rating: 0 out of 5 stars0 ratingsHumans, Beasts, and Ghosts: Stories and Essays Rating: 0 out of 5 stars0 ratingsI Love Artists: New and Selected Poems Rating: 4 out of 5 stars4/5
Literary Criticism For You
The 48 Laws of Power: by Robert Greene | Conversation Starters Rating: 4 out of 5 stars4/512 Rules For Life: by Jordan Peterson | Conversation Starters Rating: 4 out of 5 stars4/5The Art of Seduction: by Robert Greene | Conversation Starters Rating: 3 out of 5 stars3/5Behold a Pale Horse: by William Cooper | Conversation Starters Rating: 4 out of 5 stars4/5Circe: by Madeline Miller | Conversation Starters Rating: 4 out of 5 stars4/5Killers of the Flower Moon: by David Grann | Conversation Starters Rating: 3 out of 5 stars3/5The Untethered Soul: The Journey Beyond Yourself by Michael A. Singer | Conversation Starters Rating: 3 out of 5 stars3/5Just Kids: A National Book Award Winner Rating: 4 out of 5 stars4/5The Book of Virtues Rating: 4 out of 5 stars4/5Man's Search for Meaning: by Viktor E. Frankl | Conversation Starters Rating: 3 out of 5 stars3/5SUMMARY Of The Plant Paradox: The Hidden Dangers in Healthy Foods That Cause Disease and Weight Gain Rating: 4 out of 5 stars4/5Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.by Brené Brown | Conversation Starters Rating: 5 out of 5 stars5/5Letters to a Young Poet Rating: 4 out of 5 stars4/5Verity: by Colleen Hoover | Conversation Starters Rating: 4 out of 5 stars4/5The Power of Habit: by Charles Duhigg | Conversation Starters Rating: 3 out of 5 stars3/5Quiet: The Power of Introverts in a World That Can't Stop Talking by Susan Cain | Conversation Starters Rating: 2 out of 5 stars2/5The Seven Basic Plots: Why We Tell Stories Rating: 4 out of 5 stars4/5A Reader’s Companion to J.D. Salinger’s The Catcher in the Rye Rating: 4 out of 5 stars4/5
Reviews for The Writer as Migrant
Rating: 3 out of 5 stars
3/5
2 ratings2 reviews
- Rating: 3 out of 5 stars3/5These are three essays on the notion of migration for the writer, mostly explained through other writers such as Nabokov, Conrad, Kundera and Naipaul.In the first essay, The Spokesman & the Tribe, Jin explores the balance between the individual and the collective, and asks to what extent a writer can 'speak for' his nation or people, especially if he has abandoned them to live in a new country. I was interested in his initial desire as a young writer to write "on behalf of the downtrodden Chinese". He makes it clear that he later abandoned this position, but I would have liked to know more about how and why.In fact, throughout the whole book I would have liked to know more about Ha Jin's thoughts on migration. His journey, after all, was an interesting one - from an uneducated teenage soldier in the Chinese army during the Cultural Revolution to a professor at Boston University and author of five novels, a couple of which I've read and greatly enjoyed. I would have liked him to draw on his own experience of migration, but he does so only rarely, in small glimpses like the one mentioned above. Mostly what we have is a survey of other writers and their thoughts on migration - quite interesting, but for me ultimately unsatisfying because there was no clear overall argument or point of view to draw the whole thing together.In any case, it was interesting to learn about Solzhenitsyn's life in America, how he lived in rural Vermont but never really settled, never took citizenship, was always waiting to go back to Russia. After the fall of the Soviet Union he got his chance, but the interesting thing was that after moving back home, he struggled to speak effectively on behalf of the new Russia, as he had spoken on behalf of the old while in exile. His later books Russia in Collapse (1998) and Two Hundred Years Together (2001) were coldly received, and he was seen as out of touch. Even his radio show was cancelled due to low ratings. Ha Jin's point is that he was loved for his earlier masterpieces, but even that did not give him the right to speak on behalf of the people - when his views no longer matched theirs, they rejected him.The second essay, The Language of Betrayal, deals with the decision to write in another language. Again, Jin does not speak of his own decision to write in English and whether he feels this is a betrayal -- instead we hear about Joseph Conrad being criticised for abandoning the Polish language, and Nabokov's difficulty writing poetry in English even though he was a master of prose.An Individual's Homeland explores the difficulty of returning home -- the way that Odysseus initially didn't recognise Ithaka when he returned after his twenty years of exile, because both he and the land itself had changed. As Jin says, "One cannot return to the same land as the same person." He talks of using art to survive, as the character Max Ferber does in W.G. Sebald's book The Emigrants. He ends by referring to the Greek poet CP Cavafy, who positions 'Ithaka' as a destination for life's journey, but not necessarily a return to the homeland. The homeland becomes a part of the past that can be used "to facilitate our journeys".As you'd expect from an English professor, the analysis of writers and books here is astute and interesting. I just got the feeling sometimes that he was talking about other writers to avoid talking about himself. Using literary examples is a good idea, but I'd have preferred them to be used to support a clearer argument from Ha Jin himself, drawing on his own experiences to give us his unique, original perspective instead of a summary of other people's.
- Rating: 3 out of 5 stars3/5Ha Jin is one of my favorite writers. He writes funny and ironic stories about Mainland Chinese caught between communism and capitalism, how these two great ideas weighed down ordinary people's lives and how they sought to survive in spite of the odds.
In this slim volume, Ha Jin reflects on the experiences of migrant writers, including exiles, trying to reconstruct their homelands and navigating issues of loyalty and betrayal. He also has something to say about writers like him who not only abandoned the homeland, but jettisoned the language as well (Ha Jin, like the Polish Joseph Conrad, writes in English). The book reflects on the great migrant writers Conrad, Solzhenitsyn, Naipaul, Nabokov, Lin Yutang, James Joyce, CP Cavafy and Homer.
Book preview
The Writer as Migrant - Ha Jin
Enjoying the preview?
Page 1 of 1