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INSPIRED DESIGNS FOR THE PASSIONATE BEADER

S P E C I AL T UC S ON B E AD S HOW P R E V I E W I NS I DE !
Holiday Project!
Stitch a wintery snowflake bracelet p. 74
beaded
jewelry designs
16
create
fun
bangles
with
peanut beads
SPIKES, SUPER
DUOS, AND MORE
Learn about the
latest shaped beads
p. 14
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hlights
2)
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Designer of the Year Projects
40 LOTUS NECKLACE Jean Power
This versatile peyote necklace features a removable
pendant that moonlights as a brooch
44 BUTTON-UP BRACELET Leslie Frazier
Stitch a textural bracelet with a button that
doubles as a focal and a clasp
48 WINTER BOUQUET NECKLACE Diane Fitzgerald
Use a bounty of stitches to create this elaborate
floral necklace
54 BALI CHARM BRACELET Sue Jackson and Wendy Hubick
Layer square-stitched spacers, Bali silver beads,
and charms for an eye-catching bracelet
Feature
20 GEOMETRY 101
Fashion shapely bracelets following this
pattern excerpted from Beadwork Editor
Melinda Bartas latest book, Mastering Peyote
Stitch: 15 Inspiring Projects
Projects
57 BELLA NECKLACE Maria Teresa Moran
60 RHYTHM OF THE SEA BRACELET Sra Zsadon
64 CARNIVAL IN RIO Glorianne Ljubich
68 PERFECT PEANUT BANGLE Nancy Jones
70 WHATS YOUR FANCY? Kathy Burke
74 SNOWFLAKES BRACELET Cindy Holsclaw
DECEMBER 2012/JANUARY 2013 VOLUME 16 NUMBER 1
contents
STITCH INDEX
BRICK STITCH 48, 60
FRINGE 48
HERRINGBONE STITCH 44, 70
LADDER STITCH 44, 48, 70
NETTING 44, 48, 57, 70
PEYOTE STITCH 20, 40, 44,
48, 60, 74, 78
PICOT 44, 60, 78
RIGHT-ANGLE WEAVE 44, 57,
60, 68, 70, 74
SQUARE STITCH 44, 48, 54, 70
STRINGING 20, 54, 57, 60
WIREWORKING 54, 60
Carnival in Rio by
Glorianne Ljubich
2013
Tucson Show
Preview
p. 25
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54 70 60
Departments
6 Passing Through
8 W.O.R.D. (What Our Readers Did)
10 Contributors
12 The Challenge
14 Stitch Pro: Shaped Beads
18 Cool Stuff
78 Simply Seeds Carol Mundy
93 Bead Buzz
94 Techniques
96 Bead Artist: Huib Petersen Michelle Mach
contents
Perfect Peanut Bangle by Nancy Jones,
page 68
on the cover
Projects suited to those new
to seed beading or to
experienced beaders looking
for a quick project
Designs for an intermediate
beader, a beginner ready to
expand his/her skills, or an
advanced beader looking
for a project that wont take
weeks to complete
Start here if you are up for
a challenge or looking for a
detailed project that requires
a longer time commitment
Our three-level project
rating system, found on
the opening page of each
project, is your guide to
deciding which projects
to make first:
PROJECT RATING
96
40 44 57
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6 beadworkmagazine.com
EDITORIAL DIRECTOR Danielle Fox
EDITOR Melinda Barta
SENIOR EDITOR Jean Campbell
ASSOCIATE EDITOR Mallory Zier
ASSISTANT EDITOR Chloe Chatenever
PROJECT EDI TOR Kate Wilson
CONTRIBUTING EDITORS Mindy Brooks, Michelle Mach
COPY EDITOR Liz McGehee
BEADING DAILY EDITOR Jennifer VanBenschoten
DESI GNER Connie Poole
PRODUCTION COORDI NATOR Mark Dobroth
PROJECT PHOTOGRAPHY Joe Coca, Ann Swanson
ILLUSTRATION Bonnie Brooks
SENIOR ADVERTISING SALES MANAGER Marilyn C. Koponen
mkoponen@interweave.com, (877) 613-4613
ADVERTISING MANAGER Debbi Simon
dsimon@interweave.com, (800) 272-2193, ext. 129
AD TRAFFICKERS Melissa Marie Brown, Kathy Depperschmidt
CLASSIFIED ADVERTISING Monica Turner
MARKETI NG MANAGER Jessi Zilk
FOUNDER, CREATI VE DI RECTOR Linda Ligon
SENI OR VI CE PRESI DENT, PUBLISHER John P. Bolton
VI CE PRESI DENT, CONTENT Jamie Bogner
VI CE PRESI DENT, MEDI A SALES Julie MacDonald
DI RECTOR OF PRODUCTI ON Trish Faubion
DESI GN MANAGER Larissa Davis
GROUP MARKETI NG DI RECTOR, ECOMMERCE Christan Humphries
ONLI NE CI RCULATI ON SPECI ALIST Jodi Smith
CONSUMER MARKETI NG BUSI NESS MANAGER Tammy Gorham
F+W MEDIA, INC.
CHAI RMAN & CEO David Nussbaum
CHI EF FI NANCI AL OFFI CER James Ogle
PRESIDENT Sara Domville
CHI EF DI GI TAL OFFI CER Chad Phelps
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VI CE PRESI DENT, ECOMMERCE Lucas Hilbert
COMMUNI CATI ONS DI RECTOR Stacie Berger
GROUP MARKETI NG DI RECTOR Kate Rados
Designs in this issue of Beadwork are for inspiration and personal use only. Beadwork
does not recommend, approve, or endorse any of the advertisers, products, services, or
views advertised in Beadwork . Nor does Beadwork evaluate the advertisers claims in
any way. You should, therefore, use your own judgment in evaluating the advertisers,
products, services, and views advertised in Beadwork. Exact reproduction for commercial
purposes is contrary to the spirit of good craftsmanship.
Beadwork (ISSN 1528-5634) is published bimonthly by Interweave Press LLC, 201 E. Fourth
St., Loveland, CO 80537-5655. (970) 669-7672. USPS #018-351. Periodicals postage paid at
Loveland, CO 80538, and additional mailing offices. 2012 Interweave Press LLC. All rights
reserved. Reproductioninwhole or inpart is prohibited, except by permissionof the publisher.
Subscription rate is $29.95/one year in the U.S., $34.95/one year (U.S. funds) in Canada and
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Please send address changes to Beadwork, PO Box 469105, Escondido, CA 92046-9107.
Retailers: If you are interested in carrying this magazine in your store, please call (866) 949-
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VISIT US ON THE WEB:
beadingdaily.com interweave.com fwmedia.com
passing through
As I finish the final edit of this years December/January
issue, I have bittersweet feelings. Why? Because with this
issue we bid farewell to our outstanding 2012 Designers
of the Year.
I especially loved the way Leslie Frazier taught us how to incorporate
other bead shapes, such as peanut beads, into her designs and how Diane
Fitzgerald rounded out her years collection by sharing many of the secrets
behind her signature, three-dimensional beaded flowers. Sisters Sue Jackson
and Wendy Hubick proved the power of collaboration, sharing the wonderful
projects that resulted from their teamwork. And Jean Power offered up
a treasure trove of geometric components, pieces that Im sure will make
their way into your other designs. Their final collection of projects begins
on page 40.
The bitterness of saying goodbye to these talented designers is sweetened
by the excitement I feel for all the projects and articles in this issue. Check
out Jean Campbells in-depth look at the hottest new bead shapes (page 14),
then give twin beads a try with Cindy Holsclaws Snowflakes Bracelet
(page 74). Kathy Burke shares a fun netting technique for bezeling crystal
rivolis, plus a smart way to make an interchangeable focal that can be worn
on many different ropes (page 70). You also wont want to miss Sra Zsadons
Rhythm of the Sea Bracelet (page 60), which, in my opinion, is the perfect
use of cubic right-angle weave.
Stay tuned for next issues debut of the new 2013 Designers of the Year
and the winner of Beadworks 15th Anniversary Beaded Bead Contest.
Happy New Year,
mbarta@interweave.com
*
Beadwork Editor Melinda Barta launches her new series of
stitch-based beadweaving books with the November 19
release of Mastering Peyote Stitch: 15 Inspiring Projects.
For a free project from the book, see page 20. Preorder now
at interweavestore.com.
*
Each Thursday the editors of Beadwork bring you up-to-date community events,
let you in behind the scenes, and chat about everything beads on our new blog,
Inside Beadwork Magazine. Click the Blogs tab on beadingdaily.com.
*
Start making your bead-shopping game plan with our special Tucson show
preview that begins on page 25.
A Grand Finale
happenings
Follow Beadwork on Facebook:
beadworkmagazine.com/facebook
w
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We want to hear from you! If youve been inspired by projects in our magazine or have tips to share, email us at beadwork@interweave.com.
Check our website, beadworkmagazine.com, for corrections, announcements, and free projects.
w.o.r.d.
WHAT OUR READERS DID
READERS TIP
I love this pattern.
I did it without
joining the ends;
instead, I added a
magnetic clasp.
READERS TIP
I made the bracelet
band four beads wide
instead of six beads
wide and used black
chips instead of
crystals.
READERS TIP
I made the medallions
without the center
bead and added a loop
between the rondelles
to attach the necklace
portion on each side.
READERS TIP
Instead of using
right-angle weave on the
charms, I surrounded the
glass pearls with peyote
stitch and made the
picots using
size 15s.
KARI MONACK of Pueblo, Colorado,
made this bracelet based on Sue Jackson
and Wendy Hubicks Saturn of the Sea
project from the April/May 2012 issue.
SHERYL STEPHENS of Holt,
Michigan, made this necklace based on
Melinda Bartas Millefori Medallions
from the April/May 2012 issue.
CYNTHIA SPANN of Dallas,
Texas, created this necklace based
on Ann Gilberts Beaded Bubbles
bracelet from the December
2011/January 2012 issue.
NATALIE CEMAS of Duplje, Slovenia, created
this bracelet based on Csilla Csirmazs Eye on the
Prize project from the February/March 2012 issue.
EVA WILLIS of Augusta, Kansas, created this bracelet
based on Sue Charette-Hoods Right on Track Bangle
from the June/July 2012 issue.
8 beadworkmagazine.com
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10 beadworkmagazine.com
contributors
THIS ISSUES FEATURED ARTISTS
How would you
describe your very
first beading
project?
Want to become a
Beadwork contributor?
See our submissions guidelines at
beadworkmagazine.com.
My very first beading project
was a carefully strung bracelet
using Swarovski crystal
8mm square beads, silver
and crystal spacers, jet round
crystals, and various silver
beads. It had bling, it was
chunky, and I loved it!
KATHY BURKE
My first beading project was a
necklace that I strung with
cherry quartz, fire-polished
beads, and some silver spacers.
It was so bad that I have no
recollection of its storage
place. I was very persistent
and decided to learn to weave
with beads. I decided that I
should learn one basic stitch
at a time, because stringing
simply wasnt for me, and here we are.
MARIA TERESA MORAN
Ive been working with beads
since before I can remember,
but I was about eleven years
old when I made my first off-
loom beadweaving project:
a pair of cascading earrings
made of bugle and round seed
beads woven together with the
brick-stitch and fringe tech-
niques. CINDY HOLSCLAW
I dont remember clearly, but
my very first project must
have been some single-strand
necklace with a simple pattern
I made as a child using Czech
seed beads. We had lots of
these beads at home and my
father used them to string
necklaces for my mother.
SRA ZSADON
I found some tubular peyote
stitch ropes on vacation and
was immediately hooked.
Upon return, no one in
Houston knew anything about
beadweaving. I bought some
green size 11s and went to
work on a plastic-handled
crochet hook, ending up with a
beaded handle. I was so very
proud. NANCY JONES
When I was eleven, I sewed
beads onto my Campfire Girls
vest. Otherwise, I didnt do
any beading until twelve years
ago. I found a darling tur-
quoise pendant, and a very
talented woman at the bead
shop helped me gather beads
to match the necklace. I still
like it. GLORIANNE LJUBICH
My first beading project was
stringing a green glass cube
and some long beads in teal
and purple. Then I had these
dagger thingsI didnt even
know what they were called
then. So I added some more
cubes and some bugles and a
lobster clasp. I was so happy! I
still wear it. CAROL MUNDY
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BEADWORK december 2012/january 2013 11
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12 beadworkmagazine.com
melinda barta (editor)
Cubic right-angle weave, spiral tubular herringbone, tubular peyote,
flat peyote, stringing, picotI may have used as many different
stitches as the kit has different types of beads! I dove into this fun
kit by starting with beaded beads made of the CzechMates Tiles and
a variation of cubic right-angle weave. Once I realized I could link
them with sections of tubular peyote, the front of the necklace fell
right into place, as did the herringbone and strung straps.
FOUR DESIGNERS, ONE STASH
THE RULES: We use our favorites from the materials
provided and, where necessary, round out projects with
our own supplies.
THE STASH: These juicy Wildly Bohemian Blackberry Bush
kits (at right) from Starman contained 10 Toho seed bead
varieties and assorted Czech glass beads. Starman also pro-
vided some CzechMates Tiles and Czech glass petal beads.
THE SOURCES: Artbeads.com, (866) 715-2323; Joggles.com,
(401) 615-7696, www.joggles.com.
the challenge
Melinda Barta, Margie Deeb, Lena Thaller, Kate Wilson
What happens when you give two editors, a long-
time contributor, and a reader participant matching
sets of materials to play with? We work with
products we might not have considered using, and
our creative sides get stretched one more notch.
Attention bead artists, retailers, and wholesalers: If you would like to contribute materials and supplies to
The Challenge, please contact Mallory Zier at mzier@interweave.com or (970) 613-4650.
margie deeb (long-time contributor)
This was my fourth solution to the Challenge. Id made a loomed
bracelet and large necklace out of the tiles and another out of wooden
discs I painted. None of them sparked the imagination the way I want
my jewelry to. Im glad I made the others because they were the path
that led me to this bracelet. I was drawn to the rose-petal beads because
their shape is unusual, unpredictable. Because of that, I didnt want to
hang them at the end of fringe; I wanted to position them in a different,
intriguing way, a way in which they would make their own bead.
name
this necklace!
For details, visit
beadingdaily.com/
beadingchallenge
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BEADWORK december 2012/january 2013 13
lena thaller (reader participant)
Since I started soutache work, I am more hooked on beading than
everthe possibilities are endless. As soon as I mixed the beads
[from this kit] and soutache on my beading tray, I was inspired to
make something wildly bohemian (name on the bead pack) yet
simple. A basic crystal bead enclosed by a soutache braid and a
handful of other beads were the beginning. As layers were added to
the base, the design changed and the result looks very different
from the original idea. I am sure in the remaining bead soup there
is another jewelry set hidingI look forward to finding it.
kate wilson (project editor)
Ive wanted an extra-long pendant necklace for a long time, so I decided
to use this opportunity to create an everyday piece I could wear to the
office. Inspired by a pair of Kristen Winter earrings that will appear in
an upcoming issue of Beadwork, I used 24k gold-plated hammered rings
to anchor the beads, then brick-stitched the kit beads into a circular
pattern to create concentric circles inside the rings. Beaded beads
(Seeing Stars, Melinda Barta, June/July 2012) stitched with gold-lined
seed beads around a light brown crystal pearl accent the woven- rope
chain without taking away from the pendant.
READER
PARTICIPANT
For your chance to play, see
beadworkmagazine.com/
go/challenge
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stitch pro
{ SHAPED BEADS } Jean Campbell
TECHNIQUES YOU CAN'T BEAD WITHOUT
I remember visiting my first real bead shop. It was 1985 or so, and there were lots of shell,
wood, and pressed-glass beads; a few stones; and a smattering of African trade and metal
beads. In a basket in the corner was a selection of short tubes of Czech seed beads in a few
opaque colors.
Oh my, have bead shops changed since then! As a beadworker, the change Im most excited
about is the huge selection of seed beads available to us nownot just the wide variety of
seed bead colors, but seed bead shapes. Here are a handful of the new shape styles that
have us stitchers going wild.
PEANUT BEADS
Nicknamed for their hourglass shape, these seed beads are also known as berry
or farfalle (Italian for butterflies) beads. These colorful names come from the
beads look, like two tiny balls of glass melded together with a hole punched where
the two rounds meet. Currently they come in two sizes: 42mm (from both Japan
and the Czech Republic) and 6.53.2mm (Czech).
You can use these beads for any type of stitch that youd use a traditional round
seed bead. The difference is the rich texture and thickness that the beads lend.
TWO-HOLE TILE BEADS
One of the biggest splashes in the beadworking world over the last couple years
has been the introduction of two-hole tile beads. These flat, square 5mm beads
work beautifully for forming smooth bands of peyote and brick stitch, but also
work great as bases for intricate netted patterns.
The Japanese version of these beads is called Tila (tee-lah). They have crisp
edges, even sides, and are fairly consistent from bead to bead. The Czech ver-
sion is called CzechMates Tiles. They have rounded edges, and since theyre
quite a bit thicker than their Japanese cousins, they arent as prone to
breakage.
TWO-HOLE SEED BEADS
These beads are football-shaped with one hole at each end. Measuring at
52mm, they are about the same size of three size 11 beads stuck together,
but with their thin ends and bulky center, they take on a completely different
flavor than any other bead, almost like a spacer bar. They look fabulous when
stitched simply with flat peyote stitch, but also work well with complicated
Russian netting and other intricate stitches.
These beads are available in the United States as Twins and Super Duos.
Both are made in the Czech Republic and are generally the same size and shape
(Super Duos are a little fatter around the middle), but youll need to cull more
misshapen beads from a package of Twins than a package of Super Duos.
Twins
Super Duos
Tilas
CzechMates Tiles
14 beadworkmagazine.com
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JEAN CAMPBELL is senior editor of Beadwork magazine and a jewelry-design artist and teacher. She is the author of several beading books and
appears as Stitch Pro on Beads, Baubles, and Jewels. Visit her at www.jeancampbellink.blogspot.com.
LONG MAGATAMAS
These beads, which measure 473mm, are a lengthened version of our favorite
drop or magatama beads. They are different because of their unique shape: When
looking at them face-on, youll see an oval with a wide hole sitting near one end.
Looking at it from the side, youll see a leaning rectangle with crisp edges. These
pretty beads work great for embellishment, but also are lovely stitched tightly
together in brick or peyote stitch to make a dragon-scale look.
SPIKES
Ive added these new conical Czech-made beads to this list because they are so tiny
and, well, pretty fantastic. Because theyre only 5mm at the base and the hole is
quite near the base, they can easily be stitched together. Youll just want to make
sure their 7mm tall spikes all sit on the same side of the work. I think were going
to see some pretty innovative beadwork incorporating spikes in the years ahead!
