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Murder at the Brightwell: A Mystery
Murder at the Brightwell: A Mystery
Murder at the Brightwell: A Mystery
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Murder at the Brightwell: A Mystery

Rating: 3.5 out of 5 stars

3.5/5

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Shortlisted for the Edgar Awards

Ashley Weaver’s debut mystery, Murder at the Brightwell, is a delicious, stylish novel in which murder invades British polite society and romance springs in unexpected places, and a wonderful testament to the enduring delight of the traditional mystery.

“An elegant Christie-esque 1930s romp.” —Deborah Crombie

“If you love Downton Abbey, you'll adore Ashley Weaver’s charming debut.”—Susan Elia MacNeal

“It’s more terrible than you think, Mrs. Ames. It appears that Mr. Howe was murdered.”

Amory Ames, a wealthy young woman questioning her marriage to her notoriously charming playboy husband, Milo, is looking for a change. She accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will not only test her friendship with Gil, but also will upset the status quo with her husband.

Amory accompanies Gil to the luxurious Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe a disreputable ladies man. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Matters are further complicated by Milo’s unexpected arrival, and as the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.

*BONUS CONTENT: This edition of Murder at the Brightwell includes a new introduction from the author and a discussion guide

Also out now in the Amory Ames mysteries: Death Wears a Mask, A Most Novel Revenge, The Essence of Malice, An Act of Villainy, and A Dangerous Engagement

LanguageEnglish
Release dateOct 14, 2014
ISBN9781466846531
Murder at the Brightwell: A Mystery
Author

Ashley Weaver

ASHLEY WEAVER is the Technical Services Coordinator at the Allen Parish Libraries in Oberlin, Louisiana. Weaver has worked in libraries since she was 14; she was a page and then a clerk before obtaining her MLIS from Louisiana State University. She is the author of Murder at the Brightwell, Death Wears a Mask, and A Most Novel Revenge. Weaver lives in Oakdale, Louisiana.

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Reviews for Murder at the Brightwell

Rating: 3.6037735094339625 out of 5 stars
3.5/5

159 ratings26 reviews

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  • Rating: 3 out of 5 stars
    3/5
    1932: Amory broke her engagement to Gil in order to marry the well known playboy, Milo. Milo has just returned from Monte Carlo, when Gil visits & asks Amory to accompany him to the seaside resort of Brightwell in order to convince his sister Emmaline not to marry her Playboy fiancee Rupert....Gil is overheard arguing w/ Rupert and the next day Amory finds Rupert dead, pushed over the terrace.In the mean time Milo shows up, complicating matters; Gil is arrested for Ruperts murder; a wife is drugged & her husband is drown in his bath while Amory & Milo are hiding in his closet; Amory's aspirins are switched w/ sleeping tablets; a gauche femme fatale makes for Milo; and a young woman attempts suicide....Fast paced, interesting w/ romantic tension and fashion description....
  • Rating: 3 out of 5 stars
    3/5
    nice little book to enjoy on a rainy day with a cup of tea! strong, lead heroine, a little romance, and murders to solve by the sea!!
  • Rating: 4 out of 5 stars
    4/5
    I enjoyed it. Sort of Downton Abbey meets Agatha Christie. Set in the 1930's, it's a murder mystery at a beachside resort that a group of upper class acquaintances have gathered for a holiday. I like the main sleuth, Amory Ames, and the interactions with her husband Milo. They have a lot of chemistry. I think this series will only improve as the author becomes more comfortable with her characters and the reader gets to know them better. Already reading the next book in the series.
  • Rating: 4 out of 5 stars
    4/5
    Entertaining murder but the relationships need work. Amory Ames is unhappily married to Milo and Gil Trant her former finance asks her to accompany him to try to dissuade his sister from making a mistake with the man she intends to marry. Then the unsuitable suitor is dead and Gil is the prime suspect. Amory is drawn into the investigation and finds herself caught between her husband and her ex-fiance.The relationships weren't great and need work into the future but the story worked well as a murder mystery.
  • Rating: 3 out of 5 stars
    3/5
    The mystery was pretty good but I was not so thrilled with the protagonist and her mixed up relationship with her husband. I also think that the author's portrayal of 1932 England did not come across as very believable -- perhaps I have read too many mysteries that were actually written in the 1930s to enjoy the faux experience!
  • Rating: 4 out of 5 stars
    4/5
    Murder Mystery set in 1930's England. Smart and snappy, you would never believe written by a Louisiana Librarian! The dialogue felt very authentic for the time period. Wonderful, fast paced and definitely a good read!
  • Rating: 3 out of 5 stars
    3/5
    Amory Ames is asked by her former fiancé, Gil Trent, to accompany him to the Brightwell Hotel and talk to his sister, Emmeline, concerning the man she is marrying. Gil is convinced that there is something wrong with him and his attentions to his sister. But it is not long before a body is found, is it an accident or murder. Amory investigates.
    An enjoyable easily read mystery.
  • Rating: 3 out of 5 stars
    3/5
    Gee, this is a swell mystery. Set in the 30's amongst the well to do set in England. Charmingly done with engaging main characters.
  • Rating: 4 out of 5 stars
    4/5
    "Murder at the Brightwell" reminds me of novels from the Golden Age of mystery. The characters are interesting and described in a way that makes them come alive to the reader. The main premise is a classic one: a group of people are on holiday at a seaside resort. One of them is murdered. The question is "Who is the murderer?" I enjoyed the interweaving of the different plot lines and how the personalities of the potential murderers are revealed. I also appreciated the subtle interplay between Amory, the main character and amateur sleuth, and her estranged husband Milo. The seaside setting adds drama to the plot. I received this novel from the publisher and NetGalley in exchange for an honest review. The opinions expressed here are entirely my own.
  • Rating: 3 out of 5 stars
    3/5
    Amory Ames is a wealthy young woman who regrets her marriage to her notoriously charming playboy husband, Milo. Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.

    Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim.

    Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    This was pitched to me as Agatha Christie-esque, but it really wasn't. I found myself disappointed mostly because I was expecting something much different. The story itself was okay and the plot was well-developed, but there were some subplots that were just completely unnecessary.

    *Book received from NetGalley in exchange for an honest review*
  • Rating: 4 out of 5 stars
    4/5
    This first book in the Amory Ames cozy series, which is set in 1930's England at a seaside hotel, has the feel of a "golden age" mystery, though it was published in 2014.Interesting plot and a lead character, sleuth Amory Ames, is a person I would love to read more about. I'm not sure how many of the other characters, if any, will appear in future books, but they were well done.If you enjoy reading a historical mystery about murder among the upper crust, and I do, this one's for you. In fact, I'm tracking down the other books in this enjoyable series in an effort to get caught up.A fun read that I'd recommend to my cozy-loving friends!!(I received a copy of this book, from the publisher, via Net Galley, in exchange for a fair and honest review.)
  • Rating: 5 out of 5 stars
    5/5
    Well written and intriguing. I look forward to reading the entire series.
  • Rating: 3 out of 5 stars
    3/5
    If a snippet of a book review reads, "It's all very Downton Abbey," one could lay a bet that I will show an interest. True to anticipation, life for the posh and wealthy of post-WWII England at the seaside resort of Brightwell is just all that − that is, murder under the best of manners in the most luscious of wardrobes all on display through the politest biting sarcasm.
  • Rating: 5 out of 5 stars
    5/5
    A murder mystery in the classic style of Agatha Christie and a country-house murder. Really, really liked this. Will be back for more.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    A skillfully done throwback of a mystery from days gone by. A classic British whodunit that takes place at an ocean side resort. There are series of deaths and not only are the police looking for the culprit but also one of the lady guests takes it upon herself to do her own investigation. Then you can throw in some sexual tension between her wayward husband and a former beau who is staying at the resort. It was very refreshing to read an old school mystery that takes place in the 1930's. I hope Ms. Weaver continues to bless us with these well conceived yarns.
  • Rating: 2 out of 5 stars
    2/5
    This is a better than average murder mystery / cozy that takes place at a seaside hotel. The "detective" Amory is called on to help her childhood friend, Gil, persuade his sister not to marry the scoundrel that is murdered early in the book. The most unusual part is that Amory is married to another scoundrel, Milo and tossed over Gil five years previously. Lifestyles and time period reminded me of the Nick and Nora books.
  • Rating: 3 out of 5 stars
    3/5
    As I approached the end of "Murder at the Brightwell" (MAB) I began to think about how I would write this review, specifically how I would describe the book. It seemed pretty clear to me that it is a cozy, a descendant if you will of the genteel who-dunits of 70-80 years ago. But then the killer is identified with still several chapters to go, and the book seemed to morph into a romance/mystery. As I view the mystery market, it seems to me that this niche evolved from the 200 page romance novels found on drugstore racks along with along with other books apparently featuring half-naked muscular cowboys. But this is a better book than many of those. I suppose MAB might bring back some memories of those "Thin Man" movies, only the lead character in a movie of MAB would be Myrna Loy, not William Powell. Why is this so important? There is a lot of crime fiction out there these days with a number of niches like the two I mentioned above, and many writers have strong preferences for their favorite types. I don't care for either cosies or romance/mysteries and I read MAB because of some favorable reviews from blogs I follow and as a break from my own favorite stuff. This is Weaver's first book, and I thought it was OK.; I note this will be a series, no surprise, and book 2 is due in October, 2015.MAB takes place in 1932 and we know this because it says so in the Chapter heading on page 1. I don't recall many additional time references that would have enhanced the story with links to what the world was like in 1932. Anyway, thirteen (by my count) friends, acquaintances, spouses