MC-505 Jap

MC-505Cover.j 02.7.
29 11:13 AM 1
SHIFT+VALUE
p. 11
PAGE<
>p. 11
ARPEGGATORON+VALUE
p. 106
SHIFT+POWERENTERENTER
LCD
SHIFT+ Keyboard Pad10

p. 164

p. 163
p. 5
RPS
RPS
RPS
EFFECT SELECT+PRESETp. 80
EFFECT SELECT+USERp. 83
EFX
EFFECT SELECT+CARD
p. 87
EFFECT SELECT+REVERB LEVELp. 79
EFFECT SELECT+DELAY LEVEL

p. 82
Time
SHIFT+DELAY TIMEp. 83
EFX
EFFECT SELECT+EFX OUTPUT LEVEL

p. 86
EFFECT SELECT+VALUEp. 86
SHIFT+CTRL2p. 95
RPS+TEMPO/MIXER
Keyboard Pad RPS p. 111
SHIFT+FWD
p. 20
SHIFT+BWDSTOPp. 20
PART MUTE+RHYTHM MUTEp. 21
PART MUTE+R7
p. 21
PART MUTE+PART SELECTp. 22
PTN PAGE<
>p. 20
PTN PLAYp. 22
RPS
RPS+PATCH Keyboard Pad RPS

p. 111
RPS
RPS SET WRITE

ENTERENTERp. 112
QUANTIZE+VALUEp. 117
SHIFT+QTZ SELECTR7p. 113
INCDEC
TEMPO/MIXER
INC
DEC
p. 25
SHIFT+MIXER SELECTp. 25
KEY SHIFT SHIFT+ SliderR7p. 25
EFX/OUT SHIFT+ SliderR7

p. 104
RPS+ Keyboard Padp. 110
Rate
WRITE
ENTERENTERp. 108
Preset PTNPreset Patch
16
1 MC-505
Slider47
p. 34
6 RPS
ENTERp. 26
PATCH WRITE
RPS RPS
PTN SET WRITE
7
D
D BEAM CONTROLLERON+VALUEp. 121
D BEAM CONTROLLERON+ Keyboard Padp. 125
D BEAM CONTROLLERON+ PAGE<

>p. 125
ENTERp. 155
4-EQ
SPCTM
ENHR
OVER
DIST
Lo-Fi
9 D
RECPLAYp. 127
CTRL1
High
Low-High
Sens
Drive
Drive
Bit Down
D D
REC
p. 129
CTRL2
Peak1
Middle
High
Pan
Pan
S-Rate Down
REALTIME ERASE
CTRL3
Low
Width
Mix
AMP Type
AMP Type
Post Gain
10
NOISE
RADIO
PHONO
COMP
LIMT
SLICE
Detune
Depth
Attack
Threshold
Timing PTN
RECRECp. 140
CTRL1
N Filter
PAGE>VALUEENTER
p. 142
CTRL2
Lo-Fi Lvl
High
Pan
Sustain
Ratio
Accent PTN
EDITENTERp. 143
CTRL3
Noise Lvl
Noise Lvl
Noise Lvl
High
Release
Rate
WRITEENTERp. 143
TREMO
PHASE
CHORS
SP-D
TETR
SHIFT+EDIT+VALUE
p. 143
CTRL1
Depth
Depth
Depth
Depth
Depth
Rate
FLANG
11
RECRECREC
p. 134
CTRL2
Rate
Rate
Rate
Rate
Rate
CTRL3
LFO Type
Resonance Phase
Phase
Pan Devi
Feedback
FWD
ST-FL
S-DLY
A-PAN
FB-P
REVERB
GATE
SHIFT+BWDp. 136
CTRL1
Depth
Time L
Depth
Coarse
Time
Gate Time
R7+VALUEp. 135
CTRL2
Rate
Time R
Rate
Pan
HF Damp
Gate Type
13
BDOTHERS+VALUE
p. 135
CTRL3
Step Rate
Feedback
LFO Type
Feedback
Balance
Balance
12
RECRECPLAYp. 136
SHIFT+Keyboard Padp. 137
EDIT Keyboard Pad +Slider
14
SliderR= -1 9, OCTAVE-
+
Slider1= C B
Slider2= C-1 G9, INC

DEC, VALUE
Slider3= 1 63
If you should require an English Owner's Manual (at a modest
15
Slider4= 64 127
10
11
Depth
BWD
RECp. 132
EFX
ENTERENTERp. 61
PTN CALL+ Keyboard Padp. 31
SONG WRITEENTER
SHIFT+STOP
p. 30
PTN WRITEENTER
ENTERENTER
p. 32
MC-505 MC-505
MIDI
EDIT+ p. 33
p. 23
p. 13
fee), please contact an authorized Roland distributor.
Slider5= 1 50%
12
13
14
15
Slider6= 51 100%
16
Slider7= 101 200%p. 138
MIDI MC-505
16
MIDI
01342445
'02-8-H1-51N
1997
MC-505Cover.j 02.7.29 11:13 AM 2
.............................................................................................................
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.............................................................................................................
AC100V
.............................................................................................................
105
TEL (06) 6345-9500 TEL (03) 3251-6150 TEL (053) 414-7120
433-81184-7-19
'02. 2. 13
MC-505Reference1-2.j 02.7.29 10:42 AM 3
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p. 5
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MC-505Reference1-2.j 02.7.29 10:42 AM 4
MC-505 9
10
13
1 MC-505 14
MC-505 14
14
16
16
17
19
19
20
20
VALUE 20
20
21
21
21
22
VALUEINC
DEC 22
22
22
23
23
24
24
24
25
25
26
27
28
28
28
29
30
MIDI 30
31
31
31
32
3 33
33
33
/FXM 34
34
35
36
36
36
36
37
37
38
38
40
40
40
41
42
43
43
43
44
45
45
46
46
46
48
48
49
LFO 50
LFO1 50
LFO1 51
LFO1 51
52
MC-505Reference1-2.j 02.7.29 10:42 AM 5
54
68
54
57
58
SOLO/PORTA 58
68
68
69
69
59
70
60
Control 1 2 3 4
1 2 3 4 60
Ctrl 1 2 3 4 Depth
1 2 3 4 60
70
70
70
61
62
63
63
63
64
64
64
65
65
66
66
66
66
72
72
72
72
73
74
74
74
75
76
77
78
4
79
79
80
HF 80
80
80
EFX EFX 81
81
82
82
83
83
84
84
EFX EFX 84
85
EFX 86
86
EFX 86
4 EQ 87
88
89
79
89
90
90
91
92
92
93
93
94
95
95
96
D 97
97
98
99
100
101
102
103
103
EFX
EFX 104
MC-505Reference1-2.j 02.7.29 10:42 AM 6
5 105
105
105
106
107
106
106
108
6 RPS 109
109
110
111
111
RPS 111
RPS 112
7 113
113
113
113
114
114
114
115
115
115
117
8 119
119
120
120
9 D 121
D 121
121
01:Modulation-A 121
02:Modulation-S 122
03:Pitch Bend-A 122
04:Pitch Bend-S 122
05:Cut+Reso1-A + 1 122
06:Cut+Reso1-S
+ 1 122
07:Cut+Reso2-A + 2 122
08:Cut+Reso2-S
+ 2 123
09:Cut+Reso3-A + 3 123
10:Cut+Reso3-S
+ 3 123
11:Part Pan-A 123
12:Part Pan-S 124
10
127
127
127
129
129
130
130
131
131
131
13:Cross Pan 124

14:Cros Drm Pan 124
15:Key Shift-A 124
16:Key Shift-S 124
17:Reverb Level 124
18:Delay Level 124
19:EFX Ctrl1EFX 1 124
22:Start/Stop 125
23:All Mute 125
24:Turntable 125
25:Arp Range 125
26:Note+Bnd + 125
27:Adlib1 1 125
28:Adlib2 2 126
132
1
133
133
1 134
135
1
2 136
139
MC-505Reference1-2.j 02.7.29 10:42 AM 7
140
143
144
140
141
142
143
143
144
Temp 145
User 145
Card 145
11
146
147
148
149
149
150
12
154
155
151
151
152
153
153
154
155
13
157
158
14
146
157
158
159
159
MC-505 159
159
159
160
160
161
161
15
163
163
163
164
164
164
167
167
167
167
164
MIDI 168
LCD 164
165
165
D 165
MIDI
168
ID 168
MIDI IN MIDI OUT
168
MIDI Rx 169
Tx 169
169
RPS RPS
169
163
166
166
166
166
166
RPS RPS
167
MC-505Reference1-2.j 02.7.29 10:42 AM 8
169
16
MIDI 171
MIDI 171
MIDI MC-505 172
MIDI RPS 172
MC505 173
MC-505 MIDI 174
MC-505 MIDI 175
176
170
170
171
176
MC-505 176
177
MC-505 177
MIDI MC-505 178
179
EFX 183
186
188
190
192
196
203
RPS
RPS
208
216
220
233
MIDI
234
252
253
MC-505Reference1-2.j 02.7.29 10:42 AM 9
MC-505
ADSR
248
466 RPS
RPS
RPS
TB-303JUNOJUPITERTR-808/909
512 26
3
DSP
24
EFX 3
6
2
MIDI
D
D
95,000
200
480,000 4MB
200
MC-303
1
MC-505Reference1-2.j 02.7.29 10:42 AM 10
VOLUME
MC-505
LOW BOOST
D BEAM CONTROLLER
D
CURRENT
NEXT
LCD
BEAT
MIDI
SLAVE
MODE
FUNC
MAX
MIN
MAX
SONG
ARPEGGIATOR
PLAY QUANTIZE
GRID
16
MIXER
25 KEYBOARD
PAD
T1
FUNC
TIMING
ACCENT RATE
VELOCITY
RANGE
REVERB
DELAY
EFX
TEMPO
/MIXER
REVERB
PTN/
SONG
10
P
PATCH
19
27
EFX/OUT
REVERB TIME
HF DAMP
EFX REVERB LEVEL
DELAY TIME
CTRL 1
FEEDBACK
EFX DELAY LEVEL
CTRL 2
REVERB LEVEL
DELAY LEVEL
EFX OUTPUT LEVEL
WRITE
UNDO/
REDO
PART
SELECT
QTZ SELECT
28
INITIALIZE PARAM COPY
HOLD
TRANSPOSE
PTN
CALL
RPS
PART
MUTE
MUTE CTRL
20
TONE RHYTHM
MUTE
SELECT
KEYBOARD PAD
OCTAVE
MEGAMIX
CTRL 3
SCALE
BD
29
SD
HH
CLP
CYM TOM
TONE SWITCH
EDIT
30
REALTIME ERASE
25
26
SHIFT
31
PTN/SONG
COPY
ERASE
DELETE
INSERT
TRANSPOSE
ARPEGGIO
GRID
GROOVE
SHUFFLE
REVERB
DELAY
F-ENV
LEVEL
WAVE/FXM
PITCH
P-ENV
PITCH
CHG VELO CHG GATE SHIFT CLK DATA THIN Q

EFX
SEQ OUT
PAN
A-ENV
29 SCALE
30 EDIT
TUNE/SOUND CO
SETUP
FILTER
FILTER
AMPLIFIER
31 SHIFT
RPS
SET
DELAY
27 WRITE
T4
PART MIXER
KEY SHIFT
PATCH
T3
DISPLAY
PTN
SET
LEVEL
PLAY QUANTIZE
28 UNDO/REDO
T2
PAN
18
DELAY EFX
19 PART
ON
18 R E V E R B
PTN
SHUFFLE
17 ARPEGGIATOR
MODE
17
GROOVE
CURRENT
ON
OCTAVE
MIN
INCDEC VALUE
QUANTIZE
D BEAM CONTROLLER
LOW BOOST
TURNTABLE
CUT +
RESO
AD LIB
DISPLAY
16 PLAY
VOLUME
20 PART
SELECT
TONE SELECT
LFO 1
LFO
MC-505Reference1-2.j 02.7.29 10:42 AM 11
WAVE SELECT
BANK
11 FILTER/AMPLIFIER
10 PITCH
12 ENVELOPE
MEMORY CARD
NEXT
11
10
WAVE
SELECT
PITCH
FILTER/AMPLIFIER
LPF
13 ENV
SELECT
BPF
HPF
PKG
CUTOFF
COARSE TUNE
FINE TUNE
RND PAN
ENVELOPE LFO1 DEPTH
RESONANCE
TONE LEVEL
TONE PAN
MIDI
ENVELOPE
LFO 1
SELECT
SLAVE
14
PITCH
T2
T3
T4
FILTER
BANK
RPS
SET
PRESET USER
PATCH
REVERB
12
13
EFX
15 PORTAMENTO
DEPTH
PART MIXER
DEPTH
DEC
INC
RATE
PORTAMENTO
PAGE
15
ON
21
CATEGORY
22
SOLO
21
BWD
CYM TOM/PERC
HIT
/TIE
FWD
/REST
MEASURE
24
PLAY
REC
DEMO
12
13
14
15
16
TAP
SEQ OUT
RECLOCK
TUNE/SOUND CONTROLLER SEQUENCER
MIDI
MEMORY INFO
CARD
23 E N T E R
32
SHIFT CLK DATA THIN QUANTIZE
22 PAGE< PAGE>
STOP
23
TONE SELECT
ENTER
EXIT
OTHERS
VALUE
SEQUENCER
VALUE
21 INC DEC
TIME
CLP
AMP
CARD
DELAY
14 LFO1
EXIT
/
DUMP
SYSTEM
A-ENV
LFO 1
LFO 2
LFO
COMMON
SOLO/PORTA
COMMON
MOD
PITCH BEND AFTER TOUCH
RHY TONE
24 SEQUENCER
CONTROL
26 KEYBOARD
PAD
RPS
2
C4
32 TAP
11
MC-505Reference1-2.j 02.7.29 10:42 AM 12
7
CAUTION
ATTENTION:
RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
WARNING:
RISK OF ELECTRIC SHOCK

DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
S2M-5/S4M-5
THIS CLASS B DIGITAL APPARATUS MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCE-CAUSING EQUIPMENT REGULATIONS.
CET APPAREIL NUMRIQUE DE LA CLASSE B RESPECTE TOUTES LES EXIGENCES DU RGLEMENT SUR LE MATRIEL BROUILLEUR DU CANADA.
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL
INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
1
The DBeam has been licensed from Interactive Light, Inc.
1 PHONES
2 OUTPUT
MIX L(MONO)R DIRECT1 L(MONO)R DIRECT2 L(MONO)R
3 PEDAL
DP-2/6FS-5U
4 MIDI IN OUT
MIDI MIDI
5 MEMORY CARD
6 AC
7 POWER
12
MC-505Reference1-2.j 02.7.29 10:42 AM 13
23
MIDI

MIDI AMEI
MC-505
MC-505
13
MC-505Reference1-2.j 02.7.29 10:42 AM 14
1 MC-505
MC-505
MC-505 1
MC-505
1
1 4
1
fig.1-3
fig.1-4
PATCH
TURNTABLE
CUT+
RESO
AD LIB
TONE 4
TONE 3
FILTER/AMPLIFIER
PITCH
WAVE
SELECT
D BEAM CONTROLLER
TONE 2
LPF
BPF
TONE 1
HPF
PKG
LFO 1
LFO 2
LFO 1
LFO 2
LFO 1
LFO 2
ON
COARSE TUNE
FINE TUNE
RND PAN
10
11
CUTOFF
RESONANCE
TONE LEVEL
TONE PAN
12
13
14
15
16
LFO 1
LFO 2
WAVE
PITCH
SELECT
FILTER
AMPLIFIER
PITCH ENV
FILTER ENV
AMPLIFIER ENV
PORTAMENTO
MC-505
MIDI MIDI
p. 54
MIDI MIDI
MIDI MIDI OUT

MIDI
14
MC-505Reference1-2.j 02.7.29 10:42 AM 15
1 MC-505
1 7
2
fig.1-5
RHYTHM SET
RHYTHM TONE (B5)
MC-505 64
RHYTHM TONE (D5)
RHYTHM TONE (C4)
RPS
RHYTHM TONE (B1)
WAVE
SELECT
PITCH
FILTER
AMPLIFIER
PITCH
ENV
FILTER
ENV
AMPLIFIER
ENV
4
4
MC-505 8
fig.1-6
p. 54

p. 164
Rhythm Set
Patch
Patch
Patch
Patch
Patch
Patch
Patch
15
MC-505Reference1-2.j 02.7.29 10:42 AM 16
1 MC-505
P:001
U:001
C:001
P:014 U:007 P:012 C:003 .... P:029

1
50
MC-505
fig.1-7
PTN P:003
PTN P:001
MIDI MC-505
256 200 50
RPS 60 30
1 50
fig.1-8
16
512 714
MC-505Reference1-2.j 02.7.29 10:42 AM 17
1 MC-505
VALUE INC DEC
U:TMP
fig.1-10
DEC
INC
PAGE
512
200
fig.1-9
EXIT
MC-505
VALUE
ENTER
DEMO
512
256
512
714
200
200
50
30
RPS
60
INC DEC
INC
DEC
SHIFT
VALUE
VALUE
VALUE
SHIFTVALUE
p.
61
p. 26
17
MC-505Reference1-2.j 02.7.29 10:42 AM 18
1 MC-505
MC-505
p. 146
p. 157
p. 127
p. 155
1.
2. UNDO/REDO
fig.1-11
UNDO/
REDO
PARAM COPY
3. ENTER
4. UNDO/REDO
fig.1-12
5. ENTER

18
ENTER
EXIT
fig.1-13
MC-505Reference1-2.j 02.7.29 10:42 AM 19
2
5. PLAY
fig.2-4
PLAY
1. PTN
MODE
fig.2-1
MODE
SONG
CURRENT
PTN
NEXT
6. 3. 4.
2. PTN/SONG
fig.2-2
CURRENT
NEXT
fig.2-5
CURRENT
NEXT
PTN/
SONG
3. PRESETUSERCARD
fig.2-3
BANK
PRESET USER
REVERB
CARD
DELAY
EFX
7.
8. STOP
fig.2-6
STOP
PRESET P
USER
CARD
100
4. INCDECVALUE

NEXT

EMPTY PATTERN
P:001 P:714U:001 U:200C:001 C:200
P:249 P:714 RPS 1

1

p. 159
19
MC-505Reference1-2.j 02.7.29 10:42 AM 20
FWD 1
BWD 1
SHIFTFWD
SHIFTBWD
VALUE
STOP
NEXT
1. TEMPO/MIXER
fig.2-9
fig.2-7
TEMPO
/MIXER
NEXT
CURRENT
NEXT
2. VALUE20.0 240.0 BPM
0.1 BPM
p. 203
SHIFTVALUE1
BPM
TAP
1. 4 TAP 3
1. MEASURE
CURRENT
NEXT
16
12 3
fig.2-8
fig.2-10
CURRENT
TAP
CURRENT
TAP
NEXT
TAP
NEXT
MEASURE
TAP
BEAT 1
2
PAGE<>1 1
BPM
BPM Beat Per Minute 1 4
1
INCDEC
VALUE
PAGE<>
INCDECVALUE
20
MC-505Reference1-2.j 02.7.29 10:42 AM 21
RHYTHM
MUTE
2. RHYTHM
1. PART MUTE
PART R7
fig.2-14
fig.2-11
BD
SD
HH
CLP
CYM TOM/PERC
HIT
OTHERS
PART
MUTE
RHYTHM
2. PART
RHYTHM
fig.2-12
p. 26

PART
PART
P:001 P:248 1
RHYTHM
p. 196
p. 26
PART MUTERHYTHM MUTE

RHYTHM MUTEPART
MUTEPART MUTE
1. RHYTHM MUTE
RHYTHM BD
OTHERS
fig.2-13
PART MUTE PART
21
MC-505Reference1-2.j 02.7.29 10:42 AM 22
2.
PART MUTEPART SELECT
TRANSPOSE
PLAY
p. 23
PTN CALLRPS
VALUEINC
DEC
1. TRANSPOSEVALUE
INCDEC
-12 +12 0
fig.2-16
TRANSPOSE
1. PTN CALLRPS
fig.2-18
PTN
CALL
RPS
NEXT
CURRENT
2. PART SELECT
fig.2-19
PART
SELECT
QTZ SELECT
2.
TRANSPOSE
3. PART
fig.2-20
1. TRANSPOSE
4.
C4 0
2-12
MIDI
+12
fig.2-17
PART
CURRENT
NEXT
fig.2-21
B C C# D D# E F F# G G# A A# B C C# D
TRANSPOSE
D#
C#
C4
CURRENT
G#
F#
A#
C#
NEXT
C4
-1
22
PART SELECT PART
MC-505Reference1-2.j 02.7.29 10:42 AM 23
2. PATCH
PART SELECT
R7
fig.2-24
PATCH
3. PRESETUSERCARD
fig.2-25(2-3)
BANK
PRESET USER
REVERB
CARD
DELAY
EFX
2 C4
OCTAVE
fig.2-23
PRESET P:A D
OCTAVE
NEXT
CURRENT
USER
U:AB
CARD
C:A D
A B C D...
PRESET P:
C4
1. OCTAVE-
+-4 +4
+ -
OCTAVE
U:
CARD
C:
fig.2-22
CURRENT
USER
NEXT
NEXT
CURRENT
OCTAVE
p. 159
4. INCDECVALUE
C:A001 C:D128
OCTAVE+ 1 1
OCTAVE- 1 1
OCTAVE
OCTAVE-+
P:A001 P:D128U:A001 U:B128
P:01 P:26U:01 U:20C:01 C:20
1. PART SELECT PART
p. 192
p. 196
1 7
HOLD
23
MC-505Reference1-2.j 02.7.29 10:42 AM 24
HOLD
fig.2-28
LEVEL
R63
PAN
KEY SHIFT
REVERB
DELAY
EFX/OUT
MEGAMIX
L64
1. MIXER SELECTPAN
p. 130
fig.2-26
2. R7
LEVEL
PART MIXER
L64 63R
PAN
KEY SHIFT
REVERB
DELAY
EFX/OUT
MEGAMIX
fig.2-27
LEVEL
127
PAN
KEY SHIFT
REVERB
DELAY
EFX/OUT
MEGAMIX
1. MIXER SELECTLEVEL
2. R7
0 127
127
p. 4672
EFX
MONO
EFXp. 86
EFX
OUTPUT MIX L/R DIRECT1 L/R

DORECT2 L/R
24
EFX p. 104
MC-505Reference1-2.j 02.7.29 10:42 AM 25
fig.2-29
LEVEL
p. 80
+48
PAN
p. 84
KEY SHIFT
REVERB
EFX
DELAY
EFX/p. 104
EFX/OUT
-48
MEGAMIX
1. MIXER SELECTKEY SHIFT
2. R7
MC-505 SP-202
-48 +48
EXTMC-505
MIDI
SHIFT
12
0
MIDI
MC-505 MIDI
p. 174
fig.2-31
MC-505
TEMPO/MIXER
R Part
SEQ Out Assign = INT
R Part
Part1
Part1
Part2
Part2
Part3
Part3
INCDEC
Part4
Part4
Part5
fig.2-30
TEMPO
/MIXER
R1 2 3 4 5 6 7
Part5
Part6
Part6
Part7
SEQ Out Assign =EXT
Part7
Current Part
MIDI OUT
SP-202
R1 2 3 4 5 6 7
Current Part
1. SHIFT8
R1 2 3 4 5 6 7
Current Part
fig.2-32
SHIFTMIXER SELECT
25
MC-505Reference1-2.j 02.7.29 10:42 AM 26
SHIFT
Part
INT
Current Part
BOTH EXT
2. PART SELECT PART
1.
2. PTN/SONG
M MUTE CTRL
3. WRITE
p. 131141
3. INCDECVALUE
INTI
fig.2-33
WRITE
MC-505
EXTE
INITIALIZE
MIDI
OUT
BOTHB
MIDI OUT
EXT
4. EXIT
EXT MIDI
MIDI MIDI OUT
4. 8.
EXIT
4. USERCARD
CARD
p. 159
MIDI
5. INCDECVALUE
10CH
1CH
2CH
3CH
4CH
5CH
6CH
7CH
MIDI
UNDO/REDO
UNDO/REDO
6. PAGE>
2
fig.2-34
Tx EXT
Tx p. 169
7.
INCDECVALUE
A Za z0 9! " # $ % & ' ( ) * + , - . / : ;

<=>?@[]^_`{|}
26
MC-505Reference1-2.j 02.7.29 10:42 AM 27
8. 6. 7.
2. SHIFT
PARAM COPY
PAGE<
fig.2-37TEXT
9. ENTER
SHIFT
UNDO/
REDO
EXIT
fig.2-35
PARAM COPY
3. INCDECVALUE
10. ENTER
fig.2-36
PAGE<
>
RP1 P7
FX
ALL
FXALL
MC-505
p. 20
4. ENTER
fig.2-38
*p. 23
*p. 24
*p. 24
*p. 25
*p. 80
5. ENTER
fig.2-39(2-36)
*p. 84
EFX/ *p. 104
p. 79
p. 82
EFX p. 86
EXIT
*p. 21
p. 21
*p. 25
*
p. 26
1. PTN/SONG
2.
1. PTN/SONG
27
MC-505Reference1-2.j 02.7.29 10:42 AM 28
3. SHIFTINITIALIZE
fig.2-40
SHIFT
FILTER/AMPLIFIER
PITCH
WAVE
SELECT
LPF
BPF
HPF
PKG
WRITE
CUTOFF
COARSE TUNE
FINE TUNE
RND PAN
ENVELOPE
RESONANCE
TONE LEVEL
TONE PAN
LFO 1
SELECT
PITCH
INITIALIZE
FILTER
AMP
4. ENTER
fig.2-41(2-36)
DEPTH
DEPTH
RATE
PORTAMENTO
ON
SOLO
TIME
PITCH FILTER/AMPLIFIER
ENVELOPE LFO1
PORTAMENTO
LFO1
PORTAMENTO
p. 33
1. p. 19
PTN CALLRPS
2. PART SELECT PART
3. TONE SELECT
RHYTHM MUTE
TONE SELECT
fig.2-42
1. p. 19
PTN CALLRPS
2. 1 7
3. TONE SELECT
fig.2-44
TONE RHYTHM
MUTE
SELECT
TONE RHYTHM
MUTE
SELECT
RHYTHM
3.
fig.2-43
fig.2-45
TONE 1
TONE 2
TONE 3
TONE 4
BD
SD
HH
CLP
TONE SWITCH
ON
28
ON
MC-505Reference1-2.j 02.7.29 10:42 AM 29
1. p. 19
PTN CALLRPS
fig.2-46
TONE 1
TONE 2
TONE 3
TONE 4
CYM
TOM/PERC
HIT
OTHERS
2.
3. TONE SELECT
fig.2-47(2-44)
TONE RHYTHM
MUTE
SELECT
TONE SELECT
Select
RHYTHM
fig.2-48
BD
SD
HH
CLP
CYM TOM/PERC HIT
OTHERS
1 4 1
2 1
4. CYMTOM/PRECHITOTHERS
Select
TOM/PREC
TONE SELECT
4. BDOTHERS
5.
LFO
p. 63
5.
PART
BDCLP
p. 130
29
MC-505Reference1-2.j 02.7.29 10:42 AM 30
fig.2-53TEXT
1. PATCH
2.
3. UNDO/REDO
1.
p. 19
MIDI
MIDI
1.
fig.2-52
2. SHIFTSTOP
30
fig.2-54
SHIFT
STOP
MC-505Reference1-2.j 02.7.29 10:42 AM 31
PTN SET
OCTAVE-+
16
fig.2-55TEXT
CURRENT
NEXT
1
P:010
P019 P132 U022 P002 U010 P037 P038 C004 U004 U005 U005 P061 P121 P115 U001 P002
1. P:010 p. 19
2. PTN CALL
P:002
fig.2-58(2-56)
PTN
CALL
1. PTN CALL
RPS
3. PTN CALL
fig.2-56
PTN
CALL
RPS
fig.2-59
PTN
CALL
2. PTN SET
fig.2-57
PTN
SET
3. USER

4. INCDECVALUE
U:01 U:30
5.
31
MC-505Reference1-2.j 02.7.29 10:42 AM 32
<=>?@[]^_`{|}
8. 6. 7.
PAGE<
1.
9. ENTER
2. PTN SET
A Za z0 9! " # $ % & ' ( ) * + , - . / : ;
EXIT
fig.2-62
10. ENTER
fig.2-63(2-36)
3. WRITE
_
fig.2-60
WRITE
INITIALIZE
4. 8.
EXIT
4.
5. INCDECVALUE
UNDO/REDO
UNDO/REDO
6. PAGE>
2
fig.2-61
7.
INCDECVALUE
32
MC-505Reference3.j 02.7.29 8:36 PM 33
TONE1
fig.3-3
EDIT
REALTIME ERASE
TONE 1
TONE 2
TONE 3
TONE 4
CYM
TOM/PERC
HIT
OTHERS
TONE SELECT
Select
6. CYMTOM PRECHITOTHERS
1. 1 7
2. p. 23
3.
4. TONE SELECT
RHYTHM
LFO
7.
fig.3-1
TONE RHYTHM
MUTE
SELECT
TONE 1
TONE 2
TONE 3
TONE 4
BD
SD
HH
CLP
EXIT
TONE SWITCH
ON
ON
CUTOFF
fig.3-2
TONE 1
TONE 2
TONE 3
TONE 4
CYM
TOM/PERC
HIT
OTHERS
TONE SELECT
Select
EDIT
5. EDIT
33
MC-505Reference3.j 02.7.29 8:36 PM 34
1. WAVE SELECT
INCDECVALUE
A B
fig.3-4
WAVE
SELECT
TONE 1
EDIT+
PAGE<>
Select
TONE 2
TONE 3
TONE 4
Select
fig.3-5TEXT
INCDECVALUE
47
TONE1 4
2. INCDECVALUE
A001 A254B001 B251
p. 190
fig.3-6
A001A006 A008A013 A021
p. 61
fig.3-7
/FXM
A002 A005A009A010A022 A024
fig.3-8
WAVE/FXM/FXM
A038
A039A040
34
fig.3-9
MC-505Reference3.j 02.7.29 8:36 PM 35
Wave Select
p. 34
A072 A079
A102 A108
A068 A070
Wave Gain
A202 A254B001 B251
6dB
-60+6+12
1. EDIT1
WAVE
p. 54
2. PAGE<>
fig.3-10
EDIT
FXMFrequency Cross Modulation

FXM
1
PAGE
REALTIME ERASE
FXM SWFXM
FXM ON
FXM ColorFXM
FXM 4
1 4
FXM DepthFXM
FXM
1 16
Tone SW
ONOFF
OFF
BDSDHHCLP
35
MC-505Reference3.j 02.7.29 8:36 PM 36
PITCH
1. FUNC
1. EDIT2
PITCH
2. COARSE TUNE
2. PAGE<>
fig.3-11
0
FUNC
fig.3-13
EDIT
2
PAGE
REALTIME ERASE
COARSE TUNE
FINE TUNE
-48 +48
1 100 1
Coarse Tune
1. FUNC
2. FINE TUNE
fig.3-12
Fine Tune
0
FUNC
COARSE TUNE
FINE TUNE
Rnd Pitch
0 1200
-50 +50
36
MC-505Reference3.j 02.7.29 8:36 PM 37
Key Follow
+100
fig.3-14TEXT
+200
+100
+50
1. ENV SELECTPITCH
0
2. ADSR
-50
C1
C2
C3
C4
C5
C6
-100
C7
ADR 0 127
S-63 +63
fig.3-16TEXT
PITCH
-100 +200
FILTER
AMP
+100 C4 12
1
+200 C4 12 2
Level1=Level2=+63
Level4=0
Time2=0
0
-
-100 C4 12 1
+10+20
P-ENV
fig.3-15TEXT
37
MC-505Reference3.j 02.7.29 8:36 PM 38
EDIT
3
PAGE
REALTIME ERASE
1. ENV SELECTPITCH
2. DEPTH
fig.3-17
+
PITCH
FILTER
DEPTH
AMP
-12 +12
+
-
ENV Depth
Velo Sens
1. EDIT3
MIDI
P-ENV
-100 +150
2. PAGE<>
fig.3-18
38
MC-505Reference3.j 02.7.29 8:36 PM 39
fig.3-19TEXT
MIDI Time1
-100 +100
Velo Time1
1
+ Time1
-
Time1

ADSR 4
1 +
MC-
505
fig.3-21TEXT
fig.3-20TEXT
Time1(A)
0
-
Time2
Time3(D)
Level1
Time4(R)
Level3(S)
Level2
Level4
Time1 4
1 4
1 4 4
0 127
A Time1 D
Time3 R
Velo Time4
4
MIDI Time4
-100 +100
+ Time4
-
Time4

Time4
Level1 4
1 4
1 4 4
-63 +63
+
-
Time KF
Time2 3 4
C4
-100 +100
+
-
S Level3
39
MC-505Reference3.j 02.7.29 8:36 PM 40
LFO
FILTER
LFO1 p. 52
1. FUNC
2. FILTER TYPE
fig.3-22TEXT
1. FUNC
2. CUTOFF
fig.3-23
FUNC
LPF
BPF
FUNC
HPF
PKG
CUTOFF
TONE LEVEL
RND PAN
0 127
LPF
OFF
LPF
fig.3-24TEXT
BPF
HPF
PKG
40
MC-505Reference3.j 02.7.29 8:36 PM 41
BPF
FUNC
fig.3-25TEXT
RESONANCE
TONE PAN
0 127
fig.3-29
HPF
LPF
fig.3-26TEXT
BPF
HPF
PKG
PKG
fig.3-27TEXT
LOW BOOST
p. 9
RESONANCE
1. FUNC
2. RESONANCE
fig.3-28
115
p. 164
41
MC-505Reference3.j 02.7.29 8:36 PM 42
+200
1. EDIT4
+2
FILTER
+50
+1
0
2. PAGE<>
-1
-50
fig. 3-30
EDIT
+100
-2
C1
C2
C3
C4
C5
C6
-100
C7
PAGE
REALTIME ERASE
-100 +200
+
-
+100 C4 12
1
+200 C4 12
2
0
-100 C4 12
1
64
Type
p. 40
Cutoff
p. 40
Resonance
p. 41
70
Reso Velo
MIDI
-100 +150
+
Cutoff KF
fig.3-31TEXT
42
MC-505Reference3.j 02.7.29 8:36 PM 43
F-ENV
fig.3-32TEXT
1. ENV SELECTFILTER
2. ADSR
1. ENV SELECTFILTER
0 127
fig.3-33TEXT
PITCH
FILTER
AMP
2. DEPTH
fig.3-34
+
PITCH
FILTER
Level1=Level2=127
Level4=0
Time2=0
DEPTH
AMP
-63 +63
+
-
+
-
43
MC-505Reference3.j 02.7.29 8:36 PM 44
Velo Curve
1. EDIT5
MIDI
F-ENV
1 7
fig.3-36
2. PAGE<>
fig.3-35
EDIT
5
PAGE
REALTIME ERASE
Velo Sens
MIDI
-100 +150
+
-
ADSR 4
MC-505
fig.3-37TEXT
Time1(A)
Level1
ENV Depth
p. 43
44
Time2
Time3(D)
Level2
Time4(R)
Level3(S)
Level4
MC-505Reference3.j 02.7.29 8:36 PM 45
Time1 4
1 4
1 4 4
-100 +100
0 127
A Time1 D
Time3 R
Time4
C4
Level1 4
1 4
1 4 4
0 127
AMP
S Level3
Velo Time1
1
MIDI Time1
1. FUNC
-100 +100
+ Time1
-
Time1
2. TONE LEVEL
fig.3-38
FUNC
CUTOFF
TONE LEVEL
Velo Time4
4
MIDI Time4
-100 +100
0 127
+ Time4
Time4
Time KF
p. 24
Time2 3 4
45
MC-505Reference3.j 02.7.29 8:36 PM 46
1. FUNC
1. EDIT6
2. TONE PAN
AMPLIFIER/LEVEL
fig.3-39
FUNC
2. PAGE<>
fig.3-41
RESONANCE
TONE PAN
EDIT
6
PAGE
REALTIME ERASE
L64 63R
p. 24
1. FUNC
Tone Level
p. 45
Bias
2. RND PAN
fig.3-40
LPF
BPF
FUNC
HPF
PKG
Bias Dir
RND PAN
LWR
UPR
L&U
ALL
46
MC-505Reference3.j 02.7.29 8:36 PM 47
Bias Point
1. EDIT7
C-1 G9
AMPLIFIER/PAN
Bias Level
2. PAGE<>
-100 +100
fig.3-45
+ +
EDIT
--
PAGE
REALTIME ERASE
fig.3-42
Bias Level
+
LWR
UPR
Bias Level
+
C1
Bias Point
Bias Level
+
G9
C1
L&U
Bias Point
ALL
G9
Bias Level
+
C1
Bias Point
G9
C1
Bias Point
G9
Tone Pan
p. 46
2
UPRLWR
Pan KF
fig.3-43
fig.3-46TEXT
TONE2
+100
TONE1
T1 T2
C2
C3
C4
C5
C6
Bias Dir
LWR UPR
Bias Point A4 E3
Bias Level -50 -50
+50
-50
L&U
fig.3-44
L
C1
C2
C3
C4
C5
C6
-100
C7
TONE1
T1
C2
C3
C4
C5
C6
Bias Dir
L&U
Bias Point C4
Bias Level -50
-100 +100
+
-
Rnd Pan Sw
p. 46
47
MC-505Reference3.j 02.7.29 8:36 PM 48
Alt Pan Dpth
PITCH
FILTER
AMP
L63 63R
L
R
Level1=Level2=127
Time2=0
2
L63R63
A-ENV
fig.3-47TEXT
1. ENV SELECTAMP
2. ADSR
0 127
fig.3-48TEXT
48
MC-505Reference3.j 02.7.29 8:36 PM 49
Velo Sens
1. EDIT8
MIDI
A-ENV
-100 +150
2. PAGE<>
fig.3-49
EDIT
PAGE
REALTIME ERASE
ADSR 4
MC-505
fig.3-51TEXT
Time1(A)
Time2
Level1
Time3(D)
Level2
Time4(R)
Level3(S)
Time1 4
1 4
1 4 4
Velo Curve
0 127
MIDI
A Time1 D
Time3 R
1 7
fig.3-50(3-36)
Time4
49
MC-505Reference3.j 02.7.29 8:36 PM 50
Level1 3
1 3
1 3 3
0 127
S Level3
Velo Time1
1
Level1 0 Time1A
fig.3-52TEXT
Time1(A) Time2 Time3(D)
Time4(R)
MIDI Time1
-100 +100
+ Time1
-
Level1
Level2 Level3(S)
Time1

LFO
LFOLow Frequency Oscillator
1 +
MC-505 2 LFO
LFO1 LFO2
LFO
Velo Time4
4
MIDI Time4
LFO1
-100 +100
LFO1
+ Time4
-
Time4

Time KF
1. WAVEFORM
fig.3-53TEXT
TRI
TRP
SIN
S&H
SAW
RND
C4
SQR
CHS
Time2 3 4
-100 +100
+
-
50
MC-505Reference3.j 02.7.29 8:36 PM 51
0 127
TRI
SIN
LFO p. 53ON
SAW
fig.3-56
SQR 2
TRP 2
fig.3-57
S&H&
RND
CHS
CHSLFO
LFO SQR
fig.3-54TEXT
Rate=
LFO1
LFO PITCHFILTER
AMP
LFO1
LFO
-63 +63
+
-
fig.3-61
LFO
LFO1
LFO1
LFO1
1. FUNC
1. FUNC
2. ENV SELECTPITCH
2. RATELFO1
3. DEPTH
fig.3-55
fig.3-58
PITCH
FUNC
FUNC
FILTER
AMP
DEPTH
DEPTH
RATE
RATE
51
MC-505Reference3.j 02.7.29 8:36 PM 52
LFO1
1. EDIT9
10
1. FUNC
LFO1 LFO2
2. ENV SELECTFILTER
3. DEPTH
2. PAGE<>
fig.3-62
EDIT
fig.3-59
EDIT
10
PAGE
REALTIME ERASE
REALTIME ERASE
PITCH
FUNC
FILTER
AMP
DEPTH
RATE
LFO1
1. FUNC
2. ENV SELECTAMP
3. DEPTH
fig.3-60
PITCH
FUNC
FILTER
AMP
DEPTH
RATE
WaveformLFO1 LFO2
LFO2 WAVEFORMRATE
DEPTH
LFO1 p.
50
RateLFO1 LFO2
LFO1 p. 51
52
MC-505Reference3.j 02.7.29 8:36 PM 53
Tempo SyncLFO1 LFO2
Delay
Time
Fade
Time
OnI
LFO
Fade
Time
LFO
Depth
ON
Delay
Time
OnO
LFO
Depth
LFO
Delay
Time
OFF LFO
Fade
Time
OfI
Delay
Time
Fade
Time
LFO
Depth
OfO
LFO
Depth
Key SyncLFO1 LFO2

LFO
ON
LFO
OFF LFO
fig.3-63TEXT
Delay TimeLFO1LFO2
LFO
0 127
ON
OFF
OnI
LFO
OnO LFO
OfI
LFO
OfO LFO
1 LFO
LFO
Fade TimeLFO1LFO2
LFO
Fade ModeLFO1LFO2
LFO
OnIOn-In
OfOOff-Out
OffsetLFO1 LFO2
LFO
-100 +100
fig.3-65
fig.3-64TEXT
OnOOn-OUT
OfIOff-In
0 127
+
0
-
53
MC-505Reference3.j 02.7.29 8:36 PM 54
Pitch DepthLFO1 LFO2

LFO1
p. 51
2. PAGE<>
fig.3-67
11
EDIT
PAGE
Filter DepthLFO1 LFO2
REALTIME ERASE
LFO1
p. 52
Amp DepthLFO1 LFO2
LFO1
p. 52
Pan DepthLFO1 LFO2