Larger sizes are available.
BEADWORK december 2012/january 2013 15
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Finally, the wait is over! Discover 34 all-time
favorite and 6 brand-new projects!

This 148 page collectors issue is full of fabulous
beadwork patterns, expert tips, and how-tos from
the trusted editors of Beadwork magazine.
Plus! Pump up your beadwork even more with the
seasons hottest materials including copper, metal
chain, charms, rhinestone chain, and more!
Its back! Favorite Bead Stitches
brings you the designs youve
been waiting for!
Dont worry if you cant pick just one favorite.
Youre allowed to love them all at
shop.beadingdaily.com/fbs2012
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BEADWORK december 2012/january 2013 17
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BW 17 ads.indd 17 10/3/12 10:42 AM
10032012104240
RETAIL THERAPY
cool stuff Chloe Chatenever and Mallory Zier
1
2
3
18 beadworkmagazine.com
1. Be awed and inspired by Showcase 500 Beaded
Jewelry, a color photo gallery of 500 contemporary
creations carefully selected by author-editor Ray
Hemachandra. Enjoy masterpieces spanning myriad
beading techniques from beaders familiar and new,
including several Beadwork contributors and senior
editor, Jean Campbell. Lark Jewelry & Beading, $27.95.
2. Add some dimension to your jewelry designs with
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These beads are removed from their molds by hand to
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Browse through the whole collection at A Grain of
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3. These durable beadweavers scissors from Xuron
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hold slippery beading thread firmly in place as you
snip. Pick up a pair from FDJ On Time for $21.95.
(800) 323-6091, www.fdjtool.com
4. Japanese artist Eriko Page draws on her expertise
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in polymer clay beads, making each a one-of-a-kind
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5. Unicorne Beads has come out with their own take
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.com to see more color and size options. (800) 833-2095
6. Use Venetian Bead Shops eternity rondelles as
spacer beads to add a touch of sparkle to your jewelry
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8. Beadalon has added antique satin brass beading
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bead shop for retail information.
9. The facets on these new colors of tri-cut seed
beads from Beadaholique catch the light for an
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BW 18-20 Cool Stuff_Dec12.indd 18 10/1/12 11:30 AM
10012012113111
THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWORKING PRODUCTS FOR CONSIDERATION IN COOL STUFF.
PLEASE SEND ALL SUBMISSIONS TO BEADWORK@INTERWEAVE.COM TOGETHER WITH COMPLETE PRODUCT INFORMATION.
THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWO K
PLEASE SEND ALL SUBMISSIONS TO BEADWORK@INTERWEAVE.COM
4
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BEADWORK december 2012/january 2013 19
BW 18-20 Cool Stuff_Dec12.indd 19 10/8/12 3:21 PM
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20 beadworkmagazine.com
This project
is adapted from
MASTERING PEYOTE
STITCH: 15 INSPIRING
PROJECTS by
MELINDA BARTA.
Available at
interweavestore.com
or your favorite bead
or book store.
BW 20-24 MasteringPeyote Exerpt.indd 20 10/4/12 4:24 PM
10042012162651
BEADWORK december 2012/january 2013 21
Every beader should know how to stitch three-dimensional
shapes such as these circles, triangles, and squares. Not only do
these shapes make great components for any design, but they
are perfect for toggle clasps. Start with a circle and then see how
a few herringbone stitches can transform a ring of beads into
triangles and squares. by melinda barta
geometry
101
TECHNIQUES
Tubular and flat peyote stitch
Herringbone stitch
Zipping
FINISHED SIZE
7" (17.8 cm)
MATERIALS
3 g green teal matte metallic
iris size15 Japanese seed
beads (A)
5 g gray mist matte metallic
size15 Japanese seed
beads (B)
6 g green teal matte metallic
iris size11 Japanese seed
beads (C)
.5 g seafoam greenlined
amber size11 Japanese seed
beads (D)
2 clear with teal stripe
matte 25mm with 4mm hole
lampwork discs
Smoke 6 lb braided beading
thread
TOOLS
Size 10 and 12 beading needles
Scissors or thread burner
Learn absolutely everything there is to know about
peyote stitch from Beadwork Editor Melinda Barta
in her newest book, Mastering Peyote Stitch.
Covering all beginner to advanced techniques and
stitch variations, this book also features innovative
designs from Beadwork Designers of the Year
Jean Campbell, Lisa Kan, Carole Ohl, Melanie
Potter, Jean Power, Cynthia Rutledge, and Sherry
Serafini. Enjoy this sneak peek and stitch up the
teal circles bracelet today; pick up the book for the
square and triangle bracelet patterns.
BW 20-24 MasteringPeyote Exerpt.indd 21 10/4/12 4:24 PM
10042012162652
22 beadworkmagazine.com
1
2 3
3
4
g. 01: forming
rounds 1 and 2
5
4
g. 03: working
rounds 4 and 5
6 7
g. 04:
stitching
rounds 6 and 7
and weaving
through beads
to exit round 1
g. 02: adding round 3
1
beaded circles. Use tubular
peyote stitch to form a circle by
stitching 2sides of a central ring and
zipping the sides together along the
outside edge:
ROUNDS 1 AND 2 Use 5' (1.5 m) of
thread to string 40A, leaving a
6"(15.2 cm) tail. Tie a square knot
with the tail and working threads
to form a ring, leaving one beads
width of space so the ring is not
too tight. Pass through the frst
bead strung, making sure the
knot doesnt slip inside the bead
(fig.01).
ROUND 3 String 1A, skip 1A previ-
ously strung, and pass through the
next A; repeat nineteen times to
add a total of 20A. note: Step up for
each new round by passing through
the frst bead added in the current
round (fig. 02). To keep the beadwork
fexible, use relaxed thread tension.
ROUND 4 Work 1C in each stitch to
add a total of 20C (fig. 03, blue).
ROUND 5 Repeat Round 4 (fig. 03,
red).
ROUND 6 Repeat Round 4 (fig. 04,
green). note: Work with slightly
tighter thread tension in Rounds 6
and 7 so the beadwork cups.
ROUND 7 Work 1 stitch with 1D
and 1stitch with 1C; repeat this
sequence nine times to add a total
of 10D and 10C (fig. 04, blue).
Weave through beads to exit Round 1
(fig. 04, red).
ROUND 8 Work of Round 1 with 1C
in each stitch to add a total of 20C
(fig. 05). Hold the beadwork so that
the beads added for this second
side are inside the cup of beadwork.
As you work this side, manipulate
the beads with your thumb and
index fnger to encourage the
cupping of the beadwork. Te sides
will curl up toward each other.
BW 20-24 MasteringPeyote Exerpt.indd 22 10/4/12 4:24 PM
10042012162652
BEADWORK december 2012/january 2013 23
8
g. 05:
working round 8
o round 1 beads 9
10
g. 06: stitching
rounds 9 and 10
g. 07: zipping
the beads of
round 10 to
round 7
ROUND 9 Repeat Round 4 (fig. 06,
blue).
ROUND 10 Repeat Round 4 (fig. 06,
red).
ZIP To double the working thread, move
the needle closer to the beadwork
so the end of the thread extends
5" (12.7 cm) beyond the last bead
exited. Fold the sides up toward each
other so that Round 7 meets Round 10
and zip the edges together (fig.07).
Secure the threads and trim.
Repeat this entire step three times for
a total of 4 beaded circles. Set the
circles aside.
2
toggle bar. Make a strip with
fat peyote stitch, zip the ends to
form a tube, embellish the ends, and
add a connection loop:
TUBE Use 3' (.9 m) of thread and C
to work a strip 16 beads wide and
10rows long. Fold the ends toward
each other so Row 1 meets Row 10
and zip the edges together (fig. 08,
blue). Weave through beads to exit
away from the beadwork from 1 end
C (fig.08, red).
END EMBELLISHMENT String 1D, pass
down through the next end C and
up through the next; repeat twice
(fig. 09). Repeat the embellishment
around the end of the tube once more
to add a total of 5D. Weave through
beads of the tube or pass the needle
down through the center of the
tube, to exit an end C and repeat this
embellishment at the other end.
BW 20-24 MasteringPeyote Exerpt.indd 23 10/4/12 4:24 PM
10042012162653
24 beadworkmagazine.com
g. 08: zipping the
toggle bar closed
g. 09: embellishing the
end of the toggle bar
g. 10: adding
the toggles
connection loop
g. 11: making a beaded ring
g. 12: forming the clasp chain
and assembling the bracelet
CONNECTION LOOP Weave through
beads to exit 5C from one end of the
tube. String 8C, pass through 1C in
the row above the one just exited,
5 beads in from the other end (fig.10).
Weave through beads to work
a turnaround and reinforce the
loop. Secure the thread and trim.
3
bracelet assembly. Join the
glass discs, beaded circles, and
the clasp with simple seed bead rings:
BEADED RINGS Use 10" (25.4 cm) of
thread to string 32B and 2 beaded cir-
cles, leaving a 4" (10.2cm) tail. Pass
through all the beads again and tie
a square knot to form a tight circle.
Pass through 3 beads, tie a knot, pass
through 3 more beads, and trim the
thread; add a needle to the tail thread
and repeat (fig. 11). Repeat to form a
second 32B loop that joins the same
2 beaded circles. Form two 40B rings
that join 1 of the previous beaded
circles to 1 disc. Form two 40B rings
that join the other side of this disc to
1 beaded circle. Form two 32B rings
that join the previous beaded circle
to the remaining beaded circle. Form
two 40B rings that join the previous
beaded circle to the remaining disc.
Form two 34B rings that connect to
the last disc.
TOGGLE CHAIN *Form one 14C ring
that attaches to both of the previous
rings. Form two 20B rings that attach
to the previous ring. Repeat from *
twice more, or for the desired length,
connecting the fnal pair of 20Brings
to the toggles connection loop
(fig.12). note: Work an even number
of rings so the toggle aligns with the
discs and beaded circles.
RESOURCES Check your local bead shop or
contact: FireLine braided beading thread and beads:
Beyond Beadery, (800) 840-5548, www.beyond
beadery.com. Glass discs: Atlantic Art Glass,
(207) 664-0222, www.atlanticartglass.com.
BW 20-24 MasteringPeyote Exerpt.indd 24 10/4/12 4:24 PM
10042012162653
BW 25-33 TucsonPreview ads.indd 25 10/4/12 2:05 PM
10042012140819
TUCSON 2013 PREVIEW
26 beadworkmagazine.com
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TUCSON 2013 PREVIEW
BEADWORK december 2012/january 2013 29
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TUCSON 2013 PREVIEW
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TUCSON 2013 PREVIEW
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10122012093928
Well meet you at
JOGS & The Best Bead Show
www.brendaschweder.com
NowThat's a
ig!
by brenda schweder jewelry
CREATE YOUR STYLE with SWAROVSKI ELEMENTS Ambassadors
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Want to take a class or meet an ambassador? Find out what shows they will be participating in and choose from
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BW 34 GLW ad.indd 34 10/3/12 10:42 AM
10032012104256
To nd a Beadalon retailer near you, please visit
www.beadalon.com/locatewheretobuy.asp

www.beadalon.com www.facebook.com/beadalon
Impression
Make an
Jewelry designed by Katie H
acker
M
ake your own jewelry and make an Impression
with new Beadalon Satin Antique Brass
colored 7, 19, and 49 strand beading wire. Use this
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BW 35 beadalon ad.indd 35 10/3/12 10:42 AM
10032012104312
meet the teachers
Your resource for kits and classes.
36 beadworkmagazine.com
Marcia Balonis
Picot Drops Bracelet
Plus more patterns and kits
marcia@baublesbybalonis.net
www.baublesbybalonis.net
Bead Party
Necklace
Beady Eyed Women

Jeannette Cook
Kits - Tutorials - Workshops
www.BeadyEyedWomen.com
Brewed
Adornments
Beautiful Design Given a
New Purpose Limited
Edition Kits Available
www.christinesbeadworks.com
Twisted Spiral
Necklace
by Doris Coghill
www.beadsbydee.com
Ds Designs
Chainmaille kits, jump rings
and more
Aluminum, silver flled,
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www.dsdesignsjewelry.com
Cristie Prince
Princess Kate Necklace
Patterns, Kits, and Classes
www.glassyjewels.com
Cristie@glassyjewels.com
Jean Power
Books - Kits
Patterns - Classes
www.jeanpower.com
Lanai Kinsky
Holly Vine Kit
LanaiKinsky.com
503-686-8974
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Enchanted Lily
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leslie@lesliefrazier.com
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Snowfake
Kits & Tutorial Available
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Melinda Barta
Limited-Edition Seeds and
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Books Kits DVDs Inspiration
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2012 ~ Year of the Bracelet
A Bracelet Design
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Patterns, Kits, Tutorials
www.skunkhillstudio.com
Nancy Jones
Perfect Peanut Bangle
tinydogseedbeads.com
tinydog@tinydogseedbeads.com
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Beadweaving kits
and patterns
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jill@tapestrybeads.com
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New Class Offering
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BW 36-37 MeetTeachers ads.indd 36 10/3/12 11:21 AM
10032012112407
BEADWORK december 2012/january 2013 37
Brenda Schweder
Jewelry
Join my workshops and be
one of the frst to create on
Now That's a Jig!
Brenda Schweder.com
Carol Cypher
Beading & Felting
Workshops.
US Distributor Tulip Needles
carolcypher@gmail.com
phone 845-384-6417
Cynthia Rutledge
Granuailes Crown Kits
www.cynthiarutledge.net
cynthia@cynthiarutledge.net
Christi Friesen
sculptural beads, how-to books,
projects
www.CForiginals.com
Debbi Simon
Come play with Mixed
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Diane Whiting
Designs
Learn Fanciful Filigree Beading
Delighting Your Inner Royal.
dianewhitingdesigns.com
Met Innmon
Egyptian Waves Kits
www.metbeads.com
met@metbeads.com
Leslee Frumin
Crystal Teardrop Necklace
Introducing new kits.
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lesfrumin@mac.com
Marilyn Gardiner
Celtic Labyrinth Bracelet
www.marilyn
gardiner.com

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Quality in the Making

Ask For Us At
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WWW.TIERRACAST.COM Lead Free Pewter
Made in the USA ~ EU Nickel Compliant ~ Original Designs
Define
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Designed by
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BW 36-37 MeetTeachers ads.indd 37 10/3/12 11:21 AM
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Expand your archives and explore all six issues of
Beadwork 2011. Master the essential bead techniques
with 85+ Beadwork projects and create magnificent
beaded pieces in peyote, herringbone, right-angle
weave, square stitch, and more!
Plus, as an added bonus,
get 5 Quick + Easy guides;
thats 50 more designs
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Learn more at Shop.bead%ngdaily.com/BW2011CD
CONTEMPORARY CORSAGE by Sherry Serafni
TWISTS AND TURNS by Yasmin Jacob Sarfati
Discover the brand-new
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BW 38 iw cd ad.indd 38 10/3/12 10:43 AM
10032012104342
BEADWORK december 2012/january 2013 39
Beading Classes for all levels available
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Pre-register and save $10.00 per class.
Pre-register for classes at
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Shows@InnovativeShows.com
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BW 39 ads.indd 39 10/4/12 12:27 PM
10042012122739
TECHNIQUES
flat and tubular peyote stitch
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
join jean
in her video workshops at
shop.beadingdaily.com/JeanDVDs
and learn how to stitch more
geometric
shapes
DESIGNER of the Year
BW 40-43 Power-LotusNecklace.indd 40 10/1/12 4:37 PM
10012012163826
BEADWORK december 2012/january 2013 41
Artist Name
DESIGNER of the Year
CHAIN
1) LINK 1. Work tubular peyote stitch to
form the first chain link:
Rounds 1 and 2: Use 4' of thread to string
60A; pass through the first 28A to form
a tight circle, leaving an 18" tail.
Round 3: String 1A, skip the next A in the
circle, and pass through the following A;
repeat to add a total of 30A. Step up for
the next and subsequent rounds by
passing through the first bead added in
the current round (Fig.1, black thread).
Round 4: Work 1 stitch with 2A and
14stitches with 1A in each stitch; repeat
(Fig.1, purple thread).
Round 5: Work 32 stitches with 1A in each
stitch, splitting the 2A pairs of Round 3
(Fig.1, orange thread).
Round 6: Work 32 stitches with 1B in each
stitch (Fig.1, green thread).
Round 7: Work 15 stitches with 1B and
1stitch with 2B; repeat (Fig.1, blue
thread).
Round 8: Work 34 stitches with 1B in each
stitch, splitting the 2B pairs of Round 7
(Fig.1, red thread).
Rounds 913: Use the tail thread to repeat
Rounds 37 off of Round 1.
Zip: Interlock Rounds 8 and 13. Weave the
beads together to form a seamless tube.
Secure the thread and trim; set the
link aside.
Jean Power
FINISH THE STUNNING GEOMETRIC peyote-stitch chain
with a dramatic crystal flower. Or, wear just the pendant
as a striking brooch.
lotus
necklace
DESIGNER of the Year

Jean Power is an
award-winning
jewelry designer,
author, and
teacher. For this
project, Jean com-
bined her love of
crystals, cylinder
beads, angles,
structure, and
interchangeable
jewelry. Visit www.jeanpower.com.
Fig. 1: Working Rounds 38 of the first chain link
MATERIALS
25 g bronze size 15 seed beads (A)
28 g mix of matte, luster, and AB royal
blue and turquoise size 11 cylinder
beads (B)
1 crystal dorado 30mm foil- and flat-back
crystal chessboard cabochon
1 black 5mm snap set
Smoke 6 lb braided beading thread
Double-sided tape
TOOLS
Scissors
Size 11 beading needle
FINISHED SIZE: 20" (necklace);
3" (pendant)
BW 40-43 Power-LotusNecklace.indd 41 10/1/12 4:37 PM
10012012163827
42 beadworkmagazine.com
Snap: Sew one half of the snap to the
tube end. Repeat to add the other
snap to the other tube end. Secure
the thread and trim. Set the
clasp aside.
PENDANT
4) BEZEL. Work tubular peyote stitch to
bezel the cabochon:
Rounds 1 and 2: Use 4' of thread to string
72B; pass through the first 36B to form
a tight circle, leaving an 18" tail.
Round 3: String 1B, skip 1B of the previ-
ous round, and pass through the next B;
repeat for a total of 36B. Step up for the
next and subsequent rounds by passing
through the first bead added in the cur-
rent round.
Round 4: Work 36 stitches with 1B in each
stitch.
Rounds 57: Work with tight tension to
form 36 stitches with 1A in each stitch
for a total of 3 rounds. Insert the cabo-
chon faceup into the beadwork after
Round 5.
2) LINKS 221. Repeat Link 1 twenty
times, each time passing the 60B of
Rounds 1 and 2 through the previous
chain before forming the circle to create
a chain (Fig.2). Set the chain aside.
