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Lives of the Writers: Comedies, Tragedies (and What the Neighbors Thought)
Автор: Kathleen Krull и Kathryn Hewitt
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Начать чтение- Издатель:
- HMH Books for Young Readers
- Издано:
- May 9, 2017
- ISBN:
- 9780547541679
- Формат:
- Книге
Описание
Активность, связанная с книгой
Начать чтениеСведения о книге
Lives of the Writers: Comedies, Tragedies (and What the Neighbors Thought)
Автор: Kathleen Krull и Kathryn Hewitt
Описание
- Издатель:
- HMH Books for Young Readers
- Издано:
- May 9, 2017
- ISBN:
- 9780547541679
- Формат:
- Книге
Об авторе
Связано с Lives of the Writers
Отрывок книги
Lives of the Writers - Kathleen Krull
Media
1. Mark Twain
2. Zora Neale Hurston
3. Edgar Allan Poe
4. William Shakespeare
5. Emily Dickinson
6. Murasaki Shikibu
Writing is a dog’s life, but the only life worth living.
—GUSTAVE FLAUBERT, FRENCH WRITER
Calliope and Thalia, two of the Muses, the goddesses of literary inspiration.
I am indebted to Sister Della, O.S.F. (Marie Tollstrup); Sister Jean Bernard, O.P.; professors in the English department of Lawrence University; and to the collections of literary biographies at the Athenaeum Music and Arts Library of La Jolla, the University of California, San Diego, Library, and the San Diego Public Library.
—K.K.
Text copyright © 1994 by Kathleen Krull
Illustrations copyright © 1994 by Kathryn Hewitt
All rights reserved. Originally published in hardcover in the United States by Harcourt Children’s Books, an imprint of Houghton Mifflin Harcourt Publishing Company, 1994.
For information about permission to reproduce selections from this book, write to trade.permissions@hmhco.com or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
The Library of Congress cataloged the hardcover edition as follows:
Krull, Kathleen.
Lives of the writers: comedies, tragedies (and what the neighbors thought) / written by Kathleen Krull; illustrated by Kathryn Hewitt.—1st ed.
p. cm.
Summary: The lives of twenty writers, ranging from Dickens, the Brontës, and Poe to Twain, Sandburg, and Langston Hughes, are profiled in this eclectic, humorous, and informative collection. Includes bibliographical references and index.
1. Authors—Juvenile literature. [1. Authors.] I. Hewitt, Kathryn, ill. II. Title.
PN452.K75 1994
[B]—dc20 93-32436
ISBN: 978-0-15-248009-7 hardcover
ISBN: 978-0-544-25288-2 paperback
eISBN 978-0-547-54167-9
v1.0417
To Susan Cohen, friend of writers
—K.K.
To Pam Moore, artist and sister extraordinaire
—K.H.
I ntroduction
YOU MIGHT THINK that writers—even famous ones—lead quiet, mousy lives. Perhaps they spend their days with only the modest tools of their trade for company, piping up now and then to plead for more money.
Allow the neighbors to disagree. After all, a typewriter does keep the neighborhood on edge when it clatters fifteen hours a day (as with Jack London), and neighbors are the first to notice when a writer (such as Langston Hughes) keeps odd hours. Neighbors have been jarred awake by temper tantrums when a writer’s shirts lack buttons (Twain). They’ve partaken of a novelist’s lavish Polynesian feasts (Stevenson) and of a poet’s fresh gingerbread lowered out the window in a basket (Dickinson). Where neighbors are concerned, writers have provoked storms of gossip (Dickens), endless curiosity (Austen), tears from small children (Alcott), and accusations of murder (Cervantes).
Some writers live simply and quietly (Singer), while some live noisily and like to carry a gun (Hurston). But the writers in this book, representing different countries, time periods, and literary forms and styles, do have things in common. About their writing, they had a persistence that led not only to success—sometimes during their lifetimes, sometimes not—but also to eccentricities, some amusing, some tragic.
And their work itself was rarely quiet. It was blamed for outbreaks of plague (Shakespeare), inspired fashion for an entire generation (Burnett), and created overnight fame (Poe). It was condemned as dangerous
(White), not to mention wicked
(Charlotte Brontë) and demonic
(Emily Brontë). Sometimes it required a secret existence (Alcott); sometimes it was featured on every TV talk show from Today
to Tonight
(Sandburg).
All of these writers have works that are still passionately read. The writing, above all, is why we remember these poets, playwrights, and novelists today.
Here, escorted by the Muses, the guiding spirits of writers, are the lives of twenty writers, in all their comedy and tragedy. These most unquiet stories, never before collected in one volume, are offered now as a way of getting closer to the writers—and their writings.
—Kathleen Krull
RICE CAKES AND MOONLIGHT
Murasaki S hikibu
BORN IN KYOTO, JAPAN, 973?
DIED IN KYOTO, JAPAN 1025?
Japanese writer famous for The Tale of Genji, sometimes considered the world’s oldest novel and a major influence on Japanese literature
MURASAKI SHIKIBU EXCELLED at her studies. Just my luck,
her father would sigh. If only you were a boy—how proud I would be.
But he did not stop her education, even though it was an era when scholarly girls were looked down upon. Murasaki took to concealing some of her learning, such as her ability to write and read in Chinese—considered then to be impossible tasks for women.
At about age twenty-five, she married and had a daughter. After her husband died two years later, Murasaki spent several anxious years not knowing what her future would hold. Her one desire, as a widow, was to be inconspicuous, to avoid any behavior that might give people cause for gossip. She would sit for hours by the window, watching a flower open in the moonlight, making notes for a novel.
Then her father arranged to have Murasaki appointed as a lady-in-waiting to the teenage Empress Shoshi. Murasaki had few duties around the palace, leaving her plenty of time to continue her writing.
Life at court was cut off from the rest of the world. People spent their time with superficial poetry, music, romance, and gossip. Women in particular were kept secluded. Shoshi’s court was more strict than most—when men were around, for example, women had to hide themselves behind screens. Murasaki would have preferred another court, where ladies were always off to see the fading of the moon at dawn,
as she wrote in her secret diary.
Murasaki also disliked the attention of Shoshi’s father, the minister of state. He would hand her plum blossoms over the top of her screen, putting her in the uncomfortable position of having to write him thank-you poems. Like others in court, he made fun of