LFO
-63 +63
+
-
2
+30-30 LFO
fig.3-66
TONE1
TONE2
Struct 1&2 3&4

1 2 Struct 1&2 3
4 Struct 3&4
W/P
AMP
R
fig.3-68
COMMON
1. EDIT11
COMMON
54
FILTER
MC-505Reference3.j 02.7.29 8:36 PM 55
TYPE1 1 23 4)
TONE 3
TONEW/P
1
FILTER
W/P
TYPE1
AMP
FILTER
AMP
FILTER
AMP
AMP
TONE 2
W/P
W/P
TYPE2
AMP
AMP
FILTER
AMP
W/P
FILTER
TYPE3
TYPE3 13 24
AMP
AMP
FILTER
FILTER
B
TONE 2
W/P
FILTER
FILTER
AMP
W/P
TYPE4
AMP
FILTER
13
FILTER
B
TONE 2
FILTER
W/P
FILTER
AMP
TYPE5
TYPE5
AMP
AMP
FILTER
2 1
FILTER
R
TONE 2
FILTER
W/P
FILTER
AMP
AMP
W/P
TYPE6
AMP
AMP
FILTER
FILTER
W/P
FILTER
AMP
AMP
TONE 1
W/P
FILTER
FILTER
AMP
TYPE8 13
FILTER AMP
24
W/P FILTER AMP
TYPE8
TONE 2
AMP
TONE 3
TONEW/P
1
AMP
24
R
TONE 2
13
TYPE7 13
FILTER AMP
W/P FILTER AMP
TYPE7
24 2
FILTER
R
TONE 2
TONEW/P
1
3 AMP
TYPE6
TONE 3
TONEW/P
1
AMP
AMP
TONE 3
W/P
3
TYPE4 2
AMP
TONEW/P
1
AMP
TONE 3
TONEW/P
1
AMP
TONE 3
W/P
13 AMP 2
FILTER
TONE 2
TONEW/P
1
TYPE2 2
TONE 3
TONEW/P
1
W/P
FILTER
FILTER
AMP
AMP
24
TONE3
TONEW/P
1
TYPE9
FILTER AMP
W/P FILTER AMP
TYPE9
TONE 2
W/P FILTER
AMP
AMP
TONE3
TONEW/P
1
TYPE10
FILTER AMP
W/P FILTER AMP
TYPE10
TONE 2
W/P FILTER
AMP
24
AMP
TYPE2 10
TYPE1
55
MC-505Reference3.j 02.7.29 8:36 PM 56
Booster 1&2 3&4

TYPE3TYPE4
1 2 Booster 1&2 3
4Booster 3&4
0+6+12+18
Stretch Tune
OFF1 3
fig.3-69
OFF
LFO
PWM
V-Priority
WAVE/FXM
64
FXM
Wave Gain
p. 35
fig.3-70TEXT
WG1LFO
WG1
WG1
AMP
LAST
64
LOUDEST 64
B
WG2
Key Range L
WG2
C-1 UPR
Key Range U
WG1
fig.3-71
56
LWR G9
fig.3-71-2
MC-505Reference3.j 02.7.29 8:36 PM 57
Velo X-Fade
T1 T2 T3 T4
Key Range U
Key Range L
T4
B2 B5 E7 F7
C-1 C3 C5 G9
T3
T2
0 127
T1
C-1
C3
C5
C6
F7
G9
2
fig.3-73TEXT
Velo Range
T1 T2
MIDI
TONE1
TONE2
40
OFFON
60
Velo X-Fade
Velo Range U
Velo Range L
A-ENV
Velo Sens
30 30
40 127
0
60
0
0
ON
SOLO/PORTA
Velo Range L
Portamento
1 UPR
Velo Range U
LWR 127
fig.3-72TEXT
127
T1
T3
Velocity=115
Velocity=70
1. PORTAMENTOON
fig.3-74
80
64
T1 T2
T3
T2
T3
Velocity=30
ON
T1
T2
T3
T1 T2 T3
Velo Range U
Velo Range L
127 80 127
64 0
0
57
MC-505Reference3.j 02.7.29 8:36 PM 58
SOLO/PORTA
1. PORTAMENTOTIME
fig.3-75
1. EDIT12
SOLO/PORTA
2. PAGE<>
TIME
fig.3-77
EDIT
12
PAGE
REALTIME ERASE
3
0 127
1. SOLO
fig.3-76
SOLO
Solo SW
Solo Legato
OFFON
fig.3-78TEXT
58
MC-505Reference3.j 02.7.29 8:36 PM 59
Portamento Time
Solo SW = ON
Solo Legato = ON
Solo SW = ON
Solo Legato = OFF
p. 58
C4
E4
C4 E4
C4
E4
C4 E4
Portamento SW
MIDI
p. 57
Portamento Mode
MC-505
NORMAL
LEGATO
Portamento Type
CONTROL-MOD
fig.3-80
RATE
TIME
Portamento Start
CONTROL-PITCH BEND
fig.3-81
PITCH
NOTE
fig.3-79TEXT
C5
PITCH
C5
NOTE
CONTROL-AFTER TOUCH
D4
C4
D4
C4
C4
C5 D4

C4
fig.3-82
C5 D4

MIDI
59
MC-505Reference3.j 02.7.29 8:36 PM 60
1. EDIT13
14
15
13 CONTROL/MOD
14 CONTROL/PITCH BEND
15 CONTROL/AFTER TOUCH
Control 1 2 3 4
1 2 3 4
MIDI
1
Control 1 Control 4
4
OFF
2. PAGE<>
PCH
fig.3-83
CUT p. 40
13
EDIT
REALTIME ERASE
EDIT
14
REALTIME ERASE
15
EDIT
REALTIME ERASE
PAGE
PAGE
RES p. 41
LEV p. 45
PAN p. 46
L1P LFO1 p. 54
L2P LFO2 p. 54
L1F LFO1 p. 54
L2F LFO2 p. 54
L1A LFO1
p. 54
L2A LFO2
p. 54
L1p LFO1 p. 54
L2p LFO2 p. 54
L1R LFO1 p. 52
L2R LFO2 p. 52
PITCH BEND
Bend Up Down
MIDI
Ctrl 1 2 3 4 Depth
1 2 3 4
-63 +63
+
0 +12
0 -48
+12
60
MC-505Reference3.j 02.7.29 8:36 PM 61
LFO2
fig.3-84
3. WRITE
_
fig.3-88
WRITE
INITIALIZE
4. 8.
LFO2 0LFO2
90p. 5452
fig.3-85
EXIT
4. USERCARD
CARD
p. 159
60
p. 40
fig.3-86
5. INCDECVALUE
UNDO/REDO
0
0p. 4660
fig.3-87
UNDO/REDO
6. PAGE>
2
fig.3-89
7.
INCDECVALUE
A Za z0 9! " # $ % & ' ( ) * + , - . / : ;
1.
<=>?@[]^_`{|}
2. PATCH
8. 6. 7.
PAGE<
12
9. ENTER
EXIT
fig.3-90
61
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10. ENTER
fig.3-91(2-36)
p. 61
1. PATCH
2.
3. SHIFTINITIALIZE
EXIT
fig.3-95
SHIFT
WRITE
INITIALIZE
1. 1 7
2. PATCH
4. ENTER
fig.3-96
3.
4. SHIFTPARAM COPY
fig.3-92TEXT
SHIFT
UNDO/
REDO
PARAM COPY
5. INCDECVALUE
PAGE<
>
6. ENTER
fig.3-93
7. ENTER
fig.3-94(2-36)
EXIT
62
MC-505Reference3.j 02.7.29 8:36 PM 63
EDIT
1.
2. p. 23
3. TONE SELECT
EDIT+
PAGE<>
fig.3-97
TONE RHYTHM
MUTE
SELECT
4. EDIT
INCDECVALUE
fig.3-98TEXT
EDIT
WAVE
REALTIME ERASE
5.
6.
EXIT
1. WAVE SELECT
fig.3-100TEXT
WAVE
SELECT
2. INCDECVALUE
CUTOFF
A001 A254B001 B251
p. 190
63
MC-505Reference3.j 02.7.29 8:36 PM 64
Env Mode
1. EDIT1
WAVE
SUSTAIN
2. PAGE<>
fig.3-101
EDIT
NO-SUS
1
PAGE
SUSTAIN
REALTIME ERASE
Mute Group
OFF1 31
OFF
fig.3-102
Tone SW
ON
OFF
PITCH
OFF
Wave Select
p. 63
1. FUNC
Wave Gain
6dB
2
-60+6+12
2. COARSE TUNE
fig.3-103
0
FUNC
COARSE TUNE
FINE TUNE
64
MC-505Reference3.j 02.7.29 8:36 PM 65
-60 +60
Coarse Tune
p. 64
Fine Tune
1 100 1
Rnd Pitch
1. FUNC
2. FINE TUNE
0 1200
fig.3-104
FUNC
COARSE TUNE
FINE TUNE
-50 +50
1. EDIT2
PITCH
2. PAGE<>
fig.3-105
EDIT
2
PAGE
REALTIME ERASE
65
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P-ENV
+
-
1. ENV SELECTPITCH
2. ADSR
ADR 0 127
1. ENV SELECTPITCH
S-63 +63
fig.3-106TEXT
PITCH
FILTER
AMP
2. DEPTH
-12 +12
+
-
fig.3-107
Level1=Level2=+63
Level4=0
Time2=0
PITCH
FILTER
S
0
-
AMP
DEPTH
1. EDIT3
P-ENV
66
2. PAGE<>
fig.3-108
MC-505Reference3.j 02.7.29 8:36 PM 67
EDIT
3
PAGE
REALTIME ERASE
Velo Time
MIDI
-100 +100
+
-
ADSR 4
MC505
fig.3-109TEXT(3-21TEXT)
Time1(A)
0
-
Time2
Time3(D)
Level1
Time4(R)
Level2
ENV Depth
p. 66
Level3(S)
Level4
Time1 4
1 4
1 4 4
Velo Sens
0 127
MIDI
A Time1 D
-100 +150
+
Time3 R
Time4
Level1 4
1 4
1 4 4
-63 +63
+
-
S Level3
67
MC-505Reference3.j 02.7.29 8:36 PM 68
FILTER
2. CUTOFF
fig.3-111
FUNC
FUNC
CUTOFF
TONE LEVEL
1. FUNC
0 127
2. FILTER TYPE
fig.3-110
FUNC
LPF
LPF
BPF
HPF
PKG
RND PAN
OFF
4
BPF
LPF
BPF
HPF
HPF
PKG
PKG
1. FUNC
68
MC-505Reference3.j 02.7.29 8:36 PM 69
1. FUNC
1. EDIT4
FILTER
2. RESONANCE
2. PAGE<>
fig.3-112
fig.3-113
EDIT
FUNC
4
PAGE
REALTIME ERASE
RESONANCE
TONE PAN
0 127
LOW BOOST
p. 9
RESONANCE
110
p. 164
Type
p. 68
Cutoff
p. 68
Resonance
Reso Velo
MIDI
-100 +150
+
-
69
MC-505Reference3.j 02.7.29 8:36 PM 70
F-ENV
1. ENV SELECTFILTER
2. ADSR
0 127
fig.3-114TEXT
1. ENV SELECTFILTER
2. DEPTH
fig.3-115
+
PITCH
FILTER
AMP
Level1=Level2=127
Level4=0
Time2=0
DEPTH
-63 +63
+
-
1. EDIT5
F-ENV
2. PAGE<>
fig.3-116
70
MC-505Reference3.j 02.7.29 8:36 PM 71
EDIT
5
PAGE
REALTIME ERASE
Velo Time
MIDI
-100 +100
+
-
ADSR 4
MC-505
Time1(A)
Time2
Level1
Time3(D)
Level2
ENV Depth
p. 70
Time4(R)
Level3(S)
Level4
Time1 4
1 4
1 4 4
Velo Sens
0 127
MIDI
A Time1 D
-100 +150
+
Time3 R
Time4
Level1 4
1 4
1 4 4
0 127
S Level3
71
MC-505Reference3.j 02.7.29 8:36 PM 72
FUNC
RESONANCE
AMP
TONE PAN
1. FUNC
L64 63R
2. TONE LEVEL
fig.3-118
FUNC
p. 24
CUTOFF
TONE LEVEL
1. FUNC
0 127
2. RND PAN
fig.3-120
LPF
BPF
FUNC
HPF
PKG
RND PAN
p. 24
1. FUNC
2. TONE PAN
fig.3-119
72
MC-505Reference3.j 02.7.29 8:36 PM 73
Rnd Pan Sw
p. 72
1. EDIT6
Alt Pan Dpth
AMPLIFIER/LEVEL
L63 63R
2. PAGE<>
fig.3-121
EDIT
6
PAGE
REALTIME ERASE
Tone Level
p. 72
MEASURE
1. EDIT7
AMPLIFIER/PAN
OCTAVE-+
2. PAGE<>
fig.3-122
EDIT
7
PAGE
REALTIME ERASE
Tone Pan
p. 72
73
MC-505Reference3.j 02.7.29 8:36 PM 74
A-ENV
1. ENV SELECTAMP
1. EDIT8
A-ENV
2. ADSR
2. PAGE<>
0 127
fig.3-123TEXT
PITCH
FILTER
fig.3-124
EDIT
PAGE
AMP
REALTIME ERASE
Level1=Level2=127
Time2=0
S
74
MC-505Reference3.j 02.7.29 8:36 PM 75
Velo Sens
Time1 4
1 4
MIDI
1 4 4
-100 +150
0 127
A Time1 D
Time3 R
Time4
Level1 3
1 3
Velo Time
1 3 3
MIDI
0 127
-100 +100
S Level3
MIDI
ADSR 4
MC-505
Time1(A)
Time2
Time3(D)
1. EDIT14
CONTROL/PITCH BEND
fig.3-126
Time4(R)
EDIT
14
PAGE
REALTIME ERASE
Level1
Level2
Level3(S)
0 12
12
1
75
MC-505Reference3.j 02.7.29 8:36 PM 76
RHY TONE
R.TONE Dly Level
0 127
EFX
1. EDIT16
RHY
RHY TONE
2. PAGE<>
fig.3-127
EDIT
EFX
EFX p. 104
16
PAGE
REALTIME ERASE
p. 84
p. 84
p. 82
R.TONE EFX/Out EFX
EFX
EFX
R.TONE Rev Level
DIRECT1 2
0 127
DRY EFX MIX

EFX
EFX
EFX EFX MIX
EFX
RHY
DIR1 DIRECT1
DIR2 DIRECT2
EFX
EFX
RHY
EFX
EFX p. 104
p. 80
p. 80
p. 79
76
EFX
EFX p. 104
DIRECT1 2
EFX
MC-505Reference3.j 02.7.29 8:36 PM 77
3. WRITE
_
4
EFX
RHY
fig.3-128
fig.3-129
WRITE
INITIALIZE
4. 8.
EXIT
4. USERCARD
CARD
p. 159
C4
C#4
D4
D#4
5. INCDECVALUE
MIX
L
DIRECT1
L
R
DIRECT2
L
R
UNDO/REDO
UNDO/REDO
EFX EFX
p. 86
EFX
EFXp. 86
6. PAGE>
2
fig.3-130
7.
INCDECVALUE
1.
A Za z0 9! " # $ % & ' ( ) * + , - . / : ;
2. PATCH
<=>?@[]^_`{|}
8. 6. 7.
PAGE<
12
9. ENTER
EXIT
fig.3-131
77
MC-505Reference3.j 02.7.29 8:36 PM 78
10. ENTER
fig.3-132(2-36)
EXIT
p. 77
1. PATCH
2.
3. SHIFTINITIALIZE
1.
fig.3-136
SHIFT
WRITE
2. PATCH
INITIALIZE
3.
4.
4. SHIFTPARAM COPY
5. ENTER
6.
fig.3-136-1
fig.3-133TEXT
SHIFT
UNDO/
REDO
PARAM COPY
EXIT
7. ENTER
fig.3-137(2-36)
5. INCDECVALUE
PAGE<
>
6. ENTER
fig.3-134
7. ENTER
fig.3-135(2-36)
78
MC-505Reference4-8.j 02.7.29 8:37 PM 79
4
MC-505 EFX 3
fig.4-1
PART
p. 26
PART
MIXER
LEVEL
LEVEL
LEVEL
PAN
PAN
PAN
KEY SHIFT
KEY SHIFT
KEY SHIFT
REVERB
REVERB
REVERB
DELAY
DELAY
DELAY
EFX/OUT
EFX/OUT
EFX/OUT
MEGAMIX
MEGAMIX
MEGAMIX
0-127
DIR2
0-127
EFX
DRY
DIR1
p. 80
REVERB
DELAY
EFX
REVERB TIME
DELAY TIME
CTRL1
p. 84
REVERB
HF DAMP
CTRL2
FEEDBACK
CTRL3
EFX REVERB LEVEL
EFX DELAY LEVEL
1. EFFECT SELECT
2. EFFECT SELECTREV LEVEL
fig.4-2
REVERB LEVEL
DELAY LEVEL
Reverb
Sound
Delay
Sound
EFX OUTPUT LEVEL
EFX
Sound
REVERB
Dry
Sound
REVERB TIME
HF DAMP
EFX REVERB LEVEL
MIX
LR
DIRECT1 DIRECT2
LR
LR
REVERB LEVEL
79
MC-505Reference4-8.j 02.7.29 8:37 PM 80
ROM1 1
ROM2 2
HF
1. FUNC
STG1 1
STG2 2
2. EFFECT SELECT
HAL1 1
HAL2 2
3. HF DAMPHF
fig.4-5
REVERB
EFFECT SELECTPRESET
FUNC
REVERB TIME
HF DAMP
EFX REVERB LEVEL
fig.4-3
REVERB LEVEL
200 8000HzBYPASS
1. FUNC
BYPASS
8 1 7
2. EFFECT SELECT
3. REVERB TIME
fig.4-4
1. FUNC
2. REV LEVEL
fig.4-6
REVERB
FUNC
REVERB
FUNC
REVERB TIME
HF DAMP
EFX REVERB LEVEL
REVERB LEVEL
REVERB TIME
HF DAMP
EFX REVERB LEVEL
REVERB LEVEL
0 127
0 127
1. MIXER SELECTREVERB
80
MC-505Reference4-8.j 02.7.29 8:37 PM 81
2. R7
fig.4-7
EFX
EFX
EFX
TEMPO
/MIXER
R1 2 3 4 5 6 7
LEVEL
EFX EFX
Current Part
127
PAN
KEY SHIFT
1. FUNC
REVERB
DELAY
EFX/OUT
MEGAMIX
2. EFFECT SELECT
0 127
3. EFX REVERB LEVELEFX
fig.4-9
REVERB
TEMPO/MIXER
FUNC
INCDEC
REVERB TIME
HF DAMP
EFX REVERB LEVEL
REVERB LEVEL
EFX
EFX
RHY
EFX
0 127
EFX
EFX
EFX EFX
EFX p. 104
EFX
EFX p. 104
R.TONE Rev Level
p. 76
fig.4-8TEXT
PART
REVERB
1. SHIFT5
PART
REVERB
REVERB LEVEL
2. PAGE<>
fig.4-10
EFX
DRYEFX
81
MC-505Reference4-8.j 02.7.29 8:37 PM 82
SHIFT
PAGE
DELAY
fig.4-11TEXT
EXIT
Type
p. 79
ROOM1ROOM2STAGE1STAGE2
HALL1HALL2
p. 79
2
1. EFFECT SELECT
2. EFFECT SELECTDELAY LEVEL
fig.4-12
Reverb Time
DELAY
p. 80
0 127
DELAY TIME
HF DampHF
FEEDBACK
EFX DELAY LEVEL
HF p. 80
DELAY LEVEL
200 8000Hz
BYPASS
SHORT
EFX Rev LvlEFX

EFX EFX
p. 81
0 127
LONG
p. 83
Reverb Level
p.
80
0 127
82
MC-505Reference4-8.j 02.7.29 8:37 PM 83
DELAY
EFFECT SELECTUSER
SHIFT
DELAY TIME
fig.4-13
Delay Time =
MC-505 1000ms1
1000ms
1/2
1/2
1000ms
1. FUNC
1/4
2. EFFECT SELECT
3. DELAY TIME
1. FUNC
fig.4-14-1
DELAY
2. EFFECT SELECT
FUNC
DELAY TIME
FEEDBACK
EFX DELAY LEVEL
DELAY LEVEL
3. FEEDBACK
fig.4-16
DELAY
FUNC
SHORT 0.1 275

LONG
200 1000
DELAY TIME
FEEDBACK
EFX DELAY LEVEL
DELAY LEVEL
0 +98%
LONG
SHIFTDELAY TIME
fig.4-15
83
MC-505Reference4-8.j 02.7.29 8:37 PM 84
8 1 7
1. FUNC
2. DELAY LEVEL
EFX
EFX
RHY
EFX
fig.4-17
EFX p. 104
DELAY
FUNC
R.TONE Dly Level

p. 76
fig.4-19TEXT
DELAY TIME
FEEDBACK
EFX DELAY LEVEL
DELAY LEVEL
DELAY
PART
0 127
PART
DELAY LEVEL
1. MIXER SELECTDELAY
EFX
DRYEFX
2. R7
fig.4-18
EFX
EFX
EFX
TEMPO
/MIXER
R1 2 3 4 5 6 7
LEVEL
Current Part
127
EFX EFX
PAN
1. FUNC
KEY SHIFT
REVERB
DELAY
EFX/OUT
MEGAMIX
2. EFFECT SELECT
0 127
3. EFX DELAY LEVELEFX
fig.4-20
DELAY
TEMPO/MIXER
FUNC
INCDEC
DELAY TIME
FEEDBACK
EFX DELAY LEVEL
DELAY LEVEL
84
MC-505Reference4-8.j 02.7.29 8:37 PM 85
0 127
Type
EFX
p. 82
EFX
SHORTLONG
EFX EFX
EFX
EFX p. 104
Delay Time
p. 83
SHORT 0.1 275
LONG 200 1000
Feedback
p.
1. SHIFT6
83
0 +98%
DELAY
HF DampHF
2. PAGE<>
200 8000Hz
BYPASS
fig.4-21
SHIFT
6
PAGE
BYPASS
Output
MIX
REV
MIX+REV
fig.4-22
REV
REVERB
MIX+REV
DELAY
REVERB
MIX OUT
MIX
DELAY
MIX OUT
REVERB
DELAY
MIX OUT
EFX Dly LvlEFX

EFX EFX
p. 84
0 127
Delay Level
EXIT
p.
84
0 127
85
MC-505Reference4-8.j 02.7.29 8:37 PM 86
EFX
LIMT
SLICE
TREMO
PHASE
EFX 24
CHORS
SP-D
TETRA
EFX EFX
FLANG
ST-FL
EFX
S-DLY
EFX 24
1. EFFECT SELECT
A-PAN
FB-P
EFX
REV
2. EFFECT SELECTEFX OUTPUT
GATE
LEVEL EFX
fig.4-23

EFX
EFX
EFX OUTPUT LEVEL

CTRL 1/2/3
CTRL1
CTRL2
CTRL3
EFX OUTPUT LEVEL
4 EQ
fig.4-24
EFX
EFFECT SELECTVALUE
FUNC
High Gain
4-EQ
CTRL1
4 EQ
SPCTM
ENHR
OVER
DIST
Lo-Fi
FUNC
Peak1 Gain
CTRL2
FUNC
Low Gain
NOISE
CTRL3
RADIO
FUNC
PHONO
COMP
86
Output Level
EFX OUTPUT LEVEL
MC-505Reference4-8.j 02.7.29 8:37 PM 87
EFX
1. SHIFT7
4 EQ
4 2
fig.4-28
EFX
High Gain
2. PAGE<>
fig.4-25
SHIFT
Peak1 Gain
PAGE
Low Gain
EXIT
EFX
EFX
fig.4-26
Output Level
EFX
EFFECT SELECTCARD
EFX
EFX
fig.4-27
Low Freq
200400Hz
Low GainCTRL 3
-15 +15
High Freq
40008000Hz
High GainCTRL 1
-15 +15
Peak1 Freq 1
1
200 8000Hz
87
MC-505Reference4-8.j 02.7.29 8:37 PM 88
Peak1 Q 1Q
1
0.5 8.0
fig.4-29TEXT
fig.4-30
SPECTRUM
8.0
0.5
Low-High
Middle Gain
Peak1 Gain 1
CTRL 2
1
Width
-15 +15
Peak2 Freq 2
2
Output Level
200 8000Hz
Peak2 Q 2Q
Low-High
CTRL 1
500Hz 8000Hz
0.5 8.0
-15 +15
Middle
CTRL 2
Peak2 Gain 2
1250Hz
-15 +15
-15 +15
Output Level
EFX OUTPUT LEVEL
4 EQ
0 127
Width
CTRL 3
1 5
Output Pan
L64 63R
Output Level
EFX OUTPUT LEVEL
0 127
88
MC-505Reference4-8.j 02.7.29 8:37 PM 89
fig.4-31
ENHANCER
fig.4-32
OVERDRIVE
Sens
Drive
High Gain
Output Pan
4
Mix
AMP Type
Output Level
Output Level
Sens
CTRL 1
Input Level
0 127
Mix
CTRL 3
0 127
DriveCTRL 1
0 127
Low Gain
0 127
AMP Type
CTRL 3
-15 +15
High GainCTRL 2
SMALL
BUILTIN
-15 +15
2STACK 2
Output Level
EFX OUTPUT LEVEL
3STACK 3
Output PanCTRL 2
0 127
L64 63R
Output Level
EFX OUTPUT LEVEL
0 127
89
MC-505Reference4-8.j 02.7.29 8:37 PM 90
fig.4-33
fig.4-34
DISTORTION
Lo-Fi
Drive
Bit Down
Output Pan
S-Rate Down
AMP Type
Post Gain
4
Output Level
Output Level
Input Level
0 127
Bit DownCTRL 1
DriveCTRL 1
0 7
0 127
AMP Type
CTRL 3
S-Rate Down
CTRL 2
321684
SMALL
BUILTIN
2STACK 2
3STACK 3
Post Gain
CTRL 3
0+6+12+18
Output Pan
CTRL 2
L64 63R
Low Gain
-15 +15
Output Level
EFX OUTPUT LEVEL
0 127
High Gain
-15 +15
Output
MONOSTEREO
MONO
90
MC-505Reference4-8.j 02.7.29 8:37 PM 91
Output Level
EFX OUTPUT LEVEL
Output Level
EFX OUTPUT LEVEL
0 127
0 127
Hum
Pink
fig.4-35
Lo-Fi Level
Noise Level
Output Level
Noise Type
1 18
RND Disc
4
N Filter
Disc EP Disc LP
50Hz) (60Hz)
NOISE
Hum
10
11
12
13
14
15
16
17
18
Hum (50Hz) 50Hz
Noise LevelCTRL 3
Hum (60Hz) 60Hz
Pink
0 127
Disc EP
45
Disc LP
33
RND Disc
N Filter
CTRL 1
200 8000Hz
BYPASS
BYPASS
Lo-Fi LevelLo-Fi
CTRL 2
0 127
Output Pan
L64 63R
91
MC-505Reference4-8.j 02.7.29 8:37 PM 92
fig.4-36
RADIO-TUNG
fig.4-37-0
PHONOGRAPH
Radio Detune
Depth
High Gain
Output Pan
Noise Level
D Noise Level
Output Level
Output Level
Radio DetuneCTRL 1
0 127
CTRL 1
Noise LevelCTRL 3
0 127
Low Gain
-15 +15
High GainCTRL 2
-15 +15
Output
MONOSTEREO
MONO
Output Level
EFX OUTPUT LEVEL
0 127
92
Disc Type
LP 33
EP 45
SP 78
D NoiseLevel
CTRL 3
0 127
Depth
CTRL 1
0 +20
Output Pan
CTRL 2
L64 63R
Output Level
EFX OUTPUT LEVEL
0 127
MC-505Reference4-8.j 02.7.29 8:37 PM 93
fig.4-37
fig.4-38
COMPRESSOR
LIMITER
Attack
Threshold
Sustain
Ratio
High Gain
Release
Output Level
Output Level
Attack
CTRL 1
ThresholdCTRL 1
0 127
0 127
SustainCTRL 2
RatioCTRL 2
1.5:12:14:1100:1
0 127
Release
CTRL 3
Post Gain
0+6+12+18
0 127
Low Gain
Post Gain
-15 +15
0+6+12+18
High GainCTRL 3
Output Pan
-15 +15
L64 63R
Output Level
Output Level
EFX OUTPUT LEVEL
EFX OUTPUT LEVEL
0 127
0 127
93
MC-505Reference4-8.j 02.7.29 8:37 PM 94
fig.4-39TEXT
RateCTRL 3
16
1 16
AMP ENV
Slicer
fig.4-40
SLICER
Timing PTN
Timing PTN
Accent PTNCTRL 2
Accent PTN
16
Accent PTN
Rate
EDITVALUE
Output Level
Accent Level
0 127
Timing PTNCTRL 1
34
Attack
1 10
EDITVALUE
94
Output Level
EFX OUTPUT LEVEL
0 127
MC-505Reference4-8.j 02.7.29 8:37 PM 95
fig.4-41
High Gain
-15 +15
TREMOLO
Output Level
EFX OUTPUT LEVEL
Depth
0 127
Rate
LFO Type
fig.4-44
PHASER
Output Level
Depth
LFO TypeLFO
CTRL 3
Rate
TRITRPSINSAW1SAW2SQR
RateCTRL 2
Resonance
0.1 10.0
Output Level
2MES 3MES 4MES 8MES 16MES
CTRL 2RATE
SHIFTCTRL 2RATE
Manual
fig.4-43
EFX
100 8000Hz
RateCTRL 2
SHIFT
CTRL2
0.1 10.0
Depth
CTRL 1
0 127
CTRL 2RATE
SHIFTCTRL 2RATE
Low Gain
-15 +15
Depth
CTRL 1
0 127
95
MC-505Reference4-8.j 02.7.29 8:37 PM 96
ResonanceCTRL 3
RateCTRL 2
0 127
0.1 10.0
Mix
0 127
Output Pan
L64 63R
Output Level
EFX OUTPUT LEVEL
0 127
CTRL 2RATE
SHIFTCTRL 2RATE
Depth
CTRL 1
0 127
Phase
CTRL 3
0 180
fig.4-46
Filter Type
CHORUS
Depth
OFF
LPF
HPF
Rate
Cutoff
200 8000Hz
Phase
Balance
Output Level
D100:0E D0:100E
D100:0E
Output Level
EFX OUTPUT LEVEL
Pre Delay
0.0 100
96
0 127
MC-505Reference4-8.j 02.7.29 8:37 PM 97
fig.4-48
SPACE-D
Low Gain
-15 +15
High Gain
-15 +15
Depth
Balance
D100:0E D0:100E
Rate
D100:0E
Phase
Output Level
EFX OUTPUT LEVEL

D
Output Level
0 127
fig.4-50
TETRA-CHORS
Pre Delay
Depth
0.0 100
RateCTRL 2
Rate
0.1 10.0
Pan Devi
Output Level
CTRL 2RATE
SHIFTCTRL 2RATE
Depth
CTRL 1
0 127
Pre Delay
Phase
CTRL 3
0 180
0.0 100
97
MC-505Reference4-8.j 02.7.29 8:37 PM 98
RateCTRL 2
0.1 10.0
fig.4-52
FLANGER
CTRL 2RATE
SHIFTCTRL 2RATE
Depth
Depth
CTRL 1
Rate
0 127
Pre Dly Devi
Feedback
0 20
Output Level
Depth Devi
-20 +20
Pan Devi
CTRL 3
0 20
Pre Delay
Balance
D100:0E D0:100E
0.0 100
D100:0E
Output Level
RateCTRL 2
0.1 10.0
EFX OUTPUT LEVEL

0 127
CTRL 2RATE
SHIFTCTRL 2RATE
Depth
CTRL 1
0 127
98
MC-505Reference4-8.j 02.7.29 8:37 PM 99
FeedbackCTRL 3
0 +98%
Phase
fig.4-54
ST-FLANGER
0 180
Depth
Filter Type
Rate
OFF
LPF
HPF
Step Rate
Cutoff
Output Level
200 8000Hz
Balance
D100:0E D0:100E
D100:0E
Output Level
EFX OUTPUT LEVEL
0 127
Pre Delay
0.0 100
RateCTRL 2
0.1 10.0
CTRL 2RATE
SHIFTCTRL 2RATE
Depth
CTRL 1
0 127
Feedback
0 +98%
99
MC-505Reference4-8.j 02.7.29 8:37 PM 100
Phase
0 180
Step RateCTRL 3
fig.4-57
SHORT-DELAY
0.05 10.0Hz
Time L
CTRL 3STEP RATE
Time R
SHIFTCTRL 3STEP RATE
Feedback
Balance
D100:0E D0:100E
Output Level
D100:0E
Output Level
EFX OUTPUT LEVEL
0 127
Time LCTRL 1
0.1 190
Time RCTRL 2
0.1 190
HF DampHF
200 8000HzBYPASS
BYPASS
100
MC-505Reference4-8.j 02.7.29 8:37 PM 101
FeedbackCTRL 3
0 +98%
Auto Pan
Bass Drum
fig.4-60
AUTO-PAN
OFF
Depth
Low Gain
Rate
-15 +15
High Gain
Bass Sense
-15 +15
Output Level
Balance
D100:0E D0:100E
D100:0E
Output Level
EFX OUTPUT LEVEL
0 127
LFO TypeLFO
TRITRPSINSAW1SAW2SQR
RateCTRL 2
0.1 10.0Hz
CTRL 2RATE
SHIFTCTRL 2RATE
MODE2
Bass SensCTRL 3
OFF
MODE1
MODE2
101
MC-505Reference4-8.j 02.7.29 8:37 PM 102
Depth
CTRL 1
Coarse
CTRL 1
0 127
-24 +12
Low Gain
Fine
-15 +15
-100 +100
High Gain
Output Pan
CTRL 2
-15 +15
L64 63R
Output Level
Pre Delay
EFX OUTPUT LEVEL
0 127
0.0 100
fig.4-62
FB-P-SHIFT
Mode
1 5
FeedbackCTRL 3
Coarse
0 +98%
Low Gain
Output Pan
-15 +15
Feedback
High Gain
-15 +15
Output Level
Balance
D100:0E D0:100E
D100:0E
Output Level
EFX OUTPUT LEVEL
0 127
102
MC-505Reference4-8.j 02.7.29 8:37 PM 103
Output Level
EFX OUTPUT LEVEL
fig.4-63
0 127
REVERB
Time
fig.4-64
GATE-REVERB
HF Damp
Gate Time
Balance
Gate Type
Output Level
Balance
Rev Type
6
ROOM1 1
Output Level
ROOM2 2
Gate Type
CTRL 2
STAGE1 1
STAGE2 2
HALL1 1
HALL2 2
NORMAL
REVRSE
TimeCTRL 1
SWEEP1
SWEEP2
0 127
Gate Time
HF DampHF
CTRL 2
CTRL 1
200 8000Hz
BYPASS
5 330
BYPASS
Balance
CTRL 3
BalanceCTRL 3
D100:0E D0:100E
D100:0E
D100:0E D0:100E
D100:0E
103
MC-505Reference4-8.j 02.7.29 8:37 PM 104
Output Level
EFX OUTPUT LEVEL
Part
TEMPO
/MIXER
Current Part
0 127
RHY DRY EFX DIR1 DIR2
EFX
EFX
EFX
1. MIXER SELECTEFX/OUT
2. R7
TEMPO/MIXER
DIRECT1 2
EFX
EFX EFX
p.
86
fig.4-66TEXT
EFX
DRYD EFX MIX
PART
DIR2
EFX
DIR1
EFX
EFX
DRY
EFXE EFX MIX

PART
DIR11 DIRECT1
DIR22 DIRECT2
RHYR
EFX
RHY
RHY
DIR2
DIR1
EFX
DRY
EFX
EFX OUTPUT LEVEL
DRY, EFX, DIR1, DIR2
EFX
DIR1 2 RHY
R.TONE EFX/Out EFX
p. 76
DRYEFX
R.TONE Rev Level
SHIFT
p. 76
DRY DIR2RHY
fig.4-65-0
LEVEL
(EFX ON)
EFX
PAN
R.TONE Dly Level
KEY SHIFT
p. 76
REVERB
EFX
DELAY
EFX/OUT
MEGAMIX
DRY
(EFX OFF)
R.TONE EFX/Out EFX

p. 76
SHIFT
104
RHY
DIR2
DIR1
EFX
DRY
DIR2
SHIFT
DIR1
EFX
DRY
MC-505Reference4-8.j 02.7.29 8:37 PM 105
C
C3E3G3E3C3E3G3....
HOLD
1/4
DP-2DP-6FS-5U
fig.5-1
HOLD
p. 165
C3
E3
G3
4
C3
E3
6
E3
C3
8
E3
9
10
G3
11
12
E3
13
14
15
16
G3
1. PTN CALLRPS
fig.5-2
PTN
CALL
RPS
p. 107
2. PART SELECT PART
3. ARPEGGIATORON
fig.5-3
p. 108
ON

4.
MIDI
PART
p. 20
105
MC-505Reference4-8.j 02.7.29 8:37 PM 106
53
1. ARPEGGIATORONINCDEC
VALUE
RANDOM
BOSSA NOVA
3 4 BPM
SALSA 3 4
MAMBO 3 4
fig.5-4
LATIN PERCUSION ClaveCowbellClapBongo

CongaAgogo
ON
DEC
INC
SAMBA
TANGO 3
3rd5th
HOUSE 3
1 4 4
LIMITLESS
1 6 3 4
1 8 8
USER STYLE 1 10
1 12 3 8
1 16 16
1 32 32
PORTAMENTO AB
GLISSANDO
SEQUENCE A D
ECHO
1. FUNC
SYNTH BASSHEAVY SLAPLIGHT SLAPWALK
2. ACCENT RATE
BASS
fig.5-5
RHYTHM GTR 1 5
2 5 3 4
FUNC
3 FINGER
STRUMMING GTR
ACCENT RATE
5 6
RANGE
PIANO BACKINGCLAVI CHORD
0 100
WALTZSWING WALTZ 3
REGGAE 3
PERCUSSION
HARP
SHAMISEN
BOUND BALL
1. FUNC
106
MC-505Reference4-8.j 02.7.29 8:37 PM 107
2. RANGE
Style
-3 +3
fig.5-6
p. 106
Motif
FUNC
ACCENT RATE
RANGE
SINGLE UP 1
SINGLE DOWN 1
SINGLE UP&DW
1
SINGLE RANDOM
1
DUAL UP 2
DUAL DOWN 2
1. SHIFT1
ARPEGGIO
DUAL UP&DW
2
DUAL RANDOM
2
TRIPLE UP 3
2. PAGE<>
fig.5-7
TRIPLE DOWN 3
SHIFT
TRIPLE UP&DOWN
PAGE
3
TRIPLE RANDOM
3
NOTE ORDER
128
GLISSANDO
2
CHORD
BASS+CHORD1 5
BASS+UP1 8
BASS+RND1 3
TOP+UP1 6
BASS+UP+TOP
EXIT
107
MC-505Reference4-8.j 02.7.29 8:37 PM 108
Beat Pattern
1/41/61/81/121/16 1 31/32 1 3
PORTA-A 1 11PORTA-B 1 15
SEQ-A 1 7SEQ-B 1 5SEQ-C 1, 2
SEQ-D 1 8ECHO 1 3MUTE 1 16
STRUM 1 8REGGAE 1, 2REF 1, 2
PERC 1 4WALKBSHARPBOUND
MC-505
USER STYLE 1 10 10
RANDOMBOSSA NOVASALSA 1 4
1.
MAMBO 1, 2CLAVEREV CLAGUILO
2. ARPEGGIO
AGOGOSAMBATANGO 1 4
HOUSE 1, 2
SHIFT
PORTA-A1 11PORTA-B1 15
3. WRITE
fig.5-9
p. 58
WRITE
INITIALIZE
4. INCDECVALUE
USER STYLE 1 10
5. ENTER
Shuffle Rate
fig.5-10
50 90%
50%
fig.5-8
Shuffle Rate = 50%
50
50
50
Shuffle Rate =90%
50
90
10
90
10
1 4
Accent Rate
p. 106
Octave Range
p. 106
108
6. ENTER
EXIT
MC-505Reference4-8.j 02.7.29 8:37 PM 109
6 RPS
RPS
RPS
RPS
4. RPS
fig.6-3
RPS
PTN
CALL
RPS
5.
MC-505 16
1 RPS RPS
60
RPS
fig.6-1TEXT
RPS
RPS HOLD
RPS HOLD
RPS
DP-2DP-6FS-5U
P:019
2
HOLD
RPS
p. 165
P001 P002 P002 P021 P052 P053 P007 P012 P019 P121 P032 P055 P062 P061 P063 P001
P-2 P-R P-1 P-6 P-2 P-5 P-R P-4 P-2 P-R P-R P-6 P-7 P-7 P-3 P-4
RPS
RPS
RPS
1. DISPLAY RPS SET
RPS
fig.6-2TEXT
RPS
RPS
SET
RPS
RPS RPS
2. USER
USER
U:
RPS
3. INCDECVALUE
RPS RPS
p. 167
RPS MIDI
MIDI RPS
p. 172
RPS
MC-505 8
U:01 U:60
RPS
RPS
109
MC-505Reference4-8.j 02.7.29 8:37 PM 110
6 RPS
RPS
RPS
RPS
1 RPS
P:002 2 RPS
p. 25
EXT RPS
RPS
MIDI OUT
1. RPS
2. P:002
EFX
RPS EFX
EFX
3. PART MUTE PART 2
RPS
fig.6-4
RPS
4. RPS
5. RPS
fig.6-5
RPS
RPS 1 16
RPS
fig.6-7
PART
PART
P:249 P:714 RPS
P001 P002 P002 P021 P052 P053 P007 P012 P019 P121 P032 P055 P062 P061 P063 P001
P-R P-2 P-1 P-R P-2 P-5 P-R P-4 P-2 P-4 P-6 P-6 P-7 P-7 P-3 P-4
9 10 11 12 13 14 15 16
RPS PART
RPS
1
fig.6-6
RPS
110
RPS
PTN/SONG
RPS
MC-505Reference4-8.j 02.7.29 8:38 PM 111
6 RPS
4.
18
RPS 18
RPS
916
RPS 916
RPS
RPS LvlRPS
RPS PanRPS
RPS
RPS KeyRPS
5. R7 RPS
RPS RevRPS
RPS DlyRPS
RPS EFXRPS EFX

1. RPS
2. RPSTEMPO/MIXER
12
RPS
RPS 1
3. MIXER SELECT
RPS
MEGAMIX
fig.6-8
RPS
LEVEL
PAN
TEMPO
/MIXER
RPS
KEY SHIFT
REVERB
DELAY
1. RPS
PATCH
EFX/OUT
fig.6-9
MEGAMIX
Pad4
RPS
PATCH
2. RPS
RPS
1 2 3 4 5 6 7 8
3. BANK INCDECVALUE
9 10 1112 13 1415 16

Pad18
1
Pad916
7
10
11
12
13
14
15
16
111
MC-505Reference4-8.j 02.7.29 8:38 PM 112
6 RPS
RPS
A Za z0 9! " # $ % & ' ( ) * + , - . / : ;