Note: For a longer or shorter necklace,
add or subtract links.
3) CLASP. Work odd-count peyote stitch
to form a beaded square with one open
corner for a snap:
Note: As you bead the clasp, the in-
creases will cause your flat piece of
beadwork to bend. This adds the neces-
sary corners to the piece, so let the
beadwork bend into a triangular shape
as you stitch.
Rows 13: Use 3' of thread to work a
strip of odd-count peyote stitch 43A
wide and 3 rows long, leaving an
18" tail.
Row 4: Work 4 stitches with 1A in each
stitch and 1 stitch with 2A. Work
5stitches in each stitch with 1A and
1stitch with 2A; repeat. Work
4stitches with 1A in each stitch
(Fig.3, black thread).
Row 5: Work 25 stitches with 1A in each
stitch, splitting the 2A pairs of the previ-
ous row (Fig.3, orange thread).
Row 6: Work 24 stitches with 1B in each
stitch (Fig.3, purple thread).
Row 7: Work 5 stitches with 1B in each
stitch and 1 stitch with 2B. Work
6stitches with 1B in each stitch and
1stitch with 2B; repeat. Work 5stitches
with 1B (Fig.3, green thread).
Row 8: Work 5 stitches with 1B in each
stitch and 1 stitch with 2B. Work
7stitches with 1B in each stitch and
1stitch with 2B; repeat. Work 5stitches
with 1B (Fig.3, blue thread).
Row 9: Work 31 stitches with 1B in each
stitch, splitting the 2B pairs of Row 8
(Fig.3, red thread).
Rows 1014: Use the tail thread to
repeat Rows 48 off of Row 1.
Zip: Interlock Rows 9 and 14. Weave the
beads together to form a seamless
tube. Exit from an end bead.
1
2
3
4
5
6
7
8
9
10
11
12
Fig. 2: Starting the
second link
Fig. 3: Stitching Rows 49
of the clasp
Fig. 4: Forming the bezel
Artists Tips
You can easily turn the pendant of this necklace
into a brooch. Simply thread a large safety pin
behind the beaded strip at the back of your
pendant.
When beading the petals, work very tightly. Dont
worry if you see thread where you skip the spaces
at first; by the time youve finished the petals, this
wont be noticeable.
DESIGNER of the Year
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BEADWORK december 2012/january 2013 43
7) CONNECTOR BAND. Use A to work a
flat peyotestitched band 5 beads wide
and 29 rows long off of the back of the
bezel. Zip the end of the strip to Bezel
Round 12 on the opposite side of the
pendant.
8) ASSEMBLY. Slide the clasp under the
connector band. Attach the end chain
links to the clasp and snap to secure.
RESOURCES Check your local bead shop or
contact: Swarovski chessboard cabochon (article
#2035) and Delica cylinder beads: The London Bead
Co., www.londonbeadco.co.uk. Seed beads and
FireLine braided beading thread: The Bead Merchant,
www.beadmerchant.co.uk. All materials (U.S.
source): Beads By Blanche, (201) 385-6225,
www.beadsbyblanche.com. Kits: Jean Power,
www.jeanpower.com.
Rounds 5 and 6: Repeat Round 4 twice
(Fig.5, blue thread).
Round 7: Work 96 stitches with 1B in each
stitch between each B added in the pre-
vious round (Fig.5, red thread). Note:
This includes splitting the 2B pairs and
connecting the gaps between petals.
Weave through beads to exit from a
Round 8 B that sits under a Round 2 B
where a petal is joined to the bezel.
Rounds 812: Repeat Round 3, working
off of Round 1, then repeat Round 4
three times.
Zip: Interlock the beads of Rounds 7
and 12. Weave the beads together so the
petals become tubular. Weave through
beads to exit from a B of Bezel Round 2
that sits halfway between the petals
points of this layer (marked with a red X
in Fig.5).
6) PETALS, LAYER 2. Repeat Step 5 to add
a second layer of petals, taking care to
allow these petals to sit behind the first
set. Weave through beads to exit from an A
of Bezel Round 12.
Rounds 812: Use the tail thread to repeat
Rounds 37, working off of Round 1.
Weave through beads to exit from
Round 2 (Fig.4).
5) PETALS, LAYER 1. Work tubular peyote
stitch to add a round of sculptural flower
petals to the bezel:
Rounds 1 and 2: String 30B, skip 5B of the
pendants Round 2, and pass through
the sixth B; repeat five times for a total
of 6 petals. Step up through the first B
added in this section (Fig.5, purple
thread).
Round 3: *String 1B, skip the next B of the
previous round, and pass through the
following B; repeat six times. String 2B;
pass through the following B. String 1B;
skip the next B of the previous round
and pass through the following B; repeat
six times. Pass through the next bead
(the first B of the next petal). Repeat
from * five times. Step up through the
first B added in this round (Fig.5,
orange thread).
Round 4: *Work 7 stitches with 1B in each
stitch, 1 stitch with 2B, and 7 stitches
with 1B in each stitch. Pass through the
next bead (the first B added in the next
petal). Repeat from * five times. Step up
through the first B added in this round
(Fig.5, green thread).
X
Fig. 5: Stitching Rounds 17 of Petals, Layer 1
Back of pendant with clasp
Jean Power
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PEYOTE STITCH, HERRINGBONE STITCH, circular
right-angle weave, and more are all featured in this
peanut-bead bracelet with a fun beaded button
that doubles as a focal and a clasp.
button-up
bracelet
TECHNIQUES
flat and tubular peyote stitch
flat herringbone stitch
picot
circular right-angle weave
ladder stitch
netting
square stitch
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
DESIGNER of the Year
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BEADWORK december 2012/january 2013 45
Artist Name
DESIGNER of the Year
1) BAND CENTER. Use 6' of thread to
peyote-stitch a strip 6B wide and 116 rows
long (6" long) or enough to reach around
the wrist with no overlap. Note: If adjust-
ing the length, work an even number
of rows.
2) BAND EDGES. Work herringbone
stitch along the sides of the band center:
Row 1, Side 1: Exiting from the last B
along the side of the band center, string
2C; pass down through the next B along
the band center and up through the fol-
lowing B to form a herringbone stitch.
Continue working herringbone stitches
with 2C in each stitch down the side of
the band center (Fig.1, purple thread).
Weave through beads to exit up through
the last C added.
Row 2, Side 1: String 2C; pass down
through the next C of the previous row
and up through the following C. Repeat
across the row. Step up for the next row
by passing up through the inside C of
the previous row and the final C of the
current row (Fig.1, green thread).
Row 3, Side 1: Repeat Row 2 (Fig.1, blue
thread).
Row 4, Side 1: Repeat Row 2, this time
using 1C, 1B, and 1C in each stitch to
form a picot at the top of each herring-
bone column. Weave through beads to
exit from the other side of the band
center (Fig.1, red thread).
Repeat Rows 14 on the other side of the
band center. Secure the thread and trim.
3) BUTTON. Use circular right-angle
weave to form a flat circle, then embellish:
Round 1: Add a stop bead to the end of
9'of thread, leaving a 5" tail. String 6B;
pass through the beads again to form a
tight circle. Exit from the first B.
Round 2, Unit 1: String 4C; pass through
the last B exited and the first C just
added (Fig.2, orange thread).
Round 2, Unit 2: String 3C; pass back
through the next B of Round 1, through
the the nearest side C of the previous
unit, the 3C just added, and the follow-
ing B of Round 1 (Fig.2, purple thread).
Round 2, Unit 3: String 3C; pass through
the nearest side C of the previous unit,
the last B exited, and the first C just
added (Fig.2, green thread).
Round 2, Units 4 and 5: Repeat Units 2
and 3 (Fig.2, blue thread).
Round 2, Unit 6: String 2C; pass through
the side C of Unit 1, back through the
nearest B of Round 1, and through the
nearest side C of the previous unit and
the 2C just added (Fig.2, red thread).
Round 3, Unit 1: String 3B; pass through
the last C exited and the first B just
added.
Round 3, Unit 2: String 2B; pass through
the nearest top C of Round 2, the nearest
side B of the previous unit, the 2B just
added, and the next top C of Round 2.
Leslie Frazier
DESIGNER of the Year
MATERIALS
8 metallic purple iris size 15 seed
beads (A)
20 g copper-lined clear 42mm peanut
beads (B)
20 g purple AB 42mm peanut
beads (C)
1 silver 67mm magnetic clasp
Smoke 6 lb braided beading thread
TOOLS
Scissors
Size 11 or 12 beading needle
FINISHED SIZE: 7"
Leslie Frazier
began creating
her own bead-
work designs in
1994 and started
sharing them with
students in 1996.
Since then she has
taught extensively
throughout the
United States,
Japan, and Colombia. Her work has been
published in The Art and Elegance of
Beadweaving and Masters: Beadweaving:
Major Works by Leading Artists (Lark
Books, 2003 and 2008). Leslie loves to
explore new ways to use basic stitches,
developing different techniques along
the way without sacrificing classic style
and finishing details. Visit her website,
www.lesliefrazier.com.
Fig. 1: Forming Rows 14, Side 1,
of the band edges
Fig. 2: Stitching Round 2
of the button
Round 3, Unit 3: String 2B; pass through
the nearest side B of the previous unit,
the last C exited, and the first B just
added.
Round 3, Units 411: Repeat Units 2 and 3
four times.
Round 3, Unit 12: String 1B; pass through
the nearest side B of Unit 1, back
through the nearest top C of Round 2,
and through the nearest side B of the
previous unit and the 1B just added
(Fig.3).
Fig. 3: Working
Round 3 of the
button
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46 beadworkmagazine.com
Round 4: Work circular right-angle weave
with 2C on the top of each unit and 1C
on the side of each unit for a total of
12units (Fig.4, green thread).
Round 5: Work circular right-angle weave
with 1B at the top and on the sides of
each unit and working off each top C of
Round 4 for a total of 24 units (Fig.4,
blue thread).
Round 6: Work circular right-angle weave
with 2C on the top of each unit and 1C
on the side of each unit for a total of
24units. Exit from a top 2C (Fig.4, red
thread).
Embellish: String 3C and 2B and pass
through the nearest top B of Round 3,
then string 2B and 3C, skip the next top
2C of Round 6, and pass through the fol-
lowing top 2C of Round 6; repeat around
the top of the button (Fig.5).
4) ATTACH BUTTON. Start 1' of new
thread that exits near the middle of Row 2
at one end of the band center. String 1B;
pass through 1B of Round 1 on the button.
String 1B; pass through the last B exited
on the band and the nearest B of the band
centers Row 3 to form a right-angle-weave
unit (Fig.6). String 1B; pass through the
opposite B of Round 1 on the button.
String 1B; pass through the last B exited
on the band. Repeat the entire thread path
several times to reinforce. Secure the
thread and trim.
5) CLASP. Ladder-stitch a strand and
attach the clasp:
Strand: Start 3' of new thread on the end
of the bracelet opposite the button that
exits toward the band center from 1C of
the band edges Row 1. String 2C; pass
through the nearest C of Row 2, the last
C exited in Row 1, and the 2C just
strung. Continue working ladder stitch
with 2C in each stitch until the strand is
11C long. String 2A, one half of the
clasp, and 2A; pass through the last 2C
exited. Repeat the thread path several
Fig. 4: Stitching Rounds 46 of the button
Fig. 5: Embellishing the face
of the button
Fig. 6: Attaching the button to the band
DESIGNER of the Year
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BEADWORK december 2012/january 2013 47
times to reinforce. Weave through beads
to exit from the final B in Row 2 of the
center band (Fig.7, blue thread).
Clasp: String 2A, the other half of the
clasp, and 2A and pass through the last
B exited (Fig.7, red thread); repeat the
thread path several times to reinforce.
Secure the thread and trim.
RESOURCES Check your local bead shop or
contact: FireLine braided beading thread and all
other materials: Kandras Beads, (805) 686-8804,
www.kandrasbeads.com.
Fig. 7: Adding the clasp

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Leslie Frazier
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10012012162538
TECHNIQUES
flat and odd-count peyote stitch
freeform netting
fringe
square stitch
ladder stitch
brick stitch
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Back of
necklace
DESIGNER of the Year
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BEADWORK december 2012/january 2013 49
Artist Name
DESIGNER of the Year
1) BASE. Use a variation of flat peyote
stitch and freeform netting to form the
necklace base:
Band, Stitch 1: Place a needle at the center
of 6' of black thread. Bring the ends
together and wax well. Knot the ends
together with an overhand knot. Trim
the tails 1mm from the knot and use a
lighter to slightly melt them. String 4N;
separate the threads between the first
bead and the knot, pass the needle
between the strands, then pass back
through the last two beads strung (Fig.1).
Band, Stitch 2: String 2N; pass back
through the last 2N exited in the previ-
ous stitch (Fig.2, green thread).
Band, Stitch 3: String 2N; pass back
through the last N added in the previous
stitch (Fig.2, blue thread).
Band, Stitch 4: String 1N; pass back
through the last 2N added in the
previous stitch (Fig.2, red thread).
Repeat Stitches 3 and 4 for 23" or to the
desired length. Fold the band in half to
form a V shape and stitch the V in place at
the point. Secure the thread and trim.
Diane Fitzgerald
USE AN INTRIGUING COMBINATION of stitches and
vibrant beads to form this pretty bouquet of beaded
flowers to grace the neck.
floral collage
necklace
DESIGNER of the Year
MATERIALS
1 g white size 15 Japanese seed beads (A)
5 g silver-lined dark gray size 15 hex
beads (B)
10 g black size 11 Japanese seed beads (C)
10 g red size 11 Japanese seed beads (D)
2 g silver-lined dark red size 11 Japanese
seed beads (E)
2 g dark green shiny size 11 Japanese
seed beads (F)
2 g silver-lined red size 11 cylinder beads (G)
5 g matte transparent lime-green size 11
cylinder beads (H)
7 g matte transparent lavender size 11
cylinder beads (I)
4 g metallic lavender size 11 cylinder
beads (J)
5 g matte silver-lined orange size 11 cylinder
beads (K)
1 g silver-lined orange size 11 cylinder
beads (L)
7 g matte silver-lined dark blue size 11
cylinder beads (M)
42 g black size 8 hex beads (N)
72 jonquil opal 46mm drops (O)
1 black 8mm pressed-glass faceted
shank button
1 rhodium-plated 718mm lock clasp with
inset cubic zirconias
Size D nylon beading thread in black, orange,
green, red, dark blue, and pale purple
Microcrystalline wax
TOOLS
Scissors
Size 11 beading needles
Lighter
FINISHED SIZE: 18" (necklace);
5 5" (bouquet)
Diane Fitzgerald is
a bead-jewelry
designer, author,
and international
teacher, but it
doesnt stop there.
Dianes skills are
based on formal
training in design,
color, and com-
munications, and
she finds endless inspiration from her
students as well. Her twelfth book is
D iane Fitzgeralds Favorite Bead Projects
(Lark Crafts, 2012). Find more beautiful
flowers in The Beaded Garden: Creating
Flowers with Beads and Thread
(Interweave, 2005). Visit www.diane
fitzgerald.com.
1
Fig.1: Forming Stitch 1
of the band
Fig.2: Adding Stitches
24 of the band
Fig.3: Working the
netted center of the base
Clasp: Start 8" of new waxed black thread
at one end of the band. Securely sew one
half of the clasp to the end; secure the
thread and trim. Repeat to add the other
half of the clasp to the other end of
the band.
Center: Prepare 6' of new thread as in
Stitch 1; anchor the thread so it exits
from 1N at the inside of the bands
point. String 3B; pass under the exposed
thread on the opposite inside edge of the
band, 1N up from the last point exited.
String 4B; pass under the exposed
thread on the opposite inside edge of the
band, 2N up from the last point exited.
String 6B; pass under the thread on the
opposite inside edge of the band, 2N up
from the last point exited. String 3B;
pass through the fourth N of the last net
formed. String 5B; pass under the
thread on the opposite inside edge of the
band, 1N up from the last point exited
(Fig.3). Continue working freeform net-
ting across the bands point until the
netting is 3" high and 3" wide. Secure
the thread and trim. Set the base aside.
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50 beadworkmagazine.com
Rows 1321: Repeat Rows 412 to com-
plete the other side of the petal. Weave
through beads to exit from the first E of
Row 1 (on the knotted end of the petal),
toward the work (Fig.5). Dont trim the
thread; set aside.
Repeat this entire step four times for a
total of 5 petals, mixing in E at the tips
(opposite the knotted end) as desired to
shade the other petals, making them look
more natural. Use tight tension to encour-
age the petals to curl.
Connect: Place 2 petals together so their
knotted ends sit side by side. Use the tail
thread of one of the petals to square-
stitch the two sides together for
10stitches (Fig.6). Repeat to connect all
of the petals in this manner, forming
the flower shape. Stitch the button to
the center of the flower. Set the 5-petal
flower aside.
3) LEAF CLUSTERS. Use square stitch and
fringe to form a cluster of long, thin leaves:
Rows 1 and 2: Use 5' of waxed green
thread to string 4H; tie a knot to form a
circle, then position the beads so they sit
in 2 side-by-side columns. Exit up
through the right column (Fig.7, orange
thread).
Row 3: String 2H; pass down through the
top H of the left column, up through the
top H of the right column, and up
through the first H just added (Fig.7,
green thread).
Rows 420: Repeat Row 3 seventeen times
(F ig.7, blue thread).
Fringe: String 6H; pass back through the
first 5H just added and the top left H of
the previous row (Fig.7, red thread).
Secure the thread and trim. Set aside.
Repeat this entire step twice, making
1leaf with 16 rows and the other leaf with
10 rows. Square-stitch the first 2 rows of
each leaf together to form the long-leaf
cluster. Set aside.
Repeat this entire step seven times for a
total of 8 clusters, making each new clus-
ter with 3 or 4 leaves each and varying
lengths.
2) 5-PETAL FLOWER. Work odd-count
peyote-stitched petals, then connect them
to form a flower:
Rows 1 and 2: Prepare 6' of new red thread
as in Band, Stitch 1, but dont knot the
ends together; add a stop bead, leaving a
3" tail. String 26G; pass back through
the second-to-last G strung (Fig.4, blue
thread).
Row 3: String 1G, skip 1G, and pass back
through the next G of the previous row;
repeat eleven times for a total of 12G.
Remove the stop bead and tie a knot
with the working and tail threads; pass
back through the last G exited and the
final G added in this row (Fig.4, red
thread).
Row 4: Work 2 stitches with 1E in each
stitch, 7 stitches with 1D in each stitch,
and 2 stitches with 1E in each stitch.
Work a turnaround to pass back
through the last E added in this row,
forming a decrease.
