Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Darktown: A Novel
Darktown: A Novel
Darktown: A Novel
Ebook515 pages9 hours

Darktown: A Novel

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

“One incendiary image ignites the next in this highly combustible procedural…written with a ferocious passion that’ll knock the wind out of you.” —The New York Times Book Review

“Fine Southern storytelling meets hard-boiled crime in a tale that connects an overlooked chapter of history to our own continuing struggles with race today.” —Charles Frazier, bestselling author of Cold Mountain

“This page-turner reads like the best of James Ellroy.” —Publishers Weekly, starred review

“In the way the story is told coupled with its heightened racial context, Darktown reminded me of Walter Mosley or a George Pelecanos novel.” —Milwaukee Journal Sentinel

“High-quality…crime fiction with a nimble sense of history…quick on its feet and vividly drawn.” —Dallas Morning News

“Some books educate, some books entertain, Thomas Mullen’s Darktown is the rare book that does both.” —Huffington Post

Award-winning author Thomas Mullen is a “wonderful architect of intersecting plotlines and unexpected answers”(The Washington Post) in this timely and provocative mystery and brilliant exploration of race, law enforcement, and justice in 1940s Atlanta.

Responding to orders from on high, the Atlanta Police Department is forced to hire its first black officers, including war veterans Lucius Boggs and Tommy Smith. The newly minted policemen are met with deep hostility by their white peers; they aren’t allowed to arrest white suspects, drive squad cars, or set foot in the police headquarters.

When a woman who was last seen in a car driven by a white man turns up dead, Boggs and Smith suspect white cops are behind it. Their investigation sets them up against a brutal cop, Dunlow, who has long run the neighborhood as his own, and his partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines. Among shady moonshiners, duplicitous madams, crooked lawmen, and the constant restrictions of Jim Crow, Boggs and Smith will risk their new jobs, and their lives, while navigating a dangerous world—a world on the cusp of great change.

A vivid, smart, intricately plotted crime saga that explores the timely issues of race, law enforcement, and the uneven scales of justice.
LanguageEnglish
Release dateSep 13, 2016
ISBN9781501133886
Author

Thomas Mullen

Thomas Mullen is the author of The Last Town on Earth, which was named Best Debut Novel of the Year by USA Today and Best Book of the Year by Chicago Tribune, and won the James Fenimore Cooper Prize for excellence in historical fiction. He lives in Atlanta with his wife and son.

Related to Darktown

Titles in the series (2)