<=>?@[]^_`{|}
RPS
8. 6. 7.
RPS
PAGE<
1.
9. ENTER
2. RPS SETRPS
RPS
EXIT
fig.6-12
RPS
RPS
3. WRITE
10. ENTER
fig.6-13(2-36)
fig.6-10
WRITE
RPS
RPS
INITIALIZE
4. 8.
EXIT
4.
RPS
5. INCDECVALUE
UNDO/REDO
RPS
RPS
UNDO/REDO
6. PAGE>
2
fig.6-11
7. RPS
INCDECVALUE
112
MC-505Reference4-8.j 02.7.29 8:38 PM 113
MC-505 3
fig.7-3
1. SHIFTQTZ SELECT
fig.7-1
1. SHIFT2
fig.7-4
SHIFT
PART
SELECT
SHIFT
PAGE
QTZ SELECT
2. PART
fig.7-2
2. INCDECVALUE
EXIT
GRID
QUANTIZEVALUE
113
MC-505Reference4-8.j 02.7.29 8:38 PM 114
1.
2. QUANTIZEGRID
fig.7-6
fig.7-8
GRID
GROOVE
SHUFFLE
3.
4. TIMING
0 100%
fig.7-7
1. SHIFT4
TIMING
VELOCITY
100%
50%
0%
fig.7-9
SHIFT
PAGE
0%
PAGE<
>
2. INCDECVALUE
EXIT
SHUFFLE
QUANTIZEVALUE
114
MC-505Reference4-8.j 02.7.29 8:38 PM 115
1.
2. QUANTIZESHUFFLE
fig.7-11
GRID
GROOVE
SHUFFLE
3.
MC-505
71
4. TIMING
fig.7-13
0 100 %
fig.7-12
4 4
TIMING
VELOCITY
0%
50%
100%
50%
1. SHIFT3
fig.7-14
100%
0%
PAGE<
>
2. INCDECVALUE
EXIT
115
MC-505Reference4-8.j 02.7.29 8:38 PM 116
8Beat Pops
16Beat Dance
37 Pops-Nm-L.Ac
38 Pops-Nm-H.Ac
02 Dance-Nm-H.Ac
39 Pops-Nm-L.Sw
03 Dance-Nm-L.Sw
40 Pops-Nm-H.Sw
04 Dance-Nm-H.Sw
41 Pops-Hv-L.Ac
05 Dance-Hv-L.Ac
42 Pops-Hv-H.Ac
06 Dance-Hv-H.Ac
43 Pops-Hv-L.Sw
07 Dance-Hv-L.Sw
44 Pops-Hv-H.Sw
08 Dance-Hv-H.Sw
45 Pops-Ps-L.Ac
09 Dance-Ps-L.Ac
46 Pops-Ps-H.Ac
10 Dance-Ps-H.Ac
47 Pops-Ps-L.Sw
11 Dance-Ps-L.Sw
48 Pops-Ps-H.Sw
12 Dance-Ps-H.Sw
01 Dance-Nm-L.Ac
8Beat Rhumba
16Beat Fusion
49 Rhumb-Nm-L.Ac
13 Fuson-Nm-L.Ac
50 Rhumb-Nm-H.Ac
14 Fuson-Nm-H.Ac
51 Rhumb-Nm-L.Sw
15 Fuson-Nm-L.Sw
52 Rhumb-Nm-H.Sw
16 Fuson-Nm-H.Sw
53 Rhumb-Hv-L.Ac
17 Fuson-Hv-L.Ac
54 Rhumb-Hv-H.Ac
18 Fuson-Hv-H.Ac
55 Rhumb-Hv-L.Sw
19 Fuson-Hv-L.Sw
56 Rhumb-Hv-H.Sw
20 Fuson-Hv-H.Sw
57 Rhumb-Ps-L.Ac
21 Fuson-Ps-L.Ac
58 Rhumb-Ps-H.Ac
22 Fuson-Ps-H.Ac
59 Rhumb-Ps-L.Sw
23 Fuson-Ps-L.Sw
60 Rhumb-Ps-H.Sw
24 Fuson-Ps-H.Sw
16Beat Reggae
25 Regge-Nm-L.Ac
61 Samba 1
26 Regge-Nm-H.Ac
62 Samba 2
27 Regge-Nm-L.Sw
63 Axe 1
28 Regge-Nm-H.Sw
64 Axe 2
29 Regge-Hv-L.Ac
65 Salsa 1
30 Regge-Hv-H.Ac
66 Salsa 2
31 Regge-Hv-L.Sw
67 Triplets
32 Regge-Hv-H.Sw
68 Quituplets
33 Regge-Ps-L.Ac
69 Sextuplets
34 Regge-Ps-H.Ac
70 7 against 2
2 7
35 Regge-Ps-L.Sw
71 Lagging Tri
36 Regge-Ps-H.Sw
116
MC-505Reference4-8.j 02.7.29 8:38 PM 117
1.
2. QUANTIZEGROOVE
fig.7-15
GRID
Dance 16
GROOVE
Fuson 16
SHUFFLE
Regge 16
Pops
Rhumb 8
3.
4. TIMING
fig.7-16TEXT
NmNormal
HvHeavy
FUNC
PsPushed
100%
50%
0%
TIMING
VELOCITY
L.AcLight Accent
H.AcHard Accent
L.SwLight Swing
H.SwHard Swing
Dance-Hv-L.Sw

0 100%
0%
5. FUNC
VELOCITY
fig.7-17TEXT
FUNC
100% 50% 0%
4/4
100% 50% 0%
TIMING
VELOCITY
0 100%
GROOVE
QUANTIZEVALUE
0%
117
MC-505Reference4-8.j 02.7.29 8:38 PM 118
PAGE<
>
=120 140
100%
100%
118
MC-505Reference4-8.j 02.7.29 8:38 PM 119
10
P:021
P:031
fig.8-1
P:011
PTN PLAY P:021
MEGAMIX
P:016
P:014
P:021
P:021
P:025
fig.8-3
P:021
P:031
P:031
P:022
P:015
P:026
P:021
P:021
P:021
P:021 P:021
P:015
P:011
P:011
Current
Part
P:025
P:031
P:026
P:021
P:015
P:021
P:015
1.
P:021 P:021
P:011
2. TEMPO/MIXER
P:005
Current
Part
3. MIXER SELECTMEGAMIX
2 3
P:011
P:031 P:005 P:025
fig.8-2
TEMPO
/MIXER
R1 2 3 4 5 6 7
LEVEL
5.
P:031
PAN
M I X E R
KEY SHIFT
REVERB
P:021
SELECT MEGAMIX
DELAY
EFX/OUT
MEGAMIX
P:011
Current
Part
4. R7
119
MC-505Reference4-8.j 02.7.29 8:38 PM 120
2. MIXER SELECT MEGAMIX
3. STOP
4.
p. 26

1.
2. PTN/SONG
fig.8-4TEXT
3. INCDECVALUE
TEMPO/MIXER
fig.8-5
2 4 6
1.
120
MC-505Reference9-16.j 02.7.29 8:39 PM 121
9 D
D
28
D
D
fig.9-2
1. D BEAM CONTROLLERON
D
1 3
TYPE SELECT
2. TYPE SELECT
T U R N T A B L E 2 4 : T u r n t a b l e
CUT+RESO07:Cut+Reso2-AADLIB27:Adlib1
3
D BEAM CONTROLLERO N
VALUE
D
P. 165
STANDARD
fig.9-1
D BEAM CONTROLLER
DEC
INC
TURNTABLE
CUT +
RESO
AD LIB
P. 165
ON
VALUE
01:Modulation-A
MIDI
3. D
4. D
D BEAM CONTROLLERON
121
MC-505Reference9-16.j 02.7.29 8:39 PM 122
9 D
P. 59
05 10
02:Modulation-S
OCTAVE
MIDI
P. 59
03:Pitch Bend-A
MIDI
0
INCDEC
VALUE
P. 164
05:Cut+Reso1-A
+ 1
06:Cut+Reso1-S
+ 1
P. 59
04:Pitch Bend-S
MIDI
0
INCDEC
VALUE
P. 164
P. 59
07:Cut+Reso2-A
+ 2
122
MC-505Reference9-16.j 02.7.29 8:39 PM 123
9 D
1270
P. 164
INCDEC
VALUE
10:Cut+Reso3-S
+ 3
P. 164
127
08:Cut+Reso2-S
+ 2
INCDEC
VALUE
1270
P. 164
INCDEC
VALUE
P. 164
D
P. 165
09:Cut+Reso3-A
+ 3
127
INCDEC
VALUE
11:Part Pan-A
0
INCDEC
VALUE
123
MC-505Reference9-16.j 02.7.29 8:39 PM 124
9 D
12:Part Pan-S
16:Key Shift-S
INCDEC
VALUE
17:Reverb Level
13:Cross Pan
0
INCDEC
VALUE
0
INCDEC
VALUE
14:Cros Drm Pan
0
INCDEC
VALUE
18:Delay Level
0
INCDEC
VALUE
15:Key Shift-A
19:EFX Ctrl1
EFX 1
EFX CTRL1
0
INCDEC
VALUE
124
MC-505Reference9-16.j 02.7.29 8:39 PM 125
9 D
20:EFX Ctrl2
EFX 2
25:Arp Range
EFX CTRL2
INCDEC
VALUE
21:EFX Ctrl3
EFX 3
EFX CTRL3
0
INCDEC
VALUE
26:Note+Bnd
+
P:A054
D
BEAM CONTROLLERON
fig.9-3
22:Start/Stop
PLAYSTOP
P.
60
23:All Mute
27:Adlib1 1
24:Turntable
D BEAM CONTROLLERON
D BEAM CONTROLLERON PAGE<
>
fig.9-4
125
MC-505Reference9-16.j 02.7.29 8:39 PM 126
9 D
21
CHR Chromatic Scale
TCH Tcherepnin's Scale
SPN Spanish Scale
BLS Blues Mixolydian Scale
CD
Combination of Diminished Scale
MAJ Diatonic Major Scale

MIN Natural Minor Scale
HMJ Harmonic Majer Scale
HMI Harmonic minor Scale
DH
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fig.14-14-1
8.
fig.14-16
EXIT
MC-505
1. 2
2.
3.
fig.14-17TEXT
14
162
MC-505Reference9-16.j 02.7.29 8:40 PM 163
15
C B 12
Scale Tune SW
OFFON
1. SHIFT9
Scale Tune
TUNE/SOUND
2. PAGE<>
INCDECVALUE
fig.15-1
SHIFT
-64 +63
9
PAGE
1 1/100
1 12
MC-505
C
Current Part
3
1
MC-505 GCF 3
EXIT
MC-505 A4
427.4 440.0 452.6 Hz
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
0
0
0
0
0
0
0
0
0
0
0
0
C
0
-8
+4
+16
-14
-2
-10
+2
+14
-16
+14
-12
-6
+45
-2
-12
-51
-8
+43
-4
+47
0
-10
-49
163
15
MC-505Reference9-16.j 02.7.29 8:40 PM 164
15
1. SHIFT10
OFFON
CONTROLLER
64
2. PAGE<>
INCDECVALUE
fig.15-3
SHIFT
10
PAGE
0 64
PART SELECT PART
64
RESONANCE
Reso Limit-R
Reso Limit-N
50 127
RESONANCE
fig.15-2
Reso Limit-R = 100
100
RESONANCE
EXIT
LCD
LCD
1 16
15
164
MC-505Reference9-16.j 02.7.29 8:40 PM 165
15
BeamPol
1 127
STANDARDREVERSE
Pdl Assign
PEDAL
REVERSED
Beam Assign1 1
TYPE SELECT
01 28
2424:Turntable
Beam Assign2 2
HOLD
TYPE SELECT
SHIFT SHIFT
FUNC FUNC
01 28
PTN-I
0707:Cut+Reso2-A
1
TAP
TAP
R-TPS TRANSPOSE
PLAY PLAY STOP
BEAM D
Beam Assign3 3
TYPE SELECT
01 28
2727:Adlib1
SOSTE
Beam Range L
Pdl Pola
STANDARDREVERSE
0 UPR
REVERSE
Beam Range U
D
LWR 127
05:Cut+Reso1-A
10:Cut+reso3-S
165
15
MC-505Reference9-16.j 02.7.29 8:40 PM 166
15
SLAVE
MIDI
MIDI
PLAY
1. SHIFT11
SLAVE SLAVE
SEQUENCER
fig.15-4-1
2. PAGE<>
MIDI
INCDECVALUE
SLAVE
fig.15-4
11
SHIFT
PAGE
MIDI
OFFON
MIDI OUT
F8
FA
FB
FC
F2
EXIT
MIDI
INT
MIDI
MIDI
15
REMOTE INT
LOOP1
LOOP2
LOOP2
MIDI
0 127
166
OFF
MC-505Reference9-16.j 02.7.29 8:40 PM 167
15
RPS
RPS
RPS
MC-505
OFFON
ON
OFF
REAL
MES
REAL
16
16
16
8
8
MES
TAP
OFFON
OFFTAP
TAP
TAP
REAL
OFFON
ON
OFF
15
167
MC-505Reference9-16.j 02.7.29 8:40 PM 168
15
MIDI
1. SHIFT12
MIDI
MIDI MC-505
MIDI
OFFON
2. PAGE<>
INCDECVALUE
fig.15-7
SHIFT
12
PAGE
ON MIDI
MC-505 8
OFF
MIDI
RPS
RPS
OFF
p. 169
Part R 1 2 3 4 5 6 7
Current Part
RPS
RPS
p. 169
Part R 1 2 3 4 5 6 7
Current Part
ID
ID
MIDI ID
MIDI ID
ID
MC-505
17 32
ID 17
MC-505 1
MIDI IN
MIDI OUT
15
ONMIDI IN
EXIT
MIDI MIDI OUT
OFFON

MIDI IN MIDI OUT
168
MC-505Reference9-16.j 02.7.29 8:40 PM 169
15
MIDI Rx
R7MIDI IN MIDI
PART SELECT PART
OFF-ON+
ON
RPS
RPS
OFF MIDI
OFF
MIDI RPS
Tx
OFF1 16
RPS
15
MIDI R7
MIDI RPS
p. 172
PART SELECT PART
ON
INTI
EXTE
MIDI OUT
BOTHB
MIDI OUT
TONE SELECT
BOTH
MIDI
MIDI OUT
TONE SELECT
INT
EXT
4
TONE SELECT
REVERB DELAY
EFX
OFF
MODE1MODE2
MIDI
MODE1
OFF1 16
MODE2
15
MODE1
16
MODE1
MIDI RPS
p. 172
MC-505
169
MC-505Reference9-16.j 02.7.29 8:40 PM 170
15
MODE2 MIDI
MIDI
MIDI
Tx.PG
MODE1MODE2
MIDI OUT
OFFON
p. 233
OFF
MIDI
MIDI
WAVE SELECT
Tx.Bank Sel
MIDI OUT
OFFON
OFF
Rx.PG
OFFON
OFF
Rx.Bank Sel
OFFON
OFF
Rx.Sys-Ex
OFFON
OFF
15
170
Tx.A-Sens
MIDI OUT
OFFON
OFF
MC-505Reference9-16.j 02.7.29 8:40 PM 171
16
MIDI
MIDI
10Ch
MC-505 MIDI
1 1Ch
MIDI
2 2Ch
MIDI
3 3Ch
MIDI Musical Instrument Digital Interface
4 4Ch
5 5Ch
MIDI
6 6Ch
MIDI
7 7Ch
MIDI
MIDI
MC-505
MC-505
MC-505 MIDI
fig.16-1
MC-505 MIDI
MIDI In
MC-505 MIDI
MIDI Out
Local Tx Sw
MIDI
MC-505 MIDI 2
MIDI Rx Sw
MIDI OUT
MIDI MIDI
MIDI IN
MIDI MIDI
MIDI MC-505
MIDI
MIDI 1 MIDI
MIDI
MIDI
MIDI
1 16
MIDI
MIDI IN MIDI OUT

p. 168
MIDI Rx
p. 169
Tx
p. 169
p. 25
MC-505
MIDI
MIDI
MIDI IN MIDI
MIDI
fig.16-0
MIDI
16
p.
168
SLAVE
171
MC-505Reference9-16.j 02.7.29 8:40 PM 172
16
MIDI
MIDI MC-505
ON
fig.16-2
p.
168
MIDI
CC#0
CC#32PC MIDI
MC-505
MIDI OUT
MIDI Ch = 116
p. 170 MIDI
MIDI IN
p. 192
p. 196
MIDI
p. 234
Remote Kbd = ON
MC-505
MIDI
OFF
fig.16-3
MIDI RPS
RPS
1. MC-505
OFFp. 168
2. MC-505 RPS MIDI
p. 169
RPS MC-505
MIDI OUT
MIDI Ch = 2
2Ch
MIDI IN
3. RPS
4. MIDI RPS
B1 D3 1
16 RPS
fig.16-4
C1
Remote Kbd = OFF

Part2 Rx Ch = 2
MIDI MC-505
16
2 2
2 MIDI 2
172
C2
C3
C4
10
11
12
13
14
15
16
MC-505Reference9-16.j 02.7.29 8:40 PM 173
16
ON
MIDI
MIDI IN
MIDI OUT
Thru = ON
MC-505
OFF
MIDI IN
1. MC-505
MIDI p.
MIDI THRU
169
MC-505
MIDI OUT
MIDI IN
2. ARPEGGIOON
Remote Kbd = OFF

Thru = OFF
Part R7
Local Tx Sw = Ext
3. MIDI
Part R7 Local Tx Sw = EXT

Thru = OFF Remote Kbd = OFF
Thru = ON
MIDI
RPS MIDI
MIDI
RPS
MIDI IN
MIDI D#3
MIDI OUT2
fig.16-5
Lower RPS
C1
C2
MIDI IN1
Upper Arpeggio
C3
C4
C5
C6
Split Point
D#3
MIDI IN2
MIDI Interface
C7
MIDI OUT
Lower Tx Ch =15
MIDI OUT1
MIDI OUT
MIDI IN
Upper Tx Ch =16
Arpg Ctrl Ch = 16
RPS Ctrl Ch = 15
Remote Kbd = OFF
Local Switch = OFF Thru = OFF
MC-505
MC-505
MIDI
MC-505
MIDI
MIDI MC-505
MIDI
MC-505
fig.16-6
1. MIDI
2. MC-505
16
Tx EXTp. 169
OFFp. 168
OFFp. 168
173
MC-505Reference9-16.j 02.7.29 8:40 PM 174
16
3. MIDI
MIDI OUT
MIDI IN
MC-505
MC-505
MC-505 MIDI OUT MIDI MIDI

MIDI IN MC-505
Part1 Local Tx Sw = Ext
MIDI Ch =1
1. SP-202 MIDI 1
MIDI
2. MC-505 1 Tx EXT
p. 169
3. 1
SLAVELFO
EFX
MC-
SP-202
-20
1
SP-202
505
MS-1
MC-505 MS-1
MS-1
LFO1
p. 51
p. 21
MS-1 A#
p. 83
MC-505
EFXp. 86
3581015
p.
166
MS-1 MS-1
p. 21
MC-505 MIDI
MC-505
MIDI
SP-202 MC-505
MC-505 SP-202
MC-505
SP-202 MS-1
16
1. SP-202
MC-505
1 SP-202
MC-505
MC-505 1 SP-202
fig.16-7
174
p. 147
MC-505Reference9-16.j 02.7.29 8:40 PM 175
16
2. MC-505 1
EXTp. 25
3. 1 SP-202
2
MIDI 1 SP-202
7
fig.16-9
Remote Kbd = OFF
Thru = ON
4. PLAY
MC-505 SP-202
5. p. 26
MIDI OUT Part 1,7

Local Tx Sw = EXT
MIDI Rx Sw = OFF
SEQ Out = EXT
MIDI IN
MIDI IN
MC-505 MIDI
SP-202 MS-1 MIDI
MIDI OUT1
MIDI OUT2
MIDI Ch = 7
MIDI IN
MIDI Patcher
MIDI OUT
MIDI IN
1
MIDI MC-505
MIDI MC-505
MC-505 1 MIDI Rx
MIDI 1
fig.16-8
MIDI Ch = 1
Local Switch=OFF
MIDI 7
MIDI SP-202
MC-505 1
7 MIDI
SP-202
MIDI OUT
MIDI Ch = 1
MIDI 1 SP202 7
MIDI IN
Remote Kbd = OFF

Thru = ON
MIDI
Part 1
Local Tx Sw = EXT
MIDI Rx Sw = OFF
SEQ Out = EXT
MIDI
3
MIDI A-880
MIDI OUT
MIDI IN
MIDI Ch = 1
16
175
MC-505Reference9-16.j 02.7.29 8:40 PM 176
16
MC-505 MIDI MIDI
MIDI VS-
880 MIDI
MC-505 MIDI
MC-505
MIDI MIDI
MC-505
fig.16-11
MIDI
fig.16-10
MIDI OUT
MIDI OUT
MIDI IN
Thru = OFF
MIDI IN
Sync Mode = SLAVE

MIDI OUT
Sync Out = ON
MIDI IN
1. MODE
2. SLAVEp. 166
3. MIDI MIDI
MIDI
1. MODE
2. ONp. 166
4. MC-505 1
3. MIDI MIDI
5. MIDI MC-505
MIDI
4. MC-505 PLAYMC-505
MIDI
5. MC-505 STOP
JP-8000
6. MIDI
MIDI MIDI
MC-505
REMOTE
JP-8000
MC-505 JP-
MC-505
8000 p. 95 MIDI
MC-505 2
fig.16-12
MIDI OUT
Part R7 Local Tx Sw = INT

SEQ Out = INT
Sync Out = ON
16
MIDI IN
Sync Mode = SLAVE
1. Tx
INT
176
MC-505Reference9-16.j 02.7.29 8:40 PM 177
16
ONp. 166169
2. M U T E
MC-505
CTRL
MC-505 MIDI OUT MIDI IN
INTp. 25
MIDI
MIDI OUT
3.
SLAVEp. 166
4. PLAY2 MC-505
1.
2. SHIFT
16
fig.16-13
SHIFT
16
RPS
5. STOP
MC-505 MC-303
MC-303
SLAVE
3. PAGE<>
SETUP
SETUP&PATCH SETUP
ALL SETUP&PATCH
p. 178
U:TMP
MC-505
EXIT
U:TMP
MC-505
U:TMP
MIDI
MC-505
p. 178
4. MIDI
U:TMP
5. MC-505 ENTER
MIDI OUT
fig.16-14
16
fig.16-15
177
MC-505Reference9-16.j 02.7.29 8:40 PM 178
16
SETUP
6. MIDI
SETUP&PATCH ALL
MIDI
MC-505
MC-505
MC-505
SETUP&PATCH
MC-505 MIDI IN MIDI OUT
MIDI
1. U:TMP
2. SHIFT
16
3. PAGE<>
fig.16-16
4. MIDI
fig.16-17
5. EXIT
6.
MC-505
16
178
SLAVE
MC-505Reference9-16.j 02.7.29 8:40 PM 179
16

RESONANCEp. 164
INCDEC
fig.17-20
WAVE
SELECT
PITCH-ENVELOPE
FILTER
PITCH
LPF
BPF
A016
SELECT
HPF
PITCH
PKG
FILTER
TYPE
COARSE TUNE
CUTOFF
DEPTH
RESONANCE
DEPTH
FILTER-ENVELOPE
AMPLIFIER
0
PITCH-LFO 1
SELECT
FILTER-LFO 1
FILTER
OFF
FINE TUNE
FINE TUNE
DEPTH
RND PAN TONE LEVEL TONE PAN
PORTAMENTO
ON
DEPTH
AMP-ENVELOPE
LFO 1
SELECT
AMP-LFO 1
6
AMP
SOLO
ON
ON
2
TONE2
7
TIME
RATE
WAVEFORM
DEPTH
A
TONE1
6. A-ENV R10
1.
7. SOLO
p. 62
2. TONE1 TONE2
TONE1 TONE2
3. WAVE SELECT A016
4. TONE2 FINE TUNE-2
8. PORTAMENTOON
9. TIME10
EFX
16
5. RESONANCE
50
179
MC-505Reference9-16.j 02.7.29 8:40 PM 180
16
fig.17-21
WAVE
SELECT
PITCH-ENVELOPE
FILTER
PITCH
LPF
BPF
A003
SELECT
HPF
PITCH
PKG
COARSE TUNE
FILTER
TYPE
CUTOFF
DEPTH
RESONANCE
DEPTH
SELECT
FILTER-LFO 1
FINE TUNE
DEPTH
PORTAMENTO
ON
FILTER
OFF
FINE TUNE
FILTER-ENVELOPE
AMPLIFIER
0
PITCH-LFO 1
DEPTH
AMP-ENVELOPE
LFO 1
SELECT
AMP-LFO 1
11
10
AMP
SOLO
ON
ON
TONE2
TIME
RATE
WAVEFORM
-2
1.
p. 62
2. TONE1 TONE2
TONE1 TONE2
3. WAVE SELECT A003
4. TONE1 TONE2 FINE TUNE
T1=+3 T2=-3
5. CUTOFF0
6. F-ENV DEPTH
+43
7. F-ENV AR
A=0 D=24
S=90 R=18
8. RESONANCE68
9. SOLO
180
TONE1
16
DEPTH
A
10. PORTAMENTOON
11. TIME11
MC-505Reference9-16.j 02.7.29 8:40 PM 181
16
fig.17-22
WAVE
SELECT
LPF
SELECT
BPF
HPF
PITCH
PKG
COARSE TUNE
FILTER
TYPE
CUTOFF
DEPTH
RESONANCE
DEPTH
FILTER-ENVELOPE
AMPLIFIER
0
PITCH-LFO 1
A020
PITCH-ENVELOPE
FILTER
PITCH
SELECT
FILTER-LFO 1
FILTER
OFF
FINE TUNE
FINE TUNE
DEPTH
PORTAMENTO
DEPTH
AMP-ENVELOPE
LFO 1
ON
SELECT
AMP-LFO 1
8
6
AMP
SOLO
ON
ON
2
TONE2
7
TIME
RATE
WAVEFORM
DEPTH
A
TONE1
+1
LFO
7. WAVEFORM
1.
p. 62
2. TONE1 TONE2
TONE1 TONE2
8. LFO1 RATE4
9. LFO1 DEPTH+2
3. WAVE SELECT A020
EFX
4. TONE2 FINE TUNE-12
5. CUTOFF89
6. A-ENV AR
A=32 D=26
S=120 R=50
16
181
MC-505Reference9-16.j 02.7.29 8:40 PM 182
16
fig.17-23
WAVE
SELECT
PITCH-ENVELOPE
FILTER
PITCH
LPF
BPF
A018
FILTER
TYPE
CUTOFF
DEPTH
RESONANCE
DEPTH
SELECT
FILTER-LFO 1
FINE TUNE
8
DEPTH
PORTAMENTO
FILTER
OFF
FINE TUNE
FILTER-ENVELOPE
AMPLIFIER
0
PITCH
PKG
COARSE TUNE
PITCH-LFO 1
HPF
SELECT
DEPTH
AMP-ENVELOPE
LFO 1
SELECT
AMP-LFO 1
ON
10
AMP
SOLO
ON
ON
2
TONE2
TIME
RATE
WAVEFORM
DEPTH
A
TONE1
1.
p. 62
2. TONE1 TONE2
TONE1 TONE2
9. F-ENV AR
A=12 D=12
S=30 R=48
3. WAVE SELECT A018
10. A-ENV AR
A = 2 D = 0
S=127 R=30
4. TONE1 TONE2 FINE TUNE

T1=+2 T2=-2
TONE1
5. TONE1 P-ENV DEPTH
-6
6. TONE1 P-ENV D
5
7. CUTOFF70
8. F-ENV DEPTH
16
+58
182
EFX
MC-505Reference9-16.j 02.7.29 8:40 PM 183
16
EFX
fig.17-27
ENHANCER
fig.17-25
Sens
SPECTRUM
High Gain
Low-High
Mix
Middle Gain
Output Level
Width
TB-303
Output Level
P:A008
fig.17-28
OVERDRIVE
Drive
Output Pan
fig.17-26
SPECTRUM
AMP Type
Low-High
Output Level
Middle Gain
Width
Output Level
16
183
MC-505Reference9-16.j 02.7.29 8:40 PM 184
16
P:001
C T R L 1
Timing PTN
fig.17-31
SLICER
fig.17-29
Lo-Fi
Timing PTN
Timing PTN
Bit Down
Accent PTN
S-Rate Down
Accent PTN
Rate
Post Gain
Output Level
Output Level
CTRL1Radio Detune
P:C003
fig.17-32
FLANGER
LOW BOOST
OCTAVE
Depth
fig.17-30
RADIO-TUNG
Radio Detune
Rate
Feedback
High Gain
Output Level
Noise Level
16
Output Level
184
MC-505Reference9-16.j 02.7.29 8:40 PM 185
16
16
fig.17-33
fig.17-34
SHORT-DELAY
AUTO-PAN
Time L
Depth
Time R
Rate
Feedback
Bass Sense
Output Level
Output Level
[CTRL3]Balance
fig.17-35
GATE-REVERB
Gate Time
Gate Type
Balance
Output Level
16
185
MC-505Reference17.j 02.7.29 10:49 AM 186
MIDI Rx OFF
ONp. 169
MIDI
MIDI
MIDI
p. 171

EXT
INTBOTHp. 25
MC-505
p. 4
p. 165
MC-505
p. 5
MIDI
p. 192195
p. 3
64 p. 15
p.
24
p. 164
TONE SELECTBDCLP
p. 33
HOLD
A-ENV p.
HOLD
48
FILTER
p. 40
AMPLIFIER-LEVEL
p. 45
LFO1/2 p. 51

p. 23
Tx EXT
INTBOTHp. 169
186

p. 143
CC#64HOLD1Value=0
MC-505Reference17.j 02.7.29 10:49 AM 187
RPS
SLAVE
MIDI
INTp. 166
MIDI p. 30
PLAYSTOP
INT
EFX
0%
50%

p. 114115117
EFX
EFFECT SELECTPRESET
USERCARDp. 8083
87
QUANTIZE SELECT
p.
113

0
p. 80

0
p. 84
EFX 0
EFX
EFX
EFX EFX
EFXp. 104

p. 152
1 p.
143
1 p. 151
EFX EFX
EFX EFX
p. 76
MC-505 MIDI
p. 163
187
MC-505Reference17.j 02.7.29 10:49 AM 188
fig.17-1
1 50
MIDI
fig.17-16-1
MIDI
p. 3
fig.17-2

p. 26
MIDI MC-
fig.17-7
505
MC-505 MIDI
fig.17-3
MC-
fig.17-8
505
MC-505
fig.17-4
fig.17-17

fig.17-5

fig.17-9

p. 147
fig.17-6
RPS
1
p. 110
fig.17-10
188
MC-505Reference17.j 02.7.29 10:49 AM 189

QUANTIZE
p. 113
fig.17-11
fig.17-16

p. 159
fig.17-12

p. 5
fig.17-13

fig.17-14
MC-505
p. 159
MC-505
p. 159

p. 159
MC-505
MC-505
fig.17-15

p.
159
fig.17-15-1
189
MC-505Reference17.j 02.7.29 10:49 AM 190
Group A
No
Name
No
Name
No
Name
No
Name
No
Name
001
TB Dst Saw
052
Ac Bass
103
Trumpet
002
TB Dst Sqr 1
053
Voco Bass
104
Mute Trumpet
154
Dist Hit
205
TR808 Tom
155
Thin Beef
206
TR606 Tom
003
TB Dst Sqr 2
054
Fingered Bs
105
004
TB Reso Sqr1
055
Pick Bass
106
Soprano Sax
156
Tekno Hit
207
TR606 CmpTom
Solo Sax
157
Back Hit
208
TR707 Tom
005
TB Reso Sqr2
056
Fretless Bs
006
TB Saw
057
Slap Bass
107
Baritone Sax
158
TAO Hit
209
Syn Tom
108
Brass Fall
159
Philly Hit
210
Deep Tom
007
TB SolidSaw1
058
Juno Rave
008
TB SolidSaw2
059
Blaster
109
Flute
160
INDUST. MENU
211
Can Tom
110
Pan Flute
161
Analog Bird
212
009
TB Square 1
060
Kick Tom
Fat JP-6
111
Shakuhachi
162
Retro UFO
213
010
TB Square 2
Natural Tom
061
OB Strings
112
Bagpipe
163
PC-2 Machine
214
PERCUS MENU1
011
012
TB Sqr Decay
062
Orch Strings
113
Breath
164
Hoo
215
PERCUS MENU2
TB Natural
063
Pizzy Techno
114
Feedbackwave
165
Metal Sweep
216
013
TR808 Conga
JP8000 Saw 1
064
Choir
115
Atmosphere
166
Afro Feet
217
014
HiBongo Open
JP8000 Saw 2
065
Syn Vox 1
116
Rezo Noise
167
Bomb
218
LoBongo Open
015
MG Saw
066
Syn Vox 2
117
MG White Nz
168
Bounce
219
HiConga Mute
016
Synth Saw 1
067
Syn Vox 3
118
P5 Noise
169
ElectricDunk
220
HiConga Open
017
JP-8 Saw
068
Ac Piano
119
MG Pink Nz
170
Iron Door
221
LoConga Open
018
P5 Saw
069
D-50 EP
120
Bomb Noise
171
Dist Swish
222
HiBongo LoFi
019
Synth Saw 2
070
E.Piano
121
Sea
172
Drill Hit
223
LoBongo LoFi
020
OB Saw
071
Clavi
122
Brush Noise
173
Thrill
224
HiCnga Mt LF
021
D-50 Saw
072
Full Stop
123
Space Noise
174
PCM Press
225
HiCnga Op LF
022
JP-6 Square
073
FM Club Org
124
Scream
175
Air Gun
226
LoConga LoFi
023
MG Square
074
E.Organ 1
125
Jet Plane
176
VOICE MENU
227
Timpani
024
P5 Square
075
E.Organ 2
126
Toy Gun 1
177
One!
228
Mute Surdo
025
JP-8 Pulse
076
Church Org
127
Crash
178
Two!
229
Open Surdo
026
JP-6 Pulse
077
Power B fst
128
Toy Gun 2
179
Three!
230
Hi Timbale
027
MG Pulse
078
Power B slw
129
Toy Gun 3
180
Kick it!
231
Lo Timbale
028
260 Pulse
079
Org Chord
130
Emergency
181
Come on!
232
HiTimbale LF
029
JU-2 Sub OSC
080
Tubular
131
Buzzer
182
Wao!
233
LoTimbale LF
030
Frog wave
081
Glockenspiel
132
Insect
183
Shout
234
Tabla
031
Digiwave
082
Vibraphone
133
Tonality
184
Ooh! 1
235
TablaBaya
032
FM Pulse
083
FantabellSub
134
Ring Osc
185
Ooh! 2
236
Udo
033
JP8000 PWM
084
DIGI Bell
135
Reso FX
186
Voice loop
237
AfroDrum Rat
034
JP8000 FBK
085
Steel Drum
136
SCRATCH MENU
187
Pa!
238
Chenchen
035
260 Sub OSC
086
Marimba
137
Vinyl Noise
188
Canvas
239
Op Pandeiro
036
Dist Synth
087
Balaphone
138
Scratch BD f
189
Punch
240
Mt Pandeiro
037
Dist Square
088
Kalimba
139
Scratch BD r
190
Chiki!
241
Tambourine 1
038
MG Triangle
089
Steel Gtr
140
Scratch SD f
191
Hey!
242
Tambourine 2
039
Jungle Bass
090
Clean TC
141
Scratch SD r
192
Laugh
243
Tambourine 3
040
260 Sine Bs
091
Dst Solo Gtr
142
Scratch ALT
193
Aah Formant
244
Tambourine 4
041
MC-202 Bass
092
Dist TekGtr
143
Tape Rewind
194
Eeh Formant
245
CR78 Tamb
042
SH-101 Bass
093
Gtr FX
144
Vinyl Stop
195
Iih Formant
246
COWBELL MENU
043
Octa Bass
094
Harmo Gtr
145
HIT MENU
196
Ooh Formant
247
TR808Cowbell
044
Funky Bass
095
Wah Gtr 1
146
MG Blip
197
Uuh Formant
248
TR707Cowbell
045
Poly Bass
096
Wah Gtr 2
147
Beam HiQ
198
Dist Ooh Vox
249
CR78 Cowbell
046
MG Bass
097
Wah Gtr 2a
148
MG Attack
199
Auh Voice
250
Cowbell
047
FM Super Bs
098
Wah Gtr 2b
149
Air Blip
200
Stream
251
TR727 Agogo
048
Solid Bass
099
Wah Gtr 2c
150
Org Click
201
Bird
252
CR78 Beat
049
Organ Bass
100
Wah Gtr 2d
151
Syn Hit
202
TOM MENU
253
Triangle 1
050
Dirty Bass
101
Sitar
152
Techno Scene
203
TR909 Tom
254
Triangle 2
051
Upright Bs
102
Brass
153
Techno Chord
204
TR909 DstTom
190
MC-505Reference17.j 02.7.29 10:49 AM 191
Group B
No
Name
No
Name
No
Name
No
Name
No
Name
001
SHKR+ MENU
052
R8 Brush CHH
103
TR707 Clap
154
Rap Snare
205
ElectroSnr 2
002
808 Maracas
053
Jungle Hat
104
Cheap Clap
155
Jungle Snr 1
206
Synth Snare
003
Maracas
054
PHH MENU
105
Funk Clap
156
Antigua Snr
207
Roll Snare
004
Cabasa Up
055
TR909 PHH 1
106
Little Clap
157
Real Snare
208
KICK MENU 1
005
TechnoShaker
056
TR909 PHH 2
107
Real Clap 1
158
Tiny Snare 1
209
KICK MENU 2
006
TR626 Shaker
057
TR808 PHH 1
108
Real Clap 2
159
Tiny Snare 2
210
KICK MENU 3
007
Dance Shaker
058
TR808 PHH 2
109
Funky Clap
160
Break Snare1
211
TR909 Kick 1
008
CR78 Guiro
059
TR606 PHH 1
110
Comp Clap
161
Break Snare2
212
TR909 Kick 2
009
Long Guiro
060
TR606 PHH 2
111
Hip Clap
162
MC Snare
213
TR909 Kick 3
010
Short Guiro
061
TR707 PHH
112
Down Clap
163
East Snare
214
TR909 Kick 4
011
Mute Cuica
062
Hip PHH
113
Group Clap
164
Phat Snare
215
Plastic BD 1
012
Open Cuica
063
Tight PHH
114
Big Clap
165
Brush Slap 1
216
Plastic BD 2
013
Whistle
064
Pedal Hat 1
115
Claptail
166
Brush Slap 2
217
Plastic BD 3
014
TR727Quijada
065
Real PHH
116
Clap Snare 1
167
Deep Snare
218
Plastic BD 4
015
Jingle Bell
066
Pedal Hat 2
117
Fuzzy Clap
168
Fat Snare
219
TR909 Kick 5
016
Belltree
067
OHH MENU 1
118
Snap
169
Disco Snare
220
TR808 Kick 1
017
Wind Chime
068
OHH MENU 2
119
Finger Snap
170
DJ Snare
221
TR808 Kick 2
018
RIM MENU
069
TR909 OHH 1
120
SNR MENU 1
171
Macho Snare
222
TR808 Kick 3
019
TR909 Rim
070
TR909 OHH 2
121
SNR MENU 2
172
Hash Snare
223
TR808 Kick 4
020
TR808 Rim
071
TR909 OHH 3
122
SNR MENU 3
173
Lo-Hard Snr
224
TR808 Kick 5
021
TR808 RimLng
072
TR909 DstOHH
123
SNR MENU 4
174
Indus Snare
225
TR606 Kick
022
TR707 Rim
073
TR808 OHH 1
124
SNR MENU 5
175
Rage Snare
226
TR606 Dst BD
023
Analog Rim
074
TR808 OHH 2
125
SNR MENU 6
176
TekRok Snare
227
TR707 Kick 1
024
Natural Rim
075
TR606 OHH
126
TR909 Snr 1
177
Big Trash SD
228
TR707 Kick 2
025
Ragga Rim 1
076
TR606 DstOHH
127
TR909 Snr 2
178
Ragga Rim 2
229
Toy Kick
026
Lo-Fi Rim
077
TR707 OHH
128
TR909 Snr 3
179
Gate Rim
230
Analog Kick
027
Wood Block
078
CR78 OHH
129
TR909 Snr 4
180
SideStiker
231
Boost Kick
028
Jungle Snap
079
Hip OHH
130
TR909 Snr 5
181
HipJazz Snr
232
West Kick
029
TR808 Claves
080
Pop Hat Open
131
TR909 Snr 6
182
HH Soul Snr
233
JungleKick 1
030
Hyoshigi
081
Open Hat
132
TR909 Snr 7
183
Cross Snare
234
Optic Kick
031
CHH MENU 1
082
Cym OHH
133
TR909 DstSnr
184
Jungle Rim 1
235
Wet Kick
032
CHH MENU 2
083
DR550 OHH
134
TR808 Snr 1
185
Ragga Snr 2
236
Lo-Fi Kick 1
033
TR909 CHH 1
084
Funk OHH
135
TR808 Snr 2
186
Upper Snare
237
Hazy Kick
034
TR909 CHH 2
085
Real OHH
136
TR808 Snr 3
187
Lo-Fi Snare
238
Hip Kick
035
TR808 CHH 1
086
R8 OHH
137
TR808 Snr 4
188
RaggaTightSD
239
Video Kick
036
TR808 CHH 2
087
CYMBAL MENU
138
TR808 Snr 5
189
Flange Snr
240
Tight Kick
037
TR808 CHH 3
088
TR606 Cym 1
139
TR808 Snr 6
190
Machine Snr
241
Break Kick
038
TR606 CHH 1
089
TR606 Cym 2
140
TR808 Snr 7
191
Clap Snare 3
242
Turbo Kick
039
TR606 CHH 2
090
TR909 Ride
141
TR808 Snr 8
192
Solid Snare
243
Ele Kick
040
TR606 DstCHH
091
TR707 Ride
142
TR808 Snr 9
193
Funk Clap 2
244
Dance Kick 1
041
TR707 CHH
092
Natural Ride
143
TR606 Snr 1
194
Jungle Rim 2
245
Kick Ghost
042
CR78 CHH
093
Cup Cym
144
TR606 Snr 2
195
Jungle Rim 3
246
Lo-Fi Kick 2
043
DR55 CHH 1
094
TR909 Crash
145
TR606 Snr 3
196
Jungle Snr 2
247
JungleKick 2
044
Closed Hat
095
NaturalCrash
146
DanceHall SD
197
Urban Snare
248
TR909 Dst BD
045
Pop CHH
096
Jungle Crash
147
TR707 Snare
198
Urban RollSD
249
Amsterdam BD
046
Real CHH
097
Asian Gong
148
CR78 Snare
199
R&B Snare
250
Gabba Kick
047
Bristol CHH
098
CLAP MENU 1
149
Clap Snare 2
200
R8 Brush Tap
251
Roll Kick
048
DR550 CHH 2
099
CLAP MENU 2
150
Jngl Tiny SD
201
R8 BrshSwill
049
Tight CHH
100
TR909 Clap 1
151
Jazz Snare
202
R8 BrushRoll
050
Hip CHH
101
TR909 Clap 2
152
Headz Snare
203
Sim Snare
051
Room CHH
102
TR808 Clap
153
Whack Snare
204
ElectroSnr 1
191
MC-505Reference17.j 02.7.29 10:49 AM 192
Preset A (CC#0 = 81, CC#32 = 0)
No. Name
No. Name
No. Name
001: Lead TB 1
002: Dist TB 1
003: Dist Sqr TB
004: Dist TB 2
005: Dist TB 3
006: TB + Voco
007: Dist TB 4
008: Lead TB 2
009: Devil TB
010: Dual TB
011: HiLo303ModSw
012: Arpness TB
013: Acid Line
014: Dist TB 5
015: Lead TB 3
016: Lead TB 4
017: TB Tra Bass
018: Acid TB
019: Psyche-TB
020: TB + Sine
021: Hi-Pass TB
022: Moog Saw
023: OB Saw
024: MG Lead
025: Poly Key
026: Synth Pulse
027: Dual Profs
028: Axe of 80
029: MG Square
030: Square Lead1
031: Square Lead2
032: Square Lead3
033: Lucky
034: Synth Lead 1
035: Moon Lead
036: Rezo SynLead
037: Wspy Synth
038: Enorjizor
039: JP8 Sprang
040: PortaSynLead
041: Wah Lead
042: Beep Mod
043: Dist Lead 1
044: Freaky Fry
045: JU2 SubOsc 1
046: JU2 SubOsc 2
047: Froggy
048: Synth Lead 2
049: Singin' MINI
050: Plastic Tone
051: SinusoidRave
052: Sine Me Up
053: Spooky Sine
054: Sine Tone
055: D50 Saw Lead
056: Dst Syn Lead
057: Big Up Massv
058: Warm SawLead
059: Hartnoll Era
060: Skegness 97
061: Simply June
062: The Brothers
063: Dist Lead 2
064: Dark SawLead
065: Dist Lead 3
066: Mosquito
067: Phazyn Vox
068: Voc Saw
069: VT Vox
070: Pure Voice
071: Robo Vox
072: Hallucinate
073: Seq.Synth
074: Analog Seq
075: Ana Punch
076: Atom Brain
077: Fooled MC
078: 101 Bass 1
079: House Bass
080: 101 Bass 2
081: 202 Bass
082: Psycho Funk
083: Talking Line
084: Inside Bass
085: Bubble Bass
086: Bass Bleep
087: Wiggle Bass
088: Twist Bass
089: Octa Bass
090: BT's Sticky
091: MG Bass
092: FM Super Bs
093: Solid Bass
094: T Nite Bass
095: Front 505
096: Def Bass 1
097: Def Bass 2
098: Sine Bass 1
099: Sine Bass 2
100: RollModRezBs
101: Gate Me Buzz