Row 5: Work 1 stitch with 1E, 8 stitches
with 1D in each stitch, and 1 stitch with
1E. Work a turnaround to pass back
through the last E added.
Rows 611: Work peyote stitch with D for
six more rows, decreasing each row by
1D. The final row will contain 4D.
Row 12: Work 3 stitches with 1G in each
stitch. Weave through beads to exit
from the first G of Row 1 (near the knot-
ted end), toward the work.
Fig.7: Forming a
long leaf
1
3
2
Fig.4: Peyote-stitching
Rows 13 of the 5-petal flower
1
3
2
5
4
14
15
13
16
17
18
19
20
21
7
6
9
8
11
10
12
Fig.5: Completing
a petal
Fig.6: Connecting
the petals with
square stitch
DESIGNER of the Year
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BEADWORK december 2012/january 2013 51
4) FAN FLOWER. Use brick stitch and
fringe to form a flowery fan shape:
Row 1: Use 6' of waxed pale purple thread
to ladder-stitch a strip 2I tall and 4I
wide. Exit from the end I (Fig.8, green
thread).
Row 2: String 4I; pass under the thread
between the third and fourth stacks of
Row 1 and pass back through the last 2I
just added to form a brick stitch. *String
2I; pass under the thread between the
next 2 stacks of Row 1 and pass back
through the last 2I just added. Repeat
from * three times for a total of 6 stacks
of 2I in this row. Note: The last 2 stacks
will share the same thread bridge of
Row 1. Turn the work after each row if
you find it easier to work from left to
right.
Row 3: Brick-stitch a total of 10 stacks of
2I across the previous row. Note: Utilize
the thread bridges from the previous
row more than once to make the
increases.
Row 4: Brick-stitch a total of 18 stacks
across the previous row, this time alter-
nating between 2I and 2J in each stack.
Row 5: Brick-stitch a total of 22 stacks of
2J across the previous row (Fig.8, blue
thread).
Row 6: **String 6I and 1J; pass back
through the last I strung. String 5I; pass
down through the last 2J exited in
Row5 and up through the next 2J of
Row 5 (Fig.8, red thread) to form a
fringe. Repeat from ** twenty-one times
for a total of 22 fringes. Secure the
thread and trim; set aside.
Repeat this entire step to form a second
fan flower, alternating the number of
stacks in each row as desired.
Fig.10: Assembling the
pom-pom flower
Fig.9: Beginning the pom-
pom-flower strip
Fig.8: Forming the brick-
stitched fan flower
Fig.11: Adding Rows 35 of
the grapevine
5) POM-POM FLOWER. Work a variation
of flat peyote stitch with fringe to form a
pom-pom flower:
Row 1: Use 6' of waxed orange thread to
string 10K and 1L; pass back through
the last K added to form a fringe (Fig.9,
green thread).
Row 2: String 5K; pass back through the
fourth K of the previous row. String 1K;
pass back through the first 2K of the
previous row. Tie a knot with the work-
ing and tail threads (Fig.9, blue thread).
Row 3: String 2K; pass back through the
last K of the previous row. String 7K and
1L; pass back through the last K added
to form a fringe (Fig.9, red thread).
Rows 447: Repeat Rows 2 and 3 twenty-
two times or until the strip is 4" long.
Secure the thread and trim.
Assembly: Start 2' of new orange waxed
thread that exits from the first 2K of
Row 1, away from the work. Square-
stitch the 2K of the first row to the 2K of
the fourth row, allowing the strip to roll.
Weave through the next 2 stacks along
the edge of the strip (Fig.10). Continue
square-stitching the last 2K exited to
the nearest 2K of a previous row, caus-
ing the strip to roll, forming a tight base
for the flower. Secure the thread and
trim; set aside.
6) GRAPEVINES. Use flat peyote stitch to
form the grapevines:
Rows 1 and 2: Prepare 6' of new waxed
green thread as in Band, Stitch 1, but
dont knot the ends together; add a stop
bead, leaving a 3" tail. String 2" of F;
skip the last F and pass back through
the next 7F to form a fringe.
Row 3: String 1F, skip 1F, and pass back
through the next F of the previous row;
repeat down the strand (Fig.11, green
thread). Remove the stop bead and tie a
knot with the working and tail threads.
Row 4: String 1O and pass back through
the next F of Row 3; repeat down the
row, stopping before the fringe. Pass
through the nearest F of Row 1, toward
the center of the strand (Fig.11, blue
thread).
Row 5: String 1O and pass back through
the next O of Row 1; repeat down the
row (Fig.11, red thread). Exit from
Row 2.
Diane Fitzgerald
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52 beadworkmagazine.com
String9M; pass back through the eighth
M just added (Fig.14, blue thread).
Row 22: String 6M; pass back through the
first M of the 9M added in the previous
row. String 1M; pass back through the
first 2M added in the previous row
(Fig.14, red thread).
Rows 23 and on: Repeat Rows 21 and 22
to form a strip of beadwork long enough
to wrap around the center of the flower
(Rows 120) twice.
Assembly: Repeat the assembly technique
in Step 5, rolling and securing the strip
around the center to complete the
flower. Secure the thread and trim.
8) ASSEMBLY. Securely sew the compo-
nents to the netted portion of the necklace
base, and the sections of the base that sur-
round it, in a pleasing design. Extend ele-
ments beyond the netted base as desired.
RESOURCES Check your local bead shop or
contact: Seed beads and Delica cylinder beads:
Caravan Beads, (800) 230-8941, www.caravanbeads
.net. Drop beads and Nymo nylon beading thread:
Shipwreck Beads, (800) 950-4232, www.shipwreck
beads.com. Clasp: Ezel Findings, (800) 977-9904,
www.ezelfndings.com.
Row 6: String 1O and pass through the
next O of Row 2 to stitch in the ditch;
repeat down the row (Fig.12). Secure the
thread and trim; set the grapevine aside.
Repeat this entire step to form a second
grapevine, this time stringing 2" of F at
the beginning and starting the peyote
stitch right away (omitting the fringe at
the tip) for a fuller vine.
7) CORNFLOWER. Use a variation of
peyote stitch to form a flower:
Row 1: Use 4' of waxed blue thread to
string 4C and 1A, leaving a 3" tail; pass
back through the last C strung to form a
fringe (Fig.13, green thread).
Row 2: String 1C; pass back through the
first 2C of the previous row (Fig.13,
blue thread).
Row 3: String 2C; pass back through the C
of the previous row. String 1C and 1A;
pass back through the last C just added
(Fig.13, red thread).
Rows 420: Repeat Rows 2 and 3 eight
times for a total of 10 fringes, then
repeat Row 2.
Row 21: String 2M; pass back through the
bead added in the previous row.
Fig.14: Adding Rows 21
and 22 of the cornflower
Fig.13: Forming Rows 13
of the cornflower
Fig.12: Stitching Row 6 of
the grapevine
DESIGNER of the Year
Option
A firmer, more solid base may be
made by brick-stitching a triangle
in a size similar to the freeform
netted base.
BW 48-52 Fitzgerald.indd 52 10/3/12 10:38 AM
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BEADWORK december 2012/january 2013 53
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Shannon Stallard
jewelry design & artistry
800.545.6566
riogrande.com
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tools & equipment
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7 Free Patterns for
Necklace Making
BW 53 ads.indd 53 10/3/12 10:43 AM
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TECHNIQUES
square stitch
stringing
wireworking
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Artists Tips
Memory wire is made from stainless steel
and can be very hard on your tools. Dont
use your expensive round-nose pliers or wire
cutters. Instead, purchase inexpensive pliers
and special memory-wire cutters to work
with this kind of wire and other base metals.
Try something other than silver or pewter
beads. Its very easy to experiment with this
project because if you dont like it, its simple
to disassemble and start over.
DESIGNER of the Year
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BEADWORK december 2012/january 2013 55
Artist Name
DESIGNER of the Year
1) WIRE. Cut the memory wire into
5pieces, making the cuts at the center of
one long side of the oval (Fig.1). Set aside.
2) THIN STRIPS. Square-stitch thin strips
to act as spacer bars on the bracelet:
Row 1: Use 2' of thread to string 1B, leav-
ing a 6" tail.
Row 2: String 2A; pass through the B of
the previous row and the 2A just strung,
forming a square stitch.
Row 3: String 1A; pass through the second
A of the previous row and the A just
added, forming the first square stitch.
String 1A; pass through the first A of
the previous row and the A just added,
forming the second square stitch.
Row 4: Repeat Row 3.
Row 5: String 1B; pass through the 2A of
the previous row and the B just added.
Sue Jackson and
Wendy Hubick
SQUARE-STITCH STRIPS OF cylinder beads and use
them as spacers for this whimsical memory-wire
bracelet with bell charms.
bali charm
bracelet
DESIGNER of the Year

Sisters Sue Jackson and Wendy Hubick
have been teaching together for more
than eighteen years. Theyve held classes
in Mexico, Japan, the United Kingdom,
and throughout the United States. Sue
and Wendy were among the first-place
winners in the 2006 TOHO competition,
which won them a trip to Japan. They
specialize in using Japanese cylinder
beads; their favorite stitches are peyote,
square, herringbone, and brick. Visit
www.hummingbeads.com or find them
at facebook.com/hummingbeads.
MATERIALS
7 g matte metallic blue iris size 11
cylinder beads (A)
7 g matte metallic blue iris size 8
cylinder beads (B)
70 Bali silver 53mm wide-holed
spacers (C)
10 Bali silver 6.55mm wide-holed
spacers (D)
10 Bali silver 7mm filigree bicones (E)
5 Bali silver 8126mm rectangles (F)
10 sterling silver or pewter 713
1420mm assorted bell and non-bell
charms
5 coils (about 40") of oval bracelet-size
memory wire
Smoke 6 lb braided beading thread
Masking tape
TOOLS
Scissors
Size 11 beading needle
Round-nose pliers
Memory-wire cutters
FINISHED SIZE: 7" (adjustable)
Fig.1: Cutting the memory wire
Fig.2: Forming a thin strip
Rows 617: Repeat Rows 25 three times
(Fig.2). Secure the threads and trim. Set
the thin strip aside.
Repeat this entire step nine times for a
total of 10 thin strips.
3) WIDE STRIPS. Square-stitch wide
strips to act as spacer bars on the bracelet:
Row 1: Use 4' of thread to string 2B, leav-
ing a 6" tail.
Row 2: String 2A; pass through the second
B of the previous row and the 2A just
added, forming the first square stitch.
String 2A; pass through the first B of the
previous row and the 2A just added,
forming the second square stitch.
Row 3: Square-stitch across the row with
1A in each stitch.
Row 4: Repeat Row 3.
Row 5: String 1B; pass through the third
and fourth A of the previous row and
the B just added. String 1B; pass through
the first and second A of the previous
row and the B just added.
Rows 617: Repeat Rows 25 three times.
Secure the thread and trim (Fig.3). Set
the wide strip aside.
Repeat this entire step nine times for a
total of 10 wide strips.
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4) ASSEMBLY. String and finish the
bracelet:
Center: Use 1 wire to string 1F and slide it
to the center; repeat four times for a
total of 5 wires. Pass one end of each
wire through the 2B rows of a wide strip;
repeat to add another wide strip to the
other side of the F. Use the masking tape
to tape one side of the wires together so
the beads dont fall off (Fig.4).
Side 1: Use the open end of each wire to
string 1E; pass the wires through the
Brows of 1 thin strip. Use the open end
of each wire to string 1D; pass the wires
through the 2B rows of 1 wide strip.
*Use the open end of each wire to string
1C; pass the wires through the B rows of
1 thin strip. Use the open end of each
wire to string 1C; pass the wires through
the 2B rows of 1 wide strip. Repeat from
* twice. Use the open end of each wire to
string 1C; pass the wires through the
Brows of 1 thin strip. Form a simple
loop that connects to 1 charm at the
open end of each wire.
Side 2: Remove the masking tape. Repeat
Side 1 using the remaining strips and
charms.
Fig.3: Completing a wide strip
Fig.4: Assembling the bracelet
RESOURCES Check your local bead shop or
contact: Delica cylinder beads: Caravan Beads,
(800) 230-8941, www.caravanbeads.net. Bali silver
beads, charms, and FireLine braided beading thread:
Fire Mountain Gems and Beads, (800) 355-2137,
www.fremountaingems.com. Memory wire:
Michaels, (800) 642-4235, www.michaels.com.
DESIGNER of the Year
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TECHNIQUES
two-needle right-angle weave
netting
stringing
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Right-angle-weave a series of sparkling
components into a gracefully sweeping collar
thats finished with strands of pearls.
bella necklace
MAR I A T E R E S A MOR AN
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1) COMPONENT 1. Use two-needle right-
angle weave for the component base and
netting embellishment:
Base Unit 1: Place a needle at each end of
7' of thread. Use the right needle to
string 3C; use the left needle to string
1C. Use the left needle to pass back
through the third C strung with the
right needle (Fig.1, blue thread). Note:
The right and left needle will switch
with each new section. Dont switch
needles unless indicated.
Base Unit 2: Use the right needle to string
3C. Pass the left needle back through
the 3C just strung so there is one needle
exiting each side C (Fig.1, red thread).
Embellishment Unit 1: Use the right nee-
dle to string 1A, 1B, 1A, 1B, and 1A;
pass through the last C exited on the
base, the center C, and the next side C of
Base Unit 1 (Fig.2, blue thread). Use
the left needle to string 1A and 1B; pass
through the middle A of the previous
net. String 1B and 1A; pass through the
last C exited on the base, the center C,
and the next side C of Base Unit1
(Fig.2, red thread).
Embellishment Unit 2: Repeat Embellish-
ment Unit 1 (Fig.3, blue thread). Weave
through beads so the needles exit from
the top and bottom C of Base Unit 2
(Fig.3, red thread).
2) COMPONENT 2. String pearls, then
right-angle-weave and embellish the
second component:
Pearl Strand 1 and Base Unit 1: Use the
left needle (exiting from the top of Base
Unit 2) to string 2A, 1D, 2A, and 4C.
Pass through the first 2C of the 4C just
added to form a right-angle-weave unit
(Fig.4, blue thread).
Pearl Strands 2 and 3 and Base Unit 2:
Use the right needle (exiting the bottom
of the first Base Unit 2) to string 2A, 1D,
1A, 1D, and 2A; pass back through the
bottom C of the right-angle-weave unit
just formed. String 3C; pass through the
last C exited to form another right-
angle-weave unit and the next 2C just
added. String 2A. String {1D and 1A}
three times. String 1A. Pass through the
bottom C of the first Base Unit 1 and
weave through beads to exit up through
the side C of the new Base Unit 1 (Fig.4,
red thread).
Embellishment units: Repeat the
embellishment units of Component 1.
Secure the thread and trim.
Repeat this entire step five times for
a total of 7 pearl-connected crystal
components.
3) STRAPS. Place a needle on each end of
3' of thread. Weave through the end com-
ponent so one needle exits through the top
C of Base Unit 1 and the other needle exits
through the bottom C of Base Unit 2, away
from the work. Use each needle to string
Fig.1: Forming Base
Units 1 and 2
Fig.2: Adding Embel-
lishment Unit 1
Fig.3: Stitching Embel-
lishment Unit 2
Fig.4: Adding the pearl strands and
the base units of Component 2
MATERIALS
3 g metallic gold size 11 seed beads (A)
56 amethyst 4mm crystal bicones (B)
49 crystal dorado 2X 6mm crystal bicones (C)
70 soft gold 6mm crystal pearls (D)
1 gold 722mm fancy hook-and-eye clasp
Smoke 8 lb braided beading thread
TOOLS
Scissors
2 size 10 or 12 beading needles
FINISHED SIZE: 15
1
4"
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BEADWORK december 2012/january 2013 59
it
the
t
the
gh
4,
.
of
m-
top
its
way
g
Fig.5: Assembling a
necklace strap
2A and 1D. Use both needles to string
{1A and 1D} fifteen times. Use one needle
to string 3A, one half of the clasp, and 3A;
pass back through all of the other beads
just strung and the bottom C of Base
Unit2 (Fig.5, blue thread). Use the other
needle to pass back through all of the
beads just strung and the top C of Base
Unit 2 (Fig.5, red thread). Secure all the
threads and trim. Repeat this entire
step to add a strap to the other side
of the necklace.
MARIA TERESA MORAN was a floral designer
and floral-shop owner. Now semiretired, Maria Teresa
is still inspired by flowers as she designs beaded
jewelry with a floral flavor.
RESOURCES Check your local bead shop
or contact: Seed beads, Swarovski bicones and
pearls, FireLine braided beading thread, and
TierraCast clasp: Discount Beads, (702) 360-4266,
www.discountbeadslv.com.
Artists Tip
Use good-quality beads and findings.
Not only do they fit together better,
but they look wonderful.
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Artists Tips
Besides screw-on end caps, there are different solutions to finish the
memory-wire ends. You can either use glue-on end caps or simply
curl the wire into a tight simple loop with round-nose pliers.
Even good-quality seed beads tend to be uneven in size, but it
comes in handy when peyote-stitching the waves. For a nice result,
take care to use thinner-than-average size 15s for the inner arches
of the waves and use wider size 11s for the outside of the waves.
TECHNIQUES
cubic right-angle weave
flat peyote stitch
picot
stringing
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Stitch a cubic-right-angle-weave rope and
fold it to create this bracelet that imitates
the rhythmical fluctuation of waves.
rhythm of the sea
bracelet S R A Z S ADON
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BEADWORK december 2012/january 2013 61
2) FIRST END LOOP. Form a loop on the
end of the rope and embellish with peyote
stitch:
Join: Bend the beginning of the rope so
the bottom of Cube 1 touches a face of
Cube 10. Use the tail thread, B, and
cubic right-angle weave to connect the
2cubes. Exit from a B along the inside
edge of the loop just formed, toward
Cube 10 (Fig.3).
Inside, front: String 1A and pass through
the next inside-edge B; repeat nine
times for a total of 10A. Note: Choose
the thinnest A beads for the inside of
the loop. If the loop is too tight and
theres not enough space for an A, you
can broaden the loop with the help of
a pen or a chopstick. Weave through
beads to exit from the outside-edge B of
the joining unit, toward the outside of
the loop (Fig.4, blue thread).
Outside, front: Work 3 peyote stitches
with 2B in each stitch. Work 4 peyote
stitches with 3C in each stitch, forming
picots. Work 1 peyote stitch with 1B.
String 1D and pass through the next B;
weave through the beads on the side of
the rope to reinforce this stitch again.
Note: Choose thinner beads when add-
ing more than one at a time. Weave
through beads to exit from the mirror B
on the outside edge of the back of the
loop, toward the top of the loop (Fig.4,
red thread). Flip the work over.
