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The Dream Weaver
The Dream Weaver
The Dream Weaver
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The Dream Weaver

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Satyapal Anands poetry is cerebral rather than emotional. It reveals many splendored splashes of color and sound. His poems reveal the essential mythopoeic self present in the poet himself as in all humanity. Again, his personae are all inside his poems. Here and now or there and beyond combine and create word collages. By authenticating effects of the vision and perceptions underlying them, his images give us new ways of seeing the world. There is a kind of double vision involved in it. His is the imagists faculty for seeing a thing at once precisely for itself and, at the same time, as part of a larger phenomenon. Many of his poems are dramatic monologues. In these the speaker does not speak in a vacuum. When he speaks or acts, it reflects the time, place, thought, social conventions, and general circumstances; but it also impinges upon political, philosophical, and religious shades of meaning that transgress the immediacy of the situation. Caroline Greene says that nothing extraordinary has happened in American poetry in the past half a century, and if an Urdu poet of the stature of Satyapal Anand chooses to bring his treasure house to the English speaking word, it is likely to change the entire scenario here. It is precisely because the poet recovers the extracultural, historic-mythological ground of humanity as a whole that the American poets have lost in localizing their poetry.
LanguageEnglish
Release dateOct 20, 2011
ISBN9781426996979
The Dream Weaver
Author

Satyapal Anand

An octogenarian author, Satyapal Anand (born in 1931) is a well-known Urdu and English poet. He has published forty books in Urdu and no fewer than a dozen in English. Poetry, prose, literary criticism, history, cultural synthesis of the East and the West, and religion, with particular reference to Buddhism, are his chosen subjects. A retired university professor of English, with a distinctive record in the field of comparative literature, Satyapal Anand is an expert in curriculum planning and course designing in this field. As a poet in Urdu, a language spoken and written by more than a billion people of Indo-Pak subcontinent, he is known to have blazed a trail by introducing a modern (read: European) tinge to it. Born in the prepartition of India (an area now in Pakistan), Satyapal Anand has had half a century of teaching career at the university level in diverse universities of India, Saudi Arabia, England, and North America. Having retired from active classroom teaching, he now teaches a couple of online courses but largely keeps himself busy not only in creative writing but also in making trips to address literary seminars in Europe, India, and Pakistan. After the demise of his wife, Satyapal Anand lives all by himself in a quiet neighborhood in Herndon, Virginia, a suburb of Washington, DC.

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    The Dream Weaver - Satyapal Anand

    Contents

    SNOW ANGEL

    YOUR TRAIN HAS COME

    A NEW-BORN POEM I WAS

    DIOGENES FOR A DAY

    A HOME OF HIS OWN

    SPLINTER

    MIDNIGHT—23-24 APRIL 1564

    THE YEARLY VISITOR

    THE DEEP DOME

    THE EIGHTH SELF

    THE SELF—SAME BORN

    THE FINAL CONSUMMATI0N

    THE NEW MORN IS A WINDOW SHUT

    A FUNERAL PROCESSION

    THE SELF SAME BORN—TWICE

    STIGMATA

    A WITHERED LEAF—MY HAND

    THE OLD AND THE YOUNG

    LIZARD OF SERIOUSNESS

    WHAT WAS I DOING INSIDE A SEED?

    LUST

    OH, MY LOVE, SAY ADIEU

    ALL BY HIMSELF, ALONE

    ISLAND

    MY WINDOW

    HOW MANY SIBLINGS WERE WE?

    KAAL CHAKRA

    A POEM’S SUICIDE

    BLACK MAGIC

    WHERE’S HIS HOME?

    CYCOLOPES

    SHE WAS THE FIRST

    TWO PLUS TWO

    THE ARTIST

    THE SIXTH FINGER

    LET THE PAST BURY ITSELF

    FEMME DE RENOIR

    A LAKE I SEE

    A BUNDLE OF SILK

    A PAINTING

    FRONT AND BACK

    THE NAKED TRUTH

    THE CO-TRAVELER

    SHE DIDN’T KNOW

    QUESTION BIRDS

    DUMB RELATIONS

    LISPING WORDS

    COIN

    RETURN OF THE PRODIGAL

    APOPLEXY

    LET US BE MUMMIFIED!

    SPENDTHRIFT

    THE CLIMBING VINE

    THE DIVIDED SELF

    TSUNAMI

    ‘MITHUN’ AND ‘YANG-YEN’

    ESCAPE FROM SHANGRI-LA

    FIFTY, TWENTY, TWELVE, ELEVEN, THIRTEEN

    WHO WAS ROBIN HOOD?

    DO I DARE KEEP MY EYES OPEN?

    RAPE

    MONA LISA OF THE METRO STATION

    THE THIRD CHOICE

    POETRY—YOUTHFUL FOREVER

    THE POET OF STONE, STEEL AND GLAS

    KOT SARANG

    BY THE SEA OF MY SIN

    AFTER THE TERRORISTS STRUCK

    DREAMS OF EIGHT O’ CLOCK

    ‘YU’ SHALL BE BORN IN AMERICA

    SAND ON THE LOOSE MATTRESS

    THE DREAM WEAVER

    A present For

    Asher

    And

    Aryan

    A poet dares to be just so clear and no clearer; he approaches lucid ground

    warily, like a mariner who is determined not to scrape his bottom on

    anything solid. A poet’s pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.

    E. B .White

    No honest poet can ever feel quite sure of the permanent value of what he has written: he may have wasted his time and messed up his life for nothing.

    T. S. Eliot

    Poetry is the opening and closing of a door, leaving those who look through to guess about what is seen during a moment

    Carl Sandburg

    SNOW ANGEL

    When the night has deepened

    A blanket of silence

    Holds me in its tight vice grip

    Bundles me up in the bed like an embryo.

    Folds and creases

    Of the snow-white sheet

    Grasp me firmly in their iron grip

    Bound I am to the bed

    At least for the night.

    A light imprint on my right

    A slight indentation is all I have of you

    A snow angel’s imprint

    Of the body you’ve taken with you.

    Scared I am of losing it

    I lie on the left side

    Lest the mark of your body

    The snow angel’s dimpled imprint is erased

    And I am left alone.

    If that happens

    With whom shall I talk in the dead of the night?

    black.jpg

    YOUR TRAIN HAS COME

    Your train’s on its way,

    Says the icy-airy silhouette in the falling snow.

    I just don’t look up, indeed, I can’t.

    Frozen stiff are my eyelids. My beard has hanging icicles

    So have my mouth and the right nostril.

    The railway platform, a scene of the icy waste, has benches

    One I occupy: the others by icy silhouettes of the falling snow.

    Gelid and arctic is the morn

    Perhaps I sat on the bench the whole night

    Breath, my vaporous breath, easies itself out, solidifies

    Tries to get back in, and with some success it does.

    Hard it is, indeed very hard

    The task of opening my eyes.

    I try, try again—and then my right eyelid opens a bit.

    Mounds of snow cover the railway track.

    Where’s this rail station? I ask nobody in particular.

    Maybe, a nondescript branch station

    Or a docking yard where only stray trains come.

    The world is asleep, half asleep, but half awake also

    The icy

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