102: System Bass
103: Spike Bass
104: Solid Goa
105: Rezo Bass
106: Blip Bass
107: Pizz Bass
108: Voco Bass
109: VoCoRoBo
110: Dust Bass
111: ArtCore Bass
112: NU-NRG Bass
113: TalkBox Bass
114: Incontinence
115: Bari Voice
116: Ac.Bass
117: E.Ac.Bass
118: Acid Jazz Bs
119: Soup's Bass
120: Fingered Bs
121: FingBsVeloSw
122: PickedBass 1
123: PickedBass 2
124: Fretless Bs
125: Phot Bass
126: Slap Bass
127: R&B B-Slides
128: Syn Stack 1
192
MC-505Reference17.j 02.7.29 10:49 AM 193
Preset B (CC#0 = 81, CC#32 = 1)

No. Name
No. Name
No. Name
001: Strong Brass

002: You Can Fly
003: Syn stack 2
004: Dawn Of Man
005: Saw Stack 1
006: Saw Stack 2
007: DLM Stack
008: DOC Stack
009: LN2 Stack
010: Bend Stack
011: Freedom
012: Good Bean
013: JP8000 5th
014: Mega 5th
015: 5th Saw
016: 4th Saw
017: Soundtrack
018: Rise Pad
019: Warm Pad
020: JP + OB Pad
021: Planet
022: Additive
023: Noise Pad
024: Sweep Pad 1
025: Sweep Pad 2
026: Alles Padde
027: Sky Light
028: Stargate MC
029: Middle Grow
030: AiRye Bread031: NU-NRG Org
032: Halo Pad
033: Str/Brs Pad
034: Syn Brs Pad
035: Simple Pad
036: OB Rezo Pad
037: Sweet Vocode
038: Thin Pad
039: Attack Pad
040: Metal Pad
041: Atmosphere
042: Fantasia
043: Feedbackwave
044: Pacifica
045: Atmosphere 2
046: Sub Atmosphe
047: Machine Pad
048: Detuned Pad
049: Scoop Pad
050: Psycho Trevo
051: Floating Pad

052: Fancy Pad
053: Strings 1
054: Strings 2
055: Old StringSW
056: Swim Strings
057: Eclip-Str
058: Slow Strings
059: OB Slow Str
060: Syn.Strings1
061: Syn.Strings2
062: OB Strings
063: Rhap Strings
064: Banded Jupe
065: NU-NRG Str
066: Violin
067: Contrabass
068: Tremolo Str
069: Pizzicato 1
070: Pizzicato 2
071: Pizz It
072: Guardians
073: Gat Passion
074: Syn Harp
075: Voice Oohs
076: Solo Vox
077: Syn Vox
078: Choir Aahs
079: Space Voice
080: Star Voice
081: Brightness
082: Vox Lead
083: Auhbient
084: Auh Luv Rave
085: PCM Life
086: Noisevox
087: Trance Voice
088: Effect Acer
089: Alternative
090: Hard Pure
091: Metal EF
092: Dly Tone
093: Osci Frog
094: Cal + After
095: 8b Pad
096: SpaceHighway
097: Trek Storm
098: Abduction
099: 1st Contact
100: Ice Cave
101: Rev Cord

102: Blue Random
103: Sync Tone
104: Seq Up
105: SawLFOSaw
106: Calculating
107: Touch EF
108: Welding
109: Press Machin
110: EF Tribe
111: Scratch Alt
112: Analog FX
113: Non TB
114: Nasty Filt
115: Psy-Ence
116: Music Hi
117: Uber Zone
118: Down Gown
119: For Giving
120: Sound Alarm
121: Acid Drone
122: X-Mod
123: X-FM/Org
124: X-FM Bass
125: Hard BD?
126: S&H Voc
127: X-TlkBxBass
128: X-Kick/TB
193
MC-505Reference17.j 02.7.29 10:49 AM 194
Preset C (CC#0 = 81, CC#32 = 2)
No. Name
No. Name
No. Name
001: X-Org/Nz
002: X-Pizz/Rng
003: White Noise
004: Pink Noise
005: P5 Noise
006: Toy Noise
007: Rezo Noise
008: Vinyl Noise
009: Tornado Jet
010: Smooth Jet
011: Sweep Noise
012: ModWhtSweep
013: Perk Breath
014: Pink Bomb
015: 64voicePiano
016: Ac.Piano 1
017: Ac.Piano 2
018: Epic House
019: Hush Piano
020: Happy Piano
021: BPF Piano
022: Honky-tonk
023: NY Piano+Str
024: Voice Piano
025: Old E.Piano
026: E.Piano 1
027: E.Piano 2
028: Cool Rhodes
029: Psycho EP
030: Trip E.Piano
031: Rotary Rhode
032: EP-Organ
033: Harpsichord
034: Clavi
035: Digi Clavi
036: FM Clavi
037: AnalogClavi1
038: AnalogClavi2
039: Funky Clavi
040: RotaryOrg Sl
041: RotaryOrg Fs
042: Gospel Spin
043: L Org F
044: Organ 1
045: Lp-Hp Organ
046: Organ 2
047: Percsv Organ
048: Ballad B
049: FM Club Org
050: Pop Organ
051: Cheese Organ

052: Reed Organ
053: Telstar
054: Church Org
055: Organ Bass
056: Strict Organ
057: SmkyChrd Org
058: Sweep Organ
059: Accordion
060: Vibraphone
061: FM Marimba
062: Marimba
063: Xylophone
064: Balaphone
065: Timpani
066: Steel Drum
067: Digi Bell
068: Acid Perc
069: MetaL-SD
070: Classy Pulse
071: Glockenspiel
072: Fanta Bell
073: Crystal
074: Tubular-Bell
075: Shank Bells
076: MKS-30 Melts
077: Trip Lead
078: Steel-Str.Gt
079: Clean Gtr
080: Jazz Gtr 1
081: Jazz Gtr 2
082: Muted Gtr
083: Lo-Fi Gtr
084: Terror Dome
085: Psycho-G
086: Dist Gtr Chd
087: Going Bald
088: Gt.Harmonic1
089: Gt.Harmonic2
090: Shafted Gtr
091: WahGT 2 Menu
092: Gtr Up
093: Gtr Down
094: Gtr Sweep
095: Orch Gtr
096: Brass
097: Bright Brass
098: Hush Brass
099: Synth Brass1
100: Synth Brass2
101: Synth Brass3

102: Syn Brs Lead
103: Obilator
104: OpenUp Brass
105: Brass Fall
106: Trumpet
107: MutedTrumpet
108: Soprano Sax
109: Alto Sax
110: Baritone Sax
111: SlideBiteSax
112: Sax & Tp
113: Tuba
114: Syn F.Horn
115: Oboe
116: Whistle
117: Ocarina
118: Recorder
119: Jazz SynLead
120: Solo Flute
121: Pan Flute
122: Bottle Blow
123: Funky Pipe
124: Breath Noise
125: Shakuhachi
126: Sitar 1
127: Sitar 2
128: Santur
194
MC-505Reference17.j 02.7.29 10:49 AM 195
Preset D (CC#0 = 81, CC#32 = 3)

No. Name
No. Name
No. Name
001: Kalimba
002: Bagpipes
003: PnoBendM7-m7
004: Org Chd m7
005: BalapChd 9th
006: Wah Gtr Hit
007: Orch Hit 1
008: Orch Hit 2
009: Rave-X-Tasy
010: Philly Hit 1
011: Philly Hit 2
012: Attack Hit
013: Funky Hit
014: Tekno ChdHit
015: Dist Hit
016: Glasgow Hit
017: Happy Hit
018: Scene Hit 1
019: Scene Hit 2
020: Drill Hit
021: Gaia Message
022: Rezo Perc
023: Syn Perc
024: MG Blip
025: Rev Blip
026: Air Blip
027: Radical Perc
028: Machine
029: Metal Hit
030: Tanz Devil
031: Headz Direkt
032: ShoppingCart
033: Noisy Drill
034: Thump Bounce
035: Tape Rewind
036: Stop
037: Ao!
038: Ha!
039: Seashore
040: Bird
041: Telephone
042: Helicopter
043: Applause
044: Gun Shot
045: Machine Gun
046: Laser Gun
047: Sci-Fi Laser
048: Breath
049: Rain
050: Siren
051: TR909 Tom
052: TR808 Tom
053: Syn Tom 1
054: Syn Tom 2
055: Old Syn Tom
056: Taiko
057: Slow Down

058: Boom Drop
059: B-Tom-D
060: Mr.Bong Bass
061: Friends of 0
062: Latin Perc
063: Bongo Fury
064: High Timbale
065: MutePandeiro
066: Open Surdo
067: Brazil Perc
068: Tablabaya
069: Mute Cuica
070: Long Whistle
071: Agogo
072: Short Tamb
073: 808 Cowbell
074: CR78 Cowbell
075: CR78 Beat
076: Wind-Chime
077: Rim Shot
078: TR909 Rim
079: Hyoshigi
080: TR626 Shaker
081: 727 Quijada
082: Real CH
083: TR909 OH
084: Syn OH
085: TR909 Crash
086: Reverse Cym.
087: Asian Gong
088: TR808 Clap
089: Down Clap
090: Clap Tail
091: Rap&Real Clp
092: Maddening
093: TR909 Snare
094: TR808 Snare
095: House Snare
096: Jungle Snr 1
097: Jungle Snr 2
098: TR808 Kick
099: Plastic BD
100: Gate Kick
101: Jungle Kick
102: Scrtch/Vo Mn
103: Flexi Vox Mn
104: Hit Menu
105: Indust Menu
106: Tom Menu
107: Percus1 Menu
108: Percus2 Menu
109: Cowbell Menu
110: Shaker+ Menu
111: Rim Menu
112: Cymbal Menu
113: CHH 1 Menu

114: CHH 2 Menu
115: PHH Menu
116: OHH 1 Menu
117: OHH 2 Menu
118: Clap 1 Menu
119: Clap 2 Menu
120: Snare 1 Menu
121: Snare 2 Menu
122: Snare 3 Menu
123: Snare 4 Menu
124: Snare 5 Menu
125: Snare 6 Menu
126: Kick 1 Menu
127: Kick 2 Menu
128: Kick 3 Menu
Patch
Preset A
Preset B
Preset C
Preset D
User A
User B
Card A
Card B
Card C
Card D
CC#0
81
81
81
81
85
85
86
86
86
86
Rhythm Set
Preset
User
Card
CC#0
81
85
86
CC#32
0
1
2
3
0
1
0
1
2
3
CC#32
0
0
0
Patch
P:B016
CC#0
CC#32
PG#
[4th Saw]
81
1
16
Rhythm Set
P:12
CC#0
CC#32
PG#
[Jungle]
81
0
12
195
MC-505Reference17.j 02.7.29 10:49 AM 196
Rhythm Group
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
196
Rhythm Group
P:01 TR-909
P:02 TR-808
P:03 TR-606
P:04 CR78&Cheaps
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
Plastic BD 4
Plastic BD 3
TR808 Rim
TR909 Snr 1
TR909 Clap 2
TR909 Snr 3
TR707 Tom
TR909 CHH 2
TR707 Tom
TR909 PHH 2
TR707 Tom
TR909 OHH 1
TR909 Kick 4
TR909 Kick 2
TR909 Rim
TR909 Snr 2
TR909 Clap 1
TR909 Snr 3
TR909 Tom
TR909 CHH 1
TR909 Tom
TR909 OHH 2
TR909 Tom
TR909 OHH 2
TR909 Tom
TR909 Tom
TR909 Crash
TR909 Tom
TR909 Ride
TR909 Crash
TR909 Ride
Tambourine 2
NaturalCrash
TR808Cowbell
TR606 Cym 1
PC-2 Machine
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
808 Maracas
Beam HiQ
Air Blip
MG Blip
Techno Scene
Air Gun
Tekno Hit
Come on!
Wao!
Ooh! 1
Canvas
JP8000 FBK
Funky Clap
TR808 Kick 1
Gabba Kick
Synth Snare
TR808 Snr 2
TR808 Kick 5
TR808 Kick 3
TR808 RimLng
TR808 Snr 8
TR909 Clap 1
TR808 Snr 9
TR606 Tom
TR808 CHH 2
TR606 Tom
TR808 PHH 2
TR606 Tom
TR808 OHH 2
TR808 Kick 1
TR808 Kick 4
TR808 Rim
TR808 Snr 6
TR808 Clap
TR808 Snr 2
TR808 Tom
TR808 CHH 1
TR808 Tom
TR808 CHH 2
TR808 Tom
TR808 OHH 1
TR808 Tom
TR808 Tom
TR606 Cym 1
TR808 Tom
TR606 Cym 1
TR909 Crash
TR909 Ride
CR78 Tamb
TR909 Crash
TR808Cowbell
TR909 Crash
CR78 Guiro
Natural Ride
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
Hi Timbale
Lo Timbale
TR727 Agogo
TR808 Claves
Cabasa Up
808 Maracas
Beam HiQ
Air Blip
Syn Hit
Techno Scene
Beam HiQ
PC-2 Machine
P5 Noise
Toy Gun 1
Syn Tom
Cup Cym
TR808 OHH 1
Hip Clap
TR808 Kick 2
TR909 Kick 4
CR78 Snare
TR808 Snr 3
TR808 Kick 3
Analog Kick
TR808 Rim
TR606 Snr 3
Cheap Clap
TR808 Snr 5
TR606 CmpTom
TR606 CHH 2
TR606 CmpTom
Hip PHH
TR606 CmpTom
TR606 DstOHH
TR606 Dst BD
TR606 Kick
Analog Rim
TR606 Snr 2
TR808 Clap
TR606 Snr 1
TR606 Tom
TR606 CHH 1
TR606 Tom
TR606 PHH 1
TR606 Tom
TR606 OHH
TR606 Tom
TR606 Tom
TR606 Cym 2
TR606 Tom
TR909 Ride
TR606 Cym 1
TR707 Ride
CR78 Tamb
TR909 Crash
TR808Cowbell
TR909 Crash
CR78 Guiro
Natural Ride
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
Hi Timbale
Lo Timbale
CR78 Beat
CR78 Beat
Cabasa Up
808 Maracas
Beam HiQ
Buzzer
Air Blip
Rezo Noise
Hyoshigi
Analog Bird
Retro UFO
PC-2 Machine
Syn Hit
Retro UFO
Thrill
Comp Clap
TR808 Kick 1
Plastic BD 4
TR909 Snr 3
CR78 Snare
Toy Kick
Plastic BD 4
TR808 Rim
TR808 Snr 5
TR909 Clap 1
Deep Snare
MG Blip
TR808 CHH 1
MG Blip
TR606 PHH 2
MG Blip
TR606 OHH
TR606 Kick
Analog Kick
Analog Rim
TR808 Snr 1
TR808 Clap
CR78 Snare
TR606 Tom
DR55 CHH 1
TR606 Tom
CR78 CHH
TR606 Tom
CR78 OHH
TR606 Tom
TR606 Tom
TR606 Cym 1
TR606 Tom
TR606 Cym 1
Cup Cym
TR909 Ride
CR78 Tamb
TR909 Crash
CR78 Cowbell
TR909 Ride
TR808Cowbell
TR707 Ride
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
TR808 Conga
CR78 Beat
CR78 Beat
TR727 Agogo
TR727 Agogo
CR78 Guiro
808 Maracas
Syn Hit
Beam HiQ
Analog Bird
MG Attack
Tape Rewind
Air Blip
Reso FX
Ring Osc
MG Blip
MG White Nz
Rezo Noise
Cheap Clap
TR808 Kick 1
TR909 Kick 1
TR909 Snr 1
Sim Snare
MC-505Reference17.j 02.7.29 10:49 AM 197
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
Rhythm Group
P:05 Techno 1
P:06 Techno 2
P:07 Techno 3
P:08 Hardcore
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
Plastic BD 3
Plastic BD 2
TR707 Rim
TR909 Snr 6
TR909 Clap 1
TR909 Snr 7
TR909 DstTom
TR909 CHH 2
TR909 DstTom
TR909 PHH 1
TR909 DstTom
TR909 OHH 2
TR909 Kick 5
TR909 Kick 4
TR909 Rim
TR909 Snr 4
Group Clap
TR909 Snr 5
TR909 Tom
TR909 CHH 1
TR909 Tom
TR909 PHH 2
TR909 Tom
TR909 OHH 3
TR909 Tom
TR909 Tom
TR909 Crash
TR909 Tom
TR707 Ride
TR909 Crash
Asian Gong
Tambourine 3
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
CR78 Beat
CR78 Beat
TechnoShaker
TR626 Shaker
Wao!
Come on!
Ooh! 1
MG White Nz
Bomb Noise
Wah Gtr 2b
Toy Gun 3
Toy Gun 3
Buzzer
Bomb Noise
Sea
Flange Snr
TR909 Dst BD
Plastic BD 4
Break Snare2
Ragga Rim 2
TR808 Kick 5
TR707 Kick 1
TR909 Rim
Real Snare
Down Clap
Rap Snare
TR808 Tom
TR808 CHH 2
TR808 Tom
TR808 PHH 1
TR808 Tom
TR808 OHH 1
TR909 Kick 2
Plastic BD 4
TR808 RimLng
TR909 Snr 4
Claptail
Funky Clap
TR707 Tom
Closed Hat
TR707 Tom
TR909 OHH 2
TR707 Tom
TR909 OHH 2
TR707 Tom
TR707 Tom
TR909 Crash
TR707 Tom
TR707 Ride
TR909 Crash
Asian Gong
Tambourine 2
TR909 Crash
TR808Cowbell
TR606 Cym 2
CR78 Tamb
Cup Cym
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
Maracas
Beam HiQ
Techno Scene
Thin Beef
Come on!
Ooh! 1
Wao!
Analog Bird
Retro UFO
Metal Sweep
Emergency
Tonality
TR909 Clap 1
Wet Kick
Hip Kick
TR909 Snr 5
Clap Snare 2
Plastic BD 3
Plastic BD 4
Jungle Snr 2
TR808 Snr 7
Comp Clap
Indus Snare
Air Blip
CHH MENU 2
MG Blip
Jungle Rim 2
HIT MENU
TR909 OHH 2
KICK MENU 2
West Kick
Natural Rim
TR808 Snr 8
Comp Clap
MC Snare
Uuh Formant
TR606 PHH 2
Ooh Formant
CR78 CHH
Iih Formant
TR606 OHH
Can Tom
ElectricDunk
TR606 Cym 2
HiBongo LoFi
CYMBAL MENU
Cup Cym
TR909 Ride
Tambourine 4
CYMBAL MENU
CR78 Beat
Natural Ride
CR78 Beat
Cup Cym
HiBongo LoFi
HiBongo LoFi
HiBongo LoFi
HiCnga Mt LF
HiConga Mute
Triangle 2
ElectricDunk
Air Blip
MG Attack
TechnoShaker
808 Maracas
Reso FX
Beam HiQ
Toy Gun 3
MG Blip
Toy Gun 3
Air Blip
Reso FX
Emergency
MG Blip
MG Pink Nz
Jet Plane
Roll Snare
TR808 Kick 1
TR909 Kick 1
TR909 Snr 1
Urban RollSD
TR909 Kick 5
Gabba Kick
SideStiker
Jungle Snr 1
Fuzzy Clap
TR909 Snr 4
TR606 CmpTom
TR909 CHH 2
TR606 CmpTom
TR909 PHH 1
TR606 CmpTom
TR909 OHH 1
Amsterdam BD
TR909 Dst BD
Lo-Fi Rim
TR909 DstSnr
Funk Clap 2
TR909 DstSnr
TR909 DstTom
TR909 PHH 1
TR909 DstTom
TR909 PHH 2
TR909 DstTom
TR909 DstOHH
TR909 DstTom
TR909 DstTom
TR909 Crash
TR909 DstTom
TR707 Ride
TR909 Crash
Asian Gong
CR78 Tamb
NaturalCrash
TR808Cowbell
Jungle Crash
TR727Quijada
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
TechnoShaker
Dance Shaker
Beam HiQ
Air Gun
ElectricDunk
Thin Beef
Drill Hit
TAO Hit
Rezo Noise
Toy Gun 1
Toy Gun 3
Gtr FX
Dist Synth
Funk Clap
TR909 Kick 2
Turbo Kick
Rage Snare
Big Trash SD
197
MC-505Reference17.j 02.7.29 10:49 AM 198
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
198
Rhythm Group
P:09 Ambient
P:10 House 1
P:11 House 2
P:12 Jungle
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
TR909 Kick 5
Wet Kick
Ragga Rim 1
DJ Snare
Comp Clap
SideStiker
TR707 Tom
Closed Hat
TR707 Tom
Pedal Hat 1
TR707 Tom
Real OHH
Wet Kick
TR808 Kick 3
TR808 RimLng
CR78 Snare
TR909 Clap 1
Beam HiQ
TR808 Tom
DR55 CHH 1
TR808 Tom
TR606 PHH 2
TR808 Tom
CR78 OHH
TR808 Tom
TR808 Tom
TR606 Cym 1
TR808 Tom
TR909 Ride
TR606 Cym 1
Asian Gong
Tambourine 3
TR606 Cym 2
CR78 Cowbell
NaturalCrash
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
808 Maracas
Air Blip
Wind Chime
Thrill
CR78 Beat
Retro UFO
Hyoshigi
Pizzy Techno
Org Chord
Feedbackwave
Stream
Bird
Claptail
TR808 Kick 1
JungleKick 2
TR808 Snr 2
Jungle Snr 1
TR808 Kick 5
TR909 Kick 2
TR808 Rim
SNR MENU 1
CLAP MENU 1
TR909 Snr 6
TOM MENU
TR707 OHH
TR909 Tom
TR707 OHH
TR909 Tom
TR707 OHH
TR808 Kick 1
TR909 Kick 3
TR808 RimLng
Break Snare2
Claptail
TR909 Snr 4
TR808 Tom
TR909 CHH 1
TR808 Tom
OHH MENU 1
TR808 Tom
OHH MENU 1
TR707 Tom
TR707 Tom
TR909 Crash
TR707 Tom
TR909 Ride
NaturalCrash
Tambourine 2
Tambourine 1
TR909 Crash
TR707Cowbell
Cup Cym
TR808Cowbell
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiConga Mute
HiConga Open
LoConga Open
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
808 Maracas
TR626 Shaker
TR606 CHH 1
TR727Quijada
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Bomb Noise
Come on!
Triangle 1
Cup Cym
TR808 OHH 1
Hip Clap
TR808 Kick 2
TR909 Kick 4
CR78 Snare
TR808 Snr 3
Wet Kick
Plastic BD 2
TR808 Rim
Clap Snare 2
Group Clap
TR808 Snr 7
TR808 Tom
TR707 CHH
TR808 Tom
TR707 PHH
TR808 Tom
TR707 OHH
TR909 Kick 2
TR909 Kick 5
TR909 Rim
Break Snare2
TR909 Clap 1
TR909 Snr 4
TR707 Tom
TR909 CHH 1
TR707 Tom
TR909 PHH 1
TR707 Tom
TR909 OHH 3
TR707 Tom
TR707 Tom
TR909 Crash
TR707 Tom
TR909 Ride
NaturalCrash
Tambourine 3
Tambourine 4
TR909 Crash
TR707Cowbell
Cup Cym
TR808Cowbell
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
Cabasa Up
TR626 Shaker
Belltree
TR727Quijada
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Bomb Noise
Come on!
Ooh! 1
Wao!
Laugh
Claptail
TR808 Kick 1
Plastic BD 3
TR808 Snr 6
TR909 Snr 7
TR909 Kick 3
Lo-Fi Kick 2
SideStiker
Urban RollSD
Down Clap
Jungle Rim 1
Jungle Snr 2
Tight CHH
Jungle Snr 2
Tambourine 1
Jungle Snr 2
Cym OHH
TR909 Kick 5
JungleKick 2
Jungle Rim 2
Urban Snare
Jungle Rim 3
Jungle Snr 1
TR606 CmpTom
Real CHH
TR606 CmpTom
Jungle Hat
TR606 CmpTom
Hip OHH
TR606 CmpTom
TR606 CmpTom
Jungle Crash
TR606 CmpTom
Natural Ride
NaturalCrash
Asian Gong
Tambourine 3
TR606 Cym 1
Cowbell
TR909 Crash
CR78 Tamb
TR707 Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
Open Surdo
Mute Surdo
TechnoShaker
TR626 Shaker
Beam HiQ
Air Blip
Thin Beef
Analog Bird
Tape Rewind
Wao!
Emergency
Toy Gun 3
Reso FX
Toy Gun 2
Toy Gun 1
Big Clap
TR808 Kick 2
Roll Kick
Roll Snare
Break Snare2
MC-505Reference17.j 02.7.29 10:49 AM 199
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
Rhythm Group
P:13 Drum'n'Bass1
P:14 Drum'n'Bass2
P:15 Hip-Hop 1
P:16 Hip-Hop 2
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
Roll Kick
Analog Kick
RaggaTightSD
Cross Snare
Roll Snare
Headz Snare
TR606 Tom
Pop CHH
TR606 Tom
Tambourine 3
TR606 Tom
Pop Hat Open
Plastic BD 1
Hip Kick
Scratch SD r
Break Snare2
Funky Clap
Ragga Snr 2
Kick Tom
Real CHH
Kick Tom
TR808 PHH 1
Kick Tom
TR606 OHH
Kick Tom
Kick Tom
TR909 Crash
Kick Tom
TR909 Ride
TR909 Crash
Asian Gong
Tambourine 2
TR909 Crash
CR78 Cowbell
TR606 Cym 2
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
MG Blip
Air Blip
Hyoshigi
CR78 Guiro
Mt Pandeiro
Chenchen
Thrill
Retro UFO
Rezo Noise
Feedbackwave
Space Noise
Little Clap
TR808 Kick 2
TR909 Kick 1
Solid Snare
Flange Snr
TR909 Kick 3
Lo-Fi Kick 2
SideStiker
Urban RollSD
Down Clap
Jungle Snr 1
Jungle Snr 2
Tight CHH
Jungle Snr 2
Tambourine 1
Jungle Snr 2
Cym OHH
TR909 Kick 5
JungleKick 2
Jungle Rim 2
Urban Snare
Jungle Rim 3
Jungle Snr 1
TR909 DstTom
Real CHH
TR909 DstTom
Jungle Hat
TR909 DstTom
Hip OHH
TR909 DstTom
TR909 DstTom
Jungle Crash
TR606 CmpTom
Natural Ride
NaturalCrash
Asian Gong
Tambourine 3
TR606 Cym 1
Cowbell
TR909 Crash
CR78 Tamb
TR707 Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
Open Surdo
Mute Surdo
Cabasa Up
Maracas
Beam HiQ
ElectricDunk
Bomb
Analog Bird
Tape Rewind
Wao!
Emergency
Toy Gun 3
Reso FX
Toy Gun 2
Toy Gun 1
Big Clap
TR808 Kick 2
Roll Kick
Roll Snare
Break Snare2
Lo-Fi Kick 1
TR808 Kick 3
Solid Snare
HipJazz Snr
Funk Clap 2
R&B Snare
TR808 Tom
Pop CHH
TR808 Tom
Pedal Hat 1
TR808 Tom
Pop Hat Open
Break Kick
Hip Kick
Lo-Fi Rim
Jazz Snare
Funky Clap
East Snare
Natural Tom
Tight CHH
Natural Tom
Pedal Hat 2
Natural Tom
Hip OHH
Natural Tom
Natural Tom
TR909 Crash
Natural Tom
TR707 Ride
TR909 Crash
Cup Cym
Tambourine 3
Tambourine 4
TR808Cowbell
TR606 Cym 1
CR78 Cowbell
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
Dance Shaker
808 Maracas
Scratch BD f
Scratch BD r
Scratch SD f
Scratch SD r
Scratch ALT
Vinyl Stop
Vinyl Noise
Kick it!
Ooh! 2
Ooh! 1
Laugh
Funk Clap
TR808 Kick 1
Dance Kick 1
Break Snare2
HH Soul Snr
TR707 Kick 1
Optic Kick
TR808 RimLng
Headz Snare
Claptail
TR808 Snr 7
TR808 Tom
TR808 CHH 1
TR808 Tom
TR808 PHH 1
TR808 Tom
TR808 OHH 2
TR909 Kick 3
TR808 Kick 3
Gate Rim
Tiny Snare 2
Little Clap
R&B Snare
Natural Tom
Pop CHH
Natural Tom
Pedal Hat 1
Natural Tom
Pop Hat Open
Natural Tom
Natural Tom
NaturalCrash
Natural Tom
TR909 Ride
TR909 Crash
Cup Cym
Tambourine 4
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
808 Maracas
Scratch BD f
Scratch BD r
Scratch SD f
Scratch SD r
Scratch ALT
Funky Bass
Vinyl Noise
Philly Hit
Brass Fall
Ooh! 1
Ooh! 2
Finger Snap
TR808 Kick 1
Hazy Kick
TR606 Snr 2
Machine Snr
199
MC-505Reference17.j 02.7.29 10:49 AM 200
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
200
Rhythm Group
P:17 Funk
P:18 Electro
P:19 Jazz
P:20 Brush
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
TR707 Kick 2
West Kick
Lo-Fi Rim
Deep Snare
Funky Clap
Disco Snare
TR707 Tom
Tight CHH
TR707 Tom
Hip PHH
TR707 Tom
Funk OHH
Hazy Kick
Turbo Kick
SideStiker
Whack Snare
Funk Clap 2
Macho Snare
TR909 Tom
Real CHH
TR909 Tom
Pedal Hat 1
TR909 Tom
Cym OHH
TR909 Tom
TR909 Tom
NaturalCrash
TR909 Tom
TR909 Ride
TR909 Crash
Cup Cym
CR78 Tamb
TR909 Crash
TR707Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
808 Maracas
Scratch BD f
Scratch BD r
Scratch SD f
Scratch SD r
Scratch ALT
Vinyl Stop
Vinyl Noise
Philly Hit
Brass Fall
Kick it!
Harmo Gtr
Big Clap
Plastic BD 2
TR909 Kick 5
DanceHall SD
Machine Snr
TR808 Kick 1
TR808 Kick 5
TR808 RimLng
TR808 Snr 8
Down Clap
TR808 Snr 5
TR808 Tom
TR808 CHH 1
TR808 Tom
TR808 PHH 1
TR808 Tom
TR808 OHH 1
Ele Kick
TR707 Kick 2
TR707 Rim
ElectroSnr 2
TR707 Clap
Sim Snare
Deep Tom
Closed Hat
Deep Tom
Pedal Hat 1
Deep Tom
Open Hat
Deep Tom
Deep Tom
TR909 Crash
Deep Tom
TR707 Ride
NaturalCrash
Asian Gong
Tambourine 2
TR909 Crash
TR808Cowbell
TR606 Cym 1
TR727Quijada
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
808 Maracas
Air Blip
Thin Beef
Back Hit
Analog Bird
Hoo
Metal Sweep
Emergency
Buzzer
Tonality
Ring Osc
Toy Gun 3
Hip Clap
Plastic BD 1
Lo-Fi Kick 1
Synth Snare
TR808 Snr 6
Lo-Fi Kick 1
Hip Kick
SideStiker
Deep Snare
Real Clap 1
HH Soul Snr
Natural Tom
Real CHH
Natural Tom
Pedal Hat 1
Natural Tom
Real OHH
Optic Kick
Video Kick
Gate Rim
Headz Snare
Big Clap
Cross Snare
TR707 Tom
Closed Hat
TR707 Tom
Bristol CHH
TR707 Tom
Cym OHH
TR707 Tom
TR707 Tom
NaturalCrash
TR707 Tom
TR909 Ride
NaturalCrash
Cup Cym
Tambourine 2
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
TR727Quijada
Jingle Bell
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Hyoshigi
Mute Cuica
Open Cuica
Triangle 1
Triangle 1
Finger Snap
TR808 Kick 1
TR909 Kick 1
R8 BrshSwill
R8 Brush Tap
Video Kick
West Kick
Natural Rim
R&B Snare
Brush Slap 1
MC Snare
TR707 Tom
Pop CHH
TR707 Tom
Room CHH
TR707 Tom
Pop Hat Open
Hip Kick
Optic Kick
R8 BrshSwill
R8 Brush Tap
Brush Slap 2
R8 BrushRoll
Natural Tom
R8 Brush CHH
Natural Tom
Pedal Hat 1
Natural Tom
R8 OHH
Natural Tom
Natural Tom
NaturalCrash
Natural Tom
TR909 Ride
NaturalCrash
Cup Cym
Tambourine 2
TR606 Cym 1
Cowbell
TR909 Crash
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
Whistle
Whistle
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
Hyoshigi
Mute Cuica
Open Cuica
Triangle 1
Triangle 1
Real Clap 1
TR909 Kick 2
TR707 Kick 1
Real Snare
Deep Snare
MC-505Reference17.j 02.7.29 10:49 AM 201
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
Rhythm Group
P:21 Disco
P:22 Ragga
P:23 Rock
P:24 Industrial
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
TR707 Kick 2
TR808 Kick 3
TR707 Rim
Real Snare
Real Clap 1
Fat Snare
TR707 Tom
Real CHH
TR707 Tom
Pedal Hat 1
TR707 Tom
Real OHH
Turbo Kick
TR707 Kick 1
TR808 RimLng
Deep Snare
Big Clap
TR707 Snare
Deep Tom
TR808 CHH 1
Kick Tom
Pop CHH
Deep Tom
TR707 OHH
Kick Tom
Deep Tom
NaturalCrash
Kick Tom
TR909 Ride
NaturalCrash
Cup Cym
Tambourine 2
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
Natural Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
Cabasa Up
Maracas
Triangle 1
Triangle 1
Beam HiQ
Back Hit
Back Hit
Philly Hit
Brass Fall
Rezo Noise
Iih Formant
Analog Bird
Emergency
Down Clap
TR808 Kick 1
TR909 Kick 1
TR909 Snr 3
TR808 Snr 5
Analog Kick
TR707 Kick 2
Gate Rim
Jungle Rim 1
Hip Clap
Ragga Snr 2
TR808 Tom
Bristol CHH
TR808 Tom
Pedal Hat 1
TR808 Tom
Cym OHH
Plastic BD 4
Video Kick
Beam HiQ
DanceHall SD
Little Clap
Ragga Rim 2
Deep Tom
TR707 CHH
Deep Tom
Pop CHH
Deep Tom
TR707 OHH
Deep Tom
Deep Tom
NaturalCrash
Deep Tom
TR909 Ride
NaturalCrash
Asian Gong
Tambourine 3
TR909 Crash
Cowbell
TR606 Cym 1
TR808Cowbell
TR707 Ride
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
808 Maracas
MG Attack
Air Blip
Syn Hit
TAO Hit
Chiki!
Hey!
Toy Gun 1
Toy Gun 2
Toy Gun 3
Reso FX
Emergency
Big Clap
TR808 Kick 1
TR909 Kick 1
HH Soul Snr
TR909 Snr 4
Optic Kick
TR909 Kick 4
TR808 RimLng
Hash Snare
Funk Clap 2
DJ Snare
Kick Tom
TR909 CHH 2
Kick Tom
TR909 PHH 1
Kick Tom
TR909 OHH 1
TR909 Kick 5
Turbo Kick
SideStiker
Lo-Fi Snare
Claptail
Macho Snare
TR707 Tom
TR909 PHH 1
TR707 Tom
TR909 OHH 3
TR707 Tom
Cym OHH
TR707 Tom
TR707 Tom
TR909 Crash
TR707 Tom
TR909 Ride
TR909 Crash
Asian Gong
Tambourine 3
TR909 Crash
Cowbell
TR606 Cym 2
TR808Cowbell
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
TR727Quijada
TR626 Shaker
Bounce
ElectricDunk
Iron Door
Drill Hit
Thrill
PCM Press
Dist TekGtr
Dist TekGtr
Dist TekGtr
Dist TekGtr
Gtr FX
Air Gun
TR909 Kick 2
Gabba Kick
ElectroSnr 2
Big Trash SD
TR909 Dst BD
Lo-Fi Kick 2
Drill Hit
Big Trash SD
Dist Swish
Rage Snare
Can Tom
Air Blip
Can Tom
Beam HiQ
Can Tom
TR909 DstOHH
Bomb
Iron Door
Thrill
PCM Press
Air Gun
PCM Press
TekRok Snare
Real PHH
TekRok Snare
TR909 PHH 1
TekRok Snare
TR909 DstOHH
TekRok Snare
TekRok Snare
Bomb Noise
TekRok Snare
TR909 Ride
Drill Hit
ElectricDunk
Mt Pandeiro
TR606 Cym 1
PC-2 Machine
TR909 Crash
Crash
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
Analog Bird
Analog Bird
TechnoShaker
TR626 Shaker
One!
Two!
Three!
Kick it!
Wao!
Come on!
Fuzzy Clap
Roll Kick
Bomb
LoTimbale LF
TR909 DstOHH
Fuzzy Clap
TR909 Kick 2
Roll Kick
TR909 DstSnr
Flange Snr
201
MC-505Reference17.j 02.7.29 10:49 AM 202
Note No.
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
202
Rhythm Group
P:25 Ethnic
P:26 Reverse
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
BD
BD
TOM/PERC
SD
CLP
SD
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
HH
TOM/PERC
TOM/PERC
CYM
TOM/PERC
CYM
CYM
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
CYM
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
TOM/PERC
HIT
HIT
HIT
HIT
HIT
HIT
OTHERS
OTHERS
OTHERS
OTHERS
OTHERS
CLP
BD
BD
SD
SD
Open Surdo
Mute Surdo
Jungle Snap
Natural Rim
Big Clap
Jungle Snr 1
Jungle Snr 2
Mt Pandeiro
Jungle Snr 2
R8 Brush CHH
Jungle Snr 2
Metal Sweep
Afro Feet
Mute Surdo
Jungle Snap
Op Pandeiro
Real Clap 2
Hi Timbale
TablaBaya
Chenchen
TablaBaya
Tambourine 1
TablaBaya
Tambourine 4
TablaBaya
Udo
Asian Gong
Udo
Cup Cym
NaturalCrash
Cup Cym
Tambourine 2
TR606 Cym 1
Cowbell
NaturalCrash
CR78 Beat
Natural Ride
HiBongo LoFi
LoBongo LoFi
HiCnga Mt LF
HiCnga Op LF
LoConga LoFi
HiTimbale LF
LoTimbale LF
TR727 Agogo
TR727 Agogo
Cabasa Up
TR626 Shaker
Whistle
Whistle
Short Guiro
Long Guiro
TR808 Claves
Hyoshigi
AfroDrum Rat
Mute Cuica
Open Cuica
Triangle 2
Triangle 1
Real Clap 1
Boost Kick
Kick Ghost
Voice loop
Chiki!
Ele Kick
Turbo Kick
TR909 Rim
TR606 Snr 2
Comp Clap
Real Snare
Can Tom
TR808 CHH 2
Can Tom
TR808 PHH 1
Can Tom
TR808 OHH 1
TR707 Kick 1
Plastic BD 3
TR707 Rim
TR909 Snr 4
TR707 Clap
Comp Clap
TR707 Tom
TR909 CHH 1
TR707 Tom
TR909 PHH 1
TR707 Tom
TR909 DstOHH
TR707 Tom
TR707 Tom
TR909 Crash
TR707 Tom
TR707 Ride
TR909 Crash
Asian Gong
Tambourine 2
TR909 Crash
TR808Cowbell
TR606 Cym 2
CR78 Tamb
Cup Cym
HiBongo Open
LoBongo Open
HiConga Mute
HiConga Open
LoConga Open
Hi Timbale
Lo Timbale
TR727 Agogo
TR727 Agogo
TechnoShaker
Maracas
Beam HiQ
Tape Rewind
Vinyl Stop
Come on!
One!
Pa!
Analog Bird
Retro UFO
Metal Sweep
Dst Solo Gtr
Emergency
Down Clap
Wet Kick
Hip Kick
TR909 Snr 5
Jazz Snare
MC-505Reference17.j 02.7.29 10:49 AM 203
Techno
No.
Name
BPM
Measures
Mute
Programmer
P:001
P:002
P:003
P:004
P:005
P:006
P:007
P:008
P:009
P:010
P:011
P:012
P:013
P:014
P:015
P:016
P:017
P:018
P:019
P:020
P:021
P:022
P:023
P:024
P:025
P:026
P:027
P:028
P:029
P:030
P:031
P:032
P:033
P:034
P:035
P:036
P:037
P:038
P:039
P:040
P:041
P:042
P:043
P:044
P:045
P:046
P:047
P:048
P:049
P:050
Psy Trance 1
Psy Trance 2
Psy Trance 3
Psy Trance 4
Psy Trance 5
Psy Trance 6
Psy Trance 7
Psy Trance 8
Psy Trance 9
Psy Trance 10
Psy Trance 11
Psy Trance 12
Psy Trance 13
Psy Trance 14
Psy Trance 15
Psy Trance 16
Psy Trance 17
Psy Trance 18
Trance 1
Trance 2
Trance 3
Trance 4
Trance 5
Trance 6
Trance 7
Trance 8
Trance 9
NU-NRG 1
NU-NRG 2
NU-NRG 3
NU-NRG 4
NU-NRG 5
NU-NRG 6
Epic Trance 1
Epic Trance 2
Epic Trance 3
Minimal 1
Minimal 2
Minimal 3
Minimal 4
Minimal 5
Minimal 6
Minimal 7
Minimal 8
Minimal 9
Minimal 10
Minimal 11
Minimal 12
DetroitTechno 1
DetroitTechno 2
142
145
145
145
138
142
144
143
145
145
145
142
143
145
135
142
147
141
146
136
138
140
145
119
129
129
130
150
152
145
150
140
152
150
148
148
135
140
135
135
130
138
132
140
135
140
135
138
132
150
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
8
4
8
4
4
4
4
8
2
2
8
8
8
8
4
8
8
8
4
4
4
2
4
4
16
4
4
4
4
4
4
3,6,7
4,5,7
3,4,7
4,6,7
5,6,7
3,4
3,4,7
4,6,7
3,6,7
4,6
4,6
5,6,7
3,6,7
5,6
3,7
5
4,6
5,6
6,7
CY
3,4,CY
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
MASA
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
MASA
MASA
MASA
MASA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
DJ Q'HEY
DJ Q'HEY
HEIGO TANI
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
DJ Q'HEY
HEIGO TANI
HEIGO TANI
3,4,6
4,5,7
4,6,7
7
3,7,CY,TP
5
3,5,7
6,7,SD,CY
3,5,TP
4
5,6
3,5
6,CY
3
2
4
SD, TP
5,CY
TP
2,CY,TP
SD,CY
5
4,TP
4,CY
6
3
203
MC-505Reference17.j 02.7.29 10:49 AM 204
No.
Name
BPM
Measures
Mute
Programmer
P:051
P:052
P:053
P:054
P:055
P:056
P:057
P:058
P:059
P:060
P:061
P:062
P:063
P:064
P:065
P:066
P:067
P:068
P:069
P:070
P:071
P:072
P:073
P:074
P:075
P:076
P:077
P:078
P:079
P:080
P:081
P:082
P:083
P:084
P:085
P:086
P:087
P:088
P:089
P:090
P:091
P:092
P:093
P:094
P:095
P:096
P:097
P:098
DetroitTechno 3
DetroitTechno 4
DetroitTechno 5
DetroitTechno 6
Gabba 1
Gabba 2
Gabba 3
Gabba 4
Gabba 5
HappyHardcore 1
HappyHardcore 2
HappyHardcore 3
HappyHardcore 4
HappyHardcore 5
Rave 1
Rave 2
Rave 3
Rave 4
Rave 5
Rave 6
Rave 7
Dream Pop 1
Dream Pop 2
Dream Pop 3
Rock 1
Rock 2
Rock 3
Rock 4
Rock 5
Rock 6
Rock 7
Rock 8
Industrial 1
Industrial 2
Industrial 3
Industrial 4
Industrial 5
Industrial 6
Industrial 7
Industrial 8
Electro 1
Electro 2
AmbientTechno 1
AmbientTechno 2
AmbientTechno 3
AmbientTechno 4
AmbientTechno 5
AmbientTechno 6
140
132
136
140
200
200
180
167
167
175
190
175
175
175
130
130
179
179
172
185
170
145
130
140
132
130
137
126
137
128
112
128
125
132
112
90
128
128
128
128
122
119
130
120
120
128
120
120
4
4
8
4
2
4
4
4
4
4
4
2
4
2
8
8
8
8
8
8
8
4
8
8
4
4
4
4
4
8
4
4
4
8
4
8
4
4
4
4
4
8
8
16
16
4
4
4
3,CY
4
3
6
4,6,HI
3,5
4
3,5
5,6
5
5,7,CY
3,4
3,7
3,7
7
5
3
5
6
HEIGO TANI
DJ Q'HEY
HEIGO TANI
HEIGO TANI
HEIGO TANI
HEIGO TANI
HEIGO TANI
MASA
MASA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
Roland Corporation
Roland Corporation
Ryeland Alison
Ryeland Alison
Ryeland Alison
Ryeland Alison
Ryeland Alison
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
HEIGO TANI
HEIGO TANI
MASA
MASA
MASA
Vince LaDuca
Vince LaDuca
Vince LaDuca
HEIGO TANI
DJ Q'HEY
MASA
HEIGO TANI
MASA
MASA
MASA
MASA
Roland Corporation
ALMA
HEIGO TANI
DJ Q'HEY
DJ Q'HEY
MASA
MASA
MASA
204
TP
4,6
4,6
5
5,CY,OT
3,CY
6,7,CY
3,4
4,6,7
6
4
5,6
3,6
CL,TP
5,7
4,5
5,6
5,6
5,6
6,7
6
4
BD
4,5,7
3,4,5
4,6,CY
MC-505Reference17.j 02.7.29 10:49 AM 205
Drum'n'Bass
No.
Name
BPM
Measures
Mute
Programmer
P:099
P:100
P:101
P:102
P:103
P:104
P:105
P:106
P:107
P:108
P:109
P:110
P:111
P:112
P:113
P:114
P:115
P:116
P:117
P:118
P:119
P:120
P:121
P:122
P:123
P:124
P:125
P:126
P:127
P:128
P:129
P:130
P:131
P:132
Artcore 1
Artcore 2
Artcore 3
Artcore 4
Artcore 5
Drum'n'Bass 1
Drum'n'Bass 2
Drum'n'Bass 3
Drum'n'Bass 4
Drum'n'Bass 5
Drum'n'Bass 6
Darkcore 1
Darkcore 2
Darkcore 3
Darkcore 4
Darkcore 5
Darkcore 6
Hard Step 1
Hard Step 2
Hard Step 3
Hard Step 4
Tech Step 1
Tech Step 2
Tech Step 3
Jazz Step 1
Jazz Step 2
Jazz Step 3
Jazz Step 4
Jazz Step 5
Ragga/Jungle 1
Ragga/Jungle 2
Ragga/Jungle 3
Ragga/Jungle 4
Ragga/Jungle 5
165
170
165
165
158
165
156
156
180
180
165
195
160
161
148
185
185
179
165
160
190
165
165
157
156
160
165
197
170
180
179
163
165
200
8
8
16
8
16
8
4
8
16
16
8
8
4
8
4
8
8
8
8
4
8
8
8
8
4
8
8
8
8
8
8
8
8
8
5
CL
DJ khuv
Roland Corporation
DJ khuv
DJ khuv
DJ Q'HEY
DJ khuv
MASA
MASA
DJ khuv
DJ khuv
DJ khuv
Ryeland Alison
DJ Q'HEY
DJ khuv
MASA
Ryeland Alison
Ryeland Alison
Ryeland Alison
DJ khuv
Vince LaDuca
Ryeland Alison
Ryeland Alison
Ryeland Alison
Ryeland Alison
MASA
Vince LaDuca
Ryeland Alison
Ryeland Alison
Ryeland Alison
Ryeland Alison
Ryeland Alison
DJ khuv
Ryeland Alison
Ryeland Alison
5
4
5,6,7
4,6,7
5
5
4
3
3
4
4,6
4
4
3
4
6
4
3
6
6,7
5,6
4
4
4
4
5
Hip Hop
No.
Name
BPM
Measures
P:133
P:134
P:135
P:136
P:137
P:138
P:139
P:140
P:141
P:142
P:143
P:144
P:145
P:146
P:147
P:148
P:149
P:150
P:151
HipHop East 1
HipHop East 2
HipHop East 3
HipHop East 4
HipHop East 5
HipHop East 6
HipHop East 7
HipHop East 8
HipHop East 9
HipHop East 10
HipHop West 1
HipHop West 2
HipHop West 3
HipHop West 4
HipHop West 5
HipHop West 6
HipHop West 7
HipHop West 8
HipHop West 9
93
93
95
95
95
95
84
85
89
89
99
99
95
96
89
96
92
92
92
2
2
4
2
2
2
8
4
2
4
2
4
4
4
4
4
2
2
2
Mute
5
7
4
5
6,7
3,5
5
6
Programmer
DJ KENT
DJ KENT
DJ KENT
DJ KENT
DJ KENT
DJ KENT
ALMA
ALMA
DJ KENT
DJ KENT
DJ KENT
DJ KENT
DJ KENT
Vince LaDuca
Vince LaDuca
DJ KENT
DJ KENT
DJ KENT
DJ KENT
205
MC-505Reference17.j 02.7.29 10:49 AM 206
No.
Name
BPM
Measures
Mute
Programmer
P:152
P:153
P:154
P:155
P:156
P:157
P:158
P:159
P:160
P:161
P:162
P:163
P:164
P:165
P:166
P:167
P:168
P:169
P:170
P:171
P:172
P:173
P:174
P:175
P:176
P:177
P:178
P:179
P:180
P:181
Abstract 1
Abstract 2
Abstract 3
Abstract 4
Abstract 5
Abstract 6
Abstract 7
Abstract 8
Abstract 9
Abstract 10
Abstract 11
HipHop Early 1
HipHop Early 2
HipHop Early 3
HipHop Early 4
HipHop Early 5
HipHop Early 6
HipHop Early 7
HipHop Early 8
NewJack Swing 1
NewJack Swing 2
Miami Bass 1
Miami Bass 2
HipHop Jazz 1
HipHop Jazz 2
HipHop Jazz 3
HipHop Soul 1
HipHop Soul 2
HipHop Soul 3
HipHop Soul 4
79
77
79
94
94
92
67
105
104
77
100
107
98
103
98
106
100
87
99
105
110
138
127
102
99
103
76
90
80
80
2
4
2
4
4
4
2
4
4
4
4
8
4
8
8
8
2
2
2
8
4
8
4
4
8
8
4
8
4
4
3
4,6
3
5
4
4,5
6,7
7
4,5,7
DJ KENT
ALMA
DJ KENT
Vince LaDuca
Vince LaDuca
Vince LaDuca
ALMA
Vince LaDuca
Vince LaDuca
Vince LaDuca
Vince LaDuca
ALMA
ALMA
ALMA
ALMA
ALMA
DJ KENT
DJ KENT
DJ KENT
ALMA
ALMA
ALMA
ALMA
Vince LaDuca
ALMA
ALMA
ALMA
ALMA
Vince LaDuca
Vince LaDuca
2,5,6,7
CY,OT
7
6
6
5
6
7
5
3,5
CY
7
6
7
4,6
6
House
No.
Name
BPM
Measures
Mute
Programmer
P:182
P:183
P:184
P:185
P:186
P:187
P:188
P:189
P:190
P:191
P:192
P:193
P:194
P:195
P:196
P:197
P:198
P:199
P:200
P:201
P:202
P:203
P:204
House 1
House 2
House 3
House 4
House 5
House 6
House 7
Garage House 1
Garage House 2
Garage House 3
Garage House 4
Garage House 5
Garage House 6
Hard House 1
Hard House 2
Hard House 3
Hard House 4
Hard House 5
Hard House 6
Hard House 7
Hard House 8
Hard House 9
Hard House 10
123
123
123
128
122
122
123
123
125
123
123
123
120
128
130
128
128
123
128
130
130
130
130
8
8
8
4
8
4
8
8
8
8
8
8
4
4
4
8
8
8
8
4
4
4
4
4
5,CY
5,6,7
3
4
7
5,7
SD,CL
CY,OT
CY
5,CY
BD
4,CY
5
4,6
4,5
5
4,6
5,SD
6,TP
4,TP
4
4,6
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
ALMA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
HEIGO TANI
HEIGO TANI
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
HEIGO TANI
HEIGO TANI
HEIGO TANI
HEIGO TANI
206
MC-505Reference17.j 02.7.29 10:49 AM 207
No.
Name
BPM
Measures
Mute
Programmer
P:205
P:206
P:207
P:208
P:209
P:210
P:211
P:212
P:213
P:214
P:215
P:216
Happy Handbag 1
Happy Handbag 2
Happy Handbag 3
Happy Handbag 4
Happy Handbag 5
Euro Beat 1
Euro Beat 2
Latin House 1
Latin House 2
Latin House 3
Latin House 4
Latin House 5
130
130
130
128
128
145
128
123
122
122
122
125
2
4
8
8
8
4
8
4
8
8
8
8
6,7,CY
4,7
CY
5
4
5,7,TP
7
3
SD
7
5,CY
4
YOJI BIOMEHANIKA
YOJI BIOMEHANIKA
SOULMATES MUSICA
SOULMATES MUSICA
SOULMATES MUSICA
Roland Corporation
Roland Corporation
Roland Corporation
Roland Corporation
Roland Corporation
SOULMATES MUSICA
Roland Corporation
No.
Name
BPM
Measures
Mute
Programmer
P:217
P:218
P:219
P:220
P:221
P:222
P:223
P:224
P:225
P:226
P:227
P:228
Funk 1
Funk 2
Funk 3
Funk 4
Funk 5
Funk 6
Funk 7
Jazz 1
Jazz 2
Jazz 3
Jazz 4
Jazz 5
126
118
118
90
100
95
103
103
123
89
130
130
8
8
8
8
4
8
8
8
8
8
8
8
TP
7
7
7
6
7
4
6
4,5,7
7
4
7
ALMA
ALMA
ALMA
Roland Corporation
Roland Corporation
Roland Corporation
ALMA
ALMA
ALMA
ALMA
Roland Corporation
ALMA
Jazz
Reggae
No.
Name
BPM
Measures
Mute
Programmer
P:229
P:230
P:231
P:232
P:233
P:234
P:235
P:236
P:237
Dance Hall 1
Dance Hall 2
Dance Hall 3
Dance Hall 4
Dance Hall 5
Lovers 1
Lovers 2
Reggae 1
Reggae 2
185
158
180
170
188
181
176
126
172
8
8
8
8
8
8
8
8
16
HI
6
5
5
4,5
3,7
6
4,6
4
ALMA
ALMA
Vince LaDuca
Vince LaDuca
Vince LaDuca
ALMA
ALMA
ALMA
ALMA
No.
Name
BPM
Measures
Mute
Programmer
P:238
P:239
P:240
P:241
P:242
P:243
P:244
P:245
P:246
P:247
P:248
Salsa 1
Salsa 2
Salsa 3
Salsa 4
Salsa 5
Songo
Samba
ChaCha
Merengue
Mambo 1
Mambo 2
112
112
104
95
88
112
124
84
110
90
90
4
4
4
4
4
4
8
4
2
2
2
5
5
5
4,6
4,6
5,6
2,3,4
5,6
4,5,6,7
4,5,6,7
4,5,6,7
Scott Tibbs
Scott Tibbs
Scott Tibbs
Scott Tibbs
Scott Tibbs
Scott Tibbs
ALMA
Scott Tibbs
Jeff Fields
Jeff Fields
Jeff Fields
Latin
BD:BD
CYM:CY
SD:SD
TOM/PERC:TP
HH:HH
HIT:HI
CLP:CL
OTHERS:OT
207
MC-505Reference17.j 02.7.29 10:49 AM 208
RPS
RPS Drum Pattern (Used Rhythm Part)
P:249
P:250
P:251
P:252
P:253
P:254
P:255
P:256
P:257
P:258
P:259
P:260
P:261
P:262
P:263
P:264
P:265
P:266
P:267
P:268
P:269
P:270
P:271
P:272
P:273
P:274
P:275
P:276
P:277
P:278
P:279
P:280
P:281
P:282
P:283
P:284
P:285
P:286
P:287
P:288
P:289
P:290
P:291
P:292
P:293
P:294
P:295
P:296
P:297
P:298
P:299
P:300
P:301
P:302
P:303
P:304
P:305
P:306
P:307
P:308
208
Name
BPM
Measures
RPS Set
Keyboard Pad
Techno Drums 1
Techno Drums 2
Techno Drums 3
Techno Drums 4
Techno Drums 5
Techno Drums 6
Techno Drums 7
Techno Drums 8
Techno Drums 9
Techno Drums 10
Techno Drums 11
Techno Drums 12
Techno Drums 13
Techno Drums 14
Techno Drums 15
Techno Drums 16
Techno Drums 17
Techno Drums 18
Techno Drums 19
Techno Drums 20
D-Bass Drums 1
D-Bass Drums 2
D-Bass Drums 3
D-Bass Drums 4
D-Bass Drums 5
D-Bass Drums 6
D-Bass Drums 7
D-Bass Drums 8
HipHop Drums 1
HipHop Drums 2
HipHop Drums 3
HipHop Drums 4
HipHop Drums 5
HipHop Drums 6
HipHop Drums 7
HipHop Drums 8
HipHop Drums 9
HipHop Drums 10
HipHop Drums 11
HipHop Drums 12
House Drums 1
House Drums 2
House Drums 3
House Drums 4
House Drums 5
House Drums 6
House Drums 7
House Drums 8
Jazz Drums 1
Jazz Drums 2
Jazz Drums 3
Jazz Drums 4
Reggae Drums 1
Reggae Drums 2
Reggae Drums 3
Reggae Drums 4
Latin Drums 1
Latin Drums 2
Latin Drums 3
Latin Drums 4
135
135
140
140
150
150
136
136
135
135
167
167
130
130
110
110
130
130
125
125
170
170
170
170
170
170
170
170
90
90
95
95
80
80
70
70
95
95
100
100
120
120
120
120
130
130
130
130
125
125
125
125
190
190
155
155
110
110
125
125
2
2
2
2
1
1
1
1
2
2
2
2
2
1
2
2
2
2
2
2
2
2
1
2
2
2
2
2
2
2
1
2
2
1
1
2
1
2
1
2
1
2
2
2
2
2
1
1
2
2
2
1
4
4
2
2
1
1
1
2
Trance 1
Trance 1
Trance 2
Trance 2
NU-NRG
NU-NRG
Minimal Techno
Minimal Techno
Detroit Techno
Detroit Techno
Hardcore
Hardcore
Rave
Rave
Rock
Rock
Industrial
Industrial
Ambient Techno
Ambient Techno
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 2
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
Jungle
Jungle
HipHop East
HipHop East
HipHop West
HipHop West
HipHop Abstruct 1
HipHop Abstruct 1
HipHop Abstruct 2
HipHop Abstruct 2
HipHop Early
HipHop Early
HipHop Jazz&Soul
HipHop Jazz&Soul
House
House
Garage House
Garage House
Hard House
Hard House
Happy Handbag
Happy Handbag
Jazz Funk 1
Jazz Funk 1
Jazz Funk 2
Jazz Funk 2
Reggae 1
Reggae 1
Reggae 2
Reggae 2
Salsa
Salsa
Samba
Samba
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
MC-505Reference17.j 02.7.29 10:49 AM 209
RPS Bass Pattern (Used Part1)