View More

Related ebooks

Police Procedural For You

View More

Related articles

Related categories

Reviews for Darktown

Rating: 4.010416666666667 out of 5 stars
4/5

192 ratings24 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    This is such a great powerful read. On one hand you feel like going into the book and start punching every bigot you see since they’re such awful hateful people. Yet on the other hand, you feel for Boggs and Smith. They’re trying so hard to elevate themselves and make everything a better place for the community and pretty much for their race. Yet they’re non stop met with opposition from both sides and it’s disheartening to see yet the most awful thing about all of this is, this all happened in the last century. It’s mind blowing and horrible how humans are but it’s a reality we all must know and be aware of.The plot itself was very interesting and the pace is steady. There’s plenty of characters to read about and the supporting characters gives the story plenty of substance. The emotions and tensions are dutifully felt in the book and you can only read on with the feeling of hopelessness as Boggs and Smith attempt to try and do their jobs as best as they can but they’re thwarted at every turn. It’s amazing they stick with the job, and admirable because of the amazing amount of strength and grit they display to go through all the obstacles they face while trying to do their investigation. The plot was also good at showing both sides of the story. Besides Boggs and Smith you also have Rakestraw who seems more moderate thinking than the rest of the characters, his behavior is certainly different and he tries to be understanding - however still maintaining his superiority mentality. It’s a start I suppose to eradicate this kind of behavior in a character but you can’t help but feel frustrated as this type of hatred and belief that is so deeply ingrained in everything; in society, thinking, in life. It’s horrible to see and to think this type of behavior still persists in other forms and methods.Definitely recommend this read despite the awful things some characters do in the book. It’s eye opening and gripping read. It will elicit powerful emotions but it’s accurate and detailed. No sugar coating here but the truth. Worth the read.
  • Rating: 5 out of 5 stars
    5/5
    Loved it - made me angry and sad
  • Rating: 4 out of 5 stars
    4/5
    It's 1948 and the City of Atlanta has just sworn in its first black police officers. Their operations are strictly controlled and restricted: they are there to police the black population of Atlanta only and have no jurisdiction at all over any any white people. With outright hostility from the white officers on the force, they are not even allowed to set foot in the Police Headquarters but are sidelined to the damp basement of the YMCA. Any requests for information or reports must be channelled through their white sergeant.Lucius Boggs and Tommy Smith are patrolling their beat at midnight when they come across a car which had driven into, and knocked over, a lamp-post. They have no jurisdiction against the drunken driver, who is white, so they phone for a squad car to make an arrest when the driver flees the scene. A black girl in the passenger seat of the car had seemed distressed, but had disappeared by the time that the squad car had caught up with the driver, only to reappear again, very much dead and clearly murdered, some days later. But why did the officers in squad car driven by Dunlow, one of those most opposed to the introduction of the black officers, not even give the car driver a ticket. And why is Boggs's sergeant McInnis rewriting his reports to remove all mention of the driver, identified as an ex-policeman called Underhill. The police department certainly isn't interested in discovering who really killed the young woman, so Boggs and Smith start to do a little detective work on their own...What drew me into this book was its historical setting and the depiction of the huge difficulties faced by Boggs and Smith just trying to do their job. I'm assuming that there is a reasonable degree of historical accuracy (someone more knowledgeable please correct me if there isn't), and of course I knew that the American South was segregated, but even so I found the level of segregation and racism really shocking...
  • Rating: 4 out of 5 stars
    4/5
    It turned out to be very different from what I normally read. Personally, it bothered me because I grew up in the 60's when racial issues were constant. However, the writing is great, and I applaud the author for what I felt was very candid information from that time frame.
  • Rating: 4 out of 5 stars
    4/5
    After WWII, officials in Atlanta deigned to allow eight black men to become policemen (beat cops) on the force, a first for the city. Well, under certain conditions that is: they were only allowed to serve in the black areas of the city, they needed to report to a crudely set up station in the Y and were never to set foot in the actual police station which was limited to whites only, and they couldn’t actually investigate any crimes. It is under these conditions that we meet rookie policemen Lucius Boggs and Thomas White when the narrative begins.It quickly becomes apparent that there is a monumental amount of graft, corruption and outright murder going on among Atlanta’s finest and the upstanding black rookies are disturbed enough by the death of a young black woman to ignore the edicts of those in charge and look into the crime in front of them even though that poses an enormous risk to them personally.I listened to this on audio and the reader, Andre Holland, a black actor, was pitch perfect and lent a dramatic authenticity to the narrative that made it all the more enjoyable. But he had fabulous material to work with. This was an elegant police procedural that highlighted the inherent racism in the city. On the one hand I was outraged and on the other found the story itself immensely compelling and satisfying. I’m looking forward to the next book in the series. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    A fantastic novel, and my only regret is not having read it sooner! It was a compelling book that accurately portrays the tension between the white and black communities in Atlanta. While the novel uses the murder to further the plot, the story delves deep into the racist culture during this time period. I absolutely loved the writing style employed here; I could feel every emotion described in the book. This is a dark, gripping novel that leaves no stone unturned as it follows the secret investigation of Boggs and Smith. I've read many mysteries and thrillers, many crime fiction stories, but this one was a whole new experience. Beautifully written and thought-provoking, I look forward to reading more by this author. This is a novel you don't want to miss out on.
  • Rating: 4 out of 5 stars
    4/5
    Dark, indeed. This is a police procedural quite unlike any others you may have read. The protagonists are Tom Smith and Lucius Boggs, two of the first black cops on Atlanta's municipal police force. It's 1950, and neither their white colleagues nor the black community they are policing are happy about their existence. They wear the uniform and badge, and carry guns, but don't have cars, and must call for white back-up if they arrest anyone. They are forbidden to enter police headquarters, working out of the drippy dim basement of a YMCA in a poor black neighborhood. They are subject to humiliation, harassment, and false charges. They watch white cops taking pay-offs from brothels and forcing confessions from suspects to close cases regardless of facts. They witness white-on-black brutality occur routinely without consequence. They are not allowed to investigate anything. But when a black girl from the country ends up shot to death and tossed on a garbage dump shortly after Officers Smith and Boggs saw her running away from a white man's car, these men decide to risk their careers and their lives, breaking the rules to find out how she got there. Often a very uncomfortable read, but impossible to leave alone.
  • Rating: 3 out of 5 stars
    3/5
    This is set in Atlanta shortly after WWII, among the very first black police officers in the city. The historical background is well done, and the different segments of black society, the different responses to white racism, and the pervasiveness of that racism were very clear. There is a lot of violence and brutality in the book, and no character is truly heroic.The mystery is well-put together, and well-described. One evening, two black police officers see a car driven by a white man slam into a street light. As they talk to him, they see that he has a black woman with him. When she is found dead, their efforts to investigate are hampered by racism, indifference, and police corruption.
  • Rating: 4 out of 5 stars
    4/5
    This was a chilling book. Set in 1948 Atlanta and using the hiring of the first 8 African-American police officers as a back drop, Thomas Mullen manages to create the rare thriller that educates as well as entertains. In some ways this is a hard book to read. Mullen confronts us with the behavior of our not so long deceased relatives.The 8 black police officers were not allowed to arrest white people. They worked out of a separate precinct. They were denied entry into the city morgue. Violence against blacks was considered acceptable. One particularly disturbing scene involves the Atlanta officers going to a small town just 40 minutes outside of Atlanta to in pursuit of the conclusion of the mystery. A trip there was no guarantee they would return from alive.We like to try and convince ourselves that lynchings and all the really horrendous elements of racism transpired centuries ago. We like to act as if our family members were somehow immune from prevalent beliefs and attitudes. The truth is that the events in this book took place 70 years ago and the attitudes were so wide spread that it's highly unlikely our relatives weren't complicit. The mystery laid out in this tale is a fairly routine one. Poor girl who's murder is brought on by her involvement with those above her station. But as the layers are peeled away, we are given a deeper look at life in the 50's in the south at the same time as the protagonists search for the killer. This is a book that will stay with you long after you put it down.
  • Rating: 5 out of 5 stars
    5/5
    The creation of Atlanta's first black police force in 1947 comes about as a result of a promise the Mayor made to the African-American population in return for their votes in the mayoral elections. It is certainly not welcomed by the white police force who on the whole are determined that it will fail. The black population is not sure that it wants the black police force either. Some of the members of the new police force were soldiers during World War II, while others never left the USA. Throughout the novel they are constantly assessing whether they have made the right decision in becoming a policeman. The role is very challenging, the are meant mainly to just patrol the streets. If they need to arrest anyone they have to call a white patrol car or wagon to transport the person being arrested.The background is held together by a story that links both white and black officers - that of a black girl who recently came to Atlanta from the country for work, and is then found dead. Two black officers had seen her alive and in the company of a middle-aged white man. Although they are not supposed to investigate crimes they try to find out who killed the girl, but each step they take seems to make things worse for her family.Very interesting, with an authentic historical feel.
  • Rating: 5 out of 5 stars
    5/5
    "Some books educate, some books entertain, Thomas Mullen's Darktown is the rare book that does both." Huffington PostThe Atlanta Police Department is forced to hire its first black officers, including war veterans Lucius Boggs and Tommy Smith. They are met with deep hostility by their white peers; they aren't allowed to arrest white suspects, drive squad cars, or set foot in the police headquarters. A woman who was last seen in a car driven by a white man turns up dead, Boggs and Smith suspect white cops are behind it. Their investigation sets them up against a brutal cop, Dunlow, who has long run the neighborhood as his own, and his partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines. This book is a crime saga that explores the timely issues of race, law enforcement, and the uneven scales of justice.Darktown is an appropriate name for this novel as the story is a dark reminder of the prejudices that existed in the postwar, pre-civil rights South. I was going to give up on this book as it evoked feelings in me that were uncomfortable but I decided to stick with it and I'm glad I did. I found the author's writing to be exceptional and you can't help but be emotionally involved in the story. It was very atmospheric and you could feel that you were sampling a piece of the history. The characters are ones that you are not likely to forget as they will certainly leave an impression on your mind. I'm looking forward to reading the 2nd book in the series and I would highly recommend this book to those who like to read about historical events that leave an impression whether good or bad.
  • Rating: 3 out of 5 stars
    3/5
    tI really don't know quiet what to say about this book. If it had not been the book that was being discussed on one of my sites,,,I have my doubts that I would have finished it after reading the first five or six chapters. The plot was good...the writing was well done... the subject was interesting... however the story was dark left me with a feeling of hopelessness. Actually... I guess if the book could inspire that feeling in a reader then you would have to say that it was a success. I will have to say that it picked up toward the middle but the atmosphere never changed. I was slightly disappointed in the ending as I felt that it ended rather abruptly and left the reader feeling nothing had been accomplished. Same old stuff...just a different day.
  • Rating: 4 out of 5 stars
    4/5
    This unusual crime novel is set in Atlanta in the late 1940's. The city, in response to pressure from returning black war veterans, has just hired its first black police officers. The eight black officers are not given the usual responsibilities and privileges of police officers. They are given their own headquarters in the basement of the YMCA in "Darktown," the black area of Atlanta. They cannot even enter the official police headquarters without a special invitation and an escort. They patrol only in Darktown, and cannot make arrests without calling in a white officer.The book follows new officers Lucius Boggs, conservative, college-educated son of a minister-colleague of Martin Luther King Sr., and Thomas Smith, more hot-headed and impatient than Boggs, and a WW II veteran. When a young black woman last seen by Boggs and Smith in the company of a drunken white man turns up dead, they discover that the white police are not treating the case seriously and appear to be uninterested in pursuing the perpetrator. Boggs and Smith begin investigating on their own, and stir up a hornet's nest of police corruption and racial animosity. This is an excellent and well-plotted police procedural, but it is so much more, as it explores the historical and cultural issues of race relations in the context of the Jim Crow laws of our oh so recent past.4 stars
  • Rating: 3 out of 5 stars
    3/5
    Darktown is an interesting look back on a troubling time in America. Set in post WWII Atlanta, it focuses on two of the eight rookie black cops who were hired. While on patrol, they stumble onto a drunk middle aged white man in a car with a young black woman. The man turns out to be former Atlanta PD and the woman turns up murdered a couple of days later. What follows is both a mystery and an historical commentary on a particularly difficult time.The mystery holds few surprises. The police department is more interested in finding someone to accuse of the murder than solving it. The young black cops, Boggs and Smith, pursue it even though they lack the authority to conduct investigations. They are eventually assisted by a young white officer, Rakestraw, who is partnered with a racist cop, Dunlow. Rakestraw is interested in justice, but he is not exactly a crusader for racial equality.While the mystery is fairly standard, the historical look at Atlanta is a little more interesting. The progress made in even hiring black officers is clouded by political motives and racism that is both deeply entrenched and institutionalized. The actions described in the book are horrific both to read, or in the case of the audiobook, listen to. The story may have been a little more successful with characters that were a little more sympathetic or less stereotypical. Nevertheless, the pressure that was in place both within and outside of the black community on the success of the experiment of hiring black officers kept the stakes high. Even the day to day obstacles both to doing their jobs and living their lives was illuminating.The mystery is eventually solved, and justice of a sort is dispensed. What was lacking, was any sort of indication of what a path forward might be. A deeply racist south was portrayed, but there was no real sign that there was a way for anything to really change. The hiring of black officers in and of itself was portrayed more as a political expediency than as a step towards progress.The audiobook was narrated by Andre Holland who did an outstanding job with the characters. Holland made you feel like you were in 1948 Atlanta and effectively conveyed the frustration, anger and weariness of the characters. The pace was steady and the mood tense. I was fortunate to receive an advance copy of this audiobook.
  • Rating: 5 out of 5 stars
    5/5
    An excellent (fictional but I suspect that it's pretty close to the truth) account of the experiences of the first police officers of colour in Atlanta 1948. Aside from the theme of overt racism, the story concerns the murder of a young African-American girl, corruptions in the police force and political intrigue. Great characters and story telling. One for fans of hard-boiled crime and social history. I'm looking forward to reading the next in the series.
  • Rating: 5 out of 5 stars
    5/5
    I finished Darktown by Thomas Mullen over a week ago and at the time thought it was a well-written, well researched and well-plotted novel. But it's been growing on me since I read it; I keep thinking about one of the characters and how Mullen did a masterful job in writing about him. Set in 1948, when the first eight African American police officers donned uniforms and began patrolling the black neighborhoods of Atlanta, Darktown is, on its surface, an excellently plotted crime novel that is full of details about Atlanta, Georgia at a specific point in time. Boggs, the son of a prominent minister and Smith, who spent WWII in a tank, are patrolling the African American district of Sweet Auburn on foot when they see a car crash into a streetlight. The car is being driven by a belligerent white man who knows that Boggs and Smith have no authority over anyone white and there is a young black woman in the passenger seat. When the car drives off, they see the man punch the woman and see her flee the car. In following the man and finding a call box to summon white officers they lose sight of the woman. When she is later found murdered, the two officers work to solve the crime, despite ample obstruction from their white peers. Meanwhile, Dunlow and Rakestraw speak with the man in the car. Dunlow is one of the few white officers who will set foot in black neighborhoods, but he does so more to administer beatings and shakedowns than to do any actual police work. One of the reasons the African American community fought for having African American officers was to stop this behavior from the white cops, and Dunlow is not having it. Sweet Auburn, known as Darktown to white officers, is his personal fiefdom. Rakestraw is his rookie partner, a man wary of risking his job or his safety to take any action, but who is deeply uneasy with the actions and attitudes of Dunlow and his fellow officers. Rakestraw also recognizes the dead woman and begins investigating the crime on his own, keeping his activities secret from his partner. The murder plot and it's dual investigations, is gripping and well-plotted and at the most basic level, this is an excellent historical thriller. But the strength of this book lies in how well researched it is. [Darktown] is full of details of what it was like to live in that time and place, described vividly. And his characterizations are marvelous. Boggs is a member of the elite, a college-educated man whose family is prominent in both the social life of their community and its political life. Smith comes from a much more hard-scrabble background and the two men work well together, both being fully aware of the risks to their lives they are taking. They aren't even allowed into the police headquarters, their own headquarters being the basement of a YMCA, where a janitor's cupboard had to be turned into a bathroom for their white supervisor. Rakestraw is the character who is the most interesting. While Boggs plays a more prominent role, and is the most understandable character for the reader, Rakestraw's ambivalence and slow conviction that he has to take action or be complicit in the corruption and racism of the police force is wonderfully depicted. Rakestraw isn't someone the reader can admire and while his views are progressive for that time and place, they certainly would not be regarded as progressive today. Rakestraw isn't a modern man sent back in time, but one firmly rooted in his era. My personal pet peeve with many historical novels is that the heroes are all really just modern people dressed up in old timey clothes. Mullen doesn't do this. His characters are firmly of their time. Thomas Mullen is one of my favorite authors and with Darktown he has cemented his place in my literary heart.
  • Rating: 5 out of 5 stars
    5/5
    Not only is this a cracking crime novel but underneath in the smouldering heat of Georgia the racial tension and prejudice of post war Atlanta is laid bare. The story revolves around the killing and aftermath of Lily Ellsworth but the real heart of this novel is the attitude of the Georgia populace and in particular the police; the Atlanta Police Department. The black members of the APD are viewed as second class citizens, have been forced to work out of the YMCA (or the Y as it is affectionately known) cannot wear their uniforms except on duty and are viewed with utter contempt by their white working colleagues. In particular Lionel Dunlow is a brute of a man, an overweight alcoholic, who holds a pathological hatred for his black contemporaries. What is so powerful about this extraordinary novel is the question that constantly stays in my mind as I devoured every word and every chapter....Surely a civilized modern 21st society could never act in this manner? Yet we need look no further than the recent and ongoing US Presidential election to understand what a crazy mixed up and sad world we still live in.I have rarely ever been so moved by a book that dealt so brilliantly with a country helping to win a war and yet emerging into what? a cesspool of hatred and prejudice..."We defeated the fascists in Europe, yet here they rule." The characterization was some of the best I have ever encountered in particular Lucius Boggs and his partner Tommy Smith determined to uncover the killer of Lily Ellsworth and thereby starting a chain of events that leads to death and corruption at the highest level. The writing throughout is sublime and so descriptive that the reader can almost taste the squalor and hatred...."Families lived packed into one-room apartments, multiple families sharing a bathroom in some buildings, others in ramshackle dwellings tucked into the alleys lining the more decrepit blocks."...."The grime of living is so much more interesting than the shine of eternity."I would like to thank the good people of netgalley for sending me a gratis copy of Darktown for an honest review and that is what I have written. I cannot recommend highly enough; this is one of the most explosive, intelligent, thought provoking novels I have ever had the pleasure to read and I implore you to do the same.
  • Rating: 5 out of 5 stars
    5/5
    Reminds me a bit of Dennis Lehane's historical novels. Really excellent.
  • Rating: 5 out of 5 stars
    5/5
    4.5 stars!

