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Clayhanger (Barnes & Noble Digital Library)
Unavailable
Clayhanger (Barnes & Noble Digital Library)
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Clayhanger (Barnes & Noble Digital Library)
Ebook711 pages11 hours

Clayhanger (Barnes & Noble Digital Library)

Rating: 4 out of 5 stars

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About this ebook

The first novel of a family saga, Clayhanger (1910) is a coming-of-age story set in the Midlands of Victorian England.  It follows Edwin Clayhanger as he leaves school, takes over the family business and falls in love. The triumph of the book is the minute detailing of the effect of bourgeois respectability on Edwin’s life and finally his submission to it.

 

LanguageEnglish
Release dateSep 27, 2011
ISBN9781411463554
Unavailable
Clayhanger (Barnes & Noble Digital Library)
Author

Arnold Bennett

Arnold Bennett (1867–1931) was an English novelist renowned as a prolific writer throughout his entire career. The most financially successful author of his day, he lent his talents to numerous short stories, plays, newspaper articles, novels, and a daily journal totaling more than one million words.

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Rating: 3.971153832692308 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    A thoroughly good read. I've enjoyed Bennett in the past and this one lived up to expectations. I don't feel it has as good a structure as "Anna of the Five Towns" but I felt very much part of the world of the Five Towns again. As a study of the sociology of the rising middle-class it was superb and gave a real feel for the pressures of Methodist religion and social expectation against glimpses of a newer more liberal world.
  • Rating: 4 out of 5 stars
    4/5
    I think that Arnold Bennett has been most unfairly overlooked by history. This is a fine, "coming of age" novel, set in the latter half of Queen Victoria's reign in the "five Towns" of Staffordshire, which would gradually merge into the present-day city of Stoke On Trent. (Of course, in real life there were six towns, but Bennett chose not to have a cognate for Fenton, "the forgotten town".)The central theme of the novel is the development from recently-released schoolboy Edwin Clayhanger, who temporarily dreams of becoming an architect) into an eminent local businessman and free thinker.His father, Darius, has laboured long and hard to create a successful business, on the back of which Edwin and his sisters are born into relative affluence. However, unknown to them, their father had a deep dread of poverty after having worked long shifts in the pottery works as a very young boy, and even spending one night with his parents in the workhouse, whence they were rescued by the good offices of Sunday School teacher Mr Shushions, simply because he had spotted potential in the young Darius and his early eagerness to learn to read.On the day on which Darius attends the funeral of his old patron he suffer a stroke-like episode and sinks into a protracted mental and physical deterioration.Meanwhile Edwin takes control of the business which he runs without Darius's all-pervading ruthlessness, giving way, instead, to his Liberal leanings in the matter of fair wages and working conditions for his staff.However, Edwin's life is not one of unsullied success. Early in life he falls headlong in love with Hilda Lessways, but is sundered from her before they can marry. Memories of Hilda stay with him all his life, and her gentle yet assured radical ideology steers Edwin's own mental, cultural and political development.This all sounds very dry, but the novel is actually wholly engaging. Bennett writes with a deft, light touch, and offers a scintillating insight into the later Victorian period from the perspective of a swelling industrial provincial town.I was also intrigued, in a novel published in 1910, to see the use of the phrase, "Bugger the lot of you!" That must have seemed very risque at the time.I had owned a copy of this book for years but, for reasons I can't adequately disinter, had been reluctant to pick it up and read it. That was definitely a mistake - I rather feel I have now been bitten by the Bennett bug!
  • Rating: 5 out of 5 stars
    5/5
    For much of the 20th Century, Bennett's work was tainted by the perception of being old-fashioned and too traditional, written at the end of an era and looking backward rather than forward (cf. Virginia Woolf); it was not until the 1990s that a more positive view of his work became widely accepted. The noted English critic John Carey was a major influence on his rehabilitation. He praises him in his 1992 book, The Intellectuals and the Masses, declaring Bennett to be his "hero" because his writings "represent a systematic dismemberment of the intellectuals' case against the masses" (p. 152).