P:309
P:310
P:311
P:312
P:313
P:314
P:315
P:316
P:317
P:318
P:319
P:320
P:321
P:322
P:323
P:324
P:325
P:326
P:327
P:328
P:329
P:330
P:331
P:332
P:333
P:334
P:335
P:336
P:337
P:338
P:339
P:340
P:341
P:342
P:343
P:344
P:345
P:346
P:347
P:348
P:349
P:350
P:351
P:352
P:353
P:354
P:355
P:356
P:357
P:358
P:359
P:360
P:361
P:362
P:363
P:364
P:365
P:366
P:367
P:368
Name
BPM
Measures
RPS Set
Keyboard Pad
Techno Bass 1
Techno Bass 2
Techno Bass 3
Techno Bass 4
Techno Bass 5
Techno Bass 6
Techno Bass 7
Techno Bass 8
Techno Bass 9
Techno Bass 10
Techno Bass 11
Techno Bass 12
Techno Bass 13
Techno Bass 14
Techno Bass 15
Techno Bass 16
Techno Bass 17
Techno Bass 18
Techno Bass 19
Techno Bass 20
D-Bass Bass 1
D-Bass Bass 2
D-Bass Bass 3
D-Bass Bass 4
D-Bass Bass 5
D-Bass Bass 6
D-Bass Bass 7
D-Bass Bass 8
HipHop Bass 1
HipHop Bass 2
HipHop Bass 3
HipHop Bass 4
HipHop Bass 5
HipHop Bass 6
HipHop Bass 7
HipHop Bass 8
HipHop Bass 9
HipHop Bass 10
HipHop Bass 11
HipHop Bass 12
House Bass 1
House Bass 2
House Bass 3
House Bass 4
House Bass 5
House Bass 6
House Bass 7
House Bass 8
Jazz Bass 1
Jazz Bass 2
Jazz Bass 3
Jazz Bass 4
Reggae Bass 1
Reggae Bass 2
Reggae Bass 3
Reggae Bass 4
Latin Bass 1
Latin Bass 2
Latin Bass 3
Latin Bass 4
135
135
140
140
150
150
136
136
135
135
167
167
130
130
110
110
130
130
125
125
170
170
170
170
170
170
170
170
90
90
95
95
80
80
70
70
95
95
100
100
120
120
120
120
130
130
130
130
125
125
125
125
190
190
155
155
110
110
125
125
1
1
2
1
1
1
1
1
1
1
1
2
1
2
1
2
2
2
2
1
2
4
2
2
4
4
2
2
1
2
2
2
2
2
1
2
2
2
2
2
1
1
2
2
1
1
2
2
2
2
2
2
4
2
2
2
2
1
2
1
Trance 1
Trance 1
Trance 2
Trance 2
NU-NRG
NU-NRG
Minimal Techno
Minimal Techno
Detroit Techno
Detroit Techno
Hardcore
Hardcore
Rave
Rave
Rock
Rock
Industrial
Industrial
Ambient Techno
Ambient Techno
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 2
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
Jungle
Jungle
HipHop East
HipHop East
HipHop West
HipHop West
HipHop Abstruct 1
HipHop Abstruct 1
HipHop Abstruct 2
HipHop Abstruct 2
HipHop Early
HipHop Early
HipHop Jazz&Soul
HipHop Jazz&Soul
House
House
Garage House
Garage House
Hard House
Hard House
Happy Handbag
Happy Handbag
Jazz Funk 1
Jazz Funk 1
Jazz Funk 2
Jazz Funk 2
Reggae 1
Reggae 1
Reggae 2
Reggae 2
Salsa
Salsa
Samba
Samba
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
209
MC-505Reference17.j 02.7.29 10:49 AM 210
RPS Rhythm Fill in (Used Part1)
P:369
P:370
P:371
P:372
P:373
P:374
P:375
P:376
P:377
P:378
P:379
P:380
P:381
P:382
P:383
P:384
P:385
P:386
P:387
P:388
P:389
P:390
P:391
P:392
P:393
P:394
P:395
P:396
P:397
P:398
P:399
P:400
P:401
P:402
P:403
P:404
P:405
P:406
P:407
P:408
P:409
P:410
P:411
P:412
P:413
P:414
P:415
P:416
P:417
P:418
P:419
P:420
P:421
P:422
P:423
P:424
P:425
P:426
P:427
P:428
P:429
P:430
210
Name
BPM
Measures
RPS Set
Keyboard Pad
BD Fill 1
BD Fill 2
BD Fill 3
BD Fill 4
BD Fill 5
BD Fill 6
BD Fill 7
BD Fill 8
BD Loop 1
BD Loop 2
CHH Fill 1
CHH Fill 2
CHH Fill 3
CHH Fill 4
LowCHH Loop 1
LowCHH Loop 2
LowCHH Loop 3
RideCym Fill
RideCym Loop 1
RideCym Loop 2
RideCym Loop 3
RideCym Loop 4
RideCym Loop 5
RideCym Loop 6
Clap Fill 1
Clap Fill 2
Clap Fill 3
Clap Fill 4
Clap Fill 5
Clap Fill 6
Clap Fill 7
Clap Fill 8
Crash Loop 1
Crash Loop 2
Snare Fill 1
Snare Fill 2
Snare Fill 3
Snare Fill 4
Snare Fill 5
Snare Fill 6
Snare Fill 7
Snare Fill 8
Snare Fill 9
Snare Fill 10
Snare Fill 11
Snare Fill 12
Snare Fill 13
Snare Fill 14
Snare Fill 15
Snare Fill 16
Snare Fill 17
Snare Fill 18
Snare Fill 19
Snare Fill 20
Snare Fill 21
Snare Fill 22
Snare Fill 23
Snare Fill 24
Snare Fill 25
Snare Fill 26
Snare Fill 27
Snare Fill 28
150
136
167
130
125
170
170
170
120
130
140
100
190
155
135
80
130
70
136
170
100
130
125
125
150
167
80
95
100
120
120
130
135
167
135
135
140
140
150
150
136
135
135
167
130
130
130
110
110
110
125
170
170
170
170
170
170
170
170
170
170
170
1
1
1
2
1
1
1
2
2
2
1
1
1
1
2
1
1
1
1
1
1
1
2
1
1
1
1
2
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
NU-NRG
Minimal Techno
Hardcore
Industrial
Ambient Techno
Drum'n' Bass 2
Drum'n' Bass 3
Jungle
Garage House
Hard House
Trance 2
HipHop Jazz&Soul
Reggae 1
Reggae 2
Detroit Techno
HipHop Abstruct 1
Hard House
HipHop Abstruct 2
Minimal Techno
Jungle
HipHop Jazz&Soul
Happy Handbag
Jazz Funk 1
Jazz Funk 2
NU-NRG
Hardcore
HipHop Abstruct 1
HipHop Early
HipHop Jazz&Soul
House
Garage House
Hard House
Trance 1
Hardcore
Trance 1
Trance 1
Trance 2
Trance 2
NU-NRG
NU-NRG
Minimal Techno
Detroit Techno
Detroit Techno
Hardcore
Rave
Rave
Rave
Rock
Rock
Rock
Ambient Techno
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 2
Drum'n' Bass 2
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
Drum'n' Bass 3
Jungle
Jungle
8
8
7
6
6
6
7
8
8
7
7
7
8
8
8
8
6
5
7
7
8
8
7
5
7
6
6
5
6
6
7
8
8
5
5
7
5
8
5
6
5
5
7
8
5
7
8
5
7
8
5
5
6
7
5
7
8
5
6
8
5
6
MC-505Reference17.j 02.7.29 10:49 AM 211
P:431
P:432
P:433
P:434
P:435
P:436
P:437
P:438
P:439
P:440
P:441
P:442
P:443
P:444
P:445
P:446
P:447
P:448
P:449
P:450
P:451
P:452
P:453
P:454
P:455
P:456
P:457
P:458
P:459
P:460
P:461
P:462
P:463
P:464
P:465
P:466
P:467
P:468
P:469
P:470
P:471
P:472
P:473
P:474
P:475
P:476
P:477
P:478
P:479
P:480
P:481
P:482
P:483
P:484
P:485
P:486
P:487
P:488
P:489
P:490
P:491
Name
BPM
Measures
RPS Set
Keyboard Pad
Snare Fill 29
Snare Fill 30
Snare Fill 31
Snare Fill 32
Snare Fill 33
Snare Fill 34
Snare Fill 35
Snare Fill 36
Snare Fill 37
Snare Fill 38
Snare Fill 39
Snare Fill 40
Snare Fill 41
Snare Fill 42
Snare Fill 43
Snare Fill 44
Snare Fill 45
Snare Fill 46
Snare Fill 47
Snare Fill 48
Tambourine 1
Tambourine 2
Tambourine 3
Tom Fill 1
Tom Fill 2
Tom Fill 3
Tom Fill 4
Tom Fill 5
Tom Fill 6
Tom Fill 7
Tom Fill 8
Tom Fill 9
Agogo Loop 1
Agogo Loop 2
Bell Fill
Bongo
Cowbell Loop 1
Cowbell Loop 2
Gunshot
Industry Fill 1
Industry Fill 2
Perc Fill 1
Perc Fill 2
Perc Fill 3
Perc Fill 4
Perc Fill 5
Perc Fill 6
Perc Loop 1
Perc Loop 2
Perc Loop 3
Scratch 1
Scratch 2
Scratch 3
Scratch 4
Scratch 5
Scratch 6
Surdo Loop 1
Surdo Loop 2
Timbales Fill 1
Timbales Fill 2
Whistle Loop
80
120
120
120
120
130
130
130
130
125
125
125
125
125
125
190
155
155
125
125
170
90
95
130
110
130
95
95
95
190
190
155
110
125
135
125
136
110
95
130
130
140
125
70
70
100
120
135
125
70
90
90
90
95
80
95
125
125
110
110
167
1
1
1
1
1
4
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
2
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
HipHop Abstruct 1
House
House
House
Garage House
Hard House
Happy Handbag
Happy Handbag
Happy Handbag
Jazz Funk 1
Jazz Funk 1
Jazz Funk 1
Jazz Funk 2
Jazz Funk 2
Jazz Funk 2
Reggae 1
Reggae 2
Reggae 2
Samba
Samba
Drum'n' Bass 1
HipHop East
HipHop West
Rave
Rock
Industrial
HipHop West
HipHop Early
HipHop Early
Reggae 1
Reggae 1
Reggae 2
Salsa
Samba
Trance 1
Samba
Minimal Techno
Salsa
HipHop West
Industrial
Industrial
Trance 2
Ambient Techno
HipHop Abstruct 2
HipHop Abstruct 2
HipHop Jazz&Soul
Garage House
Detroit Techno
Ambient Techno
HipHop Abstruct 2
HipHop East
HipHop East
HipHop East
HipHop West
HipHop Abstruct 1
HipHop Early
Samba
Samba
Salsa
Salsa
Hardcore
5
5
7
8
5
5
5
6
7
5
6
8
6
7
8
6
6
7
7
8
8
5
6
6
6
8
8
6
7
5
7
5
8
14
6
13
6
7
7
5
7
6
7
6
8
5
6
6
8
7
6
7
8
5
7
8
5
6
5
6
15
211
MC-505Reference17.j 02.7.29 10:49 AM 212
RPS Accompaniment (Used Part1)
P:492
P:493
P:494
P:495
P:496
P:497
P:498
P:499
P:500
P:501
P:502
P:503
P:504
P:505
P:506
P:507
P:508
P:509
P:510
P:511
P:512
P:513
P:514
P:515
P:516
P:517
P:518
P:519
P:520
P:521
P:522
P:523
P:524
P:525
P:526
P:527
P:528
P:529
P:530
P:531
P:532
P:533
P:534
P:535
P:536
P:537
P:538
P:539
P:540
P:541
P:542
P:543
P:544
P:545
P:546
P:547
P:548
P:549
P:550
P:551
P:552
P:553
212
Name
BPM
Measures
RPS Set
Keyboard Pad
Brass 1
Brass 2
Brass 3
Brass 4
Brass 5
E.Piano Lead 1
E.Piano Lead 2
E.Piano Chord 1
E.Piano Chord 2
E.Piano Chord 3
E.Piano Chord 4
E.Piano Chord 5
E.Piano Chord 6
E.Piano Chord 7
E.Piano Chord 8
SFX 1
SFX 2
SFX 3
SFX 4
SFX 5
SFX 6
SFX 7
SFX 8
SFX 9
SFX 10
SFX 11
SFX 12
SFX 13
SFX 14
SFX 15
SFX 16
SFX 17
SFX 18
SFX 19
SFX 20
SFX 21
SFX 22
SFX 23
SFX 24
Guitar Chord 1
Guitar Chord 2
Guitar Chord 3
Guitar Chord 4
Guitar Chord 5
Guitar Lead
Guitar Riff 1
Guitar Riff 2
Guitar Riff 3
Guitar Riff 4
Guitar Riff 5
Guitar Riff 6
Guitar Riff 7
Guitar Riff 8
Guitar Riff 9
Guitar Riff 10
G Laughter
Marimba
Organ Chord 1
Organ Chord 2
Organ Chord 3
Organ chord 4
Organ Chord 5
125
125
155
110
110
80
95
170
90
80
70
100
120
120
125
140
136
136
135
135
167
130
110
130
130
130
125
125
170
170
170
170
170
170
80
70
70
70
130
90
95
95
190
155
90
150
130
110
110
100
125
125
125
155
155
95
110
90
90
120
130
125
2
1
1
2
2
1
1
2
1
1
2
2
2
2
2
2
1
1
1
1
2
2
1
1
2
2
4
1
2
2
2
1
4
4
1
2
2
2
2
1
2
1
4
2
2
2
2
2
1
1
2
2
2
2
2
1
1
2
2
2
2
2
Jazz Funk 1
Jazz Funk 2
Reggae 2
Salsa
Salsa
HipHop Abstruct 1
HipHop Early
Jungle
HipHop East
HipHop Abstruct 1
HipHop Abstruct 2
HipHop Jazz&Soul
Garage House
Garage House
Jazz Funk 2
Trance 2
Minimal Techno
Minimal Techno
Detroit Techno
Detroit Techno
Hardcore
Rave
Rock
Industrial
Industrial
Industrial
Ambient Techno
Ambient Techno
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
HipHop Abstruct 1
HipHop Abstruct 2
HipHop Abstruct 2
HipHop Abstruct 2
Hard House
HipHop East
HipHop West
HipHop Early
Reggae 1
Reggae 2
HipHop East
NU-NRG
Rave
Rock
Rock
HipHop Jazz&Soul
Jazz Funk 1
Jazz Funk 1
Jazz Funk 1
Reggae 2
Reggae 2
HipHop West
Salsa
HipHop East
HipHop East
Garage House
Hard House
Jazz Funk 1
14
13
15
12
13
11
12
9
10
12
9
11
12
13
11
14
13
14
13
14
14
14
14
12
13
14
13
14
12
13
14
14
13
14
14
12
13
14
14
12
9
9
13
12
13
11
10
9
10
14
10
11
12
13
14
14
14
9
11
14
9
9
MC-505Reference17.j 02.7.29 10:49 AM 213
P:554
P:555
P:556
P:557
P:558
P:559
P:560
P:561
P:562
P:563
P:564
P:565
P:566
P:567
P:568
P:569
P:570
P:571
P:572
P:573
P:574
P:575
P:576
P:577
P:578
P:579
P:580
P:581
P:582
P:583
P:584
P:585
P:586
P:587
P:588
P:589
P:590
P:591
P:592
P:593
P:594
P:595
P:596
P:597
P:598
P:599
P:600
P:601
P:602
P:603
P:604
P:605
P:606
P:607
P:608
P:609
P:610
P:611
P:612
P:613
P:614
P:615
Name
BPM
Measures
RPS Set
Keyboard Pad
Organ Chord 6
Organ Chord 7
Organ Chord 8
Organ Chord 9
Organ Chord 10
Organ Lead 1
Organ Lead 2
Organ Lead 3
Piano Chord 1
Piano Chord 2
Piano Chord 3
Piano Chord 4
Piano Chord 5
Piano Chord 6
Piano Chord 7
Piano Chord 8
Piano Chord 9
Piano Chord 10
Piano Chord 11
Piano Chord 12
Piano Chord 13
Piano Chord 14
Piano Chord 15
Piano Chord 16
Phono Noise
Piano Seq
Synth Lead 1
Synth Lead 2
Synth Lead 3
Synth Lead 4
Synth Lead 5
Synth Lead 6
Synth Lead 7
Synth Lead 8
Str.Obligato 1
Str.Obligato 2
Str.Obligato 3
Synth Pad 1
Synth Pad 2
Synth Pad 3
Synth Pad 4
Synth Pad 5
Synth Pad 6
Synth Pad 7
Synth Pad 8
Synth Pad 9
Synth Pad 10
Synth Pad 11
Synth Pad 12
Synth Pad 13
Synth Pad 14
Synth Pad 15
Synth Pad 16
Synth Pad 17
Synth Riff 1
Synth Riff 2
Synth Riff 3
Synth Riff 4
Synth Riff 5
Synth Riff 6
Synth Riff 7
Synth Riff 8
125
190
190
155
155
170
95
120
170
170
95
100
120
120
120
130
130
125
190
190
155
110
110
110
90
167
170
170
95
70
95
95
100
125
95
80
130
135
140
150
135
130
125
170
170
170
70
100
100
120
120
125
125
125
135
135
135
140
140
140
150
150
2
4
4
2
2
2
2
1
2
2
2
2
2
4
2
2
2
2
2
4
2
4
2
2
1
1
4
4
2
2
2
1
2
2
4
2
4
4
4
4
4
2
4
4
2
2
2
2
4
2
2
4
2
2
2
2
2
2
2
2
2
2
Jazz Funk 2
Reggae 1
Reggae 1
Reggae 2
Reggae 2
Jungle
HipHop West
House
Drum'n' Bass 2
Jungle
HipHop Early
HipHop Jazz&Soul
House
House
Garage House
Hard House
Happy Handbag
Jazz Funk 2
Reggae 1
Reggae 1
Reggae 2
Salsa
Salsa
Salsa
HipHop East
Hardcore
Drum'n' Bass 1
Jungle
HipHop West
HipHop Abstruct 2
HipHop Early
HipHop Early
HipHop Jazz&Soul
Samba
HipHop West
HipHop Abstruct 1
Hard House
Trance 1
Trance 2
NU-NRG
Detroit Techno
Rave
Ambient Techno
Drum'n' Bass 1
Drum'n' Bass 1
Drum'n' Bass 3
HipHop Abstruct 2
HipHop Jazz&Soul
HipHop Jazz&Soul
Garage House
Garage House
Jazz Funk 2
Samba
Samba
Trance 1
Trance 1
Trance 1
Trance 2
Trance 2
Trance 2
NU-NRG
NU-NRG
10
11
12
10
11
14
11
14
9
10
11
12
10
11
11
10
9
9
9
10
9
9
10
11
16
9
11
13
12
11
13
14
13
11
10
10
13
9
9
9
9
9
9
9
10
9
10
9
10
9
10
12
9
10
10
12
14
10
11
12
10
12
213
MC-505Reference17.j 02.7.29 10:49 AM 214
P:616
P:617
P:618
P:619
P:620
P:621
P:622
P:623
P:624
P:625
P:626
P:627
P:628
P:629
P:630
P:631
P:632
P:633
P:634
P:635
P:636
P:637
P:638
P:639
P:640
P:641
P:642
P:643
P:644
P:645
P:646
P:647
P:648
P:649
P:650
P:651
P:652
P:653
P:654
P:655
P:656
P:657
P:658
P:659
P:660
P:661
P:662
P:663
P:664
P:665
P:666
P:667
P:668
P:669
P:670
214
Name
BPM
Measures
RPS Set
Keyboard Pad
Synth Riff 9
Synth Riff 10
Synth Riff 11
Synth Riff 12
Synth Riff 13
Synth Riff 14
Synth Riff 15
Synth Riff 16
Synth Riff 17
Synth Riff 18
Synth Riff 19
Synth Riff 20
Synth Riff 21
Synth Riff 22
Synth Riff 23
Synth Riff 24
Synth Riff 25
Synth Riff 26
Synth Riff 27
Synth Riff 28
Synth Riff 29
Synth Riff 30
Synth Riff 31
Synth Riff 32
Synth Riff 33
Synth Seq 1
Synth Seq 2
Synth Seq 3
Synth Seq 4
Synth Seq 5
Synth Seq 6
Synth Seq 7
Synth Seq 8
Synth Seq 9
Synth Seq 10
Synth Seq 11
Synth Seq 12
Synth Seq 13
Synth Seq 14
Synth Seq 15
Synth Seq 16
Synth Seq 17
Synth Seq 18
Synth Seq 19
Synth Seq 20
Synth Seq 21
Vibe Lead
Vox 1
Vox 2
Vox 3
Vox 4
Vox 5
Vox 6
Vox 7
Voice Riff
150
136
167
167
167
167
130
130
130
110
125
170
170
170
95
80
95
120
130
136
130
130
130
130
130
135
140
136
150
136
136
135
135
135
110
130
130
130
125
125
170
170
170
120
125
125
90
135
110
170
170
170
80
120
125
2
1
2
2
2
2
2
1
1
1
2
2
2
2
1
2
1
1
2
2
2
2
2
2
2
1
2
1
2
1
1
2
1
1
1
2
2
1
1
1
1
1
4
2
1
2
2
2
2
2
2
4
2
2
1
NU-NRG
Minimal Techno
Hardcore
Hardcore
Hardcore
Hardcore
Rave
Rave
Rave
Rock
Ambient Techno
Drum'n' Bass 2
Drum'n' Bass 2
Drum'n' Bass 3
HipHop West
HipHop Abstruct 1
HipHop Early
House
Hard House
Hard House
Happy Handbag
Happy Handbag
Happy Handbag
Happy Handbag
Happy Handbag
Trance 1
Trance 2
Minimal Techno
NU-NRG
Minimal Techno
Minimal Techno
Detroit Techno
Detroit Techno
Detroit Techno
Rock
Industrial
Industrial
Industrial
Ambient Techno
Ambient Techno
Drum'n' Bass 2
Jungle
Jungle
House
Jazz Funk 1
Samba
HipHop East
Trance 1
Rock
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
HipHop Abstruct 1
House
Jazz Funk 2
13
9
10
11
12
13
11
12
13
13
10
11
12
10
13
9
10
9
11
12
10
11
12
13
14
13
13
10
14
11
12
10
11
12
11
9
10
11
11
12
13
11
12
13
13
12
14
11
12
10
11
12
13
12
14
MC-505Reference17.j 02.7.29 10:49 AM 215
RPS Hit (Used Part1)