1) ROPE. Stitch a cubic-right-angle-
weave rope:
Cube 1, Bottom: Use 5' of thread to string
4B, leaving a 12" tail; pass through the
beads again to form a tight circle and tie
a surgeons knot to secure. Pass through
the first B strung (Fig.1, black thread).
Cube 1, Face 1: String 3B; pass through
the last B exited and the first B just
added (Fig.1, orange thread).
Cube 1, Face 2: String 2B; pass back
through the next bottom B, up through
the nearest side B of Face 1, through the
2B just added, and the next bottom B
(Fig.1, purple thread).
Cube 1, Face 3: String 2B; pass down
through the nearest side B of Face 2,
through the last bottom B exited, and
up through the first B just added (Fig.1,
green thread).
Cube 1, Face 4: String 1B; pass down
through the nearest side B of Face 1,
back through the next bottom B, up
through the nearest side B of Face 3,
and through the B just added (Fig.1,
blue thread).
Cube 1, top: Pass through the 4 top B of
the cube faces; pull the thread tight
to complete the first cube (Fig.1,
red thread).
Cubes 2256: Repeat Cube 1, Faces 14
and the top, 255 times, using the top of
the previous cube as the bottom of the
new cube to form a cubic-right-angle-
weave rope (Fig.2). Dont trim the
threads.
Fig. 1: Stitching the
first cube
Fig. 3: Joining the rope end to the
rope side to form an end loop (only
one face of the joining cube shown
for clarity)
Fig. 2: Forming a
cubic-right-angle-
weave rope
Fig. 4: Embellish-
ing the edges of
the front of the
end loop
Artists Tips
You can omit the memory wire and
finish the bracelet with thread. Just
use thread to string the body of the
bracelet and attach magnetic clasps
to the ends. This makes a looser
bracelet, but is easier than stringing
with the memory wire.
When working the rope, you can
make counting the units easier by
using safety pins or stitch markers ;
stitch one pin into the center of every
twentieth cube.
MATERIALS
1 g metallic blue size 15 seed beads (A)
13 g metallic blue size 11 seed beads (B)
5 g metallic bronze size 11 seed beads (C)
1 g metallic bronze size 8 seed beads (D)
20 metallic bronze 6mm pressed-glass
rounds (E)
2 coils (about 14") of gold 12" diameter
bracelet memory wire
4 gold-plated 3mm oval screw-on wire
end caps
Smoke 6 lb braided beading thread
TOOLS
Scissors
Size 10 or 12 beading needles
Memory-wire cutters
1mm flat-head screwdriver
Pen or chopstick (optional)
FINISHED SIZE: 6
1
2" (adjustable)
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Fig. 5: Embellishing
the edges of the back
of the end loop
Fig. 7: Adding the end edge
and closing the second loop
(only one face of the joining
cube shown for clarity)
Fig. 6: Forming
Waves 1 and 2 of
the front of the
bracelet
End: Work 4 peyote stitches with 1B in
each stitch along the front edge on the
end of the rope (Fig.7, blue thread).
4) SECOND END LOOP. Repeat the join
in Step 2 to connect the final cube of the
rope to the tenth-to-last cube (Cube 247),
making sure the loop mirrors the first end
loop (Fig.7, red thread). Repeat the inside
and outside embellishments of Step 2 to
complete the loop.
5) OPPOSITE WAVES, FRONT. Weave
through beads to exit from the D added to
the second end loop, away from the C
embellishments. Pass through the next B
along the inner edge of the rope. Repeat
Step 3 along the unfinished front edge of
the rope, forming waves that alternate
with those already formed.
6) BACK WAVES. Embellish the back
edges of the waves to further structure the
bracelet:
Back Wave 1: Weave through beads to exit
from the first B along the outer edge on
the back of the bracelet, under and away
from the end loop. Work 10 peyote
stitches with 1B in each stitch (Fig.8,
orange thread). Work 1 stitch with 1D;
reinforce the D, adding 1B to the other
side as before (Fig.8, green thread).
Back Wave 2: Work 6 peyote stitches with
1B in each stitch, 1 peyote stitch with
1A, and then pass through the next 4B
without adding any beads. Work 1 pey-
ote stitch with 1A and 6 peyote stitches
with 1B in each stitch. Reinforce the last
D added, adding 1B to the other side as
before (Fig.8, blue thread).
Back Wave 3: Work 6 peyote stitches
with 1B in each stitch. Work 1 peyote
stitch with 1D; reinforce the D, adding
1B to the other side as before (Fig.8,
red thread).
3) FRONT WAVES. Use peyote stitch
to shape and embellish the front of
the rope:
Front Wave 1: Work peyote stitches along
the front edge of the rope in the follow-
ing stitch order: 1B six times, 1A six
times, and 1B six times. Note: This
establishes the inner curve of the first
wave on the front of the work. Choose
thin A beads so that the waves will be
nicely arched. Pass through the last D
added on the front of the rope in the
previous step and the next B along the
edge so the rope forms a teardrop shape
(Fig.6, green thread). Reinforce the D
by passing through 2B on the face of the
rope, adding 1B on the other side, and
weaving through beads to exit from the
B above the nearest D (Fig.6, blue
thread). Note: Use this reinforcement
method with all D, continuing to add 1B
opposite the D as you stitch.
Front Wave 2: Work peyote stitches along
the front edge of the rope in the following
stitch order: 1B, 3C four times, 1B, and
1D. Note: This establishes the outer curve
of the second wave on the front of the
work. Reinforce the D, adding 1B on the
other side as before (Fig.6, red thread).
Front Waves 317: Repeat Waves 1 and 2
seven times, then repeat Wave 1.
Front Wave 18: Repeat Wave 2, using 1B
instead of 1D and omitting the rein-
forcement (Fig.7, green thread).
Outside, back: Work 1 stitch with 1D and
reinforce as before, adding 1A between
the 2B along the inside of the loop
(Fig.5, green thread). Work 1 stitch
with 1B and 7 stitches with 2B in each
stitch. Weave through beads to exit
from the nearest B on the inside-back
edge of the loop, away from Cube 10
(Fig.5, blue thread).
Inside, back: Work 8 stitches with 1A in
each stitch, pass through the 1A added
when reinforcing the D, then work
1stitch with 1A. Weave through beads
to exit away from the loop from a B
below the D on the front of the rope
(Fig.5, red thread).
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BEADWORK december 2012/january 2013 63
Fig. 8: Stitching
Back Waves 13
Fig. 9: Stringing
the bracelet
Artists Tips
If you find the arch of the wave too narrow for
stringing the beads between waves, pull it
wider with your fingers.
You can use the tip of a screwdriver to guide
the wire between the B beads.
Back Waves 417: Repeat Back Waves 2
and 3 seven times.
Back Wave 18: Repeat Back Wave 2.
Opposite Back Waves: Rotate the bracelet
and repeat Back Waves 118 on the
other edge of the bracelets back, incor-
porating the B that were added to the
first edge as necessary. Secure the
thread and trim.
to the other side of this and the next
wave. Note: The wire will sit behind the
D. If the wire doesnt slip easily through
the cubes, you may need to pull the
beads away from the wire with the help
of a beading needle.
Push the second wire through the center
of the first waves fifth unit (counted
down from the joining unit). Push it
through the rope, string 1B, 1E, and 1B,
and push it forward through the walls of
the next 2 waves. Note: To make it easier
to add the beads between waves, first
push the wire through the rope; string
the B/E/B, hold the last B and the end of
the wire with the nail of your index fin-
ger, and gently push back the wire with
your other hand, taking care so the
beads dont slip down. Place the wire
with the beads into the wave and push it
through the rope. If needed, use flat-
nose pliers to help push/pull the wire.
Continue stringing 1B, 1E, and 1B into
the next wave on both the top and bot-
tom of the bracelet, alternating the
wires by each step (Fig.9). String 1E into
the second end loop; then screw 1 end
cap on the open end of each wire.
SRA ZSADON lives in Budapest, Hungary. She
prefers making simple, yet elegant jewelry with her
favorite techniques: peyote stitch and right-angle
weave. Currently Sras mostly interested in the
geometrical possibilities of these stitches. Visit
www.beademecum.hu.
RESOURCES Check your local bead shop or
contact: Toho blue seed beads: Lima Beads, (734)
929-9208, www.limabeads.com. Miyuki bronze seed
beads, FireLine braided beading thread, pressed-glass
rounds, and Beadalon memory wire: Fire Mountain
Gems and Beads, (800) 355-2137, www.firemountain
gems.com. Beadalon Scrimp wire ends: Beadaholique,
(866) 834-4618, www.beadaholique.com.
7) ASSEMBLY. Place memory wire inside
the beadwork to give it structure:
Cut: Cut 2 coils of memory wire. Screw
1end cap on one end of each wire.
String: Place 1E inside the first end loop of
the bracelet. Push 1 wire through the
center of the third unit on the end loop
(right below the first picot made from C,
counted up from the joining unit). Push
the wire through the E just placed at the
center of the loop, and continue through
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TECHNIQUES
circular brick stitch
wireworking
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Brick-stitch around various crystal focals
for a bold, bib-style necklace thats a fun
explosion of color.
carnival in rio
GL OR I ANNE L J UB I C H
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BEADWORK december 2012/january 2013 65
Round 2: String 2B; pass under the thread
bridge between the second and third
beads in the previous round. String 1B;
pass under the thread bridge between
the next 2 beads in the previous round.
Continue to work brick stitch around the
circle for a total of 19B in the round,
adding 1B per stitch and making
increases as necessary by connecting 2B
to the same thread bridge. At the end of
the round, pass down through the first
bead added in this round, then back up
through the first bead added in this
round (Fig.3).
Rounds 3 and 4: Repeat Round 2 twice,
using 23E for Round 3 and 30C for
Round 4 (Fig.4). Dont trim the threads.
Set the component aside.
1) COMPONENT 1. Brick-stitch around a
crystal bead to form a focal component:
Base: Use 4' of conditioned thread to
string the Pacific opal 8mm round
(afocal bead), leaving a 6" tail. Pass
through the bead three more times,
wrapping 2 threads on each side of the
focal bead (Fig.1).
Round 1: String 2D, pass under the
2threads on one side of the focal bead,
and pass back up through the second D
added (Fig.2, blue thread). Continue to
work brick stitch around the circle, add-
ing 1D per stitch for a total of 14D. At
the end of the round, pass down
through the first D added in this round,
pass under the 2 threads, and pass back
up through the first D added in the
round (Fig.2, red thread).
Fig. 1: Forming the base Fig. 2: Brick-stitching Round 1
Fig. 3: Adding Round 2
Fig. 4: Brick-stitching Round 4
Artists Tips
You can follow the photograph for
connecting the components or
change the arrangement to suit
your own taste.
Try brick-stitching around other
beads, such as semiprecious
stones, glass, or wood for a
different look. Round, rondelle,
and torpedo-shaped beads work
well. Avoid flat coin- or
oval-shaped beads.
MATERIALS
4 g metallic graylined light gray
size 11 seed beads (A)
4 g bronze-lined clear size 11 seed beads (B)
4 g gunmetal size 11 hex beads (C)
4 g silver-lined opal gray size 11 seed
beads (D)
4 g matte opaque taupe size 11 seed beads (E)
1 Indian pink 3mm crystal bicone
6 total 4mm crystal bicones (1 Indian pink,
1 copper, 1 sunflower, 1 Ceylon topaz,
2 Pacific blue opal)
5 total 5mm crystal bicones (1 lime,
1 Caribbean blue opal, 1 golden shadow,
2 olivine)
3 total 6mm crystal bicones (1 light smoky
topaz, 1 blue zircon, 1 indicolite)
2 total 8mm crystal rounds (1 Pacific opal,
1 chrysolite opal)
1 antique brass 12mm crystal pearl
5 total 128mm crystal rondelles
(1 sunflower, 1 indicolite, 1 copper,
1 erinite, 1 padparadscha)
2 total 1018mm crystal polygons
(1 smoked topaz, 1 padparadscha)
12" of gunmetal 6.98mm double curb chain
1 gunmetal 712mm lobster clasp
2 gunmetal 18-gauge 5mm jump rings
1 gunmetal 7mm closed jump ring
Crystal 6 lb braided beading thread
Thread conditioner
Black permanent marker
TOOLS
Scissors
Size 11 beading needle
2 pairs of chain- or flat-nose pliers
Heavy-duty wire cutters
FINISHED SIZE: 175/8"
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66 beadworkmagazine.com
the second component just entered. Pass
back through the bicone just added, the
Round 4 bead exited in the first compo-
nent, and the Round 3 bead below.
Weave through the beads to exit back
through the Round 4 bead just exited
(Fig.5). Repeat the entire thread path to
reinforce; secure the thread and trim.
Repeat from *, using the working and
tail threads to connect all of the compo-
nents to form the focal piece.
Chain: Cut the chain into two 6" pieces.
Cut off the small round link on one end
of each piece of chain, leaving 2 oval
links, side by side. **Weave one of the
threads through the beads so it exits
from a Round 4 bead at the top of a com-
ponent at one end of the focal piece. Use
the permanent marker to color the first
inch of the thread. Pass through the
2oval links at the end of 1 chain, pass
back through the last Round 4 bead
exited, and pass up through the next
Round 4 bead; repeat twice (Fig.6), then
repeat the entire thread path to rein-
force. Secure the thread and trim. Use
one 5mm jump ring to attach the clasp
to the other end of this chain. Repeat
from ** to attach the remaining chain to
the component at the other end of the
focal piece; use the remaining 5mm
jump ring to attach the 7mm jump ring
to the free end of the chain.
GLORIANNE LJUBICH began beading
twelve years ago and quickly fell under its spell.
Incorporating beadweaving, wireworking, and
stringing into her designs, she creates and teaches
in Seattle, Washington.
RESOURCES Check your local bead shop or
contact: Swarovski bicones, rounds, and pearls;
FireLine braided beading thread; and all other
materials: FusionBeads.com, (888) 781-3559.
for Round 2. Use 28D for Round 3. Use
33A for Round 4.
Component 9: Use the chrysolite opal
round for the base. Use 14E for Round 1.
Use 19A for Round 2. Use 28C for
Round3. Use 30B for Round 4.
Component 10: Use the padparadscha
rondelle for the base. Use 17D for
Round1. Use 22E for Round 2. Use 26B
for Round 3. Use 32A for Round 4.
3) ASSEMBLY. Connect the components
and chain together:
Arrange: Lay out the components in a
pleasing design so there are 3 or
4attachment points per component.
The 2 end components will attach to the
chain and 2 other components. The
remaining components will each attach
to 3 or 4 other components.
Connect: *Place a needle onto the working
thread of 1 component. Weave through
the beads to exit from an edge bead in
Round 4 of the first component. String
1bicone; pass into a Round 4 bead in an
adjacent component and the Round 3
bead below. Weave through the beads to
exit back through the Round 4 bead of
2) COMPONENTS 210. Repeat Step 1
nine times using the following beads:
Component 2: Use the smoked topaz crys-
tal polygon for the base. Use 24B in
Round 1. Use 29E in Round 2. Use 34A
in Round 3. Use 42C in Round 4.
Component 3: Use the sunflower rondelle
for the base. Use 17A for Round 1. Use
22B for Round 2. Use 31C for Round 3.
Use 32D for Round 4.
Component 4: Use the indicolite rondelle
for the base. Use 17E for Round 1. Use
25C for Round 2. Use 28D for Round 3.
Use 32B for Round 4.
Component 5: Use the antique brass pearl
round for the base. Use 20B for Round 1.
Use 25E for Round 2. Use 34C for
Round3. Use 37D for Round 4.
Component 6: Use the padparadscha
polygon for the base. Use 24A for
Round1. Use 32C for Round 2. Use 34B
for Round 3. Use 39D for Round 4.
Component 7: Use the copper rondelle for
the base. Use 17B for Round 1. Use 22E
for Round 2. Use 30C for Round 3. Use
32D for Round 4.
Component 8: Use the erinite rondelle for
the base. Use 17B for Round 1. Use 25C
Artists Tip
All seed beads vary in size, so you
may need to adjust the number of
beads used in each round in order
to keep the work flat.
Fig. 5: Connecting 2
components
Fig. 6: Adding
the chain
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Mastering Peyote Stitch: 15 Inspiring Projects
MlinoaPartapagspaprback
lSPN
TakamastrclassinpyotstitchwithBeadwork
EoitorMlinoaPartaPLUSsvnPaowork
DsignrsothYarVithstylsinallthis
unoamntalguiotopyotstitchcontains
vrythingyounotoknowincluoingvry
variationrombginnrtoaovanco
Projects by Cynthia Rutledge and Jean Power
peyote
perfect
BW 67 iw book ad.indd 67 10/8/12 4:29 PM
10082012163009
Artists Tips
Cull your peanut beads. The sides around the holes shouldnt be
too thin, or they will break. The more uniform the beads, the
more uniform the result.
The tighter the tension, the firmer the bangle. Wax your thread if
you need help holding tension.
TECHNIQUES
flat and tubular right-angle weave
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Held together by thread and peanut
and seed beads only, this is the
ultimate seamless, lightweight
bracelet! No armature, stiffening,
or clasp deters this from being the
perfect sculptural project.
perfect peanut
bangle NANC Y J ONE S
ON THE
COVER
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BEADWORK december 2012/january 2013 69
1) STRIP. Form the outside of the bangle
with flat right-angle weave:
Rows 18: Use 6' of thread, B, a size 10
beading needle, and tight tension to
right-angle-weave a strip 67 units wide
(or about 10") and 8 rows long.
Note: The number of units across may
vary due to inconsistent bead size, but a
10"wide strip will result in a 2"inside
diameter.
Row 9: Work right-angle weave with B for
the sides and A for the top of each unit
(Fig .1, blue thread).
Row 10: Work right-angle weave with A for
the sides and top of each unit. Weave
through beads to exit from a bottom
bead of Row 1 (Fig. 1, red thread).
Rows 11 and 12: Repeat Rows 9 and 10.
Exit down through a side A of Row 12.
2) JOINS. Connect the ends of the strip to
form a ring, then join into a tube:
Ring join: Making sure the beadwork isnt
twisted, fold the strip so the short ends
touch. String 1A; pass up through the
side A of the mirror unit at the begin-
ning of the strip. String 1A; pass down
through the last A exited at the end of
the strip. Weave through beads to exit
from the side B of the next unit in the
final row (Fig.2 , green thread). String
1B; pass down through the mirror side B
at the beginning of the strip and
through the previous A added, the last
Fig. 1: Adding Rows 9 and 10
Fig. 2: Joining the strip into a ring
Fig. 3: Joining Rows 10 and 12
side B exited, the B just added, and the
next side B on the beginning of the strip
(Fig .2, blue thread). Continue in flat
right-angle weave to join the beads into
a ring, using B or A as needed to con-
tinue the established pattern. Exit
from an A at the edge of the ring (Fi g.2,
red thread).