    Despite wearing the same uniforms as the white police force, the first black police officers in Atlanta, GA shared none of the other benefits afforded to white officers at the time. Forced to work out of the basement of the YMCA, provided with no patrol cars, not allowed to investigate anything and not even allowed to step foot in the white police station, one has to wonder why Atlanta made them police officers at all.

    Darktown delved into that mystery and many more. Boggs and Smith, both black officers, one freshly back from WWII and the other the son of a preacher, commanded absolutely no respect from anyone. Not from other officers and not even from the black community, which they were tasked with protecting. It seems that the entire world resented them for one reason or another.

    One night, a vehicle took down a light pole right in front of them. Upon discovering the white driver was drunk, and had a bruised young, black woman in the car, Boggs and Smith called the white police. (Since they were not allowed to arrest the man themselves, they had no other choice.) But while waiting for the white cops to arrive, the man just drove off, and there was nothing the black officers could do about it. A few days later, the young black woman turns up dead and the black officers just can't let that go.

    Leaving off the plot so as not to spoil anything, I'll focus now on how this book made me feel. I'm aware of the shameful behavior that went on in my country, but this book went into specifics, and they were very difficult to read. The treatment of blacks in that area, during that time period, (1948), was deplorable. There's no other word for it. Every single aspect of their life was controlled by whites. They couldn't look a white person in the eye. They couldn't defend themselves, verbally or physically, when wrongfully accused of something. They had to ride in the back of the bus-often while the white people in the front openly disparaged them. Some of the incidents recounted here turned my stomach.

    Thomas Mullen took an unflinching look at the relationship between blacks and whites. As difficult as it was to read, I imagine it must have been even more difficult to write. To avoid making the same mistakes in the future, we have to be familiar with the mistakes we've made in the past, and this book shoves those mistakes right under our noses. Do you have the strength and stamina to look them right in the face? If you do, I highly recommend Darktown.