P:671
P:672
P:673
P:674
P:675
P:676
P:677
P:678
P:679
P:680
P:681
P:682
P:683
P:684
P:685
P:686
P:687
P:688
P:689
P:690
P:691
P:692
P:693
P:694
P:695
P:696
P:697
P:698
P:699
P:700
P:701
P:702
P:703
P:704
P:705
P:706
P:707
P:708
P:709
P:710
P:711
P:712
P:713
P:714
Name
BPM
Measures
RPS Set
Keyboard Pad
Bird
Brass Fall 1
Brass Fall 2
Brass Hit
Blip Hit 1
Blip Hit 2
Crash Cymbal
SFX Hit 1
SFX Hit 2
SFX Hit 3
SFX Hit 4
SFX Hit 5
SFX Hit 7
SFX Hit 8
SFX Hit 9
SFX Hit 10
HipHop Hit 1
HipHop Hit 2
HipHop Hit 3
Happy Hit
Industry Hit 1
Industry Hit 2
Industry Hit 3
Industry Hit 4
Industry Hit 5
Industry Hit 6
Industry Hit 7
Industry Hit 8
Orchestra Hit 1
Orchestra Hit 2
Orchestra Hit 3
Orchestra Hit 4
Orchestra Hit 5
Piano Delay
Voice Hit 1
Voice Hit 2
Voice Hit 3
Voice Hit 4
Voice Hit 5
Voice Hit 6
Voice Hit 7
Voice Hit 8
Whistle Hit 1
Whistle Hit 2
125
170
110
95
135
190
150
140
136
136
135
135
170
70
130
155
90
95
95
150
135
110
130
170
170
170
170
130
167
130
170
120
95
125
130
110
95
95
100
120
130
125
170
125
1
1
1
2
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
2
1
1
1
1
1
1
1
1
1
1
2
1
1
2
1
1
1
1
1
1
1
1
1
1
Ambient Techno
Jungle
Salsa
Reggae 1
Trance 1
Reggae 1
NU-NRG
Trance 2
Minimal Techno
Minimal Techno
Detroit Techno
Detroit Techno
Drum'n' Bass 1
HipHop Abstruct 2
Hard House
Reggae 2
HipHop East
HipHop West
HipHop Early
NU-NRG
Trance 1
Rock
Industrial
Drum'n' Bass 1
Drum'n' Bass 2
Drum'n' Bass 3
Drum'n' Bass 3
Hard House
Hardcore
Rave
Drum'n' Bass 2
Garage House
Happy Handbag
Ambient Techno
Rave
Rock
HipHop West
HipHop Early
HipHop Jazz&Soul
House
Happy Handbag
Jazz Funk 1
Jungle
Samba
16
15
15
14
16
15
16
16
15
16
15
16
15
16
15
16
15
15
15
15
15
15
16
16
16
15
16
16
16
15
15
16
15
15
16
16
16
16
15
15
16
15
16
15
215
MC-505Reference17.j 02.7.29 10:49 AM 216
RPS
U:31 U:60 U:01 U:30
RPS
U:01 Trance1 (BPM=135)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 1
Techno Drums 2
Techno Bass 1
Techno Bass 2
Snare Fill 1
Bell Fill
Snare Fill 2
Crash Loop 1
Synth Pad 1
Synth Riff 1
Vox 1
Synth Riff 2
Synth Seq 1
Synth Riff 3
Industry Hit 1
Blip Hit 1
P:249
P:250
P:309
P:310
P:403
P:465
P:404
P:401
P:591
P:608
P:663
P:609
P:641
P:610
P:691
P:675
U:02 Trance2 (BPM=140)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 3
Techno Drums 4
Techno Bass 3
Techno Bass 4
Snare Fill 3
Perc Fill 1
CHH Fill 1
Snare Fill 4
Synth Pad 2
Synth Riff 4
Synth Riff 5
Synth Riff 6
Synth Seq 2
SFX 1
Industry Hit 1
SFX Hit 1
P:251
P:252
P:311
P:312
P:405
P:472
P:379
P:406
P:592
P:611
P:612
P:613
P:642
P:507
P:691
P:678
U:03 NU-NRG (BPM=150)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
216
Techno Drums 5
Techno Drums 6
Techno Bass 5
Techno Bass 6
Snare Fill 5
Snare Fill 6
Clap Fill 1
BD Fill 1
Synth Pad 3
Synth Riff 7
Guitar Riff 1
Synth Riff 8
Synth Riff 9
Synth Seq 4
Happy Hit
Crash Cymbal
P:253
P:254
P:313
P:314
P:407
P:408
P:393
P:369
P:593
P:614
P:537
P:615
P:616
P:644
P:690
P:677
U:04 Minimal Techno (BPM=136)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 7
Techno Drums 8
Techno Bass 7
Techno Bass 8
Snare Fill 7
Cowbell Loop 1
RideCym Loop 1
BD Fill 2
Synth Riff 10
Synth Seq 3
Synth Seq 5
Synth Seq 6
SFX 2
SFX 3
SFX Hit 2
SFX Hit 3
P:255
P:256
P:315
P:316
P:409
P:467
P:387
P:370
P:617
P:643
P:645
P:646
P:508
P:509
P:679
P:680
U:05 Detroit Techno (BPM=135)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 9
Techno Drums 10
Techno Bass 9
Techno Bass 10
Snare Fill 8
Perc Loop 1
Snare Fill 9
LowCHH Loop 1
Synth Pad 4
Synth Seq 7
Synth Seq 8
Synth Seq 9
SFX 4
SFX 5
SFX Hit 4
SFX Hit 5
P:257
P:258
P:317
P:318
P:410
P:478
P:411
P:383
P:594
P:647
P:648
P:649
P:510
P:511
P:681
P:682
U:06 Hardcore (BPM=167)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 11
Techno Drums 12
Techno Bass 11
Techno Bass 12
Crash Loop 2
Clap Fill 2
BD Fill 3
Snare Fill 10
Piano Seq
Synth Riff 11
Synth Riff 12
Synth Riff 13
Synth Riff 14
SFX 6
Whistle Loop
Orchestra Hit 1
P:259
P:260
P:319
P:320
P:402
P:394
P:371
P:412
P:579
P:618
P:619
P:620
P:621
P:512
P:491
P:699
U:07 Rave (BPM=130)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 13
Techno Drums 14
Techno Bass 13
Techno Bass 14
Snare Fill 11
Tom Fill 1
Snare Fill 12
Snare Fill 13
Synth Pad 5
Guitar Riff 2
Synth Riff 15
Synth Riff 16
Synth Riff 17
SFX 7
Orchestra Hit 2
Voice Hit 1
P:261
P:262
P:321
P:322
P:413
P:454
P:414
P:415
P:595
P:538
P:622
P:623
P:624
P:513
P:700
P:705
U:08 Rock (BPM=110)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 15
Techno Drums 16
Techno Bass 15
Techno Bass 16
Snare Fill 14
Tom Fill 2
Snare Fill 15
Snare Fill 16
Guitar Riff 3
Guitar Riff 4
Synth Seq 10
Vox 2
Synth Riff 18
SFX 8
Industry Hit 2
Voice Hit 2
P:263
P:264
P:323
P:324
P:416
P:455
P:417
P:418
P:539
P:540
P:650
P:664
P:625
P:514
P:692
P:706
U:09 Industrial (BPM=130)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 17
Techno Drums 18
Techno Bass 17
Techno Bass 18
Industry Fill 1
BD Fill 4
Industry Fill 2
Tom Fill 3
Synth Seq 11
Synth Seq 12
Synth Seq 13
SFX 9
SFX 10
SFX 11
Industry Hit 1
Industry Hit 3
P:265
P:266
P:325
P:326
P:470
P:372
P:471
P:456
P:651
P:652
P:653
P:515
P:516
P:517
P:691
P:693
MC-505Reference17.j 02.7.29 10:49 AM 217
U:10 Ambient Techno (BPM=125)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Techno Drums 19
Techno Drums 20
Techno Bass 19
Techno Bass 20
Snare Fill 17
BD Fill 5
Perc Fill 2
Perc Loop 2
Synth Pad 6
Synth Riff 19
Synth Seq 14
Synth Seq 15
SFX 12
SFX 13
Piano Delay
Bird
P:267
P:268
P:327
P:328
P:419
P:373
P:473
P:479
P:596
P:626
P:654
P:655
P:518
P:519
P:704
P:671
U:11 Drum'n' Bass 1 (BPM=170)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
D-Bass Drums 1
D-Bass Drums 2
D-Bass Bass 1
D-Bass Bass 2
Snare Fill 18
Snare Fill 19
Snare Fill 20
Tambourine 1
Synth Pad 7
Synth Pad 8
Synth Lead 1
SFX 14
SFX 15
SFX 16
SFX Hit 7
Industry Hit 4
P:269
P:270
P:329
P:330
P:420
P:421
P:422
P:451
P:597
P:598
P:580
P:520
P:521
P:522
P:683
P:694

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
D-Bass Drums 3
D-Bass Drums 4
D-Bass Bass 3
D-Bass Bass 4
Snare Fill 21
BD Fill 6
Snare Fill 22
Snare Fill 23
Piano Chord 1
Vox 3
Synth Riff 20
Synth Riff 21
Synth Seq 16
SFX 17
Orchestra Hit 3
Industry Hit 5
P:271
P:272
P:331
P:332
P:423
P:374
P:424
P:425
P:562
P:665
P:627
P:628
P:656
P:523
P:701
P:695

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
D-Bass Drums 5
D-Bass Drums 6
D-Bass Bass 5
D-Bass Bass 6
Snare Fill 24
Snare Fill 25
BD Fill 7
Snare Fill 26
Synth Pad 9
Synth Riff 22
Vox 4
Vox 5
SFX 18
SFX 19
Industry Hit 6
Industry Hit 7
P:273
P:274
P:333
P:334
P:426
P:427
P:375
P:428
P:599
P:629
P:666
P:667
P:524
P:525
P:696
P:697
U:14 Jungle (BPM=170)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
D-Bass Drums 7
D-Bass Drums 8
D-Bass Bass 7
D-Bass Bass 8
Snare Fill 27
Snare Fill 28
RideCym Loop 2
BD Fill 8
E.Piano Chord 1
Piano Chord 2
Synth Seq 17
Synth Seq 18
Synth Lead 2
Organ Lead 1
Brass Fall 1
Whistle Hit 1
P:275
P:276
P:335
P:336
P:429
P:430
P:388
P:376
P:499
P:563
P:657
P:658
P:581
P:559
P:672
P:713
U:15 HipHop East (BPM=90)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HipHop Drums 1
HipHop Drums 2
HipHop Bass 1
HipHop Bass 2
Tambourine 2
Scratch 1
Scratch 2
Scratch 3
Organ Chord 1
E.Piano Chord 2
Organ Chord 2
Guitar Chord 1
Guitar Lead
Vibe Lead
HipHop Hit 1
Phono Noise
P:277
P:278
P:337
P:338
P:452
P:481
P:482
P:483
P:549
P:500
P:550
P:531
P:536
P:662
P:687
P:578
U:16 HipHop West (BPM=95)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HipHop Drums 3
HipHop Drums 4
HipHop Bass 3
HipHop Bass 4
Scratch 4
Tambourine 3
Gunshot
Tom Fill 4
Guitar Chord 2
Str.Obligato 1
Organ Lead 2
Synth Lead 3
Synth Riff 23
G Laughter
HipHop Hit 2
Voice Hit 3
P:279
P:280
P:339
P:340
P:484
P:453
P:469
P:457
P:532
P:588
P:560
P:582
P:630
P:547
P:688
P:707
U:17 HipHop Abstruct1 (BPM=80)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HipHop Drums 5
HipHop Drums 6
HipHop Bass 5
HipHop Bass 6
Snare Fill 29
Clap Fill 3
Scratch 5
LowCHH Loop 2
Synth Riff 24
Str.Obligato 2
E.Piano Lead 1
E.Piano Chord 3
Vox 6
SFX 20
Phono Noise
Piano Delay
P:281
P:282
P:341
P:342
P:431
P:395
P:485
P:384
P:631
P:589
P:497
P:501
P:668
P:526
P:578
P:704
U:18 HipHop Abstruct2 (BPM=70)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HipHop Drums 7
HipHop Drums 8
HipHop Bass 7
HipHop Bass 8
RideCym Fill
Perc Fill 3
Perc Loop 3
Perc Fill 4
E.Piano Chord 4
Synth Pad 10
Synth Lead 4
SFX 21
SFX 22
SFX 23
Piano Delay
SFX Hit 8
P:283
P:284
P:343
P:344
P:386
P:474
P:480
P:475
P:502
P:600
P:583
P:527
P:528
P:529
P:704
P:684
217
MC-505Reference17.j 02.7.29 10:49 AM 218
U:19 HipHop Early (BPM=95)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HipHop Drums 9
HipHop Drums 10
HipHop Bass 9
HipHop Bass 10
Clap Fill 4
Tom Fill 5
Tom Fill 6
Scratch 6
Guitar Chord 3
Synth Riff 25
Piano Chord 3
E.Piano Lead 2
Synth Lead 5
Synth Lead 6
HipHop Hit 3
Voice Hit 4
P:285
P:286
P:345
P:346
P:396
P:458
P:459
P:486
P:533
P:632
P:564
P:498
P:584
P:585
P:689
P:708
U:20 HipHop Jazz&Soul (BPM=100)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
15
HipHop Drums 11
HipHop Drums 12
HipHop Bass 11
HipHop Bass 12
Perc Fill 5
Clap Fill 5
CHH Fill 2
RideCym Loop 3
Synth Pad 11
Synth Pad 12
E.Piano Chord 5
Piano Chord 4
Synth Lead 7
Guitar Riff 5
Voice Hit 5
Brass Fall 1
P:287
P:288
P:347
P:348
P:476
P:397
P:380
P:389
P:601
P:602
P:503
P:565
P:586
P:541
P:709
P:672
U:21 House (BPM=120)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
218
House Drums 1
House Drums 2
House Bass 1
House Bass 2
Snare Fill 30
Clap Fill 6
Snare Fill 31
Snare Fill 32
Synth Riff 26
Piano Chord 5
Piano Chord 6
Vox 7
Synth Seq 19
Organ Lead 3
Voice Hit 6
Crash Cymbal
P:289
P:290
P:349
P:350
P:432
P:398
P:433
P:434
P:633
P:566
P:567
P:669
P:659
P:561
P:710
P:677
U:22 Garage House (BPM=120)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
House Drums 3
House Drums 4
House Bass 3
House Bass 4
Snare Fill 33
Perc Fill 6
Clap Fill 7
BD Loop 1
Synth Pad 13
Synth Pad 14
Piano Chord 7
E.Piano Chord 6
E.Piano Chord 7
Organ Chord 3
Crash Cymbal
Orchestra Hit 4
P:291
P:292
P:351
P:352
P:435
P:477
P:399
P:377
P:603
P:604
P:568
P:504
P:505
P:551
P:677
P:702
U:23 Hard House (BPM=130)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
House Drums 5
House Drums 6
House Bass 5
House Bass 6
Snare Fill 34
LowCHH Loop 3
BD Loop 2
Clap Fill 8
Organ chord 4
Piano Chord 8
Synth Riff 27
Synth Riff 28
Str.Obligato 3
SFX 24
SFX Hit 9
Industry Hit 8
P:293
P:294
P:353
P:354
P:436
P:385
P:378
P:400
P:552
P:569
P:634
P:635
P:590
P:530
P:685
P:698
U:24 Happy Handbag (BPM=130)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
House Drums 7
House Drums 8
House Bass 7
House Bass 8
Snare Fill 35
Snare Fill 36
Snare Fill 37
RideCym Loop 4
Piano Chord 9
Synth Riff 29
Synth Riff 30
Synth Riff 31
Synth Riff 32
Synth Riff 33
Orchestra Hit 5
Voice Hit 7
P:295
P:296
P:355
P:356
P:437
P:438
P:439
P:390
P:570
P:636
P:637
P:638
P:639
P:640
P:703
P:711
U:25 Jazz Funk 1 (BPM=125)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Jazz Drums 1
Jazz Drums 2
Jazz Bass 1
Jazz Bass 2
Snare Fill 38
Snare Fill 39
RideCym Loop 5
Snare Fill 40
Organ Chord 5
Guitar Riff 6
Guitar Riff 7
Guitar Riff 8
Synth Seq 20
Brass 1
Voice Hit 8
Brass Fall 1
P:297
P:298
P:357
P:358
P:440
P:441
P:391
P:442
P:553
P:542
P:543
P:544
P:660
P:492
P:712
P:672
U:26 Jazz Funk 2 (BPM=125)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Jazz Drums 3
Jazz Drums 4
Jazz Bass 3
Jazz Bass 4
RideCym Loop 6
Snare Fill 41
Snare Fill 42
Snare Fill 43
Piano Chord 10
Organ Chord 6
E.Piano Chord 8
Synth Pad 15
Brass 2
Voice Riff
Brass Fall 1
Voice Hit 5
P:299
P:300
P:359
P:360
P:392
P:443
P:444
P:445
P:571
P:554
P:506
P:605
P:493
P:670
P:672
P:709
U:27 Reggae 1 (BPM=190)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Reggae Drums 1
Reggae Drums 2
Reggae Bass 1
Reggae Bass 2
Tom Fill 7
Snare Fill 44
Tom Fill 8
CHH Fill 3
Piano Chord 11
Piano Chord 12
Organ Chord 7
Organ Chord 8
Guitar Chord 4
Brass Hit
Blip Hit 2
Orchestra Hit 5
P:301
P:302
P:361
P:362
P:460
P:446
P:461
P:381
P:572
P:573
P:555
P:556
P:534
P:674
P:676
P:703
MC-505Reference17.j 02.7.29 10:49 AM 219
U:28 Reggae 2 (BPM=155)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Reggae Drums 3
Reggae Drums 4
Reggae Bass 3
Reggae Bass 4
Tom Fill 9
Snare Fill 45
Snare Fill 46
CHH Fill 4
Piano Chord 13
Organ Chord 9
Organ Chord 10
Guitar Chord 5
Guitar Riff 9
Guitar Riff 10
Brass 3
SFX Hit 10
P:303
P:304
P:363
P:364
P:462
P:447
P:448
P:382
P:574
P:557
P:558
P:535
P:545
P:546
P:494
P:686
U:29 Salsa (BPM=110)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Latin Drums 1
Latin Drums 2
Latin Bass 1
Latin Bass 2
Timbales Fill 1
Timbales Fill 2
Cowbell Loop 2
Agogo Loop 1
Piano Chord 14
Piano Chord 15
Piano Chord 16
Brass 4
Brass 5
Marimba
Brass Fall 2
Crash Cymbal
P:305
P:306
P:365
P:366
P:489
P:490
P:468
P:463
P:575
P:576
P:577
P:495
P:496
P:548
P:673
P:677
U:30 Samba (BPM=125)

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
15
Latin Drums 3
Latin Drums 4
Latin Bass 3
Latin Bass 4
Surdo Loop 1
Surdo Loop 2
Snare Fill 47
Snare Fill 48
Synth Pad 16
Synth Pad 17
Synth Lead 8
Synth Seq 21
Bongo
Agogo Loop 2
Whistle Hit 2
Brass Fall 1
P:307
P:308
P:367
P:368
P:487
P:488
P:449
P:450
P:606
P:607
P:587
P:661
P:466
P:464
P:714
P:672
219
MC-505Reference17.j 02.7.29 10:49 AM 220
#
WAVE/FXM
WAVE: Tone SW #
WAVE: Wave Select #
WAVE: Wave Gain
FXM: FXM SW
FXM: FXM Color
FXM: FXM Depth
EDIT+KEY PAD1p. 35
OFF, ON
A001 B251
-6, 0, +6, +12

FXM
OFF, ON
FXM
14
FXM
1 16
PITCH
PITCH: CoarseTune #
PITCH: Fine Tune #
PITCH: Rnd Pitch
PITCH: Key Follow
EDIT+KEY PAD2p. 36
-48 +48
-50 +50
1*
2*
1* 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000,
1100, 1200
2* -100, -70, -50, -30, -10, 0, +10, +20, +30, +40, +50, +70, +100, +120, +150, +200
P-ENV
P-ENV: ENV Depth #
P-ENV: Velo Sens
P-ENV: Velo Time1
P-ENV: Velo Time4
P-ENV: Time KF
P-ENV: ATime1 #
P-ENV: Time2
P-ENV: DTime3 #
P-ENV: RTime4 #
P-ENV: Level1
P-ENV: Level2
P-ENV: SLevel3 #
P-ENV: Level4
EDIT+KEY PAD3
p. 38
1
4
1
2
3
4
1
2
3
4
-12 +12
-100 +150
1*
1*
1*
0 127
0 127
0 127
0 127
-63 +63
-63 +63
-63 +63
-63 +63
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
FILTER EDIT+KEY PAD4p. 42
FILTER: Type #
FILTER: Cutoff #
FILTER: Cutoff KF
FILTER: Resonance #
FILTER: Reso Velo
OFF, LPF, BPF, HPF, PKG

0 127
1*
0 127
-100 +150
1* -100, -70, -50, -30, -10, 0, +10, +20, +30, +40, +50, +70, +100, +120, +150, +200
220
MC-505Reference17.j 02.7.29 10:49 AM 221
F-ENV
F-ENV: ENV Depth #
F-ENV: Velo Curve
F-ENV: Velo Sens
F-ENV: Velo Time1
F-ENV: Velo Time4
F-ENV: Time KF
F-ENV: ATime1 #
F-ENV: Time2
F-ENV: DTime3 #
F-ENV: RTime4 #
F-ENV: Level1
F-ENV: Level2
F-ENV: SLevel3 #
F-ENV: Level4
EDIT+KEY PAD5p. 44
1
4
1
2
3
4
1
2
3
4
-63 +63
17
-100 +150
1*
1*
1*
0 127
0 127
0 127
0 127
0 127
0 127
0 127
0 127
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
AMPLIFIER/LEVEL
LEVEL: Tone Level #
LEVEL: Bias Dir
LEVEL: Bias Point
LEVEL: Bias Level
EDIT+KEY PAD6
p. 46
0 127
LWR, UPR, L&U, ALL
C-1 G9
1*
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
AMPLIFIER/PAN
PAN: Tone Pan #
PAN: Pan KF
PAN: Rnd Pan Sw #
PAN: Alt Pan Dpth
EDIT+KEY PAD7p. 47
L64 63R
1*
OFF, ON
L63 63R
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
A-ENV
A-ENV: Velo Curve
A-ENV: Velo Sens
A-ENV: Velo Time1
A ENV: Velo Time4
A-ENV: Time KF
A-ENV: ATime1 #
A-ENV: Time2
A-ENV: DTime3 #
A-ENV: RTime4 #
A-ENV: Level1
A-ENV: Level2
A-ENV: SLevel3 #
EDIT+KEY PAD8
p. 49
1
4
1
2
3
4
1
2
3
17
-100 +150
1*
1*
1*
0 127
0 127
0 127
0 127
0 127
0 127
0 127
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
221
MC-505Reference17.j 02.7.29 10:49 AM 222
LFO1
LFO1: Waveform #
LFO1: Rate #
LFO1: Tempo Sync
LFO1: Key Sync
LFO1: Fade Mode
LFO1: Delay Time
LFO1: Fade Time
LFO1: Offset
LFO1: Pitch Depth #
LFO1: FilterDepth #
LFO1: Amp Depth #
LFO1: Pan Depth
EDIT+KEY PAD9p. 52
TRI, SIN, SAW, SQR, TRP, S&H, RND, CHS
0 127, 1*
OFF, ON
OFF, ON
OnI, OnO, OfI, OfO
0 127
0 127
-100, -50, 0, +50, +100
-63 +63
-63 +63
-63 +63
-63 +63
1*
LFO2
LFO2: Waveform
LFO2: Rate
LFO2: Tempo Sync
LFO2: Key Sync
LFO2: Fade Mode
LFO2: Delay Time
LFO2: Fade Time
LFO2: Offset
LFO2: Pitch Depth
LFO2: FilterDepth
LFO2: Amp Depth
LFO2: Pan Depth
EDIT+KEY PAD10p. 52
0 127, 1*
OFF, ON
OFF, ON
OnI, OnO, OfI, OfO
0 127
0 127
-100, -50, 0, +50, +100
-63 +63
-63 +63
-63 +63
-63 +63
1*
COMMON
COM: Struct 1&2 *
COM: Struct 3&4 *
COM: Booster 1&2 *
COM: Booster 3&4 *
COM: Stretch Tune *
COM: V-Priority *
COM: Key Range L *
COM: Key Range U *
COM: Velo Range *
COM: Velo Range L
COM: Velo Range U
COM: Velo X-Fade
EDIT+KEY PAD11p. 54
1&2
3&4
1&2
3&4
222
1 10
1 10
0, +6, +12, +18
0, +6, +12, +18
OFF, 1 3
LAST, LOUDEST
C-1 UPR
LWR G9
OFF, ON
1 UPR
LWR 127
0 127
MC-505Reference17.j 02.7.29 10:49 AM 223
SOLO/PORTA
SOLO: Solo SW #*
SOLO: Solo Legato *
PORTAMENTO: SW #*
PORTAMENTO: Mode *
PORTAMENTO: Type *
PORTAMENTO: Start *
PORTAMENTO: Time #*
EDIT+KEY PAD12
p. 58
OFF, ON
OFF, ON
OFF, ON
NORMAL, LEGATO
RATE, TIME
PITCH, NOTE
0 127
*
CONTROL/MODULATION
EDIT+KEY PAD13p. 60
MOD: Control 1
1
1*
MOD: Ctrl1 Depth
1
-63 +63
MOD: Control 2
2
1*
MOD: Ctrl2 Depth
2
-63 +63
MOD: Control 3
3
1*
MOD: Ctrl3 Depth
3
-63 +63
MOD: Control 4
4
1*
MOD: Ctrl4 Depth
4
-63 +63
1* OFF, PCH, CUT, RES, LEV, PAN, L1P, L2P, L1F, L2F, L1A, L2A, L1p, L2p, L1R, L2R
CONTROL/PITCH BEND
EDIT+KEY PAD14p. 60
BEND: Bend Up *
0 +12
BEND: Bend Down *
0 -48
BEND: Control 1
1
1*
BEND: Ctrl1 Depth
1
-63 +63
BEND: Control 2
2
1*
BEND: Ctrl2 Depth
2
-63 +63
BEND: Control 3
3
1*
BEND: Ctrl3 Depth
3
-63 +63
BEND: Control 4
4
1*
BEND: Ctrl4 Depth
4
-63 +63
*
CONTROL/AFTER TOUCH
EDIT+KEY PAD15p. 60
AFT: Control 1
1
1*
AFT: Ctrl1 Depth
1
-63 +63
AFT: Control 2
2
1*
AFT: Ctrl2 Depth
2
-63 +63
AFT: Control 3
3
1*
AFT: Ctrl3 Depth
3
-63 +63
AFT: Control 4
4
1*
AFT: Ctrl4 Depth
4
-63 +63
223
MC-505Reference17.j 02.7.29 10:49 AM 224
#
WAVE
WAVE: Tone SW
WAVE: C#4(61) #
WAVE: Wave Gain
KEY: Env Mode
KEY: Mute Group
EDIT+KEY PAD1
p. 64
OFF, ON
A001 B251
-6, 0, +6, +12
SUSTAIN, NO-SUS
OFF, 1 31
PITCH
PITCH: CoarseTune #
PITCH: Fine Tune #
PITCH: Rnd Pitch
EDIT+KEY PAD2p. 65
-48 +48
-50 +50
1*
1* 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000,
1100, 1200
P-ENV
P-ENV: ENV Depth #
P-ENV: Velo Sens
P-ENV: Velo Time
P-ENV: ATime1 #
P-ENV: Time2
P-ENV: DTime3 #
P-ENV: RTime4 #
P-ENV: Level1
P-ENV: Level2
P-ENV: SLevel3 #
P-ENV: Level4
EDIT+KEY PAD3
p. 66
1
2
3
4
1
2
3
4
-12 +12
-100 +150
1*
0 127
0 127
0 127
0 127
-63 +63
-63 +63
-63 +63
-63 +63
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
FILTER
FILTER: Type
FILTER: Cutoff
FILTER: Resonance
FILTER: Reso Velo
EDIT+KEY PAD4p. 69

0 127
0 127
-100 +150
F-ENV
F-ENV: ENV Depth #
F-ENV: Velo Sens
F-ENV: Velo Time
F-ENV: ATime1 #
F-ENV: Time2
F-ENV: DTime3 #
F-ENV: RTime4 #
F-ENV: Level1
F-ENV: Level2
F-ENV: SLevel3 #
F-ENV: Level4
EDIT+KEY PAD5p. 71
1
2
3
4
1
2
3
4
-63 +63
-100 +150
1*
0 127
0 127
0 127
0 127
0 127
0 127
0 127
0 127
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
224
MC-505Reference17.j 02.7.29 10:49 AM 225
AMPLIFIER/LEVEL
EDIT+KEY PAD6
p. 73
AMP: Tone Level #
0 127
AMPLIFIER/PAN
AMP: Tone Pan
AMP: Rnd Pan Sw
AMP: Alt Pan Dpth
EDIT+KEY PAD7p. 73
L64 63R
OFF, ON
L63 63R
A-ENV
A-ENV: Velo Sens
A-ENV: Velo Time
A-ENV: ATime1 #
A-ENV: Time2
A-ENV: DTime3 #
A-ENV: RTime4 #
A-ENV: Level1
A-ENV: Level2
A-ENV: SLevel3 #
EDIT+KEY PAD8
p. 74
1
2
3
4
1
2
3
-100 +150
1*
0 127
0 127
0 127
0 127
0 127
0 127
0 127
1* -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
CONTROL/PITCH BEND
EDIT+KEY PAD14p. 75
BEND: Bend Range
0 +12
RHY TONE
R.TONE REV Level
R.TONE DLY Level
R.TONE EFX/Out
EDIT+KEY PAD16
p. 76
EFX/
0 127
0 127
#
P
PART MIXER
Part Level #P
Part Pan #P
Part K-Shift #P
Part Reverb #P
Part Delay #P
Part EFX/Out #P
p. 24
EFX/
REVERB
Type#
Reverb Time#
HF Damp#
EFX->Rev Lvl#
Reverb Level#
SHIFT+KEY PAD5p. 81
ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2
0 127
HF
1*
EFX
0 127
0 127
0 127
L64 63R
-24 +24
0 127
0 127
DRY, EFX, DIR1, DIR2, RHY
1* 200, 250, 315, 400, 500 ,630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
225
MC-505Reference17.j 02.7.29 10:49 AM 226
DELAY
Type #
Delay Time #
Feedback #
HF Damp
Output
EFX->Dly Lvl #
Delay Level #
SHIFT+KEY PAD6
p. 85
HF
EFX
SHORT, LONG
S:0.1 275, L:200 1000, 1*
0 +98
2*
MIX, REV, MIX+REV
0 127
0 127
1* , 1/16, 1/12, 3/32, 1/8, 1/6, 3/16, 1/4, 1/3, 3/8, 1/2
2* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
EFX
Type= 4-BAND-EQ #
Low Freq
Low Gain #
High Freq
High Gain #
Peak1 Freq
Peak1 Q
Peak1 Gain #
Peak2 Freq
Peak2 Q
Peak2 Gain
Output Level #
SHIFT+KEY PAD7
p. 87
1
1Q
1
2
2Q
2
200, 400
-15 +15
4000, 8000
-15 +15
1*
0.5, 1.0, 2.0, 4.0, 8.0
-15 +15
1*
0.5, 1.0, 2.0, 4.0, 8.0
-15 +15
0 127
1* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000
Type= SPECTRUM #
Low-High #
Middle Gain #
Width #
Output Pan
Output Level #
-15 +15
-15 +15
15
L64 63R
0 127
Type= ENHANCER #
Sens #
Mix #
Low Gain
High Gain #
Output Level #
0 127
0 127
-15 +15
-15 +15
0 127
Type= OVERDRIVE #
Input Level
Drive #
AMP Type #
Output Pan #
Output Level #
0 127
0 127
SMALL, BUILTIN, 2STACK, 3STACK
L64 R63
0 127
226
MC-505Reference17.j 02.7.29 10:49 AM 227
Type= DISTORTION #
Input Level
Drive #
AMP Type #
Output Pan #
Output Level #
0 127
0 127
SMALL, BUILTIN, 2STACK, 3STACK
L64 63R
0 127
Type= Lo-Fi #
Bit Down #
S-Rate Down #
Post Gain #
Low Gain
High Gain
Output
Output Level #
07
32, 16, 8, 4
0, +6, +12, +18
-15 +15
-15 +15
MONO, STEREO
0 127
Type= NOISE #
Noise Type
Noise Level #
N Filter #
Lo-Fi Level #
Output Pan
Output Level #
Lo-Fi
1 18
0 127
1*
0 127
L64 63R
0 127
1* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
Type= RADIO-TUNG #
Radio Detune #
Noise Level #
Low Gain
High Gain #
Output
Output Level #
0 127
0 127
-15 +15
-15 +15
MONO, STEREO
0 127
Type= PHONOGRAPH #
Disc Type
D NoiseLevel #
Depth #
Output Pan #
Output Level #
LP, EP, SP
0 127
0 +20
L64 63R
0 127
Type= COMPRESSOR #
Attack
Sustain
Post Gain
Low Gain
High Gain #
Output Level #
#
#
0 127
0 127
0, +6, +12, +18
-15 +15
-15 +15
0 127
227
MC-505Reference17.j 02.7.29 10:49 AM 228
Type= LIMITER #
Threshold #
Ratio #
Release #
Post Gain
Output Pan
Output Level #
0 127
1.5:1, 2:1, 4:1,100:1
0 127
0, +6, +12, +18
L64 63R
0 127
Type= SLICER #
Timing PTN #
Rate #
Accent PTN #
Accent Level
Attack
Output Level #
1 34
1/4, 1/2, 1/1
1 16
0 127
1 10
0 127
Type= TREMOLO #
LFO Type #
Rate #
Depth #
Low Gain
High Gain
Output Level #
LFO
TRI, TRP, SIN, SAW1, SAW2, SQR

0.1 10.0, 1*
0 127
-15 +15
-15 +15
0 127
1* 1/16, 1/12, 3/32, 1/8, 1/6, 3/16, 1/4, 1/3, 3/8, 1/2, 2/3, 3/4, 1/1, 2MES, 3MES, 4MES, 8MES, 16MES
Type= PHASER #
Manual
Rate #
Depth #
Resonance #
Mix
Output Pan
Output Level #
100 8000
0.1 10.0, 1*
0 127
0 127
0 127
L64 63R
0 127
Type= CHORUS #
Pre Delay
Rate #
Depth #
Phase #
Filter Type
Cutoff
Balance
Output Level #
0.0 100
0.1 10.0, 1*
0 127
0 180
OFF, LPF, HPF
2*
D100:0E D0:100E
0 127
2* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000
228
MC-505Reference17.j 02.7.29 10:49 AM 229
Type= SPACE-D #
Pre Delay
Rate #
Depth #
Phase #
Low Gain
High Gain
Balance
Output Level #
0.0 100
0.1 10.0, 1*
0 127
0 180
-15 +15
-15 +15
D100:0E D0:100E
0 127
Type= TETRA-CHORS #
Pre Delay
Rate #
Depth #
Pre Dly Devi
Depth Devi
Pan Devi #
Balance
Output Level #
0.0 100
0.1 10.0, 1*
0 127
0 20
-20 +20
0 20
D100:0E D0:100E
0 127
Type= FLANGER #
Pre Delay
Rate #
Depth #
Feedback #
Phase
Filter Type
Cutoff
Balance
Output Level #
0.0 100
0.1 10.0, 1*
0 127
0 +98
0 180
OFF, LPF, HPF
2*
D100:0E D0:100E
0 127
2* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000
Type= ST-FLANGER #
Pre Delay
Rate #
Depth #
Feedback
Phase
Step Rate #
Balance
Output Level #
0.0 100
0.1 10.0, 1*
0 127
0 +98
0 180
0.05 10.0, 2*
D100:0E D0:100E
0 127
2* 1/16, 1/12, 3/32, 1/8, 1/6, 3/16, 1/4, 1/3, 3/8, 1/2
229
MC-505Reference17.j 02.7.29 10:49 AM 230
Type= SHORT-DELAY #
Time L #
Time R #
HF Damp
Feedback #
Auto Pan
Low Gain
High Gain
Balance
Output Level #
HF
0.1 190
0.1 190
1*
0 +98
OFF, 2*
-15 +15
-15 +15
D100:0E D0:100E
0 127
1* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
Type= AUTO-PAN #
LFO Type
Rate #
Bass Sence #
Depth #
Low Gain
High Gain
Output Level
LFO
TRI, TRP, SIN, SAW1, SAW2, SQR

0.1 10.0, 1*
OFF, MODE1, MODE2
0 127
-15 +15
-15 +15
0 127
1* 1/16, 1/12, 3/32, 1/8, 1/6, 3/16, 1/4, 1/3, 3/8, 1/2, 2/3, 3/4, 1/1, 2MES, 3MES, 4MES, 16MES
Type= FB-P-SHIFT #
Coarse #
Fine
Output Pan #
Pre Delay
Mode
Feedback #
Low Gain
High Gain
Balance
Output Level #
-24 +12
-100 +100
L64 63R
0.0 100
15
0 +98
-15 +15
-15 +15
D100:0E D0:100E
0 127
Type= REVERB #
Rev Type
Time #
HF Damp #
Balance #
Output Level #
HF

0 127
1*
D100:0E D0:100E
0 127
1* 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
Type= GATE-REVERB #
Gate Type #
Gate Time #
Balance #
Output Level #
SEQ OUT
SHIFT+KEY PAD8p. 25
SEQ Out P
230
NORMAL, REVRSE, SWEEP1, SWEEP2

5 330
D100:0E D0:100E
0 127
INT, EXT, BOTH
MC-505Reference17.j 02.7.29 10:49 AM 231
#
ARPEGGIO
ARP: Style #
ARP: Accent Rate
ARP: Octave Range #
ARP: Motif
ARP: Beat Pattern
ARP: Shuffle Rate
SHIFT+KEY PAD1p. 107
1*
0 127
-3 +3
2*
3*
50 90 %
1* 1/4, 1/6, 1/8, 1/12, 1/16, 1/32, PORTAMENTO A B, GRISSANDO, SEQUENCE A D, ECHO, SYNTH BASS,
HEAVY SLAP, LIGHT SLAP, WALK BASS, RHYTHM GTR 1 5, 3 FINGER, STRUMMING GTR, PIANO BACKING,
CLAVI CHORD, WALTZ, SWING WALTZ, REGGAE, PERCUSSION, HARP, SHAMISEN, BOUND BALL, RANDOM,
BOSSA NOVA, SALSA, MAMBO, LATIN PERCUSION, SAMBA, TANGO, HOUSE, LIMITLESS, USER TYPE 1 20
2* SINGLE UP, SINGLE DOWN, SINGLE UP&DOWN, SINGLE RANDOM, DUAL UP, DUAL DOWN, DUAL UP&DOWN,
DUAL RANDOM, TRIPLE UP, TRIPLE DOWN, TRIPLE UP&DOWN, TRIPLE RANDOM, NOTE ORDER, GLISSANDO,
CHORD, BASS+CHORD 1 5, BASS+UP 1 8, BASS+RND 1 3, TOP+UP 1 6, BASS+UP+TOP
3* 1/4, 1/6, 1/8, 1/12, 1/16 1 3, 1/32 1 3, PORTA-A 1 11, PORTA-B 1 15, SEQ-A 1 7, SEQ-B 1 5,
SEQ-C 1 2, SEQ-D 1 8, ECHO 1 3, MUTE 1 16, STRUM 1 8, REGGAE 1 2, REF 1 2, PERC 1 4,
WALKBS, HARP, BOUND, RANDOM, BOSSA NOVA, SALSA 1 4, MAMBO 1 2, CLAVE, REV CLA, GUILO ,
AGOGO, SAMBA, TANGO 1 4, HOUSE 1 2
#
GRID
Resolution #
Strength #
1/4, 1/6, 1/8, 1/12, 1/16, 1/24, 1/32
0 100%
GROOVE
Groove Template #
Strength #
Velocity #
01 71
0 100 %
0 100 %
SHUFFLE
Resolution #
ShuffleRate #
1/12,1/24
0 100 %
231
MC-505Reference17.j 02.7.29 10:49 AM 232
P
TUNE/SOUND
MasterTune
ScaleTune SW
ScaleTune C B
Patch Remain
V-Reserve P
Reso Limit-R
Reso Limit-N
C B
R
N
CONTROLLER
LCD Contrast
Pad Velocity
Pdl Assign
Pdl Pol
BeamPol
Beam Assign1
Beam Assign2
Beam Assign3
Beam Range L
Beam Range U
SHIFT+KEY PAD10
p. 164
LCD
1 16
1 127
HOLD, SHIFT, FUNC, PTN-I, TAP, R-TPS, PLAY,

BEAM, SOSTE
STANDARD, REVERSE
STANDARD, REVERSE
1
01 28
2
01 28
3
01 28
0 UPR
LWR 127
SEQUENCER
Sync Mode
Sync Out
Thru
Loop Mode
Metro Level
RPS T-QTZ
ARPG Sync
AutoCheckSum
Tap SW
Tap Resolution
INT, REMOTE, SLAVE
OFF, ON
OFF, ON
OFF, LOOP1, LOOP2
0 127
RPS
REAL, 16, 8, 4, MES
OFF, ON
OFF, ON
OFF, ON
1/4, 1/8
MIDI
Remote Kbd
Device ID
MIDI Rx SW P
LocalTx P
Arpg Ctrl Ch
RPS Ctrl Ch
Edit TxRx
Rx.PG
Rx.Bank Sel
Rx.Sys-Ex
Tx.PG
Tx.Bank Sel
Tx.A-Sens
SHIFT+KEY PAD12
p. 168
ID
MIDI Rx
Tx
RPS
232
427.4 452.6
OFF, ON
-64 +63
OFF, ON
0 64
50 127
50 127
OFF, ON
17 32
OFF, ON
INT, EXT, BOTH
OFF, 1 16
OFF, 1 16
MODE1, MODE2
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
MC-505Reference17.j 02.7.29 10:49 AM 233
PITCH Section
FILTER Section
AMPLIFIER Section
P-ENVELOPE Section
F-ENVELOPE Section
A-ENVELOPE Section
LFO1 Section
PORTAMENTO Section
PART MIXER Section
Parameter
COARSE TUNE
FINE TUNE
FILTER TYPE
CUTOFF
RESONANCE
TONE LEVEL
TONE PAN
RND PAN
DEPTH
A
D
S
R
DEPTH
A
D
S
R
A
D
S
R
WAVEFORM
RATE
P-DEPTH
F-DEPTH
A-DEPTH
ON
TIME
SOLO
LEVEL
PAN
KEY SHIFT
REVERB
DELAY
EFX/OUT
MODE1
EXCLUSIVE
CC#77
EXCLUSIVE
CC#74
CC#71
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
EXCLUSIVE
CC#81
CC#82
CC#83
EXCLUSIVE
EXCLUSIVE
CC#73
CC#75
EXCLUSIVE
CC#72
EXCLUSIVE
CC#16
CC#18
CC#19
CC#80
CC#65
CC#5
CC#126/127
CC#7
CC#10
EXCLUSIVE
CC#91
CC#94
EXCLUSIVE
MODE2
CC#21
CC#77
CC#34
CC#74
CC#71
CC#36
CC#35
CC#37
CC#25
CC#26
CC#27
CC#39
CC#40
CC#81
CC#82
CC#83
CC#28
CC#29
CC#73
CC#75
CC#31
CC#72
CC#15
CC#16
CC#18
CC#19
CC#80
CC#65
CC#5
CC#126/127
CC#7
CC#10
CC#85
CC#91
CC#94
CC#86
Value
16 112 Center=64) *1
14 114 (Center=64) *1
0 4 *1
0 127 *1
0 127 *1
0 127 *1
0 127 (Center=64) *1
0 (OFF), 63 (ON) *1
52 76 (Center=64) *1
0 127 *1
0 127 *1
0 127 (Center=64) *1
0 127 *1
1 127 (Center=64) *1
0 127 *1
0 127 *1
0 127 *1
0 127 *1
0 127 *1
0 127 *1
0 127 *1
0 127 *1
0 7 *1
0 127 *1
1 127 (Center=64) *1
1 127 (Center=64) *1
1 127 (Center=64) *1
0 63 (OFF), 64 - 127 (ON)
0 127
126=1 (ON), 127=0 (OFF)
0 127
0 127 (Center=64)
16 112 (Center=64)
0 127
0 127
04
*1 TONE SELECT
REVERB DELAY EFX
233
MC-505Reference17.j 02.7.29 10:49 AM 234
MIDI
Model MC-505Groove Box
Date Oct. 30, 1997
Version 1.00
..................................................................................................................................................................
n
MIDI
0H-6H,9Hch.1 - ch.7,ch10
vv
00H-7FH0 - 127
kk
00H-7FH0 - 127
xx
ON/OFF
00H-3FH0 - 63:OFF40H-7FH64 - 127:ON
..................................................................................................................................................................
1. MIDI
2
BnH
04H
2
BnH
05H
3
vvH
3
vvH
Time
6, 38
2 3
BnH
06H
mmH
BnH
26H
llH
mm, ll RPN
mm MSB, ll LSB
2
BnH
07H
2
8nH
kkH
9nH
kkH
3
vvH
00H
Rx Switch OFF
Envelope Mode NO-SUS
2
9nH
kkH
8
2
BnH
08H
3
vvH
3
vvH
10
2
BnH
0AH
3
vvH
3
vvH
0 64 127 128
Rx Switch OFF
11
2
BnH
0BH
2
AnH
kkH
1 4 16-19
3
vvH
3
vvH
Rx Switch OFF
2
BnH
10H-13H
3
vvH
1 64
Rx Switch OFF
2
BnH
40H
3
xxH
0, 32
2
BnH
00H
BnH
20H
mm, ll
3
mmH
llH
00 00H - 7F 7FH bank.1 - bank.16384
65
2
BnH
41H
3
xxH
66
Rx Program Change Rx Bank Select OFF

