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Quill and Beadwork of the Western Sioux
Quill and Beadwork of the Western Sioux
Quill and Beadwork of the Western Sioux
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Quill and Beadwork of the Western Sioux

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In this book, we look at the work and style of one particular tribe The Sioux.

The Sioux are a very large family, who roamed in many directions and learned a variety of customs from their different neighbours. Those who lived at the east, like the Yankton, and Sisseton, did beadwork very much like that of the Woodland peoples even further east. Those at the west, the Oglala, were like their western neighbours, Crow, Cheyenne and Arapaho. This book applies in general to the last three tribes as well as the western Sioux.

Detailed instructions with lots of pictures and drawings accompanying them, that are great for both beginners and the more experienced crafter.
LanguageEnglish
Release dateMay 31, 2013
ISBN9781473386266
Quill and Beadwork of the Western Sioux

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    Book preview

    Quill and Beadwork of the Western Sioux - Carrie A. Lyford

    QUILL AND BEADWORK

    OF THE WESTERN SIOUX

    By

    CARRIE A. LYFORD

    Associate Supervisor of Indian Education

    Illustrated with

    Photographs and Drawings

    Plate 1. Sioux man in costume.

    Plate 2. Robe with realistic figures painted by man.

    INDIAN HANDCRAFT SERIES

    The last two decades have witnessed a rising interest in the arts and crafts of the North American Indians. After a long period of neglect, accompanied in many instances by deliberate attempts to destroy the native art expressions because of their pagan origin, the revival of interest finds both Indians and Whites in ignorance or uncertainty with regard to both origins and techniques. What is indigenously Indian, and what is the result of the adaptation by Indian creative genius of White materials or designs is often a matter of dispute, with the evidence far from conclusive. To assist Indian schools to teach the oncoming generation of young Indians to appreciate and practice the arts of their people, and to assist the older Indians in the revival and perfecting of native crafts both as an artistic and economic asset, the Education Division of the Office of Indian Affairs is undertaking the publication of a series of pamphlets, setting forth in popular language what is known about the arts or crafts of specific areas.

    We have drawn freely upon authorities and their writings in preparing this material. Much that will be found in these pamphlets has been previously published elsewhere. However in drawing together this material and presenting it in a form which will enable teachers and pupils to visualize clearly the various steps in the practical carrying out of these ancient crafts, it is hoped to further stimulate interest in Indian arts; and where practical a revival of them among the people to whom they historically belong.

    The following titles are now in preparation, or nearing publication:

    1. Quill and Beadwork of the Western Sioux, by Carrie A. Lyford.

    2. Navajo Native Dyes, by Nonabah Bryan and Stella Young.

    3. Pueblo Embroidery, by Ellen Lawrence.

    4. Seneca Basketry, by Marjorie Lismer.

    5. The Handcrafts of the Ojibwa (Chippewa), by Carrie A. Lyford.

    While prepared and published primarily for use by schools and adult classes of the Indian Service, these pamphlets are available for purchase by others.

    CONTENTS

    ILLUSTRATIONS

    Plates

    Figures

    INTRODUCTION

    THE WESTERN SIOUX

    The Problem of Decoration

    Decoration of Home and Furnishings

    Decoration of Clothing

    Decoration of Containers

    Decoration of Ceremonial Property

    SKINS AND SINEW

    Preparation of Skins

    Cleaning Dressed Skins

    Decline in the Use of Skins

    Sinew

    PORCUPINE QUILL WORK

    Dyes

    Quill Techniques

    Wrapping

    Plaiting

    Sewing

    Stitches

    One-Quill Sewing

    Two, Three and Four Quills

    Splicing

    Design

    BEAD WORK

    Bead Work Technique

    Overlaid or Spot Stitch

    Lazy Stitch

    Cloth and Thread

    Weaving

    DEVELOPMENT OF SIOUX DESIGNS

    Design Elements, Units and Patterns

    Names of Designs

    Design Elements Most Commonly Used by the Sioux

    Designs as Symbols

    Design as Related to the Object Decorated

    Use of Patterns in Making Designs

    Colors Used

    SUMMARY

    MUSEUMS

    BIBLIOGRAPHY

    COLOR KEY

    FOLIO OF SIOUX DESIGNS

    ILLUSTRATIONS

    Plate

    Figure

    Illustrations through the courtesy of:

    INTRODUCTION

    Seventy five, one hundred and two hundred years ago, when visitors from the Old World prepared their baggage for dangerous America, one of its most important items was bright colored beads for the Indians. Traders, explorers and even officials carried these beads, for they had found that Indian women urged their men to trade for them, so that the women might decorate with brilliant patterns the clothing and bags which they made. Such decoration was not a new art. For centuries, the women had been dyeing the quills of the porcupine,

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