    *Thank you to NetGalley and Atria for the free advance copy of this book.*
  • Rating: 5 out of 5 stars
    5/5
    Set in post-WWII 1940s Atlanta, the police department has hired it’s first Black police officers. Tensions are high within the Atlanta PD but also across political lines throughout the city. A young Black woman is found dead and few seem willing to follow up on it.This was an excellent read, drawing together a murder mystery, racial intolerance, the progressive movement to integrate the police department, and the upcoming generation. The author did a great job of portraying the politics of the day while also giving us a gripping mystery. The main characters, Black officer Lucius Boggs and young Denny Rakestraw, show us the various view points about integration throughout the story.I most fascinated by the Black officers. They have limited authority within the police department. They aren’t allowed to drive the squad cars and the can’t enter the front door of the police station. Yet they have one of the toughest beats as well. There’s an unwritten division with the police department where the Black officers are expected to police Darktown (the area of Atlanta that is primarily populated by Blacks) and the White officers will police the rest of the city. This sets up a dynamic that is rich for missteps, over-reaching, and bigotry.Meanwhile, Boggs and his partner Tommy Smith fly under the radar (mostly) to investigate the death of the young Black woman Lily Ellsworth. Since she was last seen in a car in the company of a White man, they have to be very careful about how they investigate.Young Rakestraw is partnered with an older cop, Lionel Dunlow. Now Dunlow is an open and active racist and many of his usual ways of doing business strike Rakestraw as unfair at the best of times and downright criminal at the worst of times. I wanted to root for Rakestraw, hoping he would find a way to push back on Dunlow’s brutal ways. However, pushing back on Dunlow means pushing back on a good chunk of the PD. So Rakestraw has to pick his battles.The mystery itself was excellent. There’s a twist near the end that neatly tied everything together and once revealed so many little hints clicked into place. I was engrossed in this book and thoroughly pleased with the ending. I greatly hope for more stories about Boggs and Rakestraw. My one quibble is that I would like to see more female characters and not just as murder victims or romantic interests.I received a free copy of this book.The Narration: Andre Holland did a fantastic job. He was just excellent at the nuanced local accents. He was also great with all the emotions the various characters go through in this book.
  • Rating: 5 out of 5 stars
    5/5
    Darktown by Thomas Mullen is listed as a mystery and although there is a mystery in it, the book is more about race relations in Atlanta in the 1940s. It takes place shortly after the end of WW II. As an experiment, the mayor of Atlanta has recruited eight Black cops to patrol primarily the Black neighborhoods. Although they wear uniforms and carry guns, their authority is quite limited. They can’t arrest white people. They can’t carry on an investigation. There are more ‘can’ts’ than ‘cans’.Enter Lucius Boggs and Tommy Smith, Black beat officers. One night walking their beat, they see a car driven by a white man strike a lamppost, causing it to tilt. There is a Black woman in the car as well. The driver continues on. Boggs and Smith call for white back up which arrives in the form of veteran Officer Dunlow and rookie Office Rakestraw. After a pursuing the driver and brief discussion, the driver is free to go. Boggs, Smith and Rakestraw are aghast that the driver was not given a ticket.When his female passenger winds up dead the next day, intuition points to the driver of the car. However, no one seems inclined to pursue this line of inquiry. Boggs and Smith decide to investigate on their off hours. Rakestraw also starts a little investigation of his own.The meat of Darktown is the hatred of the white officers of their Black coworkers, the hatred of whites against Blacks in general. The idea that the new recruits should be driven from the force, that they are not ‘real cops’ at all is evident from their separate office in the basement of the Black YMCA to their limited authority.Darktown is some ways reminds me of Cop Town by Karin Slaughter which coincidentally enough takes place in Atlanta but in the 1970s and deals with the hiring of the first female police officers. While the hatred shown in Cop Town isn’t has bad as that shown in Darktown, the animosity was evident. I also find the similarity in titles interesting.So, to sum up..if you’re a mystery fan and interested in a little history on the side, both Darktown and Cop Town are worth a read.
  • Rating: 4 out of 5 stars
    4/5
    “now they were expected to walk with a heavy step and newfound power through their neighborhoods. In every other part of the city, however, they were still expected to vanish, or worse.” “There were plenty of white folks like that, happy to define themselves as not-quite-as-bad-as-some, conveniently surrounding themselves with awful people in contrast to whom they looked good.” Boggs and Smith are two patrolman walking their beat, in Darktown, a black neighborhood, in Altanta. It is 1948. They are part of an eight member police force, made up of black officers. They can carry guns but can not drive a vehicle. Their authority is limited and they are ridiculed by the “white” officers.They begin to investigate the disappearance of a young black woman, last seen, in a car with a white man and this takes the officers down, a dark and twisty path, locking horns with corrupt cops and politicians, looking for any reason to dismantle and shame this all-black force. A very dangerous game.This is a slow-burner and the tension mounts, in a quiet, deceiving way. It reminded me of the great film Chinatown, set in the deep south, but with more shadows than bright sunshine.Mullen takes each of his novels in unique directions, sometimes with mixed results, but he definitely scored a big run with this timely novel.
  • Rating: 5 out of 5 stars
    5/5
    In 1948, the Atlanta, Georgia, police department was forced to hire its first Negro policeman. (NOTE: The term “black” to describe member of the race was considered an insult. “Colored” was the preferred word.) The mayor, a moderate on the race issue, had promised the colored community leaders that he would hire colored cops only if they registered enough voters to make an impact in the municipal elections. They were successful. Through fiction, DARKTOWN tells the story of what life was like for those first eight officers, some of whom were more educated than the white policemen on the force as they step beyond their boundaries to try to solve a murder. It is also a well-written story of the search for a murderer.Those first hires were ill-treated by many of the white officers because of racism and unpopular with many of the Negro residents because they were arresting them. Colored policemen were not allowed to investigate, have squad cars, wear their uniforms off duty, go into white neighborhoods or into the Police Department. They are assigned office space in the basement of the YMCA in the colored area. Their job was to enforce peace and arrest those observed to have broken the law. “Trying to introduce the concept of law and order to a people who had never been given reason to trust it, and who therefore found justice in blood feuds–they were so much more honorable and interesting and, well, bloody–was a terribly long and frustrating process.” One serious crime was reckless eyeballing: official charge of making eye contact with a white woman.Restricted to working in the colored neighborhoods of the city, one of the teams, Boggs and Smith, saw an attractive, light-skinned colored woman in a car being driven by a white man. The woman had a bruise on her face. The men stopped the car and attempted to question the driver. He took off, so they passed the information to a pair of white policemen, Dunlow and Rakestraw. Dunlow, has been with the department for many years and has a reputation for being corrupt and brutal, especially against colored people. Rakestraw, doesn’t like what he sees happening, but goes along without complaint. They did not follow through and a couple days later the woman’s body was found in a dump. Against regulations, Boggs decided to investigate on his own, with Smith’s assistance. Against the odds and facing obstruction by both white law enforcement personnel and members of the colored community, they were able to gather a lot of information. Meanwhile, the department declared a colored man the murderer. While most murders of colored people were never investigated, frequently police and detectives decided to claim a colored person was the murderer in cases with both colored and white victims, often without gathering evidence. Eventually, even Boggs and Smith are accused of being perpetrators of crimes in an attempt to get them off the force.DARKTOWN is a very well-told police mystery as well as historical resource. In one area, for example, author Thomas Mullen’s words show the confusion after the unexpected firing of a gun: “He hopped into the air, both in shock and from fear that he’d maybe blown off his foot. He hadn’t, luckily, and the shock of the gunshot had finally been enough to persuade Freddie to let go. Dunlow landed with one of his feet on Freddie, or maybe that came later, but anyway at some point Dunlow stomped the little bastard while attempting to boy one-handed with Triple James.”One remnant of the racism of the time, still visible in many parts of the country, are the way a road changed name when continued from a black neighborhood to a white one.Interesting universal observation of people: “The framed photographs of the reverent posing with people who seemed to think they were important.Analysis: Excellent as both a police story and historical picture of racism in changing times.
  • Rating: 5 out of 5 stars
    5/5
    When I first read a description of Darktown, a novel based on the experiences of the first black officers on the Atlanta Police Department, I assumed that it would be similar to Chester Himes’ Coffin Ed Johnson and Gravedigger Jones series, the only other books I’ve read about black police officers in the mid-twentieth century. I couldn’t have been more wrong. Darktown has neither the randy humor of A Rage in Harlem nor the charming volatility of Mouse in Walter Mosley’s Devil in a Blue Dress. What it does have is the dark realism of Ellroy's L.A. Confidential, the plot twists of Polanski’s Chinatown, and the stark portrayal of racism seen in Twelve Years a Slave. The story focuses on Lucius Boggs and Tommy Smith, WWII veterans and two of the eight men sworn in as the first African American police officers sworn in Atlanta. Author Thomas Mullen did an excellent job of describing the humiliation conditions that these dedicated men had to work under. They could not arrest white people or work in white neighborhoods. They could not have squad cars. The only shift they could be assigned was from 10:00 p.m. to 6:00 a.m.. They were not allowed to enter the police station but were assigned dingy office space in the basement of the colored YMCA. Even the oath that they were administered served to remind them that they were second class citizens. “I, _____, a Negro, do solemnly swear to perform the duties of a Negro policeman…”What amazes me is that, on top of these humiliations, these men had to endure the lack of support from the majority of the white officers they served with. I can’t imagine what it would feel like to be a police officer who went out every night to fight crime, knowing that if they got into trouble, they would likely not get any backup. The fact that they still persisted, knowing that there was a very real possibility that the bullet that could end their lives might come from another officer’s gun is inconceivable to me. I have tremendous respect for these men. I also could not avoid making connections between the events described in Darktown and the shooting of black men by police officers that have been reported too frequently in the news of late. I believe that the vast majority of police officers today are dedicated professionals but the behavior of the small minority that have their actions recorded on video makes me wonder if we as a people still have a way to go to put the Jim Crow era behind us. Wasn’t it William Faulkner who said, “The past is never dead. It's not even past.”