Bank Select | Program No | Group
Patch No.
MSB | LSB |
|
------+-----+------------+---------------------------------------81 |
0 |
1 - 128 | Preset-A
001 - 128
81 |
1 |
1 - 128 | Preset-B
001 - 128
81 |
2 |
1 - 128 | Preset-C
001 - 128
81 |
3 |
1 - 128 | Preset-D
001 - 128
85 |
0 |
1 - 128 | User-A
001 - 128
85 |
1 |
1 - 128 | User-B
001 - 128
86 |
0 |
1 - 128 | Card-A
001 - 128
86 |
1 |
1 - 128 | Card-B
001 - 128
86 |
2 |
1 - 128 | Card-C
001 - 128
86 |
3 |
1 - 128 | Card-D
001 - 128
2
BnH
42H
3
xxH
67
2
BnH
43H
3
xxH
1 10 70 79
2
BnH
46-4FH
3
vvH
5 8 80-83

Bank Select | Program No | Group
Patch No.
MSB | LSB |
|
------+-----+------------+---------------------------------------81 |
0 |
1 - 26 | Preset
01 - 26
85 |
0 |
1 - 20 | User
01 - 20
86 |
0 |
1 - 20 | Card
01 - 20
1
2
BnH
01H
3
vvH
2
BnH
02H
234
3
vvH
2
BnH
50H-53H
3
vvH
84
2
BnH
54H
3
kkH
Time
MC-505Reference17.j 02.7.29 10:49 AM 235
1
91
2 3
BnH
5BH
vvH
120
4
94
2 3
BnH
5EH
vvH
2 3
BnH
65H
mmH
BnH
64H
llH
mm RPN MSB
ll RPN LSB
<<< RPN >>
RPN
MIDI
RPN 100 101
6, 38 RPN
RPN
RPN
Data entry
MSB, LSB
mmH, ---
mm 00H - 0CH0 - 12
ll 00H
1
Bend Range upBend Range Down
10
00H, 01H
mmH, llH
mm, ll 20 00H - 40 00H - 60 00H

-8192 50 8192 - 0 - +8192 50 8192 cent
Fine Tune
00H, 02H
mmH, ---
mm 10H - 40H - 70H-48 - 0 - +48

ll 00H
Coarse Tune
7FH, 7FH
---, ---
RPN
RPN RPN
RPN
mm, ll
00H - 7FHprog.1 - prog.128
Rx Program Change OFF

Rx Switch OFF
2
DnH
vvH
Rx Switch OFF
2 3
EnH
llH
mmH
mm, ll
3
00H
121
2
BnH
79H
3
00H
Rx Switch OFF

2
RPN
1
2
0
0
0
0
0
127
0
0
0
0
0
0
123
2
BnH
7BH
3
00H
Rx Switch OFF
124
2
BnH
7CH
3
00H

Rx Switch OFF
125
2
BnH
7DH
3
00H
OMNI ON
Rx Switch OFF
2
CnH
ppH
pp
2
BnH
78H

Rx Switch OFF
RPN MSB LSB 100, 101
RPN
MSB, LSB
00H, 00H
00 00H - 40 00H - 7F 7FH

-8192 - 0 - +8191
126
2 3
BnH
7EH
mmH
mm 00H - 10H0 - 16

Key Assign SOLO
Rx Switch OFF
127
BnH
2
7FH
3
00H

Key Assign POLY
Rx Switch OFF
Rx Switch OFF
235
MC-505Reference17.j 02.7.29 10:49 AM 236
1RQ1
F8H
Sync Mode SLAVE LFO
FEH

420ms

F0H
iiH, ddH, ......, eeH
F0H
ii ID
dd,..., ee
F7H
F7H
ID ID
ID 41H 7EH 7FH ID
7EH7FH
MIDI
00H - 7FH0 - 127
EOX
1DT1
ID 00 0BH

F0H
41H, dev, 00H, 0BH, 11H, aaH, bbH, ccH, ddH, ssH,
ttH, uuH, sum
F0H
41H
dev
00H
0BH
11H
aaH
bbH
ccH
ddH
ssH
ttH
uuH
vvH
sum
F7H
F7H
ID Roland
IDdev 10H - 1FH
IDMC-505
IDMC-505
IDRQ1
EOX

p. 249
Rx Sys-Ex OFF
1DT1
F0H

F0H
7EH, dev, 06H, 01H
F0H
7EH
dev
06H
01H
F7H
F7H
ID
IDdev:10H(17)-1FH(32)
ID#1General Infomation
ID#2Identity Request
EOX
ID 7FHBroadcast

F0H
7EH, dev, 06H, 02H, 41H, 0BH, 01H, 00H, 00H, 00H,
03H, 00H, 00H
F0H
7EH
dev
06H
02H
41H
0BH 01H
00H 00H
00H 03H 00H 00H
F7H
F7H
ID
IDdev:10H(17)-1FH(32)
ID#1General Infomation
ID#2Identity Reply
ID Roland
EOX
236
F0H
41H
dev
00H
0BH
12H
aaH
bbH
ccH
ddH
eeH
ffH
sum
F7H
41H, dev, 00H, 0BH, 12H, aaH, bbH, ccH, ddH,

eeH, ... ffH, sum
F7H
ID Roland
IDdev 10H - 1FH
IDMC-505
IDMC-505
IDDT1
EOX

p. 249
128 128
1 20ms
Rx Sys-Ex OFF
GS
p. 246
MC-505Reference17.j 02.7.29 10:49 AM 237
1DT1

F0H
41H, dev, 42, 12H, aaH, bbH, ccH, ddH, eeH, ... ffH, sum F7H
F0H
41H
dev
42H
12H
aaH
bbH
ccH
ddH
eeH
ffH
sum
F7H
ID Roland
IDdev 10H - 1FH
IDGS
IDDT1
EOX

p. 249
128 20ms
MC-505
2.
MIDI
2.1
2
8nH
kkH
9nH
kkH
2
9nH
kkH
2
AnH
kkH
3
vvH
2 3
BnH
kkH
vvH
kk 00H - 78H0 - 120
CnH
ppH
pp 00H - 7FHprog.1 - prog.128
1DT1
F0H
41H
dev
3AH
12H
aaH
bbH
ccH
ddH
sum
F7H
3
vvH

F0H
41H, dev, 3AH, 12H, aaH, bbH, ccH, ddH, sum
3
vvH
00H
F7H
ID Roland
IDdev 10H - 1FH
IDMC-505 Quick
IDDT1
/
/ H
L
E
EOX

p. 249

2
DnH
vvH
2 3
EnH
llH
mmH
mm, ll 00 00H - 40 00H - 7F 7FH-8192 - 0 - +8191
120
2
BnH
78H
3
00H
121
2
BnH
79H
3
00H
124
2
BnH
7CH
3
00H
125
2
BnH
7DH
3
00H
237
MC-505Reference17.j 02.7.29 10:49 AM 238
126
2 3
BnH
7EH
mmH
mm 00H - 10H0 - 16
Sync Mode SLAVE REMOTE
127
2.4
2
BnH
7FH
FCH
3
00H
2.4.1

F0H
iiH, ddH, ......, eeH
F7H
F0H
ii ID
ID ID
ID 41H 7EH 7FH ID
7EH
7FH MIDI
dd,..., ee 00H - 7FH0 - 127

F7H
EOX
2.2
2.4.2 MIDI Thru ON
2.4.3
2.4.3.1
124
2
BnH
7CH
3
00H
122
2 3
BnH
7AH
vvH
vv 00H, 7FH,
127
BnH
2
7FH
3
00H
123
2.4.3.2 Sync Out ON
2
BnH
7BH
3
00H
2.3
2 3
F2H
mmH
llH
mm, ll 00 00H - 7F 7FH0 - 16383
2 3
F2H
mmH
llH
mm, ll 00 00H - 7F 7FH0 - 16383
F8H
F8H
FAH
FBH
Sync Mode SLAVE
FAH
FBH
238
FCH
MC-505Reference17.j 02.7.29 10:49 AM 239
3.
1.MC-505Model ID 00H 0BH
2 16 ABH 0AH0BH
Description Reserve
+------------------------------------------------------------------------------+
| Start
|
|
|
Address | Description
|
|-------------+----------------------------------------------------------------|
| 00 00 00 00 | System
1-1
|
|-------------+----------------------------------------------------------------|
| 01 00 00 00 | Part Info
1-2
|
| 02 00 00 00 | Temporary Patch(part 1)
1-3
|
|
|
:
|
|
|
| 02 09 00 00 | Temporary Rhythm Setup
1-4
|
+-------------+----------------------------------------------------------------+
| 30 00 00 00 | Temporary Pattern Setup
|
| 40 00 00 00 | Temporary Pattern Body
|
+------------------------------------------------------------------------------+
1-1.System
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
|-------------+----------------------------------------------------------------|
|
00 00 | System Common
1-1-1 |
|
10 00 | Part 1 Scale Tune
1-1-2 |
|
|
|
:
|
|
|
|
|
19 00 | Part R Scale Tune
|
+------------------------------------------------------------------------------+
1-1-1.System Common
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
| 00 00-00 05 | 0aaa aaaa | Reserve
-|
|
00 06 | 0aaa aaaa | Master Tune
0 - 126 *1
|
|
00 07 | 0000 000a | Scale Tune Switch
0 - 1 (OFF,ON)
|
|
00 08 | 0000 000a | EFX Switch
0 - 1 (OFF,ON)
|
|
00 09 | 0000 000a | Delay Switch
0 - 1 (OFF,ON)
|
|
00 0A | 0000 000a | Reverb Switch
0 - 1 (OFF,ON)
|
|
00 0B | 0000 000a | Patch Remain
0 - 1 (OFF,ON)
|
|
00 0C | 0000 000a | Clock Source
0 - 1 (INT,MIDI) |
| 00 0D-00 13 | 0aaa aaaa | Reserve
-|
|-------------+-----------+----------------------------------------------------|
|
00 14 | 0000 000a | Receive Program Change
0 - 1 (OFF,ON)
|
|
00 15 | 0000 000a | Receive Bank Select
0 - 1 (OFF,ON)
|
|
00 16 | 0000 000a | Receive Control Change
0 - 1 (OFF,ON)
|
|
00 17 | 0000 000a | Receive Modulation
0 - 1 (OFF,ON)
|
|
00 18 | 0000 000a | Receive Volume
0 - 1 (OFF,ON)
|
|
00 19 | 0000 000a | Receive Hold-1
0 - 1 (OFF,ON)
|
|
00 1A | 0000 000a | Receive Pitch Bend
0 - 1 (OFF,ON)
|
|
00 1B | 0000 000a | Receive Aftertouch
0 - 1 (OFF,ON)
|
| 00 1C-00 27 | 0aaa aaaa | Reserve
-|
|
00 28 | 0000 000a | Transmit Program Change
0 - 1
(<OFF,ON>) |
|
00 29 | 0000 000a | Transmit Bank Select
0 - 1
(<OFF,ON>) |
| 00 2A-00 5F | 0aaa aaaa | Reserve
-|
|-------------+-----------+----------------------------------------------------|
|#
00 60 | 0000 aaaa | System Tempo
20 - 250
|
|
| 0000 bbbb |
|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 62
|
+------------------------------------------------------------------------------+
1:
427.4 - 452.6
1-1-2.Scale Tune
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0aaa aaaa | Scale Tune for C
0 - 127 (-64 - +63)|
|
00 01 | 0aaa aaaa | Scale Tune for C#
0 - 127 (-64 - +63)|
|
00 02 | 0aaa aaaa | Scale Tune for D
0 - 127 (-64 - +63)|
|
00 03 | 0aaa aaaa | Scale Tune for Eb
0 - 127 (-64 - +63)|
|
00 04 | 0aaa aaaa | Scale Tune for E
0 - 127 (-64 - +63)|
|
00 05 | 0aaa aaaa | Scale Tune for F
0 - 127 (-64 - +63)|
|
00 06 | 0aaa aaaa | Scale Tune for F#
0 - 127 (-64 - +63)|
|
00 07 | 0aaa aaaa | Scale Tune for G
0 - 127 (-64 - +63)|
|
00 08 | 0aaa aaaa | Scale Tune for G#
0 - 127 (-64 - +63)|
|
00 09 | 0aaa aaaa | Scale Tune for A
0 - 127 (-64 - +63)|
|
00 0A | 0aaa aaaa | Scale Tune for A#
0 - 127 (-64 - +63)|
|
00 0B | 0aaa aaaa | Scale Tune for B
0 - 127 (-64 - +63)|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 0C
|
+------------------------------------------------------------------------------+
1-2.Part Info
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
|-------------+----------------------------------------------------------------|
|
00 00 | Part Info Common
1-2-1 |
|
10 00 | Part Info Part 1
1-2-2 |
|
11 00 | Part Info Part 2
|
|
:
|
|
|
19 00 | Part Info Part R
|
+------------------------------------------------------------------------------+
239
MC-505Reference17.j 02.7.29 10:49 AM 240
1-2-1.Part Info Common
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+-----------+----------------------------------------------------|
| 00 00-00 0C | 0aaa aaaa | Reserve
-|
|
00 0D | 00aa aaaa | EFX Type
0 - 23
|
|
00 0E | 0aaa aaaa | EFX Parameter 1
0 - 127
|
|
00 0F | 0aaa aaaa | EFX Parameter 2
0 - 127
|
|
00 10 | 0aaa aaaa | EFX Parameter 3
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 1A | 0000 00aa | Reserve
-|
|
00 1B | 0aaa aaaa | Reserve
-|
|
00 1C | 0aaa aaaa | EFX Delay Send Level
0 - 127
|
|
00 1D | 0aaa aaaa | EFX Reverb Send Level
0 - 127
|
| 00 1E-00 21 | 0aaa aaaa | Reserve
-|
|
00 22 | 0aaa aaaa | Delay Level
0 - 127
|
|
00 23 | 0000 000a | Delay Type
0 - 1
*1
|
|
00 24 | 0aaa aaaa | Delay HFDMP
0 - 17
|
|
00 25 | 0aaa aaaa | Delay PreDelay
0 - 120
|
|
00 26 | 0aaa aaaa | Delay Feedback
0 - 98
|
|
00 27 | 0000 00aa | Delay Output
0 - 2
*2
|
|
00 28 | 0000 0aaa | Reverb Type
0 - 7
*3
|
|
00 29 | 0aaa aaaa | Reverb Level
0 - 127
|
|
00 2A | 0aaa aaaa | Reverb Time
0 - 127
|
|
00 2B | 000a aaaa | Reverb HF Damp
0 - 17
*4
|
|
00 2C | 0aaa aaaa | Reserve
-|
|-------------+-----------+----------------------------------------------------|
|#
00 2D | 0000 aaaa | Part Info Tempo
20 - 250
|
|
| 0000 bbbb |
|
|
00 2F | 0000 000a | Keyboard Range Switch
0 - 1
(OFF,ON)
|
|-------------+-----------+----------------------------------------------------|
|
00 30 | 0aaa aaaa | Voice Reserve 1
0 - 64
|
|
0 - 64
|
|
0 - 64
|
|
0 - 64
|
|
0 - 64
|
|
0 - 64
|
|
0 - 64
|
-|
|
0 - 64
|
| 00 3A-00 43 | 0aaa aaaa | Reserve
-|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 44
|
+------------------------------------------------------------------------------+
1:
2:
3:
4:
SHORT, LONG
EFX, REVERB, EFX+REV
200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS
================================================================================
EFX Parameter
value
disp
-------------------------------------------------------------------------------Type 0:
4-BAND-EQ
prm1
Low Freq
0 - 1
200,400
prm2
Low Gain
0 - 30
-15 - +15
prm3
High Freq
0 - 1
4000,8000
prm4
High Gain
0 - 30
-15 - +15
prm5
Peak1 Freq
0 - 16
(freq)
prm6
Peak1 Q
0 - 4
0.5,1.0,2.0,4.0,8.0
prm7
Peak1 Gain
0 - 30
-15 - +15
prm8
Peak2 Freq
0 - 16
(freq)
prm9
Peak2 Q
0 - 4
0.5,1.0,2.0,4.0,8.0
prm10 Peak2 Gain
0 - 30
-15 - +15
prm11 Output Level
0 - 127
-------------------------------------------------------------------------------Type 1:
SPECTRUM
prm1
Low-High
0 - 30
-15 - +15
prm2
Middle Gain
0 - 30
-15 - +15
prm3
Width
0 - 4
1 - 5
prm4
Output Pan
0 - 127
L64 - R63
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 2:
ENHANCER
prm1
Sens
0 - 127
prm2
Mix
0 - 127
prm3
Low Gain
0 - 30
-15 - +15
prm4
High Gain
0 - 30
-15 - +15
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 3:
OVERDRIVE
prm1
Input Level
0 - 127
prm2
Drive
0 - 127
prm3
AMP Type
0 - 3
SMALL,BUILTIN,2STACK,3STACK
prm4
Output Pan
0 - 127
L64 - R63
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 4:
DISTORTION
prm1
Input Level
0 - 127
prm2
Drive
0 - 127
prm3
AMP Type
0 - 3
SMALL,BUILTIN,2STACK,3STACK
prm4
Output Pan
0 - 127
L64 - R63
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 5:
Lo-Fi
prm1
BitDown
0 - 7
prm2
S-Rate Down
0 - 3
32,16,8,4
prm3
Post Gain
0 - 3
0,+6,+12,+18
prm4
Low Gain
0 - 30
-15 - +15
prm5
High Gain
0 - 30
-15 - +15
prm6
Output
0 - 1
Mono,Stereo
prm7
Output Level
0 - 127
-------------------------------------------------------------------------------Type 6:
NOISE
prm1
Noise Type
0 - 17
1 - 18
prm2
Noise Level
0 - 127
prm3
N Filter
0 - 17
(freq),BYPASS
240
MC-505Reference17.j 02.7.29 10:49 AM 241
prm4
Lo-Fi Level
0 - 127
prm5
Output Pan
0 - 127
L64 - R63
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 7:
RADIO-TUNG
prm1
Radio Detune
0 - 127
prm2
Noise Level
0 - 127
prm3
Low Gain
0 - 30
-15 - +15
prm4
High Gain
0 - 30
-15 - +15
prm5
Output
0 - 1
Mono,Stereo
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 8:
PHONOGRAPH
prm1
Disc Type
0 - 2
LP,EP,SP
prm2
D Noise Lvl
0 - 127
prm3
Depth
0 - 20
0 - +20
prm4
Output Pan
0 - 127
L64 - R63
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 9:
COMPRESSOR
prm1
Attack
0 - 127
prm2
Sustain
0 - 127
prm3
Post Gain
0 - 3
0,+6,+12,+18
prm4
Low Gain
0 - 30
-15 - +15
prm5
High Gain
0 - 30
-15 - +15
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 10: LIMITER
prm1
Threshold
0 - 127
prm2
Ratio
0 - 3
1.5:1,2.0:1,4.0:1,100:1
prm3
Release
0 - 127
prm4
Post Gain
0 - 3
0,+6,+12,+18
prm5
Output Pan
0 - 127
L64 - R63
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 11: SLICER
prm1
Timing
0 - 33
(pattern)
prm2
Rate
0 - 2
1/4,1/2,1/1
prm3
Accent Pattern
0 - 15
(pattern)
prm4
Accent Level
0 - 127
prm5
Attack
0 - 9
1 - 10
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 12: TREMOLO
prm1
LFO Type
0 - 5
TRI,TRP,SIN,SAW1,SAW2,SQR
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Low Gain
0 - 30
-15 - +15
prm5
High Gain
0 - 30
-15 - +15
prm6
Output Level
0 - 127
-------------------------------------------------------------------------------Type 13: PHASER
prm1
Manual
0 - 125
100 - 8000
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Resonance
0 - 127
prm5
Mix
0 - 127
prm6
Output Pan
0 - 127
L64 - R63
prm7
Output Level
0 - 127
-------------------------------------------------------------------------------Type 14: CHORUS
prm1
Pre Delay
0 - 125
0.0 - 100
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Phase
0 - 90
0 - 180
prm5
Filter Type
0 - 2
OFF,LPF,HPF
prm6
Cutoff
0 - 16
(freq)
prm7
Balance
0 - 100
D100:0E - D0:100E
prm8
Output Level
0 - 127
-------------------------------------------------------------------------------Type 15: SPACE-D
prm1
Pre Delay
0 - 125
0.0 - 100
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Phase
0 - 90
0 - 180
prm5
Low Gain
0 - 30
-15 - +15
prm6
High Gain
0 - 30
-15 - +15
prm7
Balance
0 - 100
D100:0E - D0:100E
ptm8
Output Level
0 - 127
-------------------------------------------------------------------------------Type 16: TETRA-CHORUS
prm1
Pre Delay
0 - 125
0.0 - 100
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Pre Dly Devi
0 - 20
prm5
Depth Devi
0 - 40
-20 - +20
prm6
Pan Devi
0 - 20
prm7
Balance
0 - 100
D100:0E - D0:100E
prm8
Output Level
0 - 127
-------------------------------------------------------------------------------Type 17: FLANGER
prm1
Pre Delay
0 - 125
0.0 - 100
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Feedback
0 - 98
0 - +98
prm5
Phase
0 - 90
0 - 180
prm6
Filter Type
0 - 2
OFF,LPF,HPF
prm7
Cutoff
0 - 16
(freq)
prm8
Balance
0 - 100
D100:0E - D0:100E
prm9
Output Level
0 - 127
-------------------------------------------------------------------------------Type 18: ST-FLANGER
prm1
Pre Delay
0 - 125
0.0 - 100
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Depth
0 - 127
prm4
Feedback
0 - 98
0 - +98
prm5
Step Rate
0 - 125
0.05 - 10.00,(rate)
prm6
Phase
0 - 90
0 - 180
prm7
Balance
0 - 100
D100:0E - D0:100E
prm8
Output Level
0 - 127
-------------------------------------------------------------------------------Type 19: SHORT-DELAY
prm1
Time L
0 - 103
0.1 - 190
prm2
Time R
0 - 103
0.1 - 190
prm3
HF Damp
0 - 17
(freq),BYPASS
prm4
Feedback
0 - 98
0 - +98
prm5
Auto Pan
0 - 18
(rate)
prm6
Low Gain
0 - 30
-15 - +15
241
MC-505Reference17.j 02.7.29 10:49 AM 242
prm7
High Gain
0 - 30
-15 - +15
prm8
Balance
0 - 100
D100:0E - D0:100E
prm9
Output Level
0 - 127
-------------------------------------------------------------------------------Type 20: AUTO-PAN
prm1
LFO type
0 - 5
TRI,TRP,SIN,SAW1,SAW2,SQR
prm2
Rate
0 - 117
0.05 - 10.00,(rate)
prm3
Bass Sense
0 - 2
OFF,MODE1,MODE2
prm4
Depth
0 - 127
prm5
Low Gain
0 - 30
-15 - +15
prm6
High Gain
0 - 30
-15 - +15
prm7
Output Level
0 - 127
-------------------------------------------------------------------------------Type 21: FB-P-SHIFT
prm1
Coarse
0 - 36
-24 - +12
prm2
Fine
0 - 100
-100 - +100
prm3
Output Pan
0 - 127
prm4
Pre Delay
0 - 125
0.0 - 100
prm5
Mode
0 - 4
1 - 5
prm6
Feedback
0 - 98
0 - +98
prm7
Low Gain
0 - 30
-15 - +15
prm8
High Gain
0 - 30
-15 - +15
prm9
Balance
0 - 100
D100:0E - D0:100E
prm10 Output Level
0 - 127
-------------------------------------------------------------------------------Type 22: REVERB
prm1
Rev Type
0 - 5
ROOM1,ROOM2,STAGE1,STAGE2,
HALL1,HALL2
prm2
Time
0 - 127
prm3
HF Damp
0 - 17
(freq),BYPASS
prm4
Balance
0 - 100
D100:0E - D0:100E
prm5
Output Level
0 - 127
-------------------------------------------------------------------------------Type 23: GATE-REVERB
prm1
Gate Type
0 - 3
NORMAL,REVERSE,SWEEP1,SWEEP2
prm2
Gate Time
0 - 65
5 - 330
prm3
Balance
0 - 100
D100:0E - D0:100E
prm4
Output Level
0 - 127
--------------------------------------------------------------------------------
1-2-2.Part Info Part
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0000 000a | Receive Switch
0 - 1
(OFF,ON)
|
|
00 01 | 0aaa aaaa | Reserve
-|
|-------------+-----------+----------------------------------------------------|
|
00 02 | 0000 00aa | Patch Group Type
0 - 2
*1
|
|
00 03 | 0aaa aaaa | Patch Group ID
0 - 127
|
|#
00 04 | 0000 aaaa | Patch Number
0 - 254
|
|
| 0000 bbbb |
(001 - 255)|
|
00 06 | 0aaa aaaa | Part Level
0 - 127
|
|
00 07 | 0aaa aaaa | Part Pan
0 - 127 (L64 - 63R)|
|
00 08 | 0aaa aaaa | Part Coarse Tune
0 - 96 (-48 - +48)|
|
00 09 | 0aaa aaaa | Part Fine Tune
0 - 100 (-50 - +50)|
|
00 0A | 0000 0aaa | EFX Output Assign
0 - 4
*2
|
|
00 0B | 0aaa aaaa | Mix/EFX Send Level
0 - 127
|
|
00 0C | 0aaa aaaa | Delay Send Level
0 - 127
|
|
00 0D | 0aaa aaaa | Reverb Send Level
0 - 127
|
|
00 0E | 0000 000a | Receive Program Change Switch
0 - 1
(OFF,ON)
|
|
00 0F | 0000 000a | Receive Volume Switch
0 - 1
(OFF,ON)
|
|
00 10 | 0000 000a | Receive Hold-1 Switch
0 - 1
(OFF,ON)
|
|
00 11 | 0aaa aaaa | Keyboard Range Lower
0 - 127 *3
|
|
00 12 | 0aaa aaaa | Keyboard Range Upper
0 - 127 *4
|
|-------------+-----------+----------------------------------------------------|
|
00 13 | 0000 0aaa | Reserve
-|
|
00 14 | 0000 000a | Reserve
-|
|
00 15 | 0000 000a | Reserve
-|
-|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 1A
|
+------------------------------------------------------------------------------+
1:
2:
3:
4:
Reserve, PRESET, USER&CARD

DRY, EFX, DIR1, DIR2, RHY
C-1 - Upper
Lower - G9
1-3.Patch
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
|-------------+----------------------------------------------------------------|
|
00 00 | Patch Common
1-3-1 |
|
10 00 | Patch Tone 1
1-3-2 |
|
|
|
|
|
|
+------------------------------------------------------------------------------+
1-3-1.Patch Common
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0aaa aaaa | Patch Name 1
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
00 0A | 0aaa aaaa | Patch Name 11
32 - 125
|
|
00 0B | 0aaa aaaa | Patch Name 12
32 - 125
|
|-------------+-----------+----------------------------------------------------|
| 00 0C-00 2B | 0aaa aaaa | Reserve
-|
|#
00 2C | 0000 aaaa | Patch Tempo
20 - 250
|
242
MC-505Reference17.j 02.7.29 10:49 AM 243
|
| 0000 bbbb |
|
|
00 2E | 0aaa aaaa | Patch Level
0 - 127
|
|
00 2F | 0aaa aaaa | Patch Pan
0 - 127 (L64 - 63R)|
|
00 30 | 0aaa aaaa | Analog Feel
0 - 127
|
|
00 31 | 0000 aaaa | Bend Range Up
0 - 12
|
|
00 32 | 00aa aaaa | Bend Range Down
0 - 48 (0 - -48) |
|
00 33 | 0000 000a | Key Assign Mode
0 - 1
(POLY,SOLO)|
|
00 34 | 0000 000a | Solo Legato
0 - 1
(OFF,ON)
|
|
00 35 | 0000 000a | Portamento Switch
0 - 1
(OFF,ON)
|
|
00 36 | 0000 000a | Portamento Mode
0 - 1
*1
|
|
00 37 | 0000 000a | Portamento Type
0 - 1
(RATE,TIME)|
|
00 38 | 0000 000a | Portamento Start
0 - 1 (PITCH,NOTE)|
|
00 39 | 0aaa aaaa | Portamento Time
0 - 127
|
|
00 3A | 0000 aaaa | Patch Control Source 2
0 - 15
*2
|
|
00 3B | 0000 aaaa | Patch Control Source 3
0 - 15
*2
|
|
00 3C | 0000 00aa | EFX Control Hold/Peak
0 - 2
*3
|
|
00 3D | 0000 00aa | Control 1 Hold/Peak
0 - 2
*3
|
|
00 3E | 0000 00aa | Control 2 Hold/Peak
0 - 2
*3
|
|
00 3F | 0000 00aa | Control 3 Hold/Peak
0 - 2
*3
|
|
00 40 | 0000 000a | Velocity Range Switch
0 - 1
(OFF,ON)
|
|
00 41 | 0000 0aaa | Octave Shift
0 - 6
(-3 - +3) |
|
00 42 | 0000 00aa | Stretch Tune Depth
0 - 3
(OFF,1 - 3)|
|
00 43 | 0000 000a | Voice Priority
0 - 1
*4
|
|-------------+-----------+----------------------------------------------------|
|
00 44 | 0000 aaaa | Structure Type 1&2
0 - 9
(1 - 10)
|
|
00 45 | 0000 00aa | Booster 1&2
0 - 3
*5
|
|
00 46 | 0000 aaaa | Structure Type 3&4
0 - 9
(1 - 10)
|
|
00 47 | 0000 00aa | Booster 3&4
0 - 3
*5
|
|-------------+-----------+----------------------------------------------------|
|
00 48 | 0000 000a | Clock Source
0 - 1
*6
|
|
-|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 4A
|
+------------------------------------------------------------------------------+
1:
2:
3:
4:
5:
6:
NORMAL, LEGATO
OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH, LFO1, LFO2, VELOCITY,
KEYFOLLOW, PLAYMATE
OFF, HOLD, PEAK
LAST, LOUDEST
0, +6, +12, +18
PATCH, SYSTEM
1-3-2.Patch Tone
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0000 000a | Tone Switch
0 - 1
(OFF,ON)
|
|
-|
|
00 02 | 0aaa aaaa | Wave Group ID
0 - 127
|
|#
00 03 | 0000 aaaa | Wave Number
0 - 254
|
|
| 0000 bbbb |
(001 - 255)|
|
00 05 | 0000 00aa | Wave Gain
0 - 3
*1
|
|
00 06 | 0000 000a | FXM Switch
0 - 1
(OFF,ON)
|
|
00 07 | 0000 00aa | FXM Color
0 - 3
(1 - 4)
|
|
00 08 | 0000 aaaa | FXM Depth
0 - 15 (1 - 16)
|
| 00 09-00 0A | 0aaa aaaa | Reserve
-|
|-------------+-----------+----------------------------------------------------|
|
00 0B | 0aaa aaaa | Velocity Cross Fade
0 - 127
|
|
00 0C | 0aaa aaaa | Velocity Range Lower
1 - 127 *2
|
|
00 0D | 0aaa aaaa | Velocity Range Upper
1 - 127 *3
|
|
00 0E | 0aaa aaaa | Keyboard Range Lower
0 - 127 *4
|
|
00 0F | 0aaa aaaa | Keyboard Range Upper
0 - 127 *5
|
-|
|
00 15 | 000a aaaa | Modulation Destination 1
0 - 15
*6
|
|
00 16 | 0aaa aaaa | Modulation Depth 1
0 - 126 (-63 - +63)|
|
0 - 15
*6
|
|
00 18 | 0aaa aaaa | Modulation Depth 2
0 - 126 (-63 - +63)|
|
0 - 15
*6
|
|
00 1A | 0aaa aaaa | Modulation Depth 3
0 - 126 (-63 - +63)|
|
00 1B | 000a aaaa | Modulation Destination 4
0 - 15
*6
|
|
00 1C | 0aaa aaaa | Modulation Depth 4
0 - 126 (-63 - +63)|
|
00 1D | 000a aaaa | Pitch Bend Destination 1
0 - 15
*6
|
|
00 1E | 0aaa aaaa | Pitch Bend Depth 1
0 - 126 (-63 - +63)|
|
00 1F | 000a aaaa | Pitch Bend Destination 2
0 - 15
*6
|
|
00 20 | 0aaa aaaa | Pitch Bend Depth 2
0 - 126 (-63 - +63)|
|
00 21 | 000a aaaa | Pitch Bend Destination 3
0 - 15
*6
|
|
0 - 126 (-63 - +63)|
|
00 23 | 000a aaaa | Pitch Bend Destination 4
0 - 15
*6
|
|
0 - 126 (-63 - +63)|
|
00 25 | 000a aaaa | After Touch Destination 1
0 - 15
*6
|
|
00 26 | 0aaa aaaa | After Touch Depth 1
0 - 126 (-63 - +63)|
|
0 - 15
*6
|
|
00 28 | 0aaa aaaa | After Touch Depth 2
0 - 126 (-63 - +63)|
|
0 - 15
*6
|
|
00 2A | 0aaa aaaa | After Touch Depth 3
0 - 126 (-63 - +63)|
|
00 2B | 000a aaaa | After Touch Destination 4
0 - 15
*6
|
|
00 2C | 0aaa aaaa | After Touch Depth 4
0 - 126 (-63 - +63)|
|-------------+-----------+----------------------------------------------------|
|
00 2D | 0000 0aaa | LFO1 Waveform
0 - 7
*7
|
|
00 2E | 0000 000a | LFO1 Key Trigger
0 - 1
(OFF,ON)
|
|
00 2F | 0aaa aaaa | LFO1 Rate
0 - 127
|
|
00 30 | 0000 0aaa | LFO1 Offset
0 - 4
*8
|
|
00 31 | 0aaa aaaa | LFO1 Delay Time
0 - 127
|
|
00 32 | 0000 00aa | LFO1 Fade Mode
0 - 3
*9
|
|
00 33 | 0aaa aaaa | LFO1 Fade Time
0 - 127
|
|
00 34 | 0000 00aa | LFO1 External Sync
0 - 2
*10
|
|
00 35 | 0000 0aaa | LFO2 Waveform
0 - 7
*7
|
|
00 36 | 0000 000a | LFO2 Key Trigger
0 - 1
(OFF,ON)
|
|
00 37 | 0aaa aaaa | LFO2 Rate
0 - 127
|
|
00 38 | 0000 0aaa | LFO2 Offset
0 - 4
*8
|
|
00 39 | 0aaa aaaa | LFO2 Delay Time
0 - 127
|
|
00 3A | 0000 00aa | LFO2 Fade Mode
0 - 3
*9
|
|
00 3B | 0aaa aaaa | LFO2 Fade Time
0 - 127
|
|
00 3C | 0000 00aa | LFO2 External Sync
0 - 2
*10
|
|-------------+-----------+----------------------------------------------------|
|
00 3D | 0aaa aaaa | Coarse Tune
0 - 96 (-48 - +48)|
|
00 3E | 0aaa aaaa | Fine Tune
0 - 100 (-50 - +50)|
|
00 3F | 000a aaaa | Random Pitch Depth
0 - 30
*11
|
|
00 40 | 0000 aaaa | Pitch Keyfollow
0 - 15
*12
|
|
00 41 | 000a aaaa | Pitch Envelope Depth
0 - 24 (-12 - +12)|
|
00 42 | 0aaa aaaa | Pitch Envelope Velocity Sens
0 - 125 *13
|
243
MC-505Reference17.j 02.7.29 10:49 AM 244
|
00 43 | 0000 aaaa | Pitch Envelope Velocity Time1
0 - 14
*14
|
|
00 44 | 0000 aaaa | Pitch Envelope Velocity Time4
0 - 14
*14
|
|
00 45 | 0000 aaaa | Pitch Envelope Time Keyfollow
0 - 14
*14
|
|
00 46 | 0aaa aaaa | Pitch Envelope Time 1
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 4A | 0aaa aaaa | Pitch Envelope Level 1
0 - 126 (-63 - +63)|
|
00 4B | 0aaa aaaa | Pitch Envelope Level 2
0 - 126 (-63 - +63)|
|
00 4C | 0aaa aaaa | Pitch Envelope Level 3
0 - 126 (-63 - +63)|
|
00 4D | 0aaa aaaa | Pitch Envelope Level 4
0 - 126 (-63 - +63)|
|
00 4E | 0aaa aaaa | Pitch LFO1 Depth
0 - 126 (-63 - +63)|
|
00 4F | 0aaa aaaa | Pitch LFO2 Depth
0 - 126 (-63 - +63)|
|-------------+-----------+----------------------------------------------------|
|
00 50 | 0000 0aaa | Filter Type
0 - 4
*15
|
|
00 51 | 0aaa aaaa | Cutoff Frequency
0 - 127
|
|
00 52 | 0000 aaaa | Cutoff Keyfollow
0 - 15
*12
|
|
00 53 | 0aaa aaaa | Resonance
0 - 127
|
|
00 54 | 0aaa aaaa | Resonance Velocity Sens
0 - 125 *13
|
|
00 55 | 0aaa aaaa | Filter Envelope Depth
0 - 126 (-63 - +63)|
|
00 56 | 0000 0aaa | Filter Envelope Velocity Curve 0 - 6
(1 - 7)
|
|
00 57 | 0aaa aaaa | Filter Envelope Velocity Sens
0 - 125 *13
|
|
00 58 | 0000 aaaa | Filter Envelope Velocity Time1 0 - 14
*14
|
|
00 59 | 0000 aaaa | Filter Envelope Velocity Time4 0 - 14
*14
|
|
00 5A | 0000 aaaa | Filter Envelope Time Keyfollow 0 - 14
*14
|
|
00 5B | 0aaa aaaa | Filter Envelope Time 1
0 - 127
|
|
00 5C | 0aaa aaaa | Filter Envelope Time 2
0 - 127
|
|
00 5D | 0aaa aaaa | Filter Envelope Time 3
0 - 127
|
|
00 5E | 0aaa aaaa | Filter Envelope Time 4
0 - 127
|
|
00 5F | 0aaa aaaa | Filter Envelope Level 1
0 - 127
|
|
00 60 | 0aaa aaaa | Filter Envelope Level 2
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 63 | 0aaa aaaa | Filter LFO1 Depth
0 - 126 (-63 - +63)|
|
00 64 | 0aaa aaaa | Filter LFO2 Depth
0 - 126 (-63 - +63)|
|-------------+-----------+----------------------------------------------------|
|
00 65 | 0aaa aaaa | Tone Level
0 - 127
|
|
00 66 | 0000 00aa | Bias Direction
0 - 3
*16
|
|
00 67 | 0aaa aaaa | Bias Position
0 - 127 (C-1 - G9) |
|
00 68 | 0000 aaaa | Bias Level
0 - 14
*14
|
|
00 69 | 0000 0aaa | Level Envelope Velocity Curve
0 - 6
(1 - 7)
|
|
00 6A | 0aaa aaaa | Level Envelope Velocity Sens
0 - 125 *13
|
|
00 6B | 0000 aaaa | Level Envelope Velocity Time1
0 - 14
*14
|
|
00 6C | 0000 aaaa | Level Envelope Velocity Time4
0 - 14
*14
|
|
00 6D | 0000 aaaa | Level Envelope Time Keyfollow
0 - 14
*14
|
|
00 6E | 0aaa aaaa | Level Envelope Time 1
0 - 127
|
|
00 6F | 0aaa aaaa | Level Envelope Time 2
0 - 127
|
|
00 70 | 0aaa aaaa | Level Envelope Time 3
0 - 127
|
|
00 71 | 0aaa aaaa | Level Envelope Time 4
0 - 127
|
|
00 72 | 0aaa aaaa | Level Envelope Level 1
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 75 | 0aaa aaaa | Level LFO1 Depth
0 - 126 (-63 - +63)|
|
00 76 | 0aaa aaaa | Level LFO2 Depth
0 - 126 (-63 - +63)|
|
00 77 | 0aaa aaaa | Tone Pan
0 - 127 (L64 - 63R)|
|
00 78 | 0000 aaaa | Pan Keyfollow
0 - 14
*14
|
|
00 79 | 00aa aaaa | Random Pan Depth
0 - 63
|
|
00 7A | 0aaa aaaa | Alternate Pan Depth
1 - 127 (L63 - 63R)|
|
00 7B | 0aaa aaaa | Pan LFO1 Depth
0 - 126 (L63 - 63R)|
|
00 7C | 0aaa aaaa | Pan LFO2 Depth
0 - 126 (L63 - 63R)|
| 00 7D-01 00 | 0aaa aaaa | Reserve
-|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 01 01
|
+------------------------------------------------------------------------------+
1:
2:
3:
4:
5:
6:
7:
8:
9:
10:
11:
12:
13:
14:
15:
16:
-6, 0, +6, +12

