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Tip 1: Use DMX control cables with your LED lights. While XLR cable connectors will fit, micophone cable is not designed for the high speed serial electrical data signals used by DMX lighting fixtures and DMX controllers . Tip 2: The last fixture in the chain should be terminated with a DMX terminator. This helps reduce transmission errors caused by long cable runs and interference from AC power lines or other equipment. These are inexpensive, and you only need one. (I bought a spare, which I ended up using with a second setup.) Tip 3: A standard par controller most likely won't work with DMX lighting fixtures, since you will run out of channels quickly. Instead, get a DMX controller that is designed specifically for multi-channel DMX lights. Tip 4: Mount your LED enclosures close to the performers. Yes, this is contrary to old-school stagecraft technique. Since LED units emit a cooler light than regular bulbs, this maximizes the light energy and concentrates it on the band. Performers love LED lighting, since it generates almost no heat.
These audience members invited onstage sure look like they're enjoying the comfortable stage temperature! Note how the entire color wash was produced by three truss-mounted Opti RGB LED fixtures indicated by the arrows. (The PARs in the background contributed only to the ambience, since they were loaded with low wattage bulbs.) Photo credit: Justin McCarron Tip 5: Inexpensive road cases for LED lights. I discovered that a rolling Samsonite hard sided suitcase easily holds a pair of Opti LED enclosures. There's even room left over to store DMX cables. You can often find suitable luggage and road cases at secondhand stores.
Tip 6: Use a stage clamp for each of your LED fixtures. I went with an "O" style that practically eliminates scratching on my lighting truss. The Chauvet clamp comes with inserts so you can use a single clamp with 1", 1.5" or 2" pipe. It was also less expensive than clamps from other manufacturers. Tip 7: Use a safety cable if there's any chance that a light fixture can come lose and cause injury. They're cheap insurance for performers and the audience. Continued on next page >>
Tip 13: A digital camera, with the flash turned off, provides a quick indication of any needed lighting adjustments. That's what was used in the Tip 12 photo above. It can also point out where a light may be improperly aimed. If the lighting "cone" is aimed too far to the left or right, or too much on the stage itself and not enough on the performer, it defeats the purpose of having the light in the first place. Be sure to hold the camera extra still when not using the flash. (Why no flash, you ask? The power camera strobe washes out the effect of your stage lighting.) Tip 14: Don't face LED fixtures towards the audience. LED lights provide colors by color mixing red, green, and blue LEDs. This works great when the light hits the stage or the performer, but if the light is turned towards the audience, they instead see the individual LEDs colors that produce the light. This can be distracting. Keep the light away from the audience, or use a diffusion gel. Many acts (ours included) supplement the LEDs with traditional PAR lamps in back of the performers so the audience can see the lights. ----------
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This cable features 22 AWG stranded (0.15 x 19) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket, Duofoil (100% coverage) and cotton plus a tinned copper braid shield (85% coverage). PVC jacket. More info...
Also available: Chauvet 4PLAY 6-Channel LED Light Bar and Effects System
The Chauvet 4PLAY provides a ready-to-go lighting bar for the traveling entertainer. The bar is fitted with four LED moonflowers each containing 57 red, green, blue, and white diodes to produce razor-sharp, rotating beams. The 4PLAY light bar gives you individual control of red, green, blue, and white LEDs within each light plus each of the four moonflower lights can be individually positioned. The Chauvet 4Play also features adjustable strobe speed plus 6channels of DMX control with built-in automated and sound-activated programs. The 4PLAY lighting effect fits onto most standard 1-3/8" tripods, including speaker stands and Chauvet's 4BAR tripod (sold separately), plus it comes with a convenient light bar travel bag.
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note numbers, perfect for tap-tempo functions. 2 programmable, relaycontrolled footswitch jacks are great for switching guitar amp channels via MIDI.
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