Book preview

Darktown - Thomas Mullen

1

IT WAS NEARING midnight when one of the new lampposts on Auburn Avenue achieved the unfortunate fate of being the first to be hit by a car. Shards of a white Buick’s headlight fell scattered across the sidewalk below the now-leaning pole.

Locusts continued their thrum in the thick July air. Windows were open throughout town, the impact no doubt waking many. The lone pedestrian on that block, an old man on his way home from sweeping floors at a sugar factory, was no more than ten yards away. He had stepped back when the car jumped the curb but now he stopped and watched for a moment, in case the pole should come crashing the rest of the way down. It didn’t. At least not yet.

The Buick reversed, slowly, the front wheel easing off the curb. The movement caused the pole to lean the other way, too far, and then back again, a giant metronome.

The pedestrian could hear a woman’s voice, shouting. Something about what on earth do you think you’re doing, just take me home, that sort of thing. The pedestrian shook his head and shambled off before something worse might happen.

Whether or not the lampposts were new, exactly, was a matter of perspective. It had been a few months now, but considering how many years it had taken the leaders of Atlanta’s colored community to convince the mayor to install them, and considering the many, many years in which Negroes had walked down even their busiest and most monied street in darkness, the celestial presence of those lampposts still felt new.

None of which was known to the Buick’s driver.

He had been attempting to turn around in the middle of the otherwise empty street but had misjudged his turning radius, or the width of the road, or general physics. He also perhaps hadn’t noticed that two blocks away were two Atlanta police officers.

Five minutes earlier, Officer Lucius Boggs finally confronted his partner, Tommy Smith, about his limp.

You did not hurt yourself playing baseball. Own up.

It was a hard slide, Smith said.

But you told McInnis you were rounding third.

At roll call, Smith had assured their sergeant, McInnis, that his knee was fine, just a tweak he’d felt in a game he’d played with some buddies. You know how those sand lots are, sir, no traction. McInnis had listened to this stone-faced, as if experienced enough at hearing colored flimflam but deciding the truth of this matter was not worth prodding into.

I fell out a window, Smith now admitted to Boggs. They were standing on Hilliard Street, three blocks from the Negro YMCA whose basement served as their makeshift precinct. At that hour the sun was long gone but it had left more than enough heat to last until it felt like showing up again. Both officers had sweated through their undershirts, and even their uniforms were damp.

Yours?

What do you think?

Boggs folded his arms and couldn’t help smiling. And who was the lady you were impressing with your acrobatics?

"I was in the middle of entertaining her with my acrobatics, matter of fact. When her man busted into the apartment."

Are you crazy?

She’d told me he’d left her, pulled up stakes for Detroit. She talked about needing some lawyer to do her divorce papers or something.

Atlanta police officers were ordered to abide by a strict moral code—no drinking, even at home, and no womanizing—but that had not entirely sunk in with Tommy Smith. The Negro officers dutifully avoided alcohol, as they knew all too well that a witness could report them and get them suspended, but for Smith the idea of suddenly becoming a chaste man was altogether too much.

You’re going to get yourself killed.

"I do not go after the married ones."

Except for her, and the girl who did that thing with the candied pecans, and—

That’s different, she and I went way back.

They started walking again.

So then what happened?

What do you think? Pulled on my britches and jumped out the window.

What floor did she live on?

Third.

No!

One of them places with no fire escape. I’d say I’m walking remarkably well, considering.

What happened with the husband?

I did not linger around to eavesdrop.

Aren’t you at least worried?

She struck me as the kind of gal knew how to handle herself and think on her feet.

Boggs was the son of a minister, and though he had chosen not to follow in his father’s footsteps, the idea of tomcatting across town the way his partner did was utterly foreign to him. His own experience with women had been limited to innocent dates with well-mannered, well-raised young ladies of the Negro intelligentsia, and he was coming off a recent broken engagement to a girl who’d finally told him that the stress of knowing her fiancé might be shot or beaten on any given night was too much for her constitution to handle.

A squad car approached, the headlights strangely off. Hilliard had neither lampposts nor sidewalks. They stopped talking and stood there, each wondering if they should back up a few steps, or would that look weak.

Then the car accelerated, and each of them did indeed take a step back onto the small plot of grass and weeds that served as someone’s front yard. The squad car feinted toward them, swerving a bit, then screeched to a stop.

They caught glimpses of two white officers whose faces they didn’t recognize—cops from other beats who just happened to be driving through, apparently.

The white cops yelled, Oooh-oooh-oooh!

Aaah-aaah-aaah!

Monkey sounds and orangutan sounds and maybe some gorilla thrown in.

Woo-woo-woo-boogga-boogga!

Watch your asses, niggers!

Then the squad car sped off, the white cops laughing hysterically.

You couldn’t show fear. They acted like it was all a harmless prank, even when they gunned their engines at you when you were crossing the street, even when they nearly grazed against you. More than once Boggs had stood in the road to flag down a squad car, needing assistance for an arrest, when the car had accelerated toward him until he’d had to leap out of the way. Laughter in its wake. Surely, if the day came when they actually did run over one of the colored officers, they would insist it was an accident.

Neither Boggs nor Smith felt like telling stories anymore as they reached the corner of Auburn, the night silent but for the almost mechanical churn of locusts and the call-and-response of crickets. The marquee over Bailey’s Royal Theater was off, as were the lights of the jeweler and tailoring shops; someone had left on a third-floor office lamp at Atlanta Life Insurance Company, but other than that and the streetlights, all was dark. Then they heard the crash.

They turned, each half-hoping to see that the squad car had hit a fire hydrant or perhaps a brick wall. Instead they saw a white Buick two blocks away, on the curb, and the light pole dancing almost, or at least swaying drunkenly. They watched as the light flickered once, then again, just as each of their homes’ electricity did during thunderstorms.

The Buick backed up. They couldn’t read the tags from so far away. Then it started driving toward them.

They had been police officers for just under three months now, walking the beats around Auburn Avenue (the neighborhood where both had lived all their lives save the war years) and the West Side, on the other side of downtown. Although Atlanta’s eight Negro officers had not yet been entrusted with squad cars, they did have uniforms: black caps with the gold city crest, dark blue shirts on which their shiny badges were pinned, black slacks, and black ties (Smith being one of two cops on the team who went with the bow-tie option, which he found rather dapper). Their thick belts were weighed down by a heavy arsenal of weapons and gear, including firearms, which terrified a number of white people in Atlanta and beyond.

Boggs stepped into the road and held out a palm. The white cops may have enjoyed trying to run over their colored colleagues, but civilians were another matter. Or so he hoped. The Buick was driving slower than was normal, as if ashamed. Its headlights glinted off his badge.

The Buick stopped.

He’s not turning his engine off, Smith said after a few seconds.

Boggs walked over to the driver’s door, Smith mirroring him along the sidewalk and stopping at the passenger door. The soles of Smith’s shoes hardly made a sound because the cement had been meticulously swept by someone that very morning, not a twig or cigarette butt in sight.