gather at a beach hotel in Brighton for a week's relaxation. Our starlet, Amory Ames, is there without her husband, Milo, who is a rogue by the way, but she is with Gil, a guy she dumped five years ago to marry Milo (how could I have missed all the signs that this was going to be a mystery plus romance). Before too long there is dead body, a local cop, and a lot of who was in the sitting room with whom when the killer struck. Of course, Amory decides she is going to get to the bottom this and she beings her own investigation. Suddenly, Milo is on the scene. Soon there are a number of knee-buckling kisses followed by second thoughts or by fading scenes. But no graphic sex, remember it is 1932. And that's it. For some readers, this would be a very nice summer beach book.
  • Rating: 4 out of 5 stars
    4/5
    This was a pretty laid back murder mystery, I only say that because the seaside vacation was one I would love to be on, even if there is a murder involved. Very good Ashley Weaver!
  • Rating: 3 out of 5 stars
    3/5
    nice little book to enjoy on a rainy day with a cup of tea! strong, lead heroine, a little romance, and murders to solve by the sea!!
  • Rating: 4 out of 5 stars
    4/5
    It’s 1932 England. Our heroine, Amory Ames, is five years into her marriage to Milo, for whom she dumped her then-fiancé Gil Trent. After not seeing each other for ages, Gil visits Amory to ask a favor. His sister Emmeline is engaged to Rupert Howe (a playboy who reminds Amory of Milo, whom ladies love and gossip columnists love to write about) and Gil wants Amory’s help to talk his sister out of the marriage. Amory wants to help Emmeline avoid the heartache she’s gone through with Milo. All the “players” in our little story will be at the Brightwell Hotel and Amory makes plans to meet Gil there to talk to Emmeline. But before Amory is settled into her room, Rupert is dead, the victim of a murder made to look like an accident. Rupert and Gil had been heard arguing before the murder and so Gil is at the top of the suspect list. Amory decides to do a little snooping to save Gil from being arrested and tried for murder. Then Milo shows up. Amory is in a muddle about her marriage. Does she really want to stay married to the philandering Milo even though he still makes her heart go pitty-pat. Murder at Brightwell is standard cozy fare … with a strong but insecure heroine, a love interest (two, actually) and a marvelous setting. Not Agatha Christie but good enough.
  • Rating: 4 out of 5 stars
    4/5
    A delightful nouveau-Golden-Age mystery. Kent, 1932: Our heroine, Amory Ames, is just pondering how "it is an impossibly great trial to be married to a man one loves and hates in equal proportions" when said husband, Milo, breezes in unannounced from a stint in Monaco. Moments later, the man Amory jilted to marry Milo five years earlier shows up asking her to accompany him on holiday to the seaside Brightwell Hotel, in hope that Amory can talk his sister out of marrying her playboy fiancee, Rupert. Amory takes a page from Milo's book and swans off to the coast without explaining the situation to Milo--but when Rupert is killed, Milo appears on the scene and Amory reluctantly agrees to do some detective work with him.This is a light, well-written and plotted mystery, with a touch of romance, a la the best Golden Age writers, like Patricia Wentworth. While it adheres to the formula of that genre, author Ashley Weaver provides enough red herrings and complications to keep the reader guessing. Not sure if this is the first in a series or a standalone. It has a satisfying resolution of its own, which I really appreciate, having read far too many books recently that end weakly because they're trying to set up the next book in the series. If this is going to be a series, though, I'm looking forward to following Amory and Milo's continued adventures.NOTE: I received this book as an eARC through NetGalley in exchange for an honest review.
  • Rating: 4 out of 5 stars
    4/5
    Murder at the Brightwell is a mixture of the The Thin Man’s, Nick and Nora Charles and Noel Coward’s Private Lives play. Amory leaves her playboy husband, Milo, at home in London to accompany a former fiancé, Gil, to the seaside to talk his younger sister, Emmeline, out of marrying a man like Milo. The day after arriving at Brightwell, Emmeline’s fiancé is murdered. The guests at the hotel know one another, and Milo arrives to check on Amory and Gil. Amory and Milo insert themselves into the very calm and efficient Inspector Jones' investigation.
  • Rating: 4 out of 5 stars
    4/5
