Quill and Beadwork of the Western Sioux
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The Sioux are a very large family, who roamed in many directions and learned a variety of customs from their different neighbours. Those who lived at the east, like the Yankton, and Sisseton, did beadwork very much like that of the Woodland peoples even further east. Those at the west, the Oglala, were like their western neighbours, Crow, Cheyenne and Arapaho. This book applies in general to the last three tribes as well as the western Sioux.
Detailed instructions with lots of pictures and drawings accompanying them, that are great for both beginners and the more experienced crafter.
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Quill and Beadwork of the Western Sioux - Carrie A. Lyford
QUILL AND BEADWORK
OF THE WESTERN SIOUX
By
CARRIE A. LYFORD
Associate Supervisor of Indian Education
Illustrated with
Photographs and Drawings
Plate 1. Sioux man in costume.
Plate 2. Robe with realistic figures painted by man.
INDIAN HANDCRAFT SERIES
The last two decades have witnessed a rising interest in the arts and crafts of the North American Indians. After a long period of neglect, accompanied in many instances by deliberate attempts to destroy the native art expressions because of their pagan
origin, the revival of interest finds both Indians and Whites in ignorance or uncertainty with regard to both origins and techniques. What is indigenously Indian, and what is the result of the adaptation by Indian creative genius of White materials or designs is often a matter of dispute, with the evidence far from conclusive. To assist Indian schools to teach the oncoming generation of young Indians to appreciate and practice the arts of their people, and to assist the older Indians in the revival and perfecting of native crafts both as an artistic and economic asset, the Education Division of the Office of Indian Affairs is undertaking the publication of a series of pamphlets, setting forth in popular language what is known about the arts or crafts of specific areas.
We have drawn freely upon authorities and their writings in preparing this material. Much that will be found in these pamphlets has been previously published elsewhere. However in drawing together this material and presenting it in a form which will enable teachers and pupils to visualize clearly the various steps in the practical carrying out of these ancient crafts, it is hoped to further stimulate interest in Indian arts; and where practical a revival of them among the people to whom they historically belong.
The following titles are now in preparation, or nearing publication:
1. Quill and Beadwork of the Western Sioux, by Carrie A. Lyford.
2. Navajo Native Dyes, by Nonabah Bryan and Stella Young.
3. Pueblo Embroidery, by Ellen Lawrence.
4. Seneca Basketry, by Marjorie Lismer.
5. The Handcrafts of the Ojibwa (Chippewa), by Carrie A. Lyford.
While prepared and published primarily for use by schools and adult classes of the Indian Service, these pamphlets are available for purchase by others.
CONTENTS
ILLUSTRATIONS
Plates
Figures
INTRODUCTION
THE WESTERN SIOUX
The Problem of Decoration
Decoration of Home and Furnishings
Decoration of Clothing
Decoration of Containers
Decoration of Ceremonial Property
SKINS AND SINEW
Preparation of Skins
Cleaning Dressed Skins
Decline in the Use of Skins
Sinew
PORCUPINE QUILL WORK
Dyes
Quill Techniques
Wrapping
Plaiting
Sewing
Stitches
One-Quill Sewing
Two, Three and Four Quills
Splicing
Design
BEAD WORK
Bead Work Technique
Overlaid or Spot Stitch
Lazy Stitch
Cloth and Thread
Weaving
DEVELOPMENT OF SIOUX DESIGNS
Design Elements, Units and Patterns
Names of Designs
Design Elements Most Commonly Used by the Sioux
Designs as Symbols
Design as Related to the Object Decorated
Use of Patterns in Making Designs
Colors Used
SUMMARY
MUSEUMS
BIBLIOGRAPHY
COLOR KEY
FOLIO OF SIOUX DESIGNS
ILLUSTRATIONS
Plate
Figure
Illustrations through the courtesy of:
INTRODUCTION
Seventy five, one hundred and two hundred years ago, when visitors from the Old World prepared their baggage for dangerous America, one of its most important items was bright colored beads for the Indians. Traders, explorers and even officials carried these beads, for they had found that Indian women urged their men to trade for them, so that the women might decorate with brilliant patterns the clothing and bags which they made. Such decoration was not a new art. For centuries, the women had been dyeing the quills of the porcupine,