T ube join: If needed to get through the
beads, switch to a size 12 sharp needle.
Fold the long sides of the ring toward
each other. Use tubular right-angle
weave and A to connect Row 12 (now a
round) to Row10 (also now a round)
(Fig.3). Note: The beadwork may seem
stiff, but it wont break. Secure the
thread and trim.
NANCY JONES has been beadweaving for
eighteen years. She and her pet Chihuahua, Peanut,
have a seed beadonly shop (Tiny Dog Seed Beads)
in Houston, Texas.
RESOURCES Check your local bead shop
or contact: FireLine braided beading thread
and all other materials: Tiny Dog Seed Beads,
(281) 352-0303, www.tinydogseedbeads.com.
Option
Patterns are possible but
can be difficult to keep track
of while beading due to the
alternating thread path of
right-angle weave.
MATERIALS
5 g matte olive AB size 11 seed beads (A)
50 g matte olive AB 42mm peanut beads (B)
Smoke 6 lb braided beading thread
TOOLS
Scissors
Size 10 beading needle
Size 12 sharp needle
FINISHED SIZE: 2" (inn er diameter);
3
7
8" (outer diameter)
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TECHNIQUES
ladder stitch
tubular and spiral tubular
herringbone stitch
circular netting
right-angle weave
square stitch
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Use a unique netting technique to bezel
the rivolis that sit front and center in this
sparkling necklace.
whats your fancy?
K AT HY B UR K E
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BEADWORK december 2012/january 2013 71
Rounds 12 to end: Repeat Round 5 for
18" or to the desired rope length. *Sew
into the cord near the end of the rope to
secure the beads. Trim the cord as close
to the end of the rope as possible, then
weave a ladder-stitched thread path
through the last round to tighten.
Exit from an A of the final round, away
from the rope end. Use the tail thread
to repeat from * at the other end of
the rope.
Clasp: Use the working thread to string 1B
and one half of the clasp. Pass back
through the B and the opposite A on the
ropes end, pass up through the next A,
then pass through the B and the clasp
(Fig.3). Repeat the thread path several
times to reinforce the connection and
center the B. Secure the thread and trim.
Use the tail thread to repeat this section,
connecting the other half of the clasp to
the other rope end.
2) SMALL BEZEL. Stitch a circular-netted
bezel for a 12mm rivoli:
Round 1: Use 3' of thread to string {1C and
1A} six times; pass through all the beads
again to form a tight circle, leaving a
6" tail. Exit from 1A.
1) ROPE. Use spiral tubular herringbone
stitch to make a rope:
Round 1: Use 3' of thread to form a strip of
ladder stitch 6A long. Stitch the first and
last A together to form a ring (Fig.1).
Exit from the opposite side of the ring
from which the tail exits.
Round 2: String 2A, pass down through
the next A of the previous round, and up
through the following A; repeat twice.
Step up through the first A added in this
round (Fig.2, green thread, beadwork
flattened for clarity).
Rounds 3 and 4: Repeat Round 2 twice
(Fig.2, blue thread).
Round 5: String 2A, pass down through
the next A of the previous round and the
A below, then pass up through the next
A of the previous round; repeat twice to
start spiral tubular herringbone stitch.
Step up through the first A added in this
round (Fig.2, red thread).
Rounds 611: Repeat Round 5 six times.
Cord: The rope here measures 18". If mak-
ing a shorter rope, trim the cord so it is
8" longer than the desired length. Tie a
double knot at one end of the cord and
string the beadwork onto it. Tie a double
knot on the other end of the cord.
Fig. 1: Joining the
ladder-stitched strip
into a ring
Fig. 2: Stitching Rounds 25
of the rope
Fig. 3: Adding
the clasp
Fig. 4: Forming the
small bezel
Artists Tips
For the spiral tubular herringbone
stitch rope, its helpful to use 2-2-1 as
your mantra: pick up 2 beads, pass
down through 2 beads, and pass up
through 1 bead. But remember this
exception: youll need to pass up
through 2 beads in the last stitch for
the step-up.
When working the rope, keep
consistently tight tension to produce
firm beadwork.
K.O. nylon beading thread also works
well for this project.
MATERIALS
28 g gold size 11 seed beads (A)
2 g gold size 8 seed beads (B)
40 bright gold 3mm crystal pearls (C)
12 olivine 4mm crystal bicones (D)
2 fuchsia 6mm crystal bicones (E)
2 fuchsia 12mm crystal rivolis (F)
1 medium vitrail 14mm crystal rivoli (G)
1 ruby 1116mm crystal baroque pendant
1 gold 9mm ball-and-socket clasp
Smoke 4 lb braided beading thread
26" of gold metallic 3mm cord
TOOLS
Scissors
Size 12 beading needles
FINISHED SIZE: 19"
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72 beadworkmagazine.com
through the last 2A exited on the bezel
to form a loop. Repeat the thread path
to reinforce; exit from the E (Fig.6,
orange thread).
Stitch 2: String 3A; pass through the
center 2A of a Round 2 net on the large
bezel, then string 3A and pass through
the last E added. Repeat the thread path
to reinforce; exit from the first A added
in this stitch (Fig.6, green thread).
Stitch 3: *String 3A; pass through the
nearest C in Round 3 of the large bezel,
toward the E. Weave through beads to
exit from the next C in Round 3 of the
large bezel. String 3A; pass through the
first A on the bottom right of the E, up
through the E, and through the first A
on the top left of the E. Repeat from * to
the left of the E, connecting to the C of
Round 3 on the small bezel. Exit from
the first 3A added in this stitch (Fig.6,
blue thread).
Stitch 4: String 3A, 1D, and 3A; pass
back through the top-left 3A added in
Stitch 3, the nearest A, E, the first A on
the bottom right of the E, and the next
3A. String 3A, 1D, and 3A; pass through
the bottom-left 3A added in Stitch 3
(Fig.6, red thread).
Stitch 5: Square-stitch the last 3A exited
to the adjacent 3A of Stitch 4. Weave
through beads to exit from the bottom-
right 3A of Stitch 4 and square-stitch
them to the adjacent 3A of Stitch 3.
beads again to form a tight circle, leav-
ing a 6" tail. Exit from 1A.
Round 2: String 4A, skip 1C, and pass
through the next A; repeat seven times
for a total of eight 4A nets. Step up
through the first 3A added in this round
(Fig.5, orange thread).
Round 3: String 1C and pass through
the center 2A of the next Round 2 net;
repeat seven times for a total of 8C.
Step up through the first C added in this
round (Fig.5, green thread).
Round 4: String 5A and pass through the
next C of Round 3; repeat seven times
for a total of eight 5A nets, pulling
tightly so the beadwork cups. Step up
through the first 3A added in this round
(Fig.5, blue thread).
Round 5: Place 1G into the beadwork so
the face touches Round 1. String 1A and
pass through the center A of the next
Round 4 net; repeat seven times for a
total of 8A (Fig.5, red thread). Repeat
the thread path to secure the G into
place. Repeat the entire thread path for
this round again, if necessary, to tighten
the bezel. Secure the threads and trim.
Set aside.
4) LINKS. Use a variation of right-angle
weave to connect the bezels with beaded
links:
Stitch 1: Use the working thread of a small
bezel to string 3A, 1E, and 3A; pass
Round 2: String 4A, skip 1C, and pass
through the next A; repeat five times for
a total of six 4A nets. Step up through
the first 3A added in this round (Fig.4,
orange thread).
Round 3: String 1C and pass through the
center 2A of the next Round 2 net;
repeat five times for a total of 6C. Step
up through the first C added in this
round (Fig.4, green thread).
Round 4: String 5A and pass through the
next C of Round 3; repeat five times for
a total of six 5A nets, pulling tightly so
the beadwork cups. Step up through the
first 3A added in this round (Fig.4,
blue thread).
Round 5: Place 1F into the beadwork so
the face touches Round 1. String 2A and
pass through the center A of the next
Round 4 net; repeat five times for a total
of 12A. Repeat the thread path to secure
the F into place. Repeat the thread path
for this round again, if necessary, to
tighten the bezel. Secure the threads,
but dont trim. Weave through beads to
exit from a center 2A of Round 2 (Fig.4,
red thread). Set aside.
Repeat this entire step for a second
small bezel.
3) LARGE BEZEL. Stitch a circular-netted
bezel for the 14mm rivoli:
Round 1: Use 3' of thread to string {1C and
1A} eight times; pass through all the
Fig. 5: Stitching the large bezel Fig. 6: Forming the link Fig. 7: Securing the link
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BEADWORK december 2012/january 2013 73
5) BAILS. Form right-angle-weave bails off
of the linked bezels:
Unit 1: Start 3' of new thread that exits
from Round 3 of the left small bezel,
1C away from the top-bezel link point,
toward the center top of the bezel.
String 1A, 1D, and 1A; pass through
the next C of Round 3 (Fig.8, purple
thread).
Side embellishment: String 3A; pass back
through the D just added. String 3A;
pass through the original C of Round 3
and the first A/D added in Unit 1
(Fig.8, orange thread).
Units 24: *String 1A, 1D, and 1A, then
pass through the last D exited and the
first A/D just added; repeat the thread
path to reinforce. Repeat from * twice to
form a small strip of right-angle weave
(Fig.8, green thread).
Unit 5: String 1A, 2B, and 1A, then pass
through the last D exited and the first
A/2B just added; repeat the thread path
to reinforce (Fig.8, blue thread).
Units 69: **String 1A, 2B, and 1A, then
pass through the last 2B exited and the
Weave through beads to exit from the
top-left 3A of Stitch 3 and square-stitch
them to the adjacent 3A of Stitch 4.
Weave through beads to exit from the
top-right 3A of Stitch 4 and square-
stitch them to the adjacent 3A of
Stitch3 (Fig.7). Secure the thread
and trim.
Repeat this entire step to connect the
other side of the large bezel to the remain-
ing small bezel, positioning the connection
so that there is just 1C on the large bezel
between the links. The result should be
a soft U shape.
first A/2B just added; repeat the thread
path to reinforce. Repeat from ** three
times (Fig.8, red thread).
Connect: Bend the strip so it touches the
back of the bezel. Pass through the near-
est 5A of bezel Round 4 and pass
through the last 2B exited (Fig.9);
repeat the thread path to reinforce.
Secure the thread and trim.
Repeat this entire step to add a bail to the
second small bezel that mirrors the one
just made; dont trim the thread. Weave
through beads to exit from the bottom C
in Round 3 of the large bezel.
6) DANGLE. Add the baroque crystal to
the center of the large bezel:
Top loop: String 6A; pass through the last
C exited to form a loop. Repeat the
thread path several times to reinforce
(Fig.10, blue thread). Secure the
thread and trim.
Bottom loop: Use 12" of new thread to
string 3A and the top loop. String 3A
and the baroque crystal; pass through
all of these beads again, pulling this new
loop into place between the bottom 2A
of the top loop. Repeat the thread path
several times to reinforce (Fig.10, red
thread). Secure the thread and trim.
7) ASSEMBLY. String the loops of the
focal piece onto the rope.
KATHY BURKE loves bling, and her favorite
combination of beads is crystals and pearls.
Contact her at kat.burke2u@yahoo.com.
RESOURCES Check your local bead shop
or contact: Toho seed beads: Charlenes Beads,
(760) 530-9436, www.cbbeads.com. Clasp and
Swarovski pearls, bicones, and rivolis: Artbeads.com,
(866) 715-2323, or FusionBeads.com, (888) 781-3559.
Darice Bright Jewels metallic cord: Michaels,
(800) 642-4235, www.michaels.com.
Fig. 8: Forming
a bail
Fig. 9: Connect-
ing the bail
Artists Tip
You may substitute a round, thin
shoelace for the metallic cord. You
may also use a length of heavy string
or thin nylon-style cord used for
draperies. Its important to use
something inside the rope to give it
strength and body so it doesnt flatten
out. Make sure to keep the cord
straight while beading around it.
Fig. 10: Forming
the dangle
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10012012165223
Artists Tip
For a matching
collar necklace,
link several more
snowflakes
together.
TECHNIQUES
circular peyote stitch
right-angle weave
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
Create a wintery bracelet of delicate
snowflakes woven with two-hole seed beads.
Use a different colorway for each season, or
weave individual snowflakes for a pair of
matching earrings.
snowflakes bracelet
C I NDY HOL S C L AW
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BEADWORK december 2012/january 2013 75
2) LINKS. Use right-angle weave to link
the snowflakes:
Unit 1: String 1B, 1E, 1B, 1D, 1B, 1E, and
1B; pass through the last D exited,
weave through all the beads again, and
exit from the D added in this round
(Fig.4, blue thread).
1) SNOWFLAKE 1. Use circular peyote
stitch to form a snowflake:
Round 1: Use 6' of thread to string {1F, 1C,
1E, and 1C} six times, leaving a 6" tail;
pass through all of the beads again to
form a tight circle. Exit through the first
F strung. Note: Pass through only one
set of holes of the F in Rounds 13; leave
the second set of holes empty until
Round 4.
Round 2: String 1C, 1D, and 1C; then pass
through the next F of Round 1, pushing
the C and E beads of Round 1 down
behind the C/D/C beads just added;
repeat five times for a total of 6 sets of
C/D/C. Step up through the first C and
D added in this round (Fig.1).
Round 3: String 3A and pass through the
next D of Round 2; repeat five times for
a total of 18A. Pass through the first 3A
added in this round and pull tight, then
pass through the next D and C of
Round 2 (Fig.2, blue thread).
Round 4: *String 3B; pass through the sec-
ond hole of the nearest F. String 3B; pass
through the next C/D/C of Round 2.
Repeat from * five times to add 3B on
each side of each F. Step up through the
first 3B added in this round (Fig.2,
red thread).
Round 5: Flip the beadwork over so that
the front of the snowflake is facing you.
String 1B, 1D, and 1B and pass through
the next 3B of Round 4, the nearest E of
Round 1, and the next 3B of Round 4;
repeat five times for a total of 6 sets of
B/D/B. Step up through the first B and
D added in this round (Fig.3).
Fig. 1: Forming Round 2 of Snowflake 1 Fig. 2: Stitching Rounds 3 and 4 of Snowflake 1
Fig. 3: Adding Round 5 of Snowflake 1
Fig. 4: Adding the first link
Unit 2: String 1B, 1F, and 1B; pass through
the last D exited and the first B/F just
strung, then string 3B and pass through
the second hole of the F (Fig.4, red
thread). Note: The F just placed is the
starting bead of the next snowflake, the
B/D/B just placed is part of the next
snowflakes Round 5, and the 3B just
placed are part of the next snowflakes
Round 4.
3) SNOWFLAKES 27 AND LINKS.
Repeat Steps 1 and 2 six times to stitch a
total of 7 snowflakes connected at oppo-
site points by 6 links, ensuring that all of
the snowflakes are faceup. Note that for
these subsequent snowflakes, you will
only need to add one 3B set on the existing
F between snowflakes in Round 4 and
MATERIALS
1 g metallic bronze size 15 seed beads (A)
2 g matte metallic blue patina size 15 seed
beads (B)
2 g matte metallic blue patina size 11 seed
beads (C)
1 g metallic bronze size 11 seed beads (D)
2 g antique goldlined transparent light
green AB 3mm or 2.8mm drops (E)
4 g terra pearl emerald 52mm 2-hole seed
beads (F)
Green size B nylon beading thread
TOOLS
Scissors
Size 11 or 12 beading needle
FINISHED SIZE: 7"
BW 74-76 Holsclaw.indd 75 10/1/12 4:43 PM
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76 beadworkmagazine.com
CINDY HOLSCLAW is a bead artist and scientist
specializing in geometric beaded structures. Her
foundation as an academic shapes her approach
to beadwork designs and her skills as a teacher. To
see more of her work and to purchase her beading
patterns and kits, please visit www.beadorigami.com.
RESOURCES Check your local bead shop or
contact: Seed beads and 2.8mm drops: Caravan
Beads, (800) 230-8941, www.caravanbeads.net.
Seed beads, 3mm magatama drops, and Nymo
nylon beading thread: Out On A Whim, (800)
232-3111, www.whimbeads.com. Twins (2-hole
seed beads): Shipwreck Beads, (800) 950-4232,
www.shipwreckbeads.com.
String 1B; pass back through the last D
added, making sure the hole sits parallel
to those of the F beads. String 1B; pass
through the other hole of the F exited at
the beginning of this step, the first hole
of this F, and through the next B/D
(Fig.7, red thread).
Clasp chain: String {1B and 1D} three
times, then string 1B and pass through
the last D exited and the next B/D/B/D
(Fig.8, green thread); repeat twice
(Fig.8, blue thread) or as many times as
needed for length. String 1B, 1E, and 1B;
pass through the end D of Snowflake 7.
String 1B, 1E, and 1B; pass through the
last D exited on the chain and the next
B/E/B (Fig.8, red thread). Repeat the
entire thread path to reinforce. Secure
the thread and trim.
a total of five B/D/B sets in Round 5; pass
through the 3B set and B/D/B set added in
the link region when you arrive at them in
these rounds. Set the working thread
aside. Secure the tail thread by passing it
through Round 3 of the first snowflake
several times to secure; trim the tail
thread. Set the bracelet aside.
4) CLASP BAR. Stitch a toggle bar for
the clasp:
Base: Use 4' of thread to string {1F and 1C}
three times. String 1F, 1B, 1E, and 1B,
leaving a 6" tail. Pass through the second
hole of the last F strung. String 1C and
pass through the second hole of the next
F; repeat twice. String 1B, 1E, and 1B;
pass through the first hole of the first F
strung in this section (Fig.5). Repeat
the thread path once to reinforce, again
exiting from the first hole of the first F.
Embellish: String 1D and pass through the
hole of the next F that sits diagonally
from the F just exited; repeat twice to
add a total of 3D to the toggle (Fig.6,
blue thread). Weave through the next
B/E/B/F. Pass through the last D added
and the hole of the next F that sits diag-
onally from the hole exited in the previ-
ous F; repeat twice. Pass through the
next B/E/B/F/C/F (Fig.6, red thread).
Connector: Turn the bar over. String 1B,
1D, and 1B; pass through the hole of the
next F that sits diagonally from the hole
exited in the previous F and the other
hole of this same F (Fig.7, blue thread).
Fig. 5: Forming the
toggle-bar base
Fig. 6: Embellishing
the toggle bar
Fig. 7: Adding the
clasp-bar connector
Fig. 8: Forming the clasp chain
Option
These snowflakes
make great
earrings. Stitch one
snowflake and add
a six-bead loop of B
to one point in
Round 5 to link the
snowflake to an ear
wire. Repeat for the
matching earring.