    I found this book a quick and interesting read. The wealthy 1930s couples on holiday and then boom a murder happens. These characters and this book reminded me of the Great Gatsby and the Fitzgerald’s. The wealthy behaving badly on holiday.This is another book that was unpredictable. The ending was not what I was expecting. It was easy to read and easy to follow. Not exactly packed with edge of your seat action, but it keeps you reading. Amory plays the role of private investigator with her husband Milo sneaking around and meddling to try to clear her friend Gil of murder accusations. I think that we will be hearing more from Ashley Weaver that this will maybe be a series. I plan to keep a look out for her in the future. I think she is on the right track!! I give this book a 4 out of 5 stars.
  • Rating: 4 out of 5 stars
    4/5
    Amory goes to stay at the Brightwell Hotel with Gil, whom she jilted to marry Milo five years ago. Her marriage is in trouble and Gil wants her to advise his sister Emmeline not to make a similar mistake in marrying her fiancé Rupert. this does not strike me as a particularly convincing plot setup, but anyway... Amory (who makes a point of describing every outfit she wears - and she wears a lot of them - her luggage must have been extensive) is followed to the hotel by Milo and people get murdered. The murders are solved and Amory has to choose between Milo and Gil.I wanted to like this book more than I did. It reads like a cross between Agatha Christie and Mary Stewart. Amory and Milo are fairly well drawn, but most of the other characters (including Gil) are flat. The narrative is superficial and some of the plot elements are unoriginal - the murderer turns out to be mad, one of the characters turns out to be German, the detective is competent, but Amory still feels the need to investigate and keep searching people's rooms. I did enjoy the scene with Milo and Amory in the wardrobe though.There were a few grammatical errors in my Kindle version.
  • Rating: 3 out of 5 stars
    3/5
    “Murder at the Brightwell” focuses on well-to-do Amory Ames who, after five years seems to find herself in a less-than-satisfactory marriage with ne’er-do-well Milo. She agrees to accompany her former fiancé, Gil Trent, to a seaside resort in an effort to dissuade Gil’s sister Emmeline from marrying the disreputable Rupert Howe. As might be expected, shortly after their arrival at the resort Rupert meets an untimely end and, in short order, Gil is suspected of having done the deed. This, of course, prompts Amory to do a little sleuthing of her own. When Milo unexpectedly appears at the Brightwell, he and Amory form an uneasy alliance to clear Gil’s name. A second murder complicates matters, leaving Amory to ferret out the real murderer, keep herself from becoming the next victim, and, at the same time, decide if she and Milo will be able to repair their faltering marriage or if her heart truly belongs to another.The disparate cast of likely [and unlikely] suspects is an intriguing mix --- think Clue set in a luxurious hotel circa 1932. Add the genre’s requisite secrets, a hint or two of romance, and a perfect atmospheric setting; the result is a delightful cozy read.
  • Rating: 5 out of 5 stars
    5/5
    Set at a luxury resort by the sea in 1930’s Britain, Murder at Brightwell has all the ingredients of a perfect diversion--well burnished prose, a captivating plot, witty dialog, elegant fashions, charming cads, upper class shenanigans, love gone wrong, secrets galore, an appealing main character, and murder. What could be more fun than that? I dashed through the story.Five years ago Amory Ames married Milo, her far too charismatic playboy husband, and then regretted that choice almost immediately. Milo jaunts off to places like Monte Carlo to engage in gossip column worthy amusements far too often, leaving Amory all alone with the servants, so when her former fiancé knocks on the door one day Amory can’t help wondering what might have been. Amory has known Gil Trent since they were children and he’s everything Milo is not--steady, dependable, and trustworthy. After years of no contact he’s come to ask a favor that involves Amory accompanying him on a holiday by the sea, and Amory decides, why not? It’s a request and opportunity she can’t resist, but then someone is murdered and Gil is accused and Milo of all people shows up making everything all the more confusing. Amory investigates, of course, and a wonderful cast of characters make up the possible suspects. The romance and murder aspects of the story are finely balanced so that both threads kept me in suspense for most of the book. Murder at Brightwell is author Ashley Weaver’s debut novel, and I will be eagerly awaiting her second.

