CONTENTS

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Caboclinho(choro) ......4 De Baiana(choro) Conversa ........6 Dois Destinos(waltz) ................................... 9 (choro)....... Dr. Sabe-Tudo .........1,2 Promessa (waltz) 14 (waltz) SeEla Perguntar .............17 (waltz) Sitplica ............2O Ternura(waltz) ...........24 Uma Valsae Dois Amores(waltz) ..............26 Xod6 Da Baiana@atuque) .........28
NOTESABOUT THE TRANSCRIPTIONS
These pieces were transcribed as acurately as possible from Dilermando Reis recordings. However, due to his personal way of playing, and the existence of two or more recordings of the same piece, I adopted the following criteria: a) I've written a "standard notation" according to the style of the piece. Dilermando Reis'style was fuIl of rubatos and bass anticipations. To transcribe the recordings with absolute fidelity would result in a very complicated score - even to those who are familiar with this style of music. What was natural in Dilermando's playing could sound artificial in other hands. b) When there were more than one recording of the same piece, I chose a solo version. In the caseof two or more solo recordings, I took that which I consideredthe best. The exception is "Dr. Sabe-Tudo",adapted from the one existing recording of two guitars. c) Slight alterations in repeatedsectionswere not considered since they do not change the musical idea. This work is dedicated to Mr. RonoelSimdes, to whom Brazilian guitar and guitarists owe so much. Hdlio Cunha,Edmar Fenicioand William Specialthanks to friends: RonoelSimdes, gave Akira Kobata who me recordings, information and suggestions. IVAN PASCHOITO Iune 5, 1990

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DTLERMANDO RErS(L9L6-L977)
Dilermando Reis, probably the most famous Brazilian popular guitarist, was born in 56o Paulo Statebut lived most of his life in Rio de Janeiro,where he worked actively in radio and recordings. From 1941to 1975 he recorded about 2O-78romand 23-LPs. He played all kinds of music and recorded the compositions of Bach, Barrios, T6rrega, Gnatalli and Pixinguinha among many others. However, his preference was the traditional Brazilian guitar style: doleful waltzes and choros full of modulations to "confuse accompanists", played with his unique style and sound. He was a greatcomposeralso. He recordedabout 100 of his own compositions, many of which became real standards of Brazilian popular guitar - like "Dois Destinos"and "SeEla Perguntar". In 1975he recordedthe LP,"TheBrazilian Guitar of Dilermando Reis",containing his last compositions: choros and waltzes,of course.

IVAN PASCHOITO
Ivan was born in Sdo Paulo, Brazil in 1953. Fascinatedwith the sound of Dilermando Reis, he beganteachinghimself the guitar at the ageof 12. In1973, Ivan began transcribing and arranging the music of Baden PoweII, Toquinho, Milton Nascimento, Vinicius de Moraesand others. His first arrangementswere published in 1984. Ivan's favorite guitarists include: Carlos Barbosa-Lima, Paulinho Nogueira, Dilermando Reis,Garoto (Anibal Augusto Sardinha)and John Williams.

GUITARSOLO PUBLICATIONS
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