The glare from the streetlights had prevented the officers from getting a good look in the car until now. All they had been able to discern were silhouettes of a driver with a hat and a passenger without.

Boggs opened his mouth and was about to ask for the driver’s license and registration when he saw that the driver was white.

That he hadn’t expected. What he had suspected, that the driver was drunk, was correct. Boggs was bathed in alcohol fumes as the portly white man gazed at him with something between annoyance and contempt.

May I have your license and registration, please, sir?

White people were not often found in Sweet Auburn, the wealthiest Negro neighborhood in Atlanta—possibly in the world, boosters liked to say. Adventurous whites looking for gambling or whores in the darker parts of town would normally troll along Decatur Street, by the railroad tracks, a half mile to the south. Or they’d find one of the other, more nefarious areas that the colored officers patrolled. This fellow was either lost or so drunk and stupid that he figured any colored part of town offered the vices he craved, when in fact this neighborhood mostly held churches, real estate firms, banks, insurance companies, funeral parlors, barbershops, and the sorts of restaurants long closed at this hour. A couple of nightclubs did grace the streets, yes, but they were respectable places where respectable Negroes gathered, and they only opened their doors to whites on Saturdays, when Negroes weren’t allowed in.

The driver’s gray homburg was tipped high, as if he’d been rubbing sweat from his forehead. Which he needed to be doing more of, because his skin was still shiny. Hair light gray, blue tie loosened, linen jacket wrinkled. He seemed sweatier than a man driving a car should be, Boggs thought. Like he’d just been doing something strenuous.

On the other side of the car, Smith visually frisked the man’s passenger. She wore the kind of yellow sundress that always made him so thrilled when spring came along, and even here in the depths of summer he was not a man to complain about the kind of heat that allowed the women of Atlanta to walk around half naked. She was short enough to cross her legs in the front seat, the hem above her knee. Light glinted off a small locket that looked stuck to the dampness at the small of her throat.

She made eye contact with Smith for only the briefest of seconds, just enough for him to gather a few facts. She was light-skinned and young, early twenties at most. The right side of her lip looked a shade of red that didn’t match her lipstick. Red and slightly puffy.

Although Smith could not yet see the driver, he divined the man’s race based on the subtle change in Boggs’s voice when asking for the license. Not exactly deferential, but more polite than was otherwise warranted.

The driver answered, No, you may not.

Boggs was cognizant of the fact that the man’s right hand was at his side, on the seat, and therefore out of view. Boggs decided he need not comment on this yet. Hopefully Smith could see it. The man’s left hand casually rested on the steering wheel, the engine still running.

You hit a light pole, sir.

I mighta glanced against it. Not even looking at Boggs.

It’s leaning over and will need to be fixed, and—

You’re wasting my time, boy.

Nothing but a crescendo of katydids for a moment, and only then did the white man deign to look at Boggs. Just to check out how that had registered on this uppity Negro’s face.

Boggs tried not to let it register at all. His face, he knew, was very good at being blank. This had been commented upon by parents, schoolteachers, girlfriends. What are you thinking right now? Where are you? Penny for your thoughts? He’d always hated those questions. I’m right here. I’m thinking thoughts, any thoughts, who knows. And no, you can’t buy them.

Normally you weren’t supposed to look white folks in the eye. But Boggs was the police. This was only the third time he and Smith had dealt with a white perpetrator. Colored officers only patrolled the colored parts of town, where whites were infrequent visitors.

I need to see your license and registration, sir.

You don’t need to see anything, boy.

Boggs felt his heart rate spike and he told himself to stay calm. Please turn your car off, sir, he said, realizing he should have started with that.

You don’t have the power to arrest me and you know it.

On the other side, Smith took this as the proper time to beam the backseat. He didn’t see anything there, other than a road atlas on the floorboards. The car was prewar but in good condition, the vinyl shining. Smith aimed his light at the front seat, where the woman had been staring ahead, her hair blocking his view. He had hoped the light would startle her into looking at him, so he could better study her injury and look for others, but she turned farther away.

Smith, unlike Boggs, had a good view of the space between driver and passenger. He saw that the man’s right hand was resting protectively atop a large brown envelope.

I do have the authority to issue you a traffic citation, sir, and I intend to do that, Boggs said. I also have the ability to call white officers here, should your arrest be required. I wouldn’t have thought that necessary for something as minor as a traffic violation, but if you want to push things up the ladder with your tone, then I can oblige you.

The white man smiled, entertained.

Oh. Oh, damn. You’re one of the smart ones, huh? He nodded, looking Boggs up and down as though finally laying eyes on a new kind of jungle cat the zoo had imported. I’m very impressed. Y’all certainly have come a long way.

Sir, this is the last time that I’ll be the one asking you for your license and registration.

Still smiling at Boggs, still not moving.

On the other side of the car, Smith asked, What’s your name, miss?

"Don’t you talk to her," the white man snapped, turning to the side. All he could have seen from his vantage was Smith’s midsection, his badge (yes, we really are cops, sorry for the inconvenience), and perhaps the handle of Smith’s holstered gun (yes, it’s real).

Are you all right, miss? Smith asked the woman. Let’s see how the white man likes being ignored. Her face he still couldn’t see, though her breaths occasionally made her hair move just enough for him to see the right, bruised side of her lips. Yet she refused to turn.

Smith glanced up at his partner over the car roof. Both of them would have loved to see this blowhard arrested, but they weren’t sure if Dispatch would bother sending a white squad car for an auto accident whose only victim was an inanimate object. And Atlanta’s eight colored officers hated calling in the white cops for any reason whatsoever. They did not appreciate the reminder that they had only so much power.

Smith leaned back down and said, Your friend isn’t very friendly, miss.

The white man said, "I told you not to talk to her, boy."

Sir, Boggs said to the back of the man’s hat, trying to regain control (had he ever had it?), and annoyed at his partner for escalating the situation, if you do not show me your license and registration, then I will call in—

He didn’t get to finish his pathetic threat, the threat he was ashamed to need and far more ashamed to use, because in the middle of his sentence the white man turned back to face the road and shifted into gear, the Buick lurching forward.

Both cops stepped back so their feet wouldn’t be run over.

The Buick drove off, but it didn’t even have the decency to speed. The white man wasn’t fleeing, he simply had tired of pretending that their existence mattered.

‘Stop or I’ll call the real cops’? Smith shook his head. Funny how that don’t work.

Atlanta, Georgia. Two parts Confederate racist to two parts Negro to one part something-that-doesn’t-quite-have-a-name-for-it-yet. Neither city nor country but some odd combination, a once sleepy railroad crossing that had exploded due to the wartime need for matériel and the necessities of shipping it. Even after the war, all those factories and textile mills and rail yards were still churning, because normalcy had returned and Americans were desperate for new clothes and washing machines and automobiles, and the South was very good at providing cheap, nonunionized labor. So Atlanta continued to grow, the trains continued to disgorge new residents and the tenements grew more crowded and the moonshine continued to be driven down from the mountains and the streets spilled over with even yet more passion and schemes and brawls, because there on the Georgia piedmont something had been set loose that might never again be contained.

Twenty blocks away from Boggs and Smith, Officer Denny Rakestraw was dividing himself in two again.

Standing in an alley off Decatur Street, a colored section of town, though he and his partner were white. Staring up at the sliver of moon above him, perfectly framed between the tops of the two brick buildings. Listening to the sound of an approaching westbound freight train slowly, slowly trudge its way from the downtown yards. Then looking at his shiny cop shoes. Then turning to look behind him at the squad car they had left on the side of the road, lights not blinking because his partner, Lionel Dunlow, said he didn’t want the attention.

Dunlow hit the Negro again. I said, did you hear what I said, nigger?

The Negro was trying to say something, Rakestraw could tell, but Dunlow was holding him too tightly around the throat.

Then the sound of soles scuffing, and Rakestraw’s attention was drawn to the mouth of the alley again. Two silhouettes were watching them.

Dammit, clear that out, Dunlow instructed his young partner.

Rakestraw took a step toward the two silhouettes. They were either young men or teenagers, tall but slight, hardly a threat. Drawn here by the sound of the beating, not any desire to intervene.