Book preview

Murder at the Brightwell - Ashley Weaver

AN INTRODUCTION FROM THE AUTHOR

FOR AS LONG as I can remember, I’ve loved mysteries. As a child, I owned bookshelves full of mystery novels, and trips to the library would fill my arms with stacks more, which I brought home and promptly devoured. I was drawn to the allure of the unknown and how all the little pieces of the puzzle fit together to make the picture complete. I wrote my first book in elementary school, an adventure featuring a brother-and-sister detective team. That was the start of my love of writing, and I began to dream of one day being a mystery author.

Fast-forward twenty-odd years, and one night I had a dream featuring a woman named Amory Ames. Upon waking, I couldn’t remember anything from the dream other than her name, but I thought she sounded like an intriguing character. I sat down and started writing, and Amory Ames was born. Right from the start, I had a very strong idea of who I wanted her to be. I pictured Amory as an intelligent, elegant, and confident woman who is very at home in her 1930s upper-class surroundings. Independent and modern, she is well equipped to solve the mysteries that cross her path.

People often ask why I chose to set the novel in the 1930s. Really, I never considered otherwise. Perhaps it was that Amory came to me as a fully formed character, her time and place already determined. Or perhaps it was that the 1930s have always had a special appeal for me. I grew up watching black-and-white films from that decade and fell in love with their glittering portrayals of glamorous and sophisticated people. Amory fits perfectly into that world. The shifting dynamic between the traditional social conventions and the newfound freedoms of an emerging modern era creates interesting challenges for the clever and level-headed Amory, who must balance societal intrigues with a troubled marriage to her charming-but-wayward playboy husband, Milo.

When I began thinking of the setting for a mystery novel, my mind went at once to the seaside. What better place to plot a murder than at the beach, the sudden violence a startling contrast to the natural tranquility of a coastal resort? The Brightwell Hotel materialized, along with a cast of potential suspects, and Amory Ames was ready to solve her first mystery with Milo’s reluctant aid. As they navigate the tangled threads of hidden motives and secret agendas, Amory and Milo discover that they make an excellent detective team—and that murder just might be the remedy for a marriage on the rocks.

Murder at the Brightwell is the culmination of my childhood ambition to be a mystery author and a nocturnal nudge from my brain about a young woman named Amory Ames; so, in a way, it has become a double dream come true. I loved bringing Amory to life in her first adventure, and I hope you find in its pages all the enjoyment I found in writing it!

1

KENT, ENGLAND 1932

IT IS AN impossibly great trial to be married to a man one loves and hates in equal proportions.

It was late June, and I was dining alone in the breakfast room when Milo blew in from the south.

Hello, darling, he said, brushing a light kiss across my cheek. He dropped into the seat beside me and began buttering a piece of toast, as though it had been two hours since I had seen him last, rather than two months.

I took a sip of coffee. Hello, Milo. How good of you to drop in.

You’re looking well, Amory.

I had thought the same of him. His time on the Riviera had obviously served him well. His skin was smooth and golden, setting off the bright blue of his eyes. He was wearing a dark gray suit, lounging in that casual way he had of looking relaxed and at home in expensive and impeccably tailored clothes.

I hadn’t expected to see you back so soon, I said. His last letter, an offhanded attempt at keeping me informed of his whereabouts, had arrived three weeks before and hinted that he would probably not return home until late July.

Monte Carlo grew so tedious; I simply had to get away.

Yes, I replied. Nothing to replace the dull routine of roulette, champagne, and beautiful women like a rousing jaunt to your country house for toast and coffee with your wife.

Without really meaning to do so, I had poured a cup of coffee, two sugars, no milk, and handed it to him.

You know, I believe I’ve missed you, Amory.

He looked me in the eyes then and smiled. Despite myself, I nearly caught my breath. He had that habit of startling, dazzling one with his sudden and complete attention.

Grimes, our butler, appeared at the door just then. Someone to see you in the morning room, madam. He did not acknowledge Milo. Grimes, it had long been apparent, was no great admirer of my husband. He treated him with just enough respect that his obvious distaste should not cross the boundary into impropriety.

Thank you, Grimes. I will go to the morning room directly.

Very good, madam. He disappeared as noiselessly as he had come.

The fact that Grimes’s announcement had been so vague as to keep Milo in the dark about the identity of my visitor was not lost on my husband. He turned to me and smiled as he buttered a second piece of toast. Have I interrupted a tryst with your secret lover by my unexpected arrival?

I set my napkin down and rose. I have no secrets from you, Milo. I turned as I reached the door and flashed his smile back at him. If I had a lover, I would certainly inform you of it.

*   *   *

ON MY WAY to the morning room, I stopped at the large gilt mirror in the hallway to be sure the encounter with my wayward husband had not left me looking as askew as I felt. My reflection looked placidly back at me, gray eyes calm, waved dark hair in place, and I was reassured.

It took time, I had learned, to prepare myself for Milo. Unfortunately, he did not often oblige me by giving notice of his arrival.

I reached the door to the morning room, wondering who my visitor might be. Grimes’s mysterious announcement was a reflection of my husband’s presence, not the presence of my visitor, so I would have been unsurprised to find as commonplace a guest as my cousin Laurel behind the solid oak door. I entered the room and found myself surprised for the second time that morning.

The man seated on the white Louis XVI sofa was not my cousin Laurel. He was, in fact, my former fiancé.

Gil.

Hello, Amory. He had risen from his seat as I entered, and we stared at one another.

Gilmore Trent and I had known each other for years and had been engaged for all of a month when I had met Milo. The two men could not have been more different. Gil was fair; Milo was dark. Gil was calm and reassuring; Milo was reckless and exciting. Compared with Milo’s charming unpredictability, Gil’s steadiness had seemed dull. Young fool that I had been, I had chosen illusion over substance. Gil had taken it well and wished me happiness in that sincere way of his, and that was the last that I had seen of him. Until now.

How have you been? I asked, moving forward to take his hand. His grip was warm and firm, familiar.

