The Lost Arabs
By Omar Sakr
4.5/5
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About this ebook
Award-winning Arab Australian poet Omar Sakr presents a pulsating collection of poetry that interrogates the bonds and borders of family, faith, queerness, and nationality.
Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
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Book preview
The Lost Arabs - Omar Sakr
For Candy Royalle,
gone too soon but never lost
&
my brother, Mohomad,
without whom I could not do what I do
Here We Are
People don’t seem to understand.
They say no, look, hell is over where the grass is
greener. Or no, look, it’s where blood drenches
everything. Nobody wants to reckon with
the truth of this place. A palace in hell is still
in hell. Freedom of movement in hell is still—listen,
hell is any place where someone is being tortured
and we have been here for the longest time.
Contents
Here We Are
Boys with Their Pins Pulled
As the Bombed City Swells (in a Viral Video)
Hanging Dry in Athens
House of Beirut
This Is Not Meant for You
On the Way to Sydney
How to destroy the body slowly
Fridays in the Park (or how to make a boy holy)
Ameen
How to be a son
Sailor’s Knot
Arabs in Space
What It Is to Be Holy
How to destroy the body slowly (2)
Breath
Birthday
Ordinary Things
Factoids
Chances
Instead, Memory
Out on the Way to Melbourne
A Beautiful Child
Choose Your Own Erasure
Federation (Square)
The Lost Arabs
Where God Is
Searchlight
Every Day
Do Not Rush
AT THE SITE OF THE FUTURE MEMORIAL
AT THE SITE OF THE FUTURE MEMORIAL
AT THE SITE OF THE FUTURE MEMORIAL
AT THE SITE OF THE FUTURE MEMORIAL
AT THE SITE OF THE FUTURE MEMORIAL
Waiting for the American Spring
A Moratorium on Cartography
Tinder
Among Bloody Oracles
Self-Portrait as Poetry Defending Itself
Extermination
Landscaping
How to sleep
Citizen of—
How to destroy the body slowly (3)
The Exhibition of Autobiography
Kennel Light
No Goldblum, No Matter
How to endure the final hours
How to destroy the body slowly (4)
Self-Portrait of What Graces the Night
Blues
Nature Poem
All of Us (Who?)
Galaxies of Road
Meaning
As the Raven Flies
Great Waters Keep Moving Us
Heaven Is a Bad Name
In Order to Return
Acknowledgments
Boys with Their Pins Pulled
Call it what you will, this place,
like everywhere else beneath the sun,
burns. The boys spread through it
like fuel before the fire, torn khakis
muted in the dust kicked up by the fuss.
They are yelling or the earth is,
and the noise is flame.
The residents
always leave a residue. A spreading
stain, like these boys, if boys they are.
Everything has a name. Some are erased,
others misplaced, gifted and taken
away, or replaced. Here we have
little stacks of mapped bone,
they are kicking a ball while the men
search what used to be homes.
Shins
bruised, knees creaking, little bronze
busts gleaming, the ball bounces, if
ball it really is. Rejoice regardless,
someone is scoring a goal, though
the posts are always shifting and
so are the players, both the living
and the dead. Neither is winning,
despite the din,
the hammerblows
of this forge, making both boys
and grenades indistinguishable.
People scream—look out, duck,
and any thing might be sailing in
the air, a body or a ball or a blast.
Everything loses its form in the end.
A child, frenzied, falls. The others
surround him, a furious sandstorm.
In this nothing space,
you never know
what you’ll be bending to recover,
whether your fingers will meet skin,
plastic, or metal. No matter, the result
is always the same: a name erupting.
As the Bombed City Swells
(in a Viral Video)
And the streets become rivers of no
longer rushing water, wide and flat,
dark and calm, a wending mirror
of sky snakes its way between
each small building of mud brick
and stone. A man drifts
on a door
of a home or sheet of unclear metal,
his handmade keffiyeh chequered red
and white around