Beat it! Rakestraw yelled in his lowest register, bass notes practically shaking dust from the mortar in the brick walls. The shadows beat it.

Then another swing from Dunlow and the Negro was on the ground.

Thought we didn’t want attention, Rakestraw said.

This constituted a significant workout for Officer Dunlow. Sweat ran down his cheeks, and his cap was askew. His belt was strained by his forty-some-odd-year-old belly, and he was panting even though he’d thrown only five or six punches. Failed physicals were in his immediate future.

Rakestraw hadn’t thrown a punch himself, had in fact barely moved, yet beneath his uniform his skin, too, was slick. Not from exertion but the opposite, the stress of holding himself back, the anxiety of watching this again.

You’re right, Dunlow said, catching his breath. He stepped closer to the loudly breathing mound that, minutes ago, had been a Negro walking alone, a man Dunlow suspected of bootlegging moonshine. Dunlow looked down at the mound. We come to an understanding, boy?

This was a phrase Rakestraw had heard his partner use so often now that it echoed in his sleep. Dunlow and perpetrators came to an understanding, Dunlow and witnesses came to an understanding, even Dunlow and the judges before whom he testified came to an understanding. The man seemed confident that he possessed a vast reservoir of knowledge, which he in his goodwill shared with those around him.

Yeah, yeah. I unnerstand. It sounded funny because some teeth were missing.

Rakestraw saw that flicker in his partner’s eyes, something he’d seen a few times now. It foretold very bad things indeed. So Rakestraw stepped forward and put a hand on his partner’s shoulder. Dunlow was taller by two inches; that and the age difference made this feel uncomfortably like a son trying to coax his drunk daddy back from the brink of slapping Ma around some.

Dunlow, Rake said.

Dunlow looked back at Rake like he barely recognized him for a second, like maybe he’d actually expected to see a son and not his partner. Dunlow did have sons, two of them, in their teens and by all accounts hell-raisers who lacked rap sheets only because of their father’s occupation. The veteran cop’s eyes were fiery and he appeared on the verge of taking a swing at this junior interloper, the way he probably had numerous times to his sons. Then he recognized Rake and returned to where he was.

Rake said, Made yourself clear, I think.

Yeah.

But not before a final kick in the gut for emphasis, and the lump on the ground hissed a long inhalation, then silence, like he was afraid to let it out. By the time he exhaled, the two cops were gone from the alley.

Rake chose to believe that his partner’s extreme response to the bootlegger was due to a passionate desire to enforce the city’s alcohol ordinances. He chose to believe a lot of things about Dunlow. Such believing took work, not unlike religious faith, the devout belief in things that could not be proven. Because in the case of the not-terribly-­godlike Dunlow, there often was strong evidence to the contrary. In the weeks since Rake had taken his oath, he had seen Dunlow beat at least a dozen men (usually Negroes) rather than arresting them, had seen him instruct a few men on what to say if and when they needed to stand witness at a trial, and had seen him take a handful of bribes from bootleggers and numbers runners and madams.

There was a lot that Rake was learning about his new occupation. He had survived against steep odds for years in Europe as an advance scout, had been alone for long stretches and had wisely figured the difference between threats and opportunities, collaborators and spies. Back home in Atlanta, however, he was finding the moral territory more difficult to chart than he’d expected.

Rake wondered if there was a particular reason Dunlow had beaten this Negro, a particular message he’d been sending, and, if so, was it any more nuanced than the message Rake’s own dog sent whenever he lifted his leg on the neighborhood walk. In such cases, Rake rationalized that his job was just to hold on to the leash, hold on to the leash.

So Rake stood there and tried to divide himself in half. One half of him would hold tight to his moral compass, that small wobbly thing that prevented him from beating a stranger without cause. The other half of him would learn everything he could from Dunlow and his fellow officers, the surprising and often counterintuitive pieces of advice on how to survive in Darktown.

I’ll drive, Rake said, opening the driver’s door before his elder could object.

Dunlow sat in shotgun and peeled off his gloves, sucking in his breath.

Y’all right? Rake asked.

Bastard had a hard head.

Sounded like it.

You know the average nigger skull is nearly two inches thicker’n ours?

Rake wasn’t the type to indulge such comments. But he didn’t feel he had much choice around Dunlow, so he went for the neutral, I did not know that.

Read it in a journal. Phrenologists.

I’ve been reading the wrong journals, I guess.

I ain’t surprised, college boy. Dunlow called him that even though Rake hadn’t graduated, doing only two years before the war changed everything. Fluent in German thanks to an immigrant mother and two years of courses at UGA, his skill had been prized indeed. Anyway, explains a lot, don’t it? Not just the lack of room for a fully evolved brain, but, you know, your basic hard-headedness and all.

His skull looked plenty malleable to me.

Dunlow made a fist, then extended his fingers. He had double-­jointed thumbs. He could extend them all the way back to his wrists, a gruesome circus trick—he liked to surprise newcomers by doing that after opening a bottle of Co-Cola, crying in pain for a moment, receiving a horrified reaction from the witness, and then he’d bust a gut laughing. He bragged that he’d been the greatest thumb wrestler in his elementary school, which was exactly the sort of bizarre accomplishment only he would boast about.

It also meant that, when wrapping his hands around someone’s throat, he had an extra couple of inches of grip, an advantage which he’d just employed.

Dunlow made a fist again. Rake heard a tendon pop.

Ah, shit. That’s better.

Then Dispatch came over the radio, mentioning how Negro Officer Boggs was reporting a traffic violation, and did any real cops feel the need to assist? Dunlow picked up the mike and said he’d love to.

After the white man had driven away, Boggs and Smith had walked to the nearest call box, requesting a squad car to make an arrest. Dispatch had mercifully refrained from commentary as he relayed the information over the wires, and a white squad car, D-152, had immediately called in to say it was coming. Smith and Boggs were surprised—­usually the white cops took their sweet time responding to anything the colored officers requested. D-152 must have been mighty bored that night.

Five minutes later, they were walking a few blocks south of Auburn, approaching the National Pencil Factory and its ever-present smell of wood shavings, when they saw the Buick again. It was actually stopped at the end of the next block, obeying a stop sign. It lingered there.

What’s he doing? Boggs asked. Circling around for something?

Boggs imagined himself shooting the Buick’s tires. Which of course would get him fired, or worse. No colored officer had yet discharged a firearm in the line of duty.

Maybe he’s given up? Smith asked. He hurried toward it, not quite running but moving fast enough that his injured knee was very displeased.

He and Boggs were only ten feet away when they saw the white man hit the girl. Even through the back windshield it was unmistakable, the white man’s gray sleeve lashing out, the passenger’s long hair flailing to the right. The whole car seemed to jump.

Then the Buick drove on again.

Let’s keep after it, Boggs said.

The Buick was moving south, and in two blocks they would be near another call box. They could at least update Dispatch as to the car’s location, in case D-152 really was on its way.

They ran. The Buick still wasn’t going a normal speed, as if it was on the prowl for something. Clearly the driver didn’t see the two cops giving chase.

Smith’s knee was giving him a rather clear and unadulterated warning that this whole running business had best stop soon. After another block they reached the intersection with Decatur Street, just north of the train tracks. Again the Buick obeyed a stop sign.

Then its passenger door opened. The woman darted out, her yellow sundress a tiny flame in the dark night until she vanished into an alley.

The Buick stayed where it was, the door hanging open like an unanswered question. Then the white man leaned over, his pale hand appearing outside the car and grasping drunkenly for the handle. He closed the door and drove on.

Chase him or follow her? Boggs wondered aloud as he and Smith stopped.

They could have split up. Smith could have pursued the woman and Boggs could have continued his chase of the Buick. But Sergeant McInnis had warned them many times against separating themselves from each other. Apparently, the Department felt that a lone Negro officer was not terribly trustworthy, and that a second Negro officer somehow had a restraining influence on the first. Or something. It was difficult to discern white people’s reasoning.

I want to see the son of a bitch written up, Smith said. Or arrested.

Me, too.

So although only one of them had seen her face, and that just for a second, they let her disappear into the night, which would never release her.