Quite well. And you? You look wonderful. Haven’t changed a bit. He smiled, eyes crinkling at the corners, and I felt instantly at ease. He was still the same old Gil.

I motioned to the sofa. Sit down. Would you care for some tea? Or perhaps breakfast?

No, no. Thank you. I realize I have already imposed upon you, dropping in unannounced as I have.

A pair of blue silk-upholstered chairs sat across from him, and I sank into one, somehow glad Grimes had chosen the intimate morning room over one of the more ostentatious sitting rooms. Nonsense. I’m delighted to see you. I realized that I meant it. It was awfully good to see him. Gil had kept out of society and I had wondered, more than once in the five years since my marriage, what had become of him.

It’s good to see you too, Amory. He was looking at me attentively, trying to determine, I supposed, how the years had changed me. Despite his claim that I was still the same, I knew the woman before him was quite different from the girl he had once known.

Almost without realizing it, I had been appraising him as well. Five years seemed to have altered him very little. Gil was very good-looking in a solid and conventional sort of way, not stunning like Milo but very handsome. He had dark blond hair and well-formed, pleasant features. His eyes were a light, warm brown, with chocolaty flecks drawn out today by his brown tweed suit.

I should have written to you before my visit, he went on, but, to tell the truth … I wasn’t sure you would see me.

Why wouldn’t I? I smiled, suddenly happy to be sitting here with an old friend, despite what had passed between us. After all, the bad behavior was entirely on my part. I am surprised that you would care to see me.

All water under the bridge. He leaned forward slightly, lending sincerity to his words. I told you at the time, there was no one to blame.

That is kind of you, Gil.

He spoke lightly, but his lips twitched up at the corners as though his mouth could not quite decide if he was serious, could not quite support a smile. Yes. Well, one can’t stop love, can one?

No. My smile faded. One can’t.

He leaned back in his seat then, dismissing the intimacy of the moment. How is Milo?

He’s very well. He returned only this morning from the Riviera.

Yes, I had read something about his being in Monte Carlo in the society columns. I could only imagine what it might have been. Within six months of my marriage, I had learned it was better not to know what the society columns said about Milo.

For just a moment, the specter of my husband hung between us in the air.

I picked up the box of cigarettes on the table and offered one to him, knowing he didn’t smoke. To my surprise, he accepted, pulling a lighter from his pocket. He touched the flame to the tip of his cigarette and inhaled deeply.

What have you been doing these past few years? I asked, immediately wondering if the question was appropriate. It seemed that some shadow of the past tainted nearly every topic. I knew that he had left England for a time after we had parted ways. Perhaps his travel since our parting was not something he wished to discuss. After all, there had been a time when we had traveled together. In the old days, before either of us had ever thought of marriage, our families had often been thrown together on various holidays abroad, and Gil and I had become fast friends and confidants. He had good-naturedly accompanied me in searching out scenic spots or exploring ancient ruins, and our evenings had been occupied by keeping one another company in hotel sitting rooms as our parents frequented foreign nightspots until dawn. Sometimes I still thought fondly of our adventures together and of those long, comfortable conversations before the fire.

He blew out a puff of smoke. I’ve traveled some. Kept busy.

I expect you enjoyed seeing more of the world. Do you remember the time we were in Egypt…

He sat forward suddenly, grounding out his cigarette in the crystal ashtray on the table. Look here, Amory. I might as well tell you why I’ve come.

Years of practice in hiding my thoughts allowed me to keep my features from registering surprise at his sudden change of manner. Certainly.

He looked me in the eyes. I’ve come to ask a favor.

Of course, Gil. I’d be happy to do anything…

He held up a hand. Hear me out before you say yes. He was agitated about something, uneasy, so unlike his normally contained self.

He stood and walked to the window, gazing out at the green lawn that went on and on before it ended abruptly at the lake that marked the eastern boundary of the property.

I waited, knowing it would do little good to press him. Gil wouldn’t speak until he was ready. I wondered if perhaps he had come to ask me for money. The Trents were well-off, but the recent economic difficulties had been far-reaching, and more than a few of my friends had found themselves in very reduced circumstances. If that was the case, I would be only too happy to help.

I don’t need money, if that’s what you’re thinking, he said, his back still to me.

Despite the tension of the situation, I laughed. Still reading my mind.

He turned, regarding me with a solemn expression. It’s not so hard to read your mind, but your eyes are harder to read than they used to be.

Concealment comes with practice, I replied.

Yes, I suppose it does. He walked back to the sofa and sat down.

When he spoke, his tone had returned to normal. Have you seen anything of Emmeline these past years?

I wondered briefly if he had decided not to ask me the favor, reverting instead to polite conversation. Emmeline was Gil’s sister. She was younger than me by three years and away at school in France during much of our acquaintance, but we had been friends. After my engagement to Gil had ended, however, Emmeline and I had drifted apart.