1 - Upper
Lower - 127
C-1 - Upper
Lower - G9
OFF, PCH, CUT, RES, LEV, PAN, L1P, L2P, L1F, L2F, L1A, L2A, L1p, L2p, L1R, L2R
-100, -50, 0, +50, +100
ON-IN, ON-OUT, OFF-IN, OFF-OUT
OFF, CLOCK
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80,
-100, -70, -50, -30, -10, 0, +10, +20, +30, +40, +50, +70, +100, +120, +150, +200
-100 - +150
-100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
LOWER, UPPER, LOW&UP, ALL
1-4.Rhythm Setup
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
|-------------+----------------------------------------------------------------|
|
00 00 | Rhythm Common
1-4-1 |
|
23 00 | Rhythm Note for Key# 35
1-4-2 |
|
|
|
:
|
|
|
|
+------------------------------------------------------------------------------+
244
MC-505Reference17.j 02.7.29 10:49 AM 245
1-4-1.Rhythm Common
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0aaa aaaa | Rhythm Name 1
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
32 - 125
|
|
00 0A | 0aaa aaaa | Rhythm Name 11
32 - 125
|
|
00 0B | 0aaa aaaa | Rhythm Name 12
32 - 125
|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 0C
|
+------------------------------------------------------------------------------+
1-4-2.Rhythm Note
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
00 00 | 0000 000a | Tone Switch
0 - 1 (OFF,ON)
|
|
00 01 | 0000 00aa | Wave Group Type
0 - 2
*1
|
|
00 02 | 0aaa aaaa | Wave Group ID
0 - 127
|
|#
00 03 | 0000 aaaa | Wave Number
0 - 254
|
|
| 0000 bbbb |
(001 - 255) |
|
00 05 | 0000 00aa | Wave Gain
0 - 3
*2
|
|
00 06 | 0000 aaaa | Bend Range
0 - 12
|
|
00 07 | 000a aaaa | Mute Group
0 - 31 (OFF,1 - 31)|
|
00 08 | 0000 000a | Envelope Mode
0 - 1
*3
|
|
00 09 | 0000 000a | Volume Control Switch
0 - 1 (OFF,ON)
|
|
00 0A | 0000 000a | Hold-1 Control Switch
0 - 1 (OFF,ON)
|
|
00 0B | 0000 00aa | Pan Control Switch
0 - 2
*4
|
|-------------+-----------+----------------------------------------------------|
|
00 0C | 0aaa aaaa | Source Key
0 - 127 (C-1 - G9) |
|
00 0D | 0aaa aaaa | Fine Tune
0 - 100 (-50 - +50)|
|
00 0E | 000a aaaa | Random Pitch Depth
0 - 30
*5
|
|
00 0F | 000a aaaa | Pitch Envelope Depth
0 - 24 (-12 - +12)|
|
00 10 | 0aaa aaaa | Pitch Envelope Velocity Sens
0 - 125 *6
|
|
00 11 | 0000 aaaa | Pitch Envelope Velocity Time
0 - 14
*7
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 16 | 0aaa aaaa | Pitch Envelope Level 1
0 - 126 (-63 - +63)|
|
0 - 126 (-63 - +63)|
|
0 - 126 (-63 - +63)|
|
0 - 126 (-63 - +63)|
|-------------+-----------+----------------------------------------------------|
|
00 1A | 0000 0aaa | Filter Type
0 - 4
*8
|
|
00 1B | 0aaa aaaa | Cutoff Frequency
0 - 127
|
|
00 1C | 0aaa aaaa | Resonance
0 - 127
|
|
00 1D | 0aaa aaaa | Resonance Velocity Sens
0 - 125 *6
|
|
00 1E | 0aaa aaaa | Filter Envelope Depth
0 - 126 (-63 - +63)|
|
00 1F | 0aaa aaaa | Filter Envelope Velocity Sens
0 - 125 *6
|
|
00 20 | 0000 aaaa | Filter Envelope Velocity Time
0 - 14
*7
|
|
00 21 | 0aaa aaaa | Filter Envelope Time 1
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|-------------+-----------+----------------------------------------------------|
|
00 29 | 0aaa aaaa | Tone Level
0 - 127
|
|
00 2A | 0aaa aaaa | Level Envelope Velocity Sens
0 - 125 *6
|
|
00 2B | 0000 aaaa | Level Envelope Velocity Time
0 - 14
*7
|
|
00 2C | 0aaa aaaa | Level Envelope Time 1
0 - 127
|
|
00 2D | 0aaa aaaa | Level Envelope Time 2
0 - 127
|
|
00 2E | 0aaa aaaa | Level Envelope Time 3
0 - 127
|
|
00 2F | 0aaa aaaa | Level Envelope Time 4
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
0 - 127
|
|
00 33 | 0aaa aaaa | Tone Pan
0 - 127 (L64 - 63R)|
|
00 34 | 00aa aaaa | Random Pan Depth
0 - 63
|
|
00 35 | 0aaa aaaa | Alternate Pan Depth
1 - 127 (L63 - 63R)|
|-------------+-----------+----------------------------------------------------|
|
00 36 | 0000 00aa | Output Assign
0 - 3
*9
|
|
00 37 | 0aaa aaaa | EFX Send Level
0 - 127
|
|
00 38 | 0aaa aaaa | Delay Send Level
0 - 127
|
|
00 39 | 0aaa aaaa | Reverb Send Level
0 - 127
|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 00 3A
|
+------------------------------------------------------------------------------+
1:
2:
3:
4:
5:
6:
7:
8:
9:
INT, <PCM>, EXP

-6, 0, +6, +12
NO-SUS, SUSTAIN
OFF, CONTINUOUS, KEY-ON
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200
-100 - +150
-100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
245
MC-505Reference17.j 02.7.29 10:49 AM 246
1-5. Sequencer Temporary Pattern Setup
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+-----------+----------------------------------------------------|
|
00 00 | 0aaa aaaa |Temporary Pattern Setup
0 - 127
|
|
:
| :
| :
|
|-------------+----------------------------------------------------------------|
| Total size | 0F 7F 7F 7F
|
+------------------------------------------------------------------------------+
1-6.Sequencer Temporary Pattern Body
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+-----------+----------------------------------------------------|
|
00 00| 0aaa aaaa |Temporary Pattern Body
0 - 127
|
|
:
| :
| :
|
|-------------+----------------------------------------------------------------|
| Total size | 7F 7F 7F 7F
|
+------------------------------------------------------------------------------+
2. GSModel ID 42H
+------------------------------------------------------------------------------+
| Start
|
|
|
address | Description
|
|-------------+----------------------------------------------------------------|
|
40 10 00 | Scale Tune PartR
2-1
|
|
40 11 00 |
:
Part1
|
|
40 12 00 |
:
Part2
|
|
40 13 00 |
:
Part3
|
|
40 14 00 |
:
Part4
|
|
40 15 00 |
:
Part5
|
|
40 16 00 |
:
Part6
|
|
40 17 00 |
:
Part7
|
+------------------------------------------------------------------------------+
2-1. Scale Tune
+------------------------------------------------------------------------------+
| Offset
|
|
|
|
Address | Size
| Description
Data (Value)
|
|-------------+----------------------------------------------------------------|
|
40 | 0aaa aaaa | Scale Tune for C
0 - 127 (-64 - +63)|
|
41 | 0aaa aaaa | Scale Tune for C#
0 - 127 (-64 - +63)|
|
42 | 0aaa aaaa | Scale Tune for D
0 - 127 (-64 - +63)|
|
43 | 0aaa aaaa | Scale Tune for Eb
0 - 127 (-64 - +63)|
|
44 | 0aaa aaaa | Scale Tune for E
0 - 127 (-64 - +63)|
|
45 | 0aaa aaaa | Scale Tune for F
0 - 127 (-64 - +63)|
|
46 | 0aaa aaaa | Scale Tune for F#
0 - 127 (-64 - +63)|
|
47 | 0aaa aaaa | Scale Tune for G
0 - 127 (-64 - +63)|
|
48 | 0aaa aaaa | Scale Tune for G#
0 - 127 (-64 - +63)|
|
49 | 0aaa aaaa | Scale Tune for A
0 - 127 (-64 - +63)|
|
4A | 0aaa aaaa | Scale Tune for A#
0 - 127 (-64 - +63)|
|
4B | 0aaa aaaa | Scale Tune for B
0 - 127 (-64 - +63)|
|-------------+----------------------------------------------------------------|
| Total size | 00 00 0C
|
+------------------------------------------------------------------------------+
GS MC-505 Scale Tune C
40
3. Quick SysExModel ID 3AH
+------------------------------------------------------------------------------+
| Start
|
|
|
address | Description
|
|-------------+----------------------------------------------------------------|
|
30 00 | Quick SysEx Part1
2-1
|
|
31 00 |
:
Part2
|
|
: |
:
|
|
36 00 |
:
Part7
|
|
39 00 |
:
PartR
|
|-------------+----------------------------------------------------------------|
|
70 00 |
:
Seqencer
|
+------------------------------------------------------------------------------+
3-1. Quick SysEx Part
+------------------------------------------------------------------------------+
| Offset
| Size
|
|
|
Address | DataL
DataE *5 | Description
Data (Value L)
|
|-------------+----------------------------------------------------------------|
|
0F | 0000 aaaa 0000 0000 | LFO1 Wave Form
0 - 7
*1
|
|
15 | 0aaa aaaa 0000 aaaa | Coarse Tune
0 - 120 *2
|
|
19 | 0aaa aaaa 0000 aaaa | Pitch Env Depth
0 - 127 (-63 - +63)|
|
1A | 0aaa aaaa 0000 aaaa | Pitch Env Attack
0 - 127
|
|
1B | 0aaa aaaa 0000 aaaa | Pitch Env Decay
0 - 127
|
|
1C | 0aaa aaaa 0000 aaaa | Filter Env Sustain
0 - 127
|
|
1D | 0aaa aaaa 0000 aaaa | Filter Env Release
0 - 127
|
|
1F | 0aaa aaaa 0000 aaaa | Amplitude Env Sustain 0 - 127
|
|
22 | 0000 0aaa 0000 aaaa | Filter Type
0 - 4
*3
|
|
23 | 0aaa aaaa 0000 aaaa | Tone Pan
0 - 127 (-63 - +63)|
|
24 | 0aaa aaaa 0000 aaaa | Tone Level
0 - 127
|
|
25 | 0aaa aaaa 0000 aaaa | Random Pan Depth
0 - 127 (-63 - +63)|
|
27 | 0aaa aaaa 0000 aaaa | Pitch Env Sustain
0 - 127
|
|
28 | 0aaa aaaa 0000 aaaa | Pitch Env Release
0 - 127
|
|
55 | 0aaa aaaa 0000 0000 | Part Key Shift
16 - 112 (-48 - +48)|
|
56 | 0000 00aa 0000 0000 | Part EFX/Output Assign 0 - 4 *4
|
+------------------------------------------------------------------------------+
1
TRI,SIN,SAW,SQR,TRP,S&H,RND,CHS
2:
Normal Part 16 - 112 (-48 - +48),Rhythm Part 0-120
3
Pass,LPF,HPF,BPF,PKG
4:
DRY,EFX,DIR1,DIR2,RHY
5:
Normal Part=0, Rhythm Part (BD=0, SD=1, HH=2, CLP=3, CYM=4, TOM/PERC=5, HIT=6, OTHERS=7, ALL=9)
MC-505
246
MC-505Reference17.j 02.7.29 10:49 AM 247
3-2. Quick SysEx Sequencer
+------------------------------------------------------------------------------+
| Offset
| Size
|
|
|
Address | DataL
DataE
| Description
Data(Value L/E)
|
|-------------+----------------------------------------------------------------|
|
01 | 0000 aaaa 0000 000a | Part Mute
0-6,9 / 0,1
|
|
02 | 0000 aaaa 0000 000a | Drum Mute
0-7*1 / 0,1
|
|
03 | 0aaa aaaa 0aaa aaaa | Tempo
3-93 / 0-128
|
+------------------------------------------------------------------------------+
1:
BD,SD,HH,CLP,CYM,TOM/PEC,HIT,OTHERS
Address(H)
Block
Sub Block
Reference
=========== ====================
===========================
=========
00 00 00 00 +------------------+......................................+-------+
| System common
|
| 1-1-1 |
+------------------+......................................+-------+
+------------------+.....+----------+.....................+-------+
| Scale tune
|
| Part 1
|
| 1-1-2 |
+------------------+.
+----------+.....................+-------+
:
: .
|
:
|
:
: . +----------+
:
: . | Part 16 |
:
: . +----------+
:
: . +----------+
:
:
. | Patch
|
:
:
.+----------+
01 00 00 00 +------------------+.....+----------+.....................+-------+
| Part Info
|
| Common
|
| 1-2-1 |
| Part
|
+----------+.....................+-------+
+------------------+.
+----------+.....................+-------+
:
: .
| Part 1
|
| 1-2-2 |
:
: . +----------+.....................+-------+
:
: . |
:
|
:
: . +----------+
:
:
. | Part Rhy |
:
:
.+----------+
02 00 00 00 +------------------+.....+----------+.....+----------+....+-------+
|
|
| Part 1
|
| Common
|
| 1-3-1 |
| temporary patch |
+----------+.
+----------+....+-------+
+------------------+..
|
:
| .
+----------+....+-------+
:
: . +----------+ . | Tone 1
|
| 1-3-2 |
:
:
. | Part 9
| . +----------+....+-------+
:
:
.+----------+ . |
:
|
:
:
. +----------+
:
:
. | Tone 4
|
:
:
.+----------+
02 09 00 00 +------------------+.....+----------+.....................+-------+
| Temporary
|
| Common
|
| 1-4-1 |
| Rhythm Setup
|
+----------+.....................+-------+
+------------------+.
+----------+.....................+-------+
:
: .
| Note# 35 |
| 1-4-2 |
:
: . +----------+.....................+-------+
:
: . |
:
|
:
: . +----------+
:
:
. | Note# 98 |
:
:
.+----------+
30 00 00 00 +------------------+......................................+-------+
| Temporary
|
| 1-5-1 |
| Pattern Setup
|
|
|
| Sequencer
|
|
|
+------------------+......................................+-------+
:
:
:
:
:
:
:
:
40 00 00 00 +------------------+......................................+-------+
| Temporary
|
| 1-6-1 |
| Pattern Body
|
|
|
+------------------+......................................+-------+
:
:
:
:
:
:
:
:
247
MC-505Reference17.j 02.7.29 10:49 AM 248
4.
10 16
MIDI 7
16 10
16 H
+------+------++------+------++------+------++------+------+
| D
| H
|| D
| H
|| D
| H
|| D
| H
|
+------+------++------+------++------+------++------+------+
|
0 | 00H ||
32 | 20H ||
64 | 40H ||
96 | 60H |
|
1 | 01H ||
33 | 21H ||
65 | 41H ||
97 | 61H |
|
2 | 02H ||
34 | 22H ||
66 | 42H ||
98 | 62H |
|
3 | 03H ||
35 | 23H ||
67 | 43H ||
99 | 63H |
|
4 | 04H ||
36 | 24H ||
68 | 44H || 100 | 64H |
|
5 | 05H ||
37 | 25H ||
69 | 45H || 101 | 65H |
|
6 | 06H ||
38 | 26H ||
70 | 46H || 102 | 66H |
|
7 | 07H ||
39 | 27H ||
71 | 47H || 103 | 67H |
|
8 | 08H ||
40 | 28H ||
72 | 48H || 104 | 68H |
|
9 | 09H ||
41 | 29H ||
73 | 49H || 105 | 69H |
|
10 | 0AH ||
42 | 2AH ||
74 | 4AH || 106 | 6AH |
|
11 | 0BH ||
43 | 2BH ||
75 | 4BH || 107 | 6BH |
|
12 | 0CH ||
44 | 2CH ||
76 | 4CH || 108 | 6CH |
|
13 | 0DH ||
45 | 2DH ||
77 | 4DH || 109 | 6DH |
|
14 | 0EH ||
46 | 2EH ||
78 | 4EH || 110 | 6EH |
|
15 | 0FH ||
47 | 2FH ||
79 | 4FH || 111 | 6FH |
|
16 | 10H ||
48 | 30H ||
80 | 50H || 112 | 70H |
|
17 | 11H ||
49 | 31H ||
81 | 51H || 113 | 71H |
|
18 | 12H ||
50 | 32H ||
82 | 52H || 114 | 72H |
|
19 | 13H ||
51 | 33H ||
83 | 53H || 115 | 73H |
|
20 | 14H ||
52 | 34H ||
84 | 54H || 116 | 74H |
|
21 | 15H ||
53 | 35H ||
85 | 55H || 117 | 75H |
|
22 | 16H ||
54 | 36H ||
86 | 56H || 118 | 76H |
|
23 | 17H ||
55 | 37H ||
87 | 57H || 119 | 77H |
|
24 | 18H ||
56 | 38H ||
88 | 58H || 120 | 78H |
|
25 | 19H ||
57 | 39H ||
89 | 59H || 121 | 79H |
|
26 | 1AH ||
58 | 3AH ||
90 | 5AH || 122 | 7AH |
|
27 | 1BH ||
59 | 3BH ||
91 | 5BH || 123 | 7BH |
|
28 | 1CH ||
60 | 3CH ||
92 | 5CH || 124 | 7CH |
|
29 | 1DH ||
61 | 3DH ||
93 | 5DH || 125 | 7DH |
|
30 | 1EH ||
62 | 3EH ||
94 | 5EH || 126 | 7EH |
|
31 | 1FH ||
63 | 3FH ||
95 | 5FH || 127 | 7FH |
+------+------++------+------++------+------++------+------+
D: decimal
H: hexadecimal
ASCII
MC-505
ASCII
+------+------+------++------+------+------++------+------+------+
| D
| H
| Char || D
| H
| Char || D
| H
| Char |
+------+------+------++------+------+------++------+------+------+
|
32 | 20H | SP ||
64 | 40H |
@ ||
96 | 60H |
` |
|
33 | 21H |
! ||
65 | 41H |
A ||
97 | 61H |
a |
|
34 | 22H |
" ||
66 | 42H |
B ||
98 | 62H |
b |
|
35 | 23H |
# ||
67 | 43H |
C ||
99 | 63H |
c |
|
36 | 24H |
$ ||
68 | 44H |
D || 100 | 64H |
d |
|
37 | 25H |
% ||
69 | 45H |
E || 101 | 65H |
e |
|
38 | 26H |
& ||
70 | 46H |
F || 102 | 66H |
f |
|
39 | 27H |
' ||
71 | 47H |
G || 103 | 67H |
g |
|
40 | 28H |
( ||
72 | 48H |
H || 104 | 68H |
h |
|
41 | 29H |
) ||
73 | 49H |
I || 105 | 69H |
i |
|
42 | 2AH |
* ||
74 | 4AH |
J || 106 | 6AH |
j |
|
43 | 2BH |
+ ||
75 | 4BH |
K || 107 | 6BH |
k |
|
44 | 2CH |
, ||
76 | 4CH |
L || 108 | 6CH |
l |
|
45 | 2DH |
- ||
77 | 4DH |
M || 109 | 6DH |
m |
|
46 | 2EH |
. ||
78 | 4EH |
N || 110 | 6EH |
n |
|
47 | 2FH |
/ ||
79 | 4FH |
O || 111 | 6FH |
o |
|
48 | 30H |
0 ||
80 | 50H |
P || 112 | 70H |
p |
|
49 | 31H |
1 ||
81 | 51H |
Q || 113 | 71H |
q |
|
50 | 32H |
2 ||
82 | 52H |
R || 114 | 72H |
r |
|
51 | 33H |
3 ||
83 | 53H |
S || 115 | 73H |
s |
|
52 | 34H |
4 ||
84 | 54H |
T || 116 | 74H |
t |
|
53 | 35H |
5 ||
85 | 55H |
U || 117 | 75H |
u |
|
54 | 36H |
6 ||
86 | 56H |
V || 118 | 76H |
v |
|
55 | 37H |
7 ||
87 | 57H |
W || 119 | 77H |
w |
|
56 | 38H |
8 ||
88 | 58H |
X || 120 | 78H |
x |
|
57 | 39H |
9 ||
89 | 59H |
Y || 121 | 79H |
y |
|
58 | 3AH |
: ||
90 | 5AH |
Z || 122 | 7AH |
z |
|
59 | 3BH |
; ||
91 | 5BH |
[ || 123 | 7BH |
{ |
|
60 | 3CH |
< ||
92 | 5CH |
|| 124 | 7CH |
| |
|
61 | 3DH |
= ||
93 | 5DH |
] || 125 | 7DH |
} |
|
62 | 3EH |
> ||
94 | 5EH |
^ ||------+------+------+
|
63 | 3FH |
? ||
95 | 5FH |
_ ||
+------+------+------++------+------+------++
D: decimal
H: hexadecimal
SP
MIDI
1 92 3E 5F
MIDI 10
10 1
7 16 1 128
aa bbH 2
7 16 aa x 128 + bb
00H -64, 40H 0, 7FH +63 10
10 64 2 00 00H -8192,
40 00H 0, 7F 7FH +8191 aa bbH 10 aa
bbH - 40 00H aa x 128 + bb - 64 x 128
nibbled4 16
0a 0bH 2 a x 16 + b
1 5AH 10
5AH 90
9n n MIDI 2H 2,
3EH 62, 5FH 95 MIDI CH 3 62
D4 95
2 C9 49
CnH n MIDI
9H 9, 49H 73 MIDI CH 9 74
3 E6 00 28
EnH n MIDI
2 00H 0 3 28H 40
40 00H 64 x128 + 0 8192 0
28 00H - 40 00H 40 x
128 + 0 -64 x 128 + 0 5120 - 8192 -3072
2 7 16 12 34H 10
12H 18, 34H 52
18 x 128 + 52 2356
2 -819200 00H
-200 -200 x-30728192 -75 MIDI CH 11
3 0A 03 09 0D 10
0AH 10, 03H 3, 09H 9, 0DH 13
10 x 16 + 3x 16 + 9x 16 + 13 41885
4 10 1258
16 ) 1258
16 ) 78
16 ) 4
0
...10
...14
... 4
0 00H, 4 04H, 14 0EH, 10 0AH

00 04 0E 0AH
4 B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH n MIDI
2 3
MIDI
2
B3 64 00 MIDI
B365 00 MIDI
B306 0C MIDI
B326 00 MIDI
B364 7F MIDI
B365 7F MIDI
CH
CH
CH
CH
CH
CH
4
4
4
4
4
4
RPN
RPN
0CH
00H
RPN
RPN
00H
00H
7FH
7FH
MIDI CH 4 RPN 00 00H 0C 00H

RPN 7F 7FH
RPN 00 00H
0CH 12 12 1
248
MC-505Reference17.j 02.7.29 10:49 AM 249
0
RPN
7F 7FH
B364 7FB365 7F
MIDI 4
RPN
TPQN 96 1-Tick, TPQN 480 5Ticks
00 00 00 1AH
16
01 00 1F 00H
+) 00 00 00 1AH
01 00 1F 1AH
01 00 1F 1AH
-) 01 00 00 00H
00 00 1F 1AH
F0
(1)
41
(2)
10
(3)
00
(4)
0B
(5)
11
(6)
1
3 ID17
45 IDMC-505
01 00 00 00
00 00 1F 1A ??
F7
(7)
2ID Roland
6 IDRQ1 7EOX
TPQN Ticks Per Quarter Note 4
2 F0 41 10 00 0B 11 01 00 00 00 00 00
1F 1A 46 F7
Model ID 42H GS
40 1x 40H
RQ1,DT1
F7
C B 1
aa bb cc ddH
ee ffH
aa + bb + cc + dd + ee + ff
128
128 -
0 0
1 12
C
3 1
C
1 REVERB TYPE HALL2 DT1

3.
01 00 00 00H
00 00HREVERB TYPE 00 28H
+)
01 00 00
00
00
01 00 00
00H
00H
28H
28H
HALL2 05H
F0
(1)
41
(2)
10
(3)
00H 0BH 12
(4)
(5)
(6)
1
3 ID17
45 IDMC-505
01 00 00 28
05
??
F7
(7)
2ID Roland
6 IDDT1 7EOX
C
C#
D
Eb
E
F
F#
G
G#
A
Bb
B
0
0
0
0
0
0
0
0
0
0
0
0
C
0
-8
+4
+16
-14
-2
-10
+2
+14
-16
+14
-12
-6
+45
-2
-12
-51
-8
+43
-4
+47
0
-10
-49
01H + 00H + 00H + 28H + 05H 1 + 0 + 0 + 40 + 5 46sum

46 128 0 46
128 - 46 82 52H
16
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 50 F7
F0 41 10 00 0B 12 01 00 00 28 05 52 F7
2 RQ1
3.
01 00 00 00H
Part Info Common
01 00 10 00H
Part Info Part 1
01 00 11 00H
Part Info Part 2
01 00 16 00H
Part Info Part 7
01 00 19 00H
Part Info Part 10
249
MC-505Reference17.j 02.7.29 10:49 AM 250
Groove Box
Date : Oct. 30, 1997
Model MC-505
MIDI
Version : 1.00
Sound Module section
...
ON
1 7, 10
1 7, 10
ON
****************
3
34M=1
****************
0 127
0 127
*1
*1
Resonance
Decay Time
Attack Time
Cutoff
Reverb
Delay
****************
*1
0 127
*1
0, 32
1
2
4
5
6, 38
7
8
10
11
64
65
66
67
71
72
73
74
84
91
94
15 - 31, 64 - 94
98, 99
100, 101
ON/OFF
*1
2
3
4
5
1
4
p. 234
NRPN LSB, MSB
RPN LSB, MSB
1 128
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*2
*1
120, 126, 127
123 127
*1
*2M1M1
250
MC-505Reference17.j 02.7.29 10:49 AM 251
Groove Box
Model MC-505
Sequencer section
MIDI
Date : Oct. 30, 1997

Version : 1.00
...
ON
1 7, 10
ON
3
*2
****************
0 127
****************
0 127
0 127
*1
*1
*1
0 119
*1
*1
*1
****************
*1
0 127
*1
*3
*4
*3
*5
*6
*7
123 127 *6
*7
1 7, 10
ON/OFF
*1
*2
*3SLAVEREMOTE
*4SLAVE
*5
*6123-127
*7
251
MC-505Reference17.j 02.7.29 10:49 AM 252
MC-505:GROOVEBOX
LCD 16 2
24 8 RPS 16
7 LED 6
LED
64
L (MONO), R
512
1L (MONO), R
256
2L (MONO), R
512
26
20
MIDI IN, OUT
AC
20
AC100V50 60 Hz
EFX24
12W
8 Mute Ctrl
462 320 110mm
96 4
20.0 240.0
50
5 Kg
248
RPS 466
200
AC
200
95,000
2M 220,000
RH-20/80/120
4M 480,000
71
53
PJ-1M
PCS-075W 150W 250W
MIDI
MSC15/25/50
S2M-5/S4M-5
RPS 60
30
D 28
252
DP-2/6BOSS FS-5U
MC-505Reference17.j 02.7.29 10:49 AM 253
4 EQ ................................................................................ 87
BPM .............................................................................................20
D ..........................................Q38, 121
EFX ....................................................................................Q30, 86
EFX .................................................84, 85
EFX .................................................81, 82
EFX 1 ................................................................124
EFX 2 ................................................................125
EFX 3 ................................................................125
FXM ............................................................................................ 35
FXM ............................................................................... 35
FXM ............................................................................35
FXM .................................................................................35
HF .................................................... 80, 82
HF .............................................................85
LCD ..................................................................164
LFO ..............................................................................................50
LFO1 ..................................................................Q24, 52, 53, 54
LFO1 .....................................52
LFO1 ..........................................................50
LFO1 ...............................................................................51
LFO1 ..............................................................51
LFO1 ......................................................52
LFO1 ...............................................................................51
MIDI .................................................................................168, 171
MIDI Rx ....................................................................169
MIDI .....................................................................30
MIDI ..............................................................26, 171
OCTAVE ......................................................................................Q9
RPS ......................................................................Q36, 109, 172
RPS EFX ....................................111
RPS .........................................169
RPS ..............................................................112
RPS .............................................167
RPS .................................................111
RPS .........................................111
RPS ..................................................................111
RPS .........................................111
RPS ..............................................................111
....................................................106, 108
1 ................................................................................125
2 ................................................................................126
..........................................................................59
..............................................Q34, 105, 129
.....................................................................105, 173
.........................169
...............................................................167
................................................106, 107
...............................................................108
...............................................................125
.................................................18, 127, 146
..........................................................45, 72
.............................48, 74
..50
1 4 .49, 75
49, 75
..................................................................................75
1 ..............................................................................50
4 ..............................................................................50
1 3 .50, 75
.................................................54
...................................................................................147
...........................................................143
...........................................................158
...........................................................149
..................................................128
..............................................................35, 64
...........................................34, 35, 63, 64
......................................................34, 52, 63
......................................................169
..............................................................................89
.............................................................64
...........................................................167
...........................................................................101
.....................................................................89
...........................................................21, 125
.......................................................Q20, 23
....................................................106, 108
.........................................48, 73
......................................................161
...................................................................145
.......................................................................128
...................Q22, 40, 42, 68, 69
........................42
+ 1 ...................................122
+ 1 ...............................122
+ 2 ...................................122
+ 2 ...............................123
+ 3 ...................................123
+ 3 ...............................123
...........................................................Q11
.....................................................................22
...........................................................124
......................................................124
253
MC-505Reference17.j 02.7.29 10:49 AM 254
..............................................................................53
.........................................................56
.............................................................56
............................................................................................135
...........................................................124
...........................................................................124
......................................................113
......................................................115
.......................................................................134
............................................134, 137
...................................................................103
..............................................................36, 64
......................................................................................96
........................................................................................146
..........................................................................................54
1 2 3 4 ........60
......................................................141
1 2 3 4 ......................................60
..........................................................................93
....................................................................16, 166
............................25
..............................................142
.................................................................16
...................................................................151
..................................................114
....................................................108, 115
...............................................................100
.......................................................................166
.......................................................................166
...........................................................126
..............................................136
...............................................................163
...............................................................125
...........................................................................134
...................................................................134
.........................................................99
..................................................133
1 ...............................................134
2 ...............................................136
.........................................................54
.....................................................56
.............................................56
.................................................................114, 117
D ...................................................................................97
..............................................................................88
..................................................................................94
.................................................................136, 139
...............................................................................168
.............................................................27
..........................................................................58
254
.....................................................58
.....................................................................Q58, 16, 154
......................................................158
.......................................................................157
.......................................................................155
...................................................................125
............................................................................................135
...................................................................167
..........................................................................20
..................................................167
...........................................................................142
...............................................................142
..................................................151
......................................................150
..............................................141
...........................................................................163
.....................................................................97
...................................................................................134
...........................................................................115
................................................................................20, 131
..........................................................................53
...................................................................141
....................................................................17, 145
...........................................................................152
.....................................................................90
...........................................................................Q28, 82
....................................85
.................................................................50
..............................................................82, 85
......................................................53, 83, 85
....................................................84, 85, 124
..........................................................................36
ID ..............................................................168
...............................................................143
...............................................................158
...............................................................148
..........................................................................................14
.....................................................................35
..............................................................................46
..........................................................................45
.......................................................................149
170
.............170
.....170
......................................................................................95
MC-505Reference17.j 02.7.29 10:49 AM 255
.......................................................................142
........................................................................................141
+ .......................................................125
.........................................................91
.................................................40, 68
.....................................................46
.................................................................47
.....................................................................47
......................................................161
...........................................................160
.......................................................................177
...................................................................172
.............................................40, 68
..........................................................................................15
.............................................................25
.................................................................24
.....................................................84
..............................................................................24
...........................................................123
......................................................124
.................................................Q14, 24, 130
.....................................................................21
.....................................................80
..........................................................................24
EFX .............................104
....................................................................Q10, 16, 19
.....................................................27
.....................................................................31
.....................................................32
.....................................................................26
...............................................................128
...............................................................................Q18, 14
.........................................................62
.................................................................33
.........................................................62
..........................................................................61
...................................................................164
...........................................................165
.................................................................47
..............................................................................54
................................................................................20, 154
........................................................................................128
...................................................................108
1 ................................................................165
2 ................................................................165
3 ................................................................165
...........................................................165
..................................................165
......................................................165
...............................................................144
.................................................40, 68
...................................................................................36, 64
......................................................37, 66
................39
1 4 ..........................39, 67
.....................................38, 66
........38, 67
67
1 ......39
4 ......39
1 4 ..........................39, 67
.............................................................37
..........................................................................54
........................................................59, 75, 141
......................................................122
..................................................122
.........................................................59
..................................................................................20
......................................................Q5
..........................................................36, 65
..................................102
.................................................83, 85
..................................................................................40
.............................................43, 70
.......45
1 4 ..................45, 71
.....................43, 44, 71
.......44
44, 71
..71
1
..............................................................................................45
4
..............................................................................................45
1 4 ..................45, 71
..................................................40, 42, 68
.................................................................54
.....................................................................53
.....................................................................53
..................................................................................95
..............................................................................92
..............................................................................98
........................35
..................................................................................56
.................................................................56
.............................................................16
................................................Q16, 113
................................................141, 172
.................................................................134, 137
.............................................57
..............................................117
........................................57
255
MC-505Reference17.j 02.7.29 10:49 AM 256
........................................57
.............................................57
..................................................................60, 75
.........................................................60
.........................................................60
...................................................................165
...........................................................165
.........................................................................105, 109
.....................................................56
...................................................................164
......................................141
..............................................................................57
.................................................57, 59
........................................59
.............................................................59
......................................................58, 59
.............................................................59
...........................................................140
...................................................................140
...............................................................163
............................................................................20, 154
.......................................................Q12, 21, 131, 141
.....................................................21
.................................................................64
...................................................................143
................................................................Q33, 119
...........................................................................128
...........................................................166
......................................................................................16
..........................................144
...........................................................17, 159
..................................................121
..............................................122
.....................................................59
...................................................................................107
...........................................................30, 130
......................................................................................21
..........................................127
.................................................................63
.............................................................78
...............................................................Q20, 15
.........................................................77
........................................78
.....................................................64
....................................76
.............................................................72
....................................76
.........................................................72
EFX ...............76
.....................................................................21
.................................................................Q26, 79, 103
..............................................................79, 82
..............................................................80, 82
....................................................80, 82, 124
..................................................................................93
......................................168
.........................................................56
.......................................................................166
.............................................................128, 131
..........................................................................................52
..................................128, 129, 133
..........................................128
.....170
.........................170
.................170
........................................................Q23, 41, 42, 69
.............................42, 69
......................................................164
.........................................................113, 114
.................................................................53
.................................................40, 68
..............................................................................90
..........................................................................Q9
Tx .............................................................169
............................................................................................135
......................................................160
.......................................................16, 145
.............................................................92
.............................................46, 72
.............................................36, 65
......................................................132
..................................Q17, 22
.................................................28
256
MC-505Reference17.j 02.7.29 10:49 AM 257
MEMO
257
MC-505Reference17.j 02.7.29 10:49 AM 258
MEMO
258
MC-505Cover.j 02.7.29 11:13 AM 2
.............................................................................................................
.............................................................................................................
.............................................................................................................
.............................................................................................................
.............................................................................................................
AC100V
.............................................................................................................
105
TEL (06) 6345-9500 TEL (03) 3251-6150 TEL (053) 414-7120
433-81184-7-19
'02. 2. 13
MC-505Cover.j 02.7.29 11:13 AM 1
SHIFT+VALUE
p. 11
PAGE<
>p. 11
ARPEGGATORON+VALUE
p. 106
SHIFT+POWERENTERENTER
LCD

p. 164

p. 163
p. 5
RPS
RPS
RPS
EFFECT SELECT+PRESETp. 80
EFFECT SELECT+USERp. 83
EFX
EFFECT SELECT+CARD
p. 87
EFFECT SELECT+REVERB LEVELp. 79
EFFECT SELECT+DELAY LEVEL

p. 82
Time
SHIFT+DELAY TIMEp. 83
EFX
EFFECT SELECT+EFX OUTPUT LEVEL

p. 86
EFFECT SELECT+VALUEp. 86
SHIFT+CTRL2p. 95
RPS+TEMPO/MIXER
Keyboard Pad RPS p. 111
SHIFT+FWD
p. 20
SHIFT+BWDSTOPp. 20
PART MUTE+RHYTHM MUTEp. 21
PART MUTE+R7
p. 21
PART MUTE+PART SELECTp. 22
PTN PAGE<
>p. 20
PTN PLAYp. 22
RPS
RPS+PATCH Keyboard Pad RPS

p. 111
RPS
RPS SET WRITE

ENTERENTERp. 112
QUANTIZE+VALUEp. 117
SHIFT+QTZ SELECTR7p. 113
INCDEC
TEMPO/MIXER
INC
DEC
p. 25
SHIFT+MIXER SELECTp. 25
KEY SHIFT SHIFT+ SliderR7p. 25
EFX/OUT SHIFT+ SliderR7

p. 104
RPS+ Keyboard Padp. 110
Rate
WRITE
ENTERENTERp. 108
Preset PTNPreset Patch
16
1 MC-505
Slider47
p. 34
6 RPS
ENTERp. 26
PATCH WRITE
RPS RPS
PTN SET WRITE
7
D
D BEAM CONTROLLERON+VALUEp. 121
D BEAM CONTROLLERON+ Keyboard Padp. 125
D BEAM CONTROLLERON+ PAGE<

>p. 125
ENTERp. 155
4-EQ
SPCTM
ENHR
OVER
DIST
Lo-Fi
9 D
RECPLAYp. 127
CTRL1
High
Low-High
Sens
Drive
Drive
Bit Down
D D
REC
p. 129
CTRL2
Peak1
Middle
High
Pan
Pan
S-Rate Down
REALTIME ERASE
CTRL3
Low
Width
Mix
AMP Type
AMP Type
Post Gain
10
NOISE
RADIO
PHONO
COMP
LIMT
SLICE
Detune
Depth
Attack
Threshold
Timing PTN
RECRECp. 140
CTRL1
N Filter
PAGE>VALUEENTER
p. 142
CTRL2
Lo-Fi Lvl
High
Pan
Sustain
Ratio
Accent PTN
EDITENTERp. 143
CTRL3
Noise Lvl
Noise Lvl
Noise Lvl
High
Release
Rate
WRITEENTERp. 143
TREMO
PHASE
CHORS
SP-D
TETR
SHIFT+EDIT+VALUE
p. 143
CTRL1
Depth
Depth
Depth
Depth
Depth
Rate
FLANG
11
RECRECREC
p. 134
CTRL2
Rate
Rate
Rate
Rate
Rate
CTRL3
LFO Type
Resonance Phase
Phase
Pan Devi
Feedback
FWD
ST-FL
S-DLY
A-PAN
FB-P
REVERB
GATE
SHIFT+BWDp. 136
CTRL1
Depth
Time L
Depth
Coarse
Time
Gate Time
R7+VALUEp. 135
CTRL2
Rate
Time R
Rate
Pan
HF Damp
Gate Type
13
BDOTHERS+VALUE
p. 135
CTRL3
Step Rate
Feedback
LFO Type
Feedback
Balance
Balance
12
RECRECPLAYp. 136
SHIFT+Keyboard Padp. 137
EDIT Keyboard Pad +Slider
14
SliderR= -1 9, OCTAVE-
+
Slider1= C B
Slider2= C-1 G9, INC

DEC, VALUE
Slider3= 1 63
If you should require an English Owner's Manual (at a modest
15
Slider4= 64 127
10
11
Depth
BWD
RECp. 132
EFX
ENTERENTERp. 61
PTN CALL+ Keyboard Padp. 31
SONG WRITEENTER
SHIFT+STOP
p. 30
PTN WRITEENTER
ENTERENTER
p. 32
MC-505 MC-505
MIDI
EDIT+ p. 33
p. 23
p. 13
fee), please contact an authorized Roland distributor.
Slider5= 1 50%
12
13
14
15
Slider6= 51 100%
16
Slider7= 101 200%p. 138
MIDI MC-505
16
MIDI
01342445
'02-8-H1-51N
1997

MC-505 Jap

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MC-505Cover.j 02.7.

SHIFT+ Keyboard Pad10

SHIFT+ Keyboard Pad9

EFFECT SELECT+REVERB LEVELp. 79

EFFECT SELECT+DELAY LEVEL

EFFECT SELECT+EFX OUTPUT LEVEL

PART MUTE+RHYTHM MUTEp. 21

PART MUTE+PART SELECTp. 22

RPS+PATCH Keyboard Pad RPS

RPS SET WRITE

SHIFT+QTZ SELECTR7p. 113

KEY SHIFT SHIFT+ SliderR7p. 25

EFX/OUT SHIFT+ SliderR7

RPS+ Keyboard Padp. 110

Preset PTNPreset Patch

PTN SET WRITE

D BEAM CONTROLLERON+VALUEp. 121

D BEAM CONTROLLERON+ Keyboard Padp. 125

D BEAM CONTROLLERON+ PAGE<

SHIFT+Keyboard Padp. 137

EDIT Keyboard Pad +Slider

Slider2= C-1 G9, INC

If you should require an English Owner's Manual (at a modest

PTN CALL+ Keyboard Padp. 31

fee), please contact an authorized Roland distributor.

Slider7= 101 200%p. 138

MC-505Cover.j 02.7.29 11:13 AM 2

TEL (06) 6345-9500 TEL (03) 3251-6150 TEL (053) 414-7120

MC-505Reference1-2.j 02.7.29 10:42 AM 3

MC-505Reference1-2.j 02.7.29 10:42 AM 4

MC-505Reference1-2.j 02.7.29 10:42 AM 5

MC-505Reference1-2.j 02.7.29 10:42 AM 6

13:Cross Pan 124

MC-505Reference1-2.j 02.7.29 10:42 AM 7

MC-505Reference1-2.j 02.7.29 10:42 AM 8

MC-505Reference1-2.j 02.7.29 10:42 AM 9

MC-505Reference1-2.j 02.7.29 10:42 AM 10

EFX OUTPUT LEVEL

INITIALIZE PARAM COPY

CHG VELO CHG GATE SHIFT CLK DATA THIN Q

MC-505Reference1-2.j 02.7.29 10:42 AM 11

ENVELOPE LFO1 DEPTH

TUNE/SOUND CONTROLLER SEQUENCER

PITCH BEND AFTER TOUCH

MC-505Reference1-2.j 02.7.29 10:42 AM 12

RISK OF ELECTRIC SHOCK

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

MC-505Reference1-2.j 02.7.29 10:42 AM 13

MC-505Reference1-2.j 02.7.29 10:42 AM 14

MIDI MIDI OUT

MC-505Reference1-2.j 02.7.29 10:42 AM 15

RHYTHM TONE (B5)

RHYTHM TONE (D5)

RHYTHM TONE (C4)

RHYTHM TONE (B1)

MC-505Reference1-2.j 02.7.29 10:42 AM 16

P:014 U:007 P:012 C:003 .... P:029

MC-505Reference1-2.j 02.7.29 10:42 AM 17

VALUE INC DEC

MC-505Reference1-2.j 02.7.29 10:42 AM 18

MC-505Reference1-2.j 02.7.29 10:42 AM 19

P:001 P:714U:001 U:200C:001 C:200

P:249 P:714 RPS 1