Back of purple
variation
BW 74-76 Holsclaw.indd 76 10/8/12 3:34 PM
10082012153523
BEADWORK december 2012/january 2013 77
Beginning Wearable
First Place: Estrid DeWit
Second Place: Svetlana
Chebotayeva
Third Place: Deirdre Anne
Ellis
Intermediate Wearable
First Place: Lois Brewitt
Second Place: Li Chun Liu
Third Place: Robynne
Simons-Sealy
Advanced Wearable
First Place: Olga Dillow
Second Place: Glenda
MacNaughten
Third Place: Jocelyne
Holmes
Beginning Sculptural
Andrea Sierer
Advanced Sculptural
Hannah Rosner
Aiko Beads
Karen Jensen
Congratulations to the winners of the
Treasures of TOHO Bead Competition!
Wholesale only
kim@tambrookbeads.com
503.826.0878
www.tambrookbeads.com
BW 77 ads.indd 77 10/3/12 10:44 AM
10032012104429
78 beadworkmagazine.com
SPOTLIGHT ON SEED BEADS
simply seeds
{ PEYOTE RUFFLES }
Carol Mundy
TECHNIQUES
flat peyote stitch
picot
See p. 94 for helpful
technique information.
PROJECT LEVEL
See p. 4 for project-level information.
MATERIALS
30 g dark topaz rainbow gold luster
size 11 cylinder beads (A)
10 g silver-lined dark topaz AB size 8
seed beads (B)
1 copper 6 21mm 3-strand magnetic
tube slide clasp
Smoke 6 lb braided beading thread
TOOLS
Scissors
Size 12 beading needles
FINISHED SIZE: 6"
Fig. 1: Adding the first ruffle to the base
Give a simple peyote band
excitement and texture
with easy-to-bead ruffles.
1) BASE. Slide a needle to the center of
6'of thread. Form a flat peyotestitched
strip 12A wide and 70 rows long or to half
of the desired length minus the width of
the clasp. Secure this thread and trim.
Use the tail thread to continue working
12A-wide flat peyote stitch off of Row 1
for 70 rows or half of the desired length.
Note: Work with firm tension, but not so
tight that you cant bend the base around
your wrist. Secure the thread and trim.
2) RUFFLES. Peyote-stitch ruffles to the
bracelet base:
Row 1: Start 4' of new thread that exits
from an end A of Row 10. String 1A and
pass through the next A of Row 11;
repeat five times for a total of 6A
(Fig.1, blue thread).
Rows 2 and 3: Work 6 peyote stitches
with 1B in each stitch for a total of 2 (or
BW 78-79 Simply Seeds DecJan13.indd 78 10/1/12 4:46 PM
10012012164704
BEADWORK december 2012/january 2013 79
more) rows, allowing the beads to ruffle
(Fig.1, red thread). Weave through the
final row again to reinforce, then weave
through base beads to exit from the end
A of base Row 20.
Repeat Rows 13 on every ninth row
across the base, varying the number,
placement, and width of ruffles as
desired. Secure the thread and trim.
3) CLASP. Attach the clasp and add
end ruffles:
Row 1: Start 2' of new thread that exits out
from the first A of base Row 2. String
1B; pass through the next A of Row 1.
*String the top loop of one half of the
clasp and 1B; pass back through the
same clasp loop and through the next A
of Row 1 (Fig.2, green thread). String
1B; pass through the following A of
Row1. Repeat from * across the row,
Fig. 2: Attaching the clasp and forming a ruffle Fig. 3: Adding the picot edging
connecting the middle and bottom clasp
loop as you go (Fig.2, blue thread).
Work a turnaround and repeat this
thread path twice to reinforce the clasp
connection.
Row 2: String 1B and pass back through
the last B added in Clasp Row 1; repeat
five times for a total of 6B (Fig.2,
redthread).
Row 3: If desired, repeat Clasp Row 2.
Repeat the thread path of the final row
to reinforce; secure the thread and trim.
Note: The ruffle effect of the B will cover
any small gaps in the beadwork when
attaching the clasp, but be sure to
reinforce the thread path on each
side of the loops.
4) EDGING. Start 2' of new thread that
exits from the end A of base Row 2. *String
1A, 1B, and 1A; skip 1A along the edge of
the base, pass down through the next
edgeA, and up through the following
edgeA (Fig.3). Repeat from * along one
edge of the base, then weave through
beads to repeat on the other edge of the
base. Secure the thread and trim.
CAROL MUNDY is now happily addicted to
beading, after collecting beads while traveling for her
oriental rug business and having a friend make two
necklaces from some of these treasures. The
generosity and sharing of the Kansas City Bead Society
members have played a large part in this addiction.
RESOURCES Check your local bead shop or
contact: Seed beads and Delica cylinder beads:
Caravan Beads, (800) 230-8941, www.caravanbeads
.net. Clasp and FireLine braided beading thread:
FusionBeads.com, (888) 781-3559.
Artists Tips
Thread burners are great for ending
threads. The little melted ball at the
end of the thread end can make
knots more secure, but be very
careful to keep the hot element
away from the base thread.
Try making a bead soup mix of
size 8 beads for a different look
when making the ruffles.
To give the ruffles even more
wave, use more than one bead
in each stitch.
OPTION
Reverse the placement
of seed beads by using
size 8s for the band and
size 11s for the ruffles;
use two size 11s as
one when finishing
the ruffles.
BW 78-79 Simply Seeds DecJan13.indd 79 10/1/12 4:46 PM
10012012164705
Discover chevron chain with
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BW 80 iw dvd ad.indd 80 10/4/12 4:53 PM
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82 beadworkmagazine.com
the Beadiak
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U.S. Postal Service Statement of Ownership, Management
& Circulation. 1. Publication Title: Beadwork 2. Publication
No: 018-351. 3. Date of Filing: 9-28-2012. 4. Issue Frequency:
Bi-monthly 5. No. of Issues Published Annually: 6. 6. Annual
Subscription Price: $29.95 7. Complete Mailing Address of
Known Offce of Publication: Interweave., 201 E. Fourth Street,
Loveland, Larimer, CO 80537-5655. Contact Person: Tammy
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Headquarters or General Business Offce of the Publisher: Same
as above. 9. Full Names and Complete Mailing Addresses of
Publisher, Editor: Publisher: John Bolton, 201 E. Fourth Street,
Loveland, Larimer, CO 80537-5655. Editor: Melinda Barta, 201
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CO, 80537-5655; 10. Owner(s): F+W Media, Inc., 10151 Carver
Road, Suite #200, Blue Ash, OH 45242. 11. None. 12. N/A. 13.
Publication Title: Beadwork 14. Issue Date for Circulation Data
Below: October/November 2012. 15. Extent and Nature of Cir-
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Publisher, Business Manager, or Owner: John Bolton, Publisher.
9-28-2012. I certify that all information furnished on this form is
true and complete. I understand that anyone who furnishes false
or misleading information on this form or who omits material or
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sanctions (including fnes and imprisonment) and/or civil sanc-
tions (including civil penalties).
BW 81-82 Classified Display ads.indd 82 10/3/12 11:46 AM
10032012114644
Take your beadwork
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BW 83 iw dvd ad.indd 83 10/3/12 11:41 AM
10032012114127
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BEADWORK december 2012/january 2013 85
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The Beading Connection
To advertise here call Monica Turner at (800) 272-2193 x424 or e-mail at mturner@interweave.com
SHOWS
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86 beadworkmagazine.com
To be listed in Stop to Shop please contact Monica Turner at (800) 272-2193, x424
or MTurner@interweave.com. The cost is $65 per issue with a 6 issue minimum.
Alabama
Highstrung Beads ShoppeMontgomery
Montgomery has a bead store! If youre looking for beads, we have a
beautiful variety (Czech glass, seed beads, semiprecious, Swarovski, and
many others), also tools, findings, and much more. Come in, unwind,
create! Classes, PMC classes, and parties available. MonSat.
51 Mitchell Ave. (334) 356-7891
Arizona
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The Beaderie Chandler
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KNOWN FOR THE LARGEST SEED-BEAD COLLECTION IN AZ! Great
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Thunderbird Supply CompanyFlagstaff
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2227 E. 7th Ave. (928) 526-2439
D & I BeadsGlendale
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We are pleased to serve you with a full line of beads, findings, tools, and
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Creative DestinationMesa
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See our beautiful showroom on our website. We specialize in Swarovski
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Bead World Inc.Phoenix ,Scottsdale and
Glendale
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The Bead Garden of SedonaSedona
www.Sedonabeadgarden.com
Tools and supplies for the bead artist! Northern Arizonas largest selec-
tion of beads, tools, and supplies. We offer classes and private lessons.
MonSat 105, Closed Sunday.
3150 W. State Rt.. 89A, Ste. 1 (928) 282-7334
Arkansas
Beaded LadyBenton
Scrumptious beads! Knowledgeable staff. Large selection of beads, tools,
findings, ss wire, and chain. Stop and browse. Classiest parties. We
repair, re-string, knot, and restore costume jewelry. Thu Sat 16. the-
beadedlady@att.net
7103 Samples Rd. (501) 794-2647
Argenta Bead Company
North Little Rock
www.argentabead.com
An ever-growing palette of beads, tools, books, and findings, including
beads by Arkansas artists. Workspace, classes, and parties. MonFri.
116, Sat. 104.
703 Main St. (501) 537-0928
California
Bead InspirationsAlameda
www.beadinspirations.com
Best selection & prices of Vintaj brass. Gorgeous, quality beads, findings
& unique kits. Focal gems & gem strands. Metal stamping. Picture frame
pendants by Nunn Designs & Tierracast. Czech glass, Swarovski crystals
& pearls. Ranger Inks. Metalsmithing. Inspiring Classes. Friendly,
knowledgeable staff. Shop online too.
1544 Park St. (510) 337-1203
San Gabriel Bead Co.Arcadia
www.beadcompany.com
Beads, books, gourds, tools, workshops, metals, and friendly advice.
Beginning and Advanced workshops. TueWed 117; Thur 119; Fri
116; Sat 106; Sun 125.
325 E. Live Oak Ave. (626) 447-7753
Beads Etc.Clovis/Fresno
www.beadsetconline.com
Your full-supply bead store located in the Fresno/Clovis area. We carry
a wide variety of Swarovski crystals, Japanese seed beads, gemstones,
Czech beads, lampwork, findings, lots of unique items, and great classes,
including stringing, weaving, and wire wrapping. MonFri 116, Sat
114.
80 W. Bullard, 106 (559) 297-8526
Just Bead It!Concord
www.justbeaditconcord.com
Beads to thread, wire and just admire. All for beading to your hearts
desire. Family owned since 2003. Open Mon, Wed, Thu, and Fri 117,
Sat 116, Sun 125.
2051 Harrison St., Ste C (925) 682-6493
BeadtopiaEl Segundo (S. of LAX)
www.bead-topia.com
We are a full-service bead store with knowledgeable staff and friendly
service. Find all the newest beading and jewelry trends, plus a large selec-
tion of glass, semiprecious, pearls, Delicas, seed beads, and findings. See
our website for our ever-changing, exciting classes and party details.
Mon, Tue, Fri 115, Wed, Thu 117, Sat 104. Closed Sun.
319 Richmond St. (310) 322-0077
Katherines Beads & Supplies
Grand Terrace
Bead Shop in Southern California. Huge selection of beads. Chain, wire,
earring/necklace parts in sterling, gold-filled, base metals. Tools, classes.
MonFri 115, Sat 104. NEW LOCATION!
12210 Michigan St., Ste. G (909) 825-5885
CTS Beads N Things Inc.Lancaster
www.ctsbeadsnthings.com
Beads from around the world! We specialize in one-of-a-kind beads
dichroic, lampwork, polymer, semiprecious, tagua nut. Friendly, knowl-
edgeable staff invite you to a colorful variety of bead essentialsglass,
crystals, tools, and classes. We also now carry fiber.
43791 15th St. W. (661) 729-9450
Bunches of BeadsLodi
www.bunchesofbeads.com
Beading experience in the heart of Lodi. Only 5 minutes from Hwy. 99.
Vast assortment of beads, stringing supplies, findings, and more.
Classes, parties, repairs, and fun! Family owned, offering a bead-friendly
atmosphere.
7 N. Cherokee Ln. (209) 367-1207
Creative CastleNewbury Park
www.creativecastle.com
Ventura Countys largest selection of beads. Seed, Delica, Czech glass,
and vintage glass beads; freshwater pearls; gemstones; Swarovski crys-
tals; charms; findings; sterling; and gold-filled. Over 450 book titles and
visiting guest teachers. Please visit our website for complete class listings
or call and current newsletter will be mailed.
2321 Michael Dr. (805) 499-1377
Beads BeadsOrange
www.beadsandartifacts.com
Huge selection of Japanese seed beads: sizes 11, 14, 15. Delicas: tri-
angles and cubes. Austrian and Czech crystal. Vintage glass and crystal,
African trade beads. Books, buttons, unique gift items, classes.
949 N. Tustin Ave. (714) 639-1611
South Sun ProductsSan Diego
www.SouthSunProducts.com
Beads, silver, and jewelry superstore! Youll find the largest selection of
beads and jewelry in the United States. Huge selection of semiprecious
beads, pearls, Swarovski, sterling silver pendants, findings, chain, rings,
earrings, classes and more! MonFri 8:307, SatSun 105. (Enter at
Sandrock Rd.)
8601 Aero Dr. (858) 309-5045
Beadahs-Santa Monica
www.beadahs.com
Immerse yourself in a 2,000 sq. ft. world of rare beads, unique find-
ings, and exotic treasures. Just steps from the Pier and a block off
the famous 3rd St. Promenade. MonSat 109, Sun 126.
203 Arizona Ave. (310) 395-0033
Bead DreamsStockton
www.beaddreams.biz
You will love our huge Swarovski selection, stones, pearls, pressed glass,
and seed beads of all sizes and varieties. We have a wall of Czech hanks,
tubes of Japanese seed beads, as well as all Delicas. Private and group
instruction available. Check us out at www.beaddreams.biz. On the
Miracle Mile, between I5 and Hwy. 99.
2103 Pacific Ave. at Dorris Pl. (209) 464-BEAD
The Spirited Bead & Klews Gallery
Tehachapi and Ridgecrest
www.klewexpressions.com
An artist-owned bead store. Our beads are all hand-selected! Hwy. 58
between Bakersfield and Mojave. From the basic to the extravagant. See
our website for details and map. Open every day but Tuesday.
435 W. J St. (661) 823-1930
104 W. Panamint (760) 384-2323
Beads on MainVacaville
www.beadsonmain.com
We specialize in unique quality beads and components. Extensive selec-
tion of Swarovski, semiprecious, and silver. We also have many gorgeous
freshwater pearls and funky glass beads. Come check out our inspiring
classes or come and have a beading party. TueThu 106, Fri 105, and
Sat 115.
313 Main St. (707) 446-1014
Colorado
Breckenridge Bead GalleryBreckenridge
The best bead selection in the High Country! We carry a wide variety of
beads, including Delicas, bone, sterling, wood, semiprecious, and glass.
We also carry buttons and fine-art supplies. Open 7 days a week.
224 S. Main St. (970) 453-1964
The Colorado Bead Co., Denver
www.thecoloradobeadco.com
We put our expertise, creativity, and inspiration into everything we do.
Cabochons, crystals, gemstones, pearls, recycled glass, lampwork, bone,
and wood. Tools, findings, resin, and image transfer. Less than a mile
from downtown Denver. Open 7 days a week. Visit our website for a list
of classes.
1245 E. Colfax (Colfax and Lafayette) (303) 861-6823
Let It BeadEnglewood
www.letitbeadcolorado.com
Superior service and selection is what youll find. Precious and semipre-
cious gems, pearls, Czech glass, Swarovski, gemstone and silver pen-
dants. GF and SS, gunmetal, brass and copper findings. Chain, Delicas,
and seeds. Tools, books. Classes offered.
821 Englewood Pkwy. (303) 788-1466
South Park Pottery & Back Room Beads
Fairplay
www.backroombeads.com
Bunches of beadslampwork, raku, Czech, Delica, gemstones, and
more. Seven days 95. Dont miss the Fairplay Bead & Fiber Show.
August 1011, 2013
417 Front St. (719) 836-2698
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Lunas Beads & GlassFrisco
www.lunasbeads.com
Vast assortment of beads and supplies. Delicas, seed beads, triangles,
cubes, drops, bugles, lampwork, Swarovski, Czech glass, semiprecious,
Bali and sterling silver, findings, books, tools, hemp, wire. Friendly,
knowledgeable assistance.
416 Main St. (5th and Main) (970) 668-8001
Old West Leather and Beads Co.Greeley
www.oldwestleather.com
Awesome selection of stone, glass, seed beads, bone, Swarovski crystals,
pearls and more! Full selection of leather working supplies, Authorized
Tandy dealer. Jewelry and leather working classes available. MonFri
95:30, Sat 92
102 18th St. (970) 356-7673
Alley Cat BeadsNorthglenn
www.alleycatbeads.com
Exciting inventory of gemstones, Czech glass, seed beads, pearls, lamp-
work, tools, Swarovski crystals, Bali silver, findings, dichroic glass,
handmade clay, and one of the largest selections around of different
pendants/focal beads. We have wonderful bead-stringing and -weaving
supplies at great prices, plus were adding new items all the time! Classes
and parties available.
11928 N. Washington (303) 451-1900
Franis BeadsPueblo
www.franibeadshoppe.com
Where people and beads come together. Large selection of beads for
stringing, off-loom and loom projects, including high-quality Japanese
seed beads, most sizes; fringe beads; triangle beads; bugles; Delicas;
crystals; Czech glass beads including leaves, daggers, drops; bicones;
Charlottes; semiprecious gemstones; freshwater pearls; plated findings;
charms; rosary parts; and sterling silver findings. Classes and parties.
Open Tue 107, Wed. 105, Thur.Fri. 106, Sat. 104. Closed Sun. and
Mon. Beading groups Tue and Fri.
1000 W. 6th St., Suite W (719) 583-BEAD (2323)
BeadsongSalida
105 MonSat. Czech glass, gemstones, Bali, seed beads, Delicas, bugles,
charms, sterling and gold-filled findings and beads, books, tools, sup-
plies, and much more. Email: tami@beadsong.com.
107 F St. (719) 530-0110
Connecticut
The Bead HiveGuilford
www.thebeadhivect.com
Exceptional, ever-changing selection of semiprecious and glass beads,
silver, findings, seed beads, Delicas, pendants, charms, pearls. Classes
and individualized lessons. Daily 106, Sun 125. beadhive@thebead-
hivect.com (Strawberry Hill)
1310 Boston Post Rd. (203) 453-6681
SugarbeadsRidgefield
www.sugarbeads.com
An elegant bead store with free, open studio, specializing in high-quality
beads and the unusual at very competitive prices. Extensive collection
of sterling and vermeil beads and findings, semiprecious, great pearls,
Swarovski, Czech glass, gem-quality precious stones, handmade, vintage.