Once or twice at London affairs, I answered.

Was she … do you remember the chap she was with?

I cast my mind back to the last society dinner at which I had seen Emmeline Trent. There had been a young man, handsome and charming, if I recalled correctly. Something about my memory of him nagged at me, and I tried to recall what it was.

I remember him, I said. His name was Rupert something or other.

Rupert Howe, yes. She plans to marry him.

I said nothing. There was more to come; that much was certain.

He’s not a good sort, Amory. I’m sure of it.

That may be, Gil, I said gently. But, after all, Emmeline is a grown woman. Emmeline would be twenty-three now, older than I had been when I married.

It’s not like that, Amory. It isn’t just that I don’t like the fellow. It’s that I don’t trust him. There’s something … I don’t know… His voice trailed off, and he looked up at me. Emmeline has always liked you, looked up to you. I thought that, perhaps…

Was this why he had come? I had no influence on Emmeline. If she won’t listen to you, I said, whatever makes you think she will care what I have to say?

He paused, and I could see that he was formulating his words, planning out what he would say. Gil had always been like that, careful to think before speaking. There’s a large party going down to the south coast, a little village outside Brighton, tomorrow. Emmeline and Rupert and several other people I’m sure you know. We’ll be staying at the Brightwell Hotel for a week. I came to ask you if you would go on the pretext of a holiday.

I was surprised at the invitation. I had not seen Gil in five years, and suddenly here he was, asking me to take a trip to the seaside. I still don’t understand. What can I do, Gil? Why come to me?

I … Amory, his eyes came up to mine, the brown flecks darker than they had been. "I want you to accompany me … to appear to be with me. You understand?"

I did understand him, just as easily as I once had. I saw just what he meant. I was to go with him to the seaside, to give the impression that I had left Milo. That my marriage had been a mistake. Emmeline had seen the society columns, the reports of my husband gallivanting across Europe without me; she would believe it.

I suddenly comprehended that there would be good reason for me to talk to Emmeline, how I would have authority when Gil didn’t.

Gil had said he didn’t trust Rupert Howe. I knew he was right. I knew Gil had seen in Rupert the same thing that had caught my attention when I had met him.

Emmeline’s Rupert had reminded me of Milo.

My decision was almost immediate. I should be delighted to come, I said. I should like to keep Emmeline from making a mistake, if I possibly can.

Gil smiled warmly, relief washing across his features, and I found myself returning the smile. The prospect of a week at the seaside in the company of old friends was not an unappealing one, at that.

Of course, had I known the mayhem that awaited, I would have been more reluctant to offer my services.

2

GIL LEFT IMMEDIATELY, declining my offer to stay even for lunch.

I walked him to the door, and there was an easy silence between us, the companionability of shared conspiracy.

He took my hand as we stepped out onto the drive and into the warm morning light. If you don’t want to do this, you have only to say so. I have no right to ask anything of you, Amory. It’s just that I knew at once that you would understand. He offered me a slightly unsteady smile as the past resurfaced. And I seem to recall that you were always keen on a bit of adventure.

I had been once. Gil had teased me for my sense of daring, my daydreams of great exploits. However, life so seldom became what we expected it to be; adventure had been very sparse these past few years.

I am happy to do what I can, Gil. Truly.

He brushed his thumb lightly over my hand. What will you tell your husband?

I don’t know that I’ll tell him anything. I smiled weakly. He probably won’t notice I’m gone.

Gil’s eyes flickered over my shoulder. I’m not so certain of that.

I didn’t turn around, but instead leaned to brush a kiss across his cheek. Good-bye, Gil. I’ll see you soon.

He released my hand as he turned toward his motorcar, a blue Crossley coupe. Yes, soon.

I watched his car as it drove down the long driveway; I didn’t turn around, even as I sensed Milo behind me.

That was Gil Trent, wasn’t it?

I turned then. Milo was leaning against the door frame, arms crossed, his pose as casual as his tone had been. He was wearing riding clothes, a white shirt under a black jacket and fawn-colored trousers tucked into shining black boots. The picture of a country gentleman.

Yes. It was.

One dark brow moved upward, ever so slightly. Well. Did you ask him to stay for lunch?

He didn’t care to.

He tapped his riding crop against his leg. Perhaps he hadn’t expected me to be here.

Yes, well, you do flit about, darling.

We looked at one another for a moment. If Milo was waiting for more, he was going to be disappointed. I had no desire to satisfy his curiosity. Let him wonder what I was up to for once.

Going riding? I asked breezily, moving past him and into the shadowed entryway.

His voice followed me into the dimness. Care to join me?

The invitation stopped me, and I was instantly irritated with myself. I turned. The light behind him in the doorway turned him to shadow, but I could tell he was watching me.

I wanted to go, but I knew that it really mattered very little to Milo if I did or not.