Boggs sprinted east on Decatur. A half mile ahead of him, the downtown towers were dark. Nearby he could hear freight cars being hitched and unhitched, other behemoths wearily making their way through the night. Smith kept after the Buick, which was headed south now, driving into the short tunnel that cut beneath the tracks. He was losing it. Rats darted in either direction as the Buick splashed a stagnant puddle from that afternoon’s twenty-minute storm. Smith was just about to give up when he heard the familiar horn of a squad car.

He ran through the tunnel and into a scene strobed by blue lights: the tracks curving away to his left, garbage loose on the street and sidewalk, and a squad car pulled sideways to block the path of the Buick, which had finally pulled over.

The white cop who’d been driving jumped out of the car, left hand held high, right hand lingering on the butt of his holstered pistol.

It’s Dunlow, Smith said when Boggs made it beside him.

Dunlow ranked high on Boggs and Smith’s list of most hated white officers. Not that there was an actual list. And not that there were many white cops who did not rank high. Maybe it wasn’t so much that Dunlow was worse than the others; the trouble was that he was an ever-­present problem. The colored officers were only allowed to work the 6–2 shift, and there were only eight of them, so white officers still had occasion to visit what was now the colored officers’ turf. No white cops had ever had Auburn Avenue as a beat before, they’d simply dropped by the neighborhood when they needed a Negro to pin a crime on, or when they felt like taking out their aggressions on colored victims. Otherwise, white cops had avoided the colored neighborhoods. Dunlow, however, seemed to feel rather at home here, though the residents did not feel nearly so warmly toward him.

Let me handle him, Boggs said. He was the more diplomatic of the two, a notion Smith did not like to acknowledge. Even if he knew it to be true.

They adjusted their caps and ties, made sure their shirttails hadn’t come out, and straightened their postures as they slowly walked up to the white Buick.

Dunlow arrived at the driver’s door, trailed by his young partner, Rakestraw. Dunlow seemed to look at the driver longer than necessary before speaking. Perhaps he thought this was intimidating. The days when his bulk had been mostly muscle were gone, but he was still a man accustomed to cutting quite a wake.

License and registration, please.

Boggs had spent his entire life giving such white men as wide a berth as possible. Now he had to work with them.

So Boggs concentrated on Dunlow’s partner. He walked up beside Rakestraw and leaned into his ear. If Rakestraw was offended at the proximity, he did not show it. They didn’t have much opinion on Rakestraw, who tended to hide in his partner’s long shadow. He likely would prove to be as much of a bastard as Dunlow once they got to know him.

He had an adult Negro female in the car with him. She fled on foot, at the corner of Hilliard and Pittman. He’d hit her in the head a block earlier.

You saw it?

They’d been circling around. It just happened a minute ago.

Rakestraw offered a neutral expression and the slightest of nods, which could have meant Interesting and could have meant Who cares? and could have meant that he would recommend to the colored officers’ white sergeant that Boggs and Smith be reprimanded for not pursuing the woman.

The driver handed Dunlow his papers and joked, They got you babysitting the Africans?

Understand you fled the scene of an accident, Dunlow replied.

Wasn’t no accident. You hear any other car complaining ’bout an accident?

It was a lamppost on Auburn Ave, Boggs said.

Dunlow glared at Boggs. He did not seem to appreciate the colored officer’s contribution to the conversation. He extended the paperwork to Rakestraw, who walked back to their car to call in the information. Then Dunlow said to the colored officers, That’ll be all, boys.

Boggs glanced at his partner. Smith was dying to say something, Boggs could tell, but was holding himself back. They hadn’t yet told Dunlow about the assault they’d witnessed. The victim was gone, sure, but a crime is a crime.

Boggs opened his mouth. He tried to choose his words carefully. But before he could do so, the driver chimed in again, in a drunken singsong, Back to the jungle, monkeys!

Dunlow cracked a smile.

That approval was all the driver needed: he launched into a rousing chorus of Yes! We Have No Bananas!

Dunlow was grinning broadly at the performance as Boggs met his eyes. Boggs held the look for a moment, hoping that he was passing on silent messages but knowing, despite all his effort and anger, that those messages would not be received.

The song was getting louder. Boggs couldn’t even look at his own partner, as he would see the rage there, would see the reflection of himself, and he could not abide that.

Boggs and Smith walked away. The flashing blues painted the top of an eastbound freight train on the crossing.

Son of a bitch, Smith cursed.

Boggs spat on the ground. A cockroach half as long as his shoe scuttled across the sidewalk.

Two bucks says they don’t even ticket him, Smith said.

Boggs would not take that bet.

A six-year-old boy named Horace was three blocks from his house when he saw the lady in the yellow dress running. She was pretty, he thought, even though he couldn’t much see her face. Then why did he think she was pretty? He would wonder that, later, when thinking back to this moment.

He was walking alone late at night because his mother had woken him up and commanded him to. She was very sick and needed the doctor. She’d given Horace careful directions. He had to hurry, for her sake and because if he took too long, he might forget the directions.

The lady was banging on someone’s front door.

Horace watched her as he passed, and she must have heard him because she turned and looked at him. Looking at him and then not looking, the way adults do when they realize you’re just a kid and they can forget about you now.

He walked on. She stopped knocking.

At the next corner, he looked both ways to cross the street. Then he decided to turn around and see what that lady was up to. He saw her step off the front porch and walk around to the backyard, at which point he couldn’t see her anymore.

He looked both ways to cross again. This time a car was coming, so he waited.

The car pulled up to the curb, right where Horace was standing. The door opened on the opposite side, the engine still on, the headlights still too bright in Horace’s face.

A thin white man walked up to him, a white man in a light gray suit.

Hello there, son. What are you doing out at this hour?

It was the kind of voice that adults who aren’t used to talking to kids use.

Horace mumbled something about his mother.

The man squatted down so his eyes were almost at Horace’s level. His eyes were very blue. His hat matched his suit.

Slow down, son, and enunciate those words.

Horace had felt mostly confused when the man had stepped out of the car. Now he felt mostly scared. Something about those eyes, and the man’s waxy white face, and the way he looked at Horace. Like he was very interested in Horace.

Mama’s sick. I’m fetching the doctor.

A loud banging sound, like a garbage can falling over a block away, and then the laughter of coyotes.

I’m sorry to hear that. Now, I have another question for you, son. Have you seen a colored lady out here tonight, with long hair? In a yellow dress?

Horace nodded. The man smiled. His teeth were like the drawing in a magazine.

She went into that building over there, didn’t she?

She knocked but couldn’t get in, sir. He remembered to say sir. He had forgotten earlier. She went ’round back instead.

Rakestraw sat in his squad car, calling in the license and registration and watching as his partner chatted with the driver. What were they talking about? It seemed more conversation than would normally be taking place right now.

The driver’s name was Brian Underhill and he was forty-three years old. The license listed a Mechanicsville address a short drive away.

Dispatch radioed back that Mr. Underhill did not have any record, warrant, or probationary status. Rakestraw was about to jot out the ticket when he stopped himself. He wasn’t clear on how his partner wanted to proceed. So he stepped out of the squad car and walked toward the Buick.

Dunlow had been saying something, but he stopped as Rake handed over the papers.

Thank you, Dunlow said. I was just telling Mr. Underhill here to be more careful about his driving.

Yes, sir, Officer. The driver seemed slightly amused by something. So did Dunlow.

All right, Dunlow said. You have a good night.

Underhill turned his Buick back on. After it was a block away, Rake asked, No ticket?

Me and him came to an understanding.

That understanding involved us not ticketing him for being drunk and knocking down a city light pole?

What light pole? You see any light pole?

Boggs and Smith say they saw it.

Don’t recall the darkies saying they actually witnessed it. Though they may have. Even so, it’s one less light in Darktown. Practically a civic service the man performed for us.

Dunlow walked back to the car, taking the driver’s side this time.

Wonder who the girl was, Rakestraw said as he got in, trying not to sound too accusatory.

Again, I myself do not recall seeing any girl. Darkies say they did, I’m sure they’re sniffing around the bushes for her right now.

Dunlow probably believed that the colored cops did indeed

Enjoying the preview?
Page 1 of 1