He waited.

All right, I said at last, weakening. I’ll just run up and change.

I’ll wait for you at the stables.

I went up to my room, preoccupied by the morning’s strange turn of events. Fancy Gil Trent coming to see me, after all this time. There had been something a bit mysterious in his manner. I wondered if things were as straightforward as he had made them seem. Could there really be something so very wrong with Rupert Howe? I tried again to remember the young man but could recall only a fleeting impression of suave attractiveness. I hoped that Gil was merely playing the role of overprotective brother, but I knew that he was not inclined to exaggeration, nor would he have judged Rupert Howe harshly without good reason.

Good reason or not, I reflected, our intervention was likely a lost cause. I was not under any illusions that I would somehow be able to deter Emmeline from her course if she had truly determined to wed the man, but I supposed it wouldn’t hurt to try.

However, if I was honest, I had to admit that I was partly compelled to accept Gil’s proposal for motives that were not entirely altruistic. The truth was that I was finding it more and more difficult to ignore that I was terribly unhappy. Perhaps I had not admitted it completely, even to myself, until today.

It was as if Milo’s homecoming, Gil’s arrival, or some combination of the two had ignited in me the sudden realization that my lifestyle had become dissatisfying. Though I stayed as busy as possible, there was only so much for which involvement in local charities could compensate. London had felt stifling these past few months, but I was still too young to have settled seamlessly into quiet country life. In short, I was unsure what I wanted. Perhaps aiding Gil would help alleviate my recent malaise and allow me the satisfaction of usefulness, however temporary it might be.

There was, of course, my reputation to be considered. I had agreed to accompany Gil with little thought to any possible consequences, social or otherwise. Now that I had time to reflect, I was perfectly aware of how it would look for me to accompany him to the seaside, no matter how many of our mutual acquaintances would be there. If I wasn’t careful, scandal could quite conceivably ensue. Yet I found suddenly that I didn’t really care. It was no one’s business but my own what I chose to do.

I had changed into my riding costume, ivory-colored trousers and a dark blue jacket, and I stopped before the full-length mirror, noticing the way that the trousers and well-cut jacket outlined my figure, how the color of the jacket seemed to breathe a bit of blue into my gray eyes. Milo had, in fact, bought these clothes for me. His taste was impeccable, if expensive, and the costume’s overall suitability to my shape and coloring were indicative of his affinity for detail when it came to the fairer sex.

I wondered what Milo would think of my little holiday, but I pushed the thought away. He did as he pleased. There was no reason why I should not do the same.

My mental reservations systematically overruled, I went downstairs to meet my husband for our morning ride.

I arrived at the stables as he was leading out his horse, Xerxes, a huge black Arabian with a notorious temper. Only Milo could ride him, and the horse seemed excited at the prospect of a jaunt with his master, stamping his feet and snorting as he walked into the sunshine.

I watched my husband as he spoke to the horse, patting its sleek neck, the glossy black mane the same color as Milo’s own coal-dark hair. There was a smile on Milo’s face, and it remained there when he saw me approaching. He was happy to be home again, if only so that he was near the stables. If Milo genuinely loved anything, he loved his horses.

Geoffrey, the groom, led my horse Paloma out of the stable behind them. She was a smooth chestnut with white forelegs and face, and she was as sweet as Xerxes was temperamental.

I patted her soft nose as I approached. Hello, old girl. Ready for a ride?

Milo turned to me. Shall we?

We mounted up and set off at a brisk trot.

I felt some of the tension of the morning slip away as we rode in comfortable silence. The weather was warm, with a soft breeze, and the sun beamed down, unhindered, save for the presence of the occasional fluffy white cloud. Really, the scene was almost idyllic.

Milo looked at me suddenly and flashed me a grin that I felt in my stomach. I’ll race you to the rise.

I didn’t hesitate.

Let’s go, Paloma. A slight nudge with my heels was all it took, and she was off, racing across the open field as though she had heard the opening shot at Epsom Downs.

Xerxes took no prodding, and we flew, side by side. It had been a long time since we had done this. The rise lay across this field, as the flat land gave way to a set of low wooded hills. By crossing the field and riding upward along a path that angled to the north and then westward like a horseshoe on its side, you came to an outcropping that looked out across the estate. Milo and I had shared many an evening on that rise in the very early days of our marriage. It had been at least a year since I had set foot there.

The race was a close one. Xerxes had brute strength, but Paloma was lithe and sure-footed. Xerxes outpaced us across the field, but the path upward allowed Paloma to overtake the lead, and by the time we reached the rise, I was a length or two ahead.

I reined in Paloma as I reached the giant oak, our finish line, just as Xerxes charged up behind us.

I’ve won! I cried. The exhilaration of it all hit me, and I laughed. Milo laughed, too, a sound both strange and familiar, like hearing a melody you once loved but had forgotten

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