Not just a store; a destination.
113 Danbury Rd. (203) 431-6655
7 S. Main St. (West Hartford) (860) 656-6446
The BeadoirWest Hartford Center
www.accentsgallery.net
Upscale bead store. Established 1994. Superb selection of semiprecious,
pearls, crystals, silver & gold beads, and findings. Visitors from around
the country say we rank with the best. Hrs: Mon 11:305, Tues. Sat.
106 or by appointment.
968 1/2 Farmington Ave. (860) 231-8755
Delaware
Sparkles BEAD SHOP!! and Gallery
Newark
www.sparklesbeadshop.com
Featuring sparkling Swarovski crystals and vintage Swarovski, Czech
glass, pressed glass, and semiprecious gemstone beads. Sterling and Bali
silver beads, tools, supplies, and whatnot. And Sparkles is an authorized
Marah Lago Larimar dealer of beads and jewelry. Classes available, see
our website!
#2 Liberty Plaza (302) 368-3944
Florida
The Beading BoutiqueAltamonte
Springs
3,100 sq. ft. of fabulous beading magic. Largest collection of Toho and
Delica seed beads in Central Florida. Extensive selection of beads, find-
ings, pearls, crystals, etc. A beaders dream come true. Must see to
believe. Instruction offered daily. Parties, Girls Night Out, and so much
more. Come in and relax at gourmet coffee bar while choosing a new
creation to make and take. Spend the morning, afternoon, or entire day.
Open 7 days/week.
224 W. Central Parkway, Suite 1018 (407) 574-7164
Baskets by BakerCocoa Beach
www.bakersbeads.com
Fun new full-service bead store. Complete selection of quality beads.
Sterling, silver, glass, tools, books, fusing, and lampwork. Friendly staff.
Classes available for kids of all ages. MonFri 105, Sat 125. Closed Sun.
Become a fan on Facebook.
266 N. Atlantic Ave. (321) 613-3900
Dunedin BeadsDunedin
Beads? Tons! Gemstones, Swarovski crystals, Bali sterling, glass, pearls,
Delicas, and much, much more. Stop in; take a class; our friendly, expe-
rienced staff is here to help you.
730 Broadway, Ste. 3 (727) 738-9000
Bead NeedFt. Lauderdale (Davie)
www.claspon-claspoff.com
Voted best bead store in south Florida. Largest selection of natural
stones, freshwater pearls, Bali and Thai silver, crystals, Czech glass, seed
beads. Extensive classes with patient teachers. Centrally located. New
3,200 sq. ft. facility.
5735 S. University Dr. (954) 880-0880
Laura's BeadsHudson
www.laurasbeads.com
Laura's Beads is more than just a bead shop, it is a place to gather, to
learn, and to create. With a warm and inviting atmosphere, we're here to
assist you in finding what you need for your latest project. Specializing
in bead-weaving, we offer a range of classes for both beginners and expe-
rienced beaders. Best of all, we are stocked with a gorgeous selection of
beads, findings, and supplies at great prices.
8143 State Rd. 52 (727) 495-0803
Bead & ArtLighthouse Point (Pompano)
www.beadandart.com
South Floridas friendliest bead store. Tons of semiprecious, pearls,
Czech, Swarovski, sterling, tools, supplies. Original lampwork beads.
Classes and kits. Check out our website for store location and class sched-
ules.
5034 N. Federal Hwy. (954) 418-3390
Beads Etc.Maitland
www.beadstoreorlando.com
Orlandos finest full service bead store is now offering wholesale prices
on selected strands of gemstones. Large selection of seed beads, sterling,
G-F, base metal, Swarovski,pearls, Czech, etc. Classes all levels. Cus-
tomer service #1!
110 N. Orlando Ave. (New location) (407) 339-2323
The Bead StrandOcala
www.thebeadstrand.com
Come visit Ocalas hidden treasure! Offering a wide selection of gem-
stones, Swarovski crystals, seed beads, and now featuring a huge selec-
tion of findings, Czech glass, and lampwork beads. Also newly added is
our accessory boutique offering unique gifts and jewelry. Visit our web-
site for more information or to see our class schedules.
6140 SW Hwy. 200 (352) 620-2323
BEADS!Oldsmar
www.ebeads.com
Voted Best New Business 2007Tampa Tribune. Huge selection of
Swarovski crystals, gemstones, freshwater pearls, dichroic glass pen-
dants, lampwork beads, seed beads, and over 750 Delica colors. Check
our hours and class schedule online.
3780 Tampa Rd., Ste. C5
(813) 258-3900
Bead Bar

Full-Service Bead Stores


Orlando
www.beadbar.com
Central Floridas favorite since 1991. Huge inventory, talented staff,
great customer service, and very competitive prices. A beaders delight.
A must-see in Orlando. Online catalog, newsletter, retail, and wholesale.
1319 Edgewater Dr. (407) 426-8826
AA Beads & MoreSebastian
Certified PMC studio; large selection of pearls, stones, and glass beads;
findings; sterling and gold-filled wire; PMC; tools; jewelry-making sup-
plies; books; and dichroic glass. Classes in PMC, fusing, chain maille,
wire wrapping, and beading. Wabasso Plaza. Were worth the drive!
8802 U.S. Hwy. 1 (772) 581-0515
Tampa Bead CafTampa
www.tampabeadcafe.com
Largest selection of Delicas and seed beads in Tampa; wide variety of
semiprecious stones and Czech glass; the only shop in Tampa for PMC
classes and supplies. Enjoy a cup of java while you bead!
4117A Gunn Hwy. (813) 374-9099
Raintree Craft and Design Corp.
Titusville
Complete bead shop. Large selection of beadsglass, porcelain, crystals,
turquoise, sterling, novelty, charms, findings, wire, and books. Classes
and workshops daily, including crocheting and knitting with wire and
beads. Sears Town Mall.
3550 S. Washington Ave., Ste. 15 (321) 383-1556
Crystal Creations/Beads Gone Wild
West Palm Beach
www.beadsgonewild.com
Go Wild in 2,300 sq. ft. of beads. Floridas largest, most complete bead
shop. Leaders in beading education. Over 100 professional classes. Excel-
lent guest/teacher workshops. See why people say Crystal Creations is
one of the best bead shops. Now shop online or Email Info@beadsgone-
wild.com.
4058 Forest Hill Blvd. (561) 649-9909
Georgia
Garden of BeadenClarkesville
www.artfullbarn.com
Your beading headquarters is located just inside the South Entrance to
the Art-Full Barn retail sales floor. Rosalyn Hatfield has assembled
THOUSANDS of gorgeous Gemstone beads, Japanese Crystals, Findings,
Seed Beads as well as Murano Beads and Pendants. Jewelry Making Tools
and are IN!! New Items are added on a regular basis. Check out the stun-
ning semiprecious and Wire Wrapped Jewelry or design your own brace-
lets and necklaces from the huge selection of beads.
583 Grant St., Old Clarkesville Mill (706) 499-5336
Beads by DesignMarietta
www.BeadsbyDesign.US
Atlanta area, full-service bead store. Wonderful selection of loose beads,
Czech fire polish, Bali silver, pearls, gemstones, Swarovski crystals, find-
ings, Delicas, books, and patterns. Classroom instruction. Glass bead-
making supplies and more.
585 Cobb Pkwy. S., Ste. L (770) 425-3909
Bead Dreams LLC.Marietta
www.beaddreamsllc.com
1 mile east of the Big Chicken, just off I-75, Exit 263. Huge selection of
Swarovski, Gemstones, Pearls, etc., from which to choose. Hours: Tue
Sat 115:30.
1478 Roswell Rd. (770) 578-4644
Gone With The Bead
Watkinsville (Athens)
www.gonewiththebead.com
Come and see our unique and exciting shop. We have 2,400 sq. ft. featur-
ing artisan beads and focals, Czech beads and buttons, vintage beads and
stampings, Miyuki, Swarovski, Venetian beads, TierraCast, Wire Lace
and Wire Knitz, Hill Tribe Silver, Kazuri, African metal and trade beads,
pearls, stone, wood, and horn. Hours: WedFri 10 a.m.6 p.m., Sat 10
a.m.5 p.m.
16 N. Main St., Ste. D (Entrance at the back) (706) 769-2012
Hawaii
Kathleens CreationsHawi
www.kathleenscreations.net
E komo mai is Hawaiis way to welcome you to Come on in. Kathleens
Creations is a full-service bead shop and gallery where you can find a
diverse selection of beads and inspirational designs using gemstones,
pearls, and shells. Made with the island touch! In Historic Hawi on the
Big Island.
Junction of Hwys. 250 and 270 (808) 889-5531
Idaho
Pandoras Baubles and BeadsIdaho Falls
www.pandorasbaublesandbeads.com
Areas largest selection of German vintage beads, Tibet and silver, Czech
glass, trade beads, Japanese and Czech seed beads in all sizes. New beads
in daily. Classes available for beginner to advanced. TueSat 115:30.
440 Park Ave. (208) 529-3696
103 S. Main, Pocatella
BW 86-92 shop.indd 87 10/3/12 11:47 AM
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88 beadworkmagazine.com
Illinois
City BeadsChicago
www.citybeadschicago.com
Seed Bead and AIKO Specialists! Nationally renowned teachers, Gary
Wilson cabochons, Kathy Hoope lampwork, Czech glass, pearls, and
semiprecious stones. DISCOUNT PRICES! Showroom hours by appoint-
ment. For class schedules and more information, visit our website or call
to be added to our mailing list.
3928 N. Rockwell St. (312) 316-1910
Studio BeadsDeerfield
www.studiobeads.com
We carry a great assortment of all sizes of seed beads, freshwater pearls,
BASHA and other nationally known lampwork beads, semiprecious
beads, and finished jewelry from artists across the country. We have a
great assortment of vintage purses and jewelry. We offer classes and
workshops with nationally recognized teachers. Visit us online for more
information. Mon, Tue, Wed, Fri 105, Thu 108, Sat 104.
816 Waukegan Rd. (847) 607-8702
bodacious beadsDes Plaines
bodaciousbeadschicago.com
Best selection and lowest prices! 260 colors of Swarovski, Japanese, and
Czech seed beads. Pearls and stone. Vintage, tribal, and Bali. Chain, find-
ings, and tools. Books. MonSat 106. Tue till 8. Near OHare airport.
1942 River Rd. (847) 699-7959
Aylas Originals Bead BazaarEvanston
www.aylasoriginals.com
Time stands still when you enter our sumptuous world of beads. Extraor-
dinary colors, shapes, and creative possibilities await. We welcome you
with genuine service and helpful hands. Come and let your imagination
run free.
(877) 328-AYLA
1511 Sherman Ave. (847) 328-4040
Chicago Bead Inc.Glen Ellyn
www.chicagobead.com
Premium, full-service bead store and jewelry design studio! Finest in
sterling, Bali, GF, copper findings, Swarovski, Miyuki, gemstones, pen-
dants, charms, pearls, Czech glass, cubic zirconia, lampwork, books,
tools, and supplies. Classes, parties, design services, and repairs.
Friendly/knowledgeable staff. Designer originals! Gift certificates and
frequent-shopper discounts. Tue and Thu 118, Wed and Sat 116, Fri
and Sun 126.
491 Roosevelt Rd. (630) 858-2626
Chelseas BeadsHighland Park
www.chelseasbeads.com
Largest bead store on the North Shore. Parties, classes, and everything
to make jewelry. Bali, sterling, and gold-filled parts, seed beads,
Swarovski crystals, pearls, semiprecious beads, fancy glass beads, tools,
and stringing supplies. eBay store. MonFri 105:30, Sat 115, Sun
124. Fax: (847) 681-0681. Email: info.chelseasbeads@sbcglobal.net.
1799 St. Johns Ave. (847) 433-3451
Pumpkin GlassMorton
www.pumpkinglass.com
Dazzling original lampwork, crystals, Bali Silver, seed beads, wire and
findings. Lampwork glass rods, tools and supplies for beadmakers. Fin-
ished Art Jewelry. Lots of Classes!
2059 S. Main St. (309) 266-7884
Bead In HandOak Park
www.beadinhand.com
An extraordinary selection of beads and beading supplies. Birthday par-
ties, classes, and repairs. Space for customers to stay and play. Closed
Wed.
145 Harrison St. (708) 848-1761.
Facets of IsisPalatine
www.facetsofisis.com
Beautiful selection of Sterling Silver Findings, Swarovski Crystals, Czech
Fire Polish, German Vintage & natural Gemstone beads. BeadSmith
authorized dist. Classes, Artist Demos, Trunk Shows.
225 N. Northwest Hwy (847) 705-6614
Bead WorldPalatine
www.beadworldbeads.com
Jewelry and gift items from around the world, specializing in ancient
and new Indonesian glass beads, (Indonesian glass beads available
wholesale) and recycled glass beads. Jewelry repairbooksfindings
body jewelrypiercings.
8 S. Brockway (847) 776-BEAD (2323)
Free to BeadPeoria
www.freetobead.com
The only full-service bead store in the Peoria area. We have silver, Bali,
semiprecious, crystals, pearls, glass, seed beads, supplies, tools, and
classes. Everything you need and more. Come bead with us.
3301 N. Prospect Rd. (309) 682-2323
SWEET EARTH Jewelry, Engraving &
BeadsSycamore
www.sweetearthjewelry.com
GiftsJewelryEngravingBeads. Largest color selection of Swarovski
crystals, pearls, Bali, gemstones, Czech sterling 14kt gold-filled findings.
Chain by the inch. 900+ charms. MonFri 106, Sat 105, Sunday 12 4.
GIA graduate gemologist. Engraving in store. We are worth the trip!
Bring this ad in for $5 off any $25 purchase of merchandise.
341 W. State St. (815) 895-3011
The Genuine ArticleWheaton
www.BettyJamesStudios.com
Beads for sale and classes designed for beginners to artisans. Stop in for
tea or coffee and enjoy our unique selection of beads, charms, and books.
Class information on website.
Corner of Front and Hale Sts. (630) 690-BEAD
Indiana
Bead PalaceIndianapolis (Greenwood)
www.beadpalaceinc.com
Largest selection (5,000 sq ft) of Gemstone & Diamond Beads,
Swarovski, Sterling Silver beads & findings in the
country. Direct manufacturer from India & China means lowest
prices. Beadalon distributor. MonSat 10:306. sales@beadpalaceinc.
com
163 S. Madison Ave. (7 m. S. of Indy) 317-882-5522
Beads AmoreIndianapolis
www.beadsamore.com
Beads, wire, supplies, classes, and parties, by the bead or strand, Czech,
Swarovski, seed beads, vintage, silver, semiprecious, cabs, and silver-
smithing classes and supplies. MonThu 108, Fri and Sat 106, Sun
104.
3834 E. 82nd St. (317) 595-0144
Imagine BeadsValparaiso
www.labeadalocabeads.com
Largest seed bead and Swarovski dealer in the area. Classes always avail-
able. Large selections of books, findings, and stones, from the rare to the
unique. Hours: Mon & Wed 106, Tues, Thurs, Fri 105; Sat 104; Drop
by to learn and share!
53 South Michigan St (219) 299-2270
Kansas
Plum BazaarEmporia
www.plumbazaarbeads.com
Largest selection of beads in Kansas including gemstones, pearls, glass,
shell, metal, ceramic, sterling, bone, vintage beads, and findings. Direct
importer. In-store quantity discounts. Custom-made jewelry and classes.
Silk yarn, purses, gifts. MonSat 9:305:30. Sun by appointment.
615 Commercial (620) 342-6607
Heartland Bead MarketLenexa
www.heartlandbeadmarket.com
Come to browse. Stay to bead. Awesome selection. Friendly service.
Swarovski, Czech glass, semiprecious, seed beads, Bali silver, hill tribe
silver, and more. We love to help you create. ClassesParties
RepairsCustom designs. Open beading always. Visit our other loca-
tion, The Bead Shop in Overland Park
13964 Santa Fe Trail Dr. (913) 888-0231
9009 Metcalf (Overland Park) (913)-642-3131
BeadazzlerOverland Park
www.beadazzlerbeads.com
Kansas Citys premier bead shop. We have the most unique selection in
town. A relaxed and creative atmosphere for beading, classes, and par-
ties. Open 7 days a week. Beadazzler . . . What a bead shop should be . . .
And more!
7315 W. 80th St. (913) 64BEADS
(913) 642-3237
Kentucky
After Glow BeadsLouisville
www.afterglowbeads.com
Louisvilles largest and oldest bead store. Over 10 million beads in stock.
Our inventory includes faceted gemstones and cabochons, a massive
variety of gemstone-quality bead strands in many styles and shapes;
semiprecious stones; Swarovski crystals; turquoise,; coral; freshwater
pearls; Venetian glass and lampwork; sterling silver; gold-filled; wood,
bone, African trade beads; glass, seed, and Delica beads; craft wire; ster-
ling silver and gold-filled wire; findings; beading and jeweler tools and
supplies; books and magazines; jewelry displays; and mineral specimens.
Authorized dealer of Euro Tool, Beadsmith, Beadalon, and Soft Flex.
Custom-made pieces and repairs. Classes available (beginners, interme-
diate, and advanced). MonFri. 106, Sat. 11-5.
3816 Shelbyville Rd. (502) 893-6060
Louisiana
A Bead BoutiqueAlexandria
www.abeadboutique.com
A beading paradise! Multiple rooms for classes, parties, and get-togeth-
ers. Great selection of beads, tools, books, and supplies. Open Mon by
appt., TueFri 105:45; Sat 104. Located on the edge of the Garden
District, near Hill St. traffic light.
2924 Jackson St. (318) 442-2575
Bead AtticBaton Rouge
www.thebeadattic.com
Your one-stop shop for beads and supplies. Outstanding selection of
Delicas, seed beads, Swarovski, semiprecious, freshwater pearls, Bali,
sterling, gold findings, cabs, PMC, Chamilia jewelry. Classes/parties/
magazines/books/tools/great service! MonFri 105, Sat 104. Exit 163
off I-10.
12654 Perkins Rd. (225) 766-2727
Maine
BEADS ON THE KENNEBEC AUGUSTA
www.beadsonthekennebec.com
Our customers say we are the Best Little Bead Shop in ME. Friendly,
helpful atmosphere. Large selection of sterling, Swarovski, glass, stone,
bone, and seed beads. Precious metal and Artistic Wire. Tools and Sup-
plies for all your beading needs. Classes and Repairs. TueFri 105, Sat
103.
333 Water St. (207) 622-1666
The Beaded MooseBangor
www.thebeadedmoose.com
Where beads and friends gather. A customer-friendly beading studio/
store with a hand-picked inventory of beautiful beads, Miyukis, Delicas,
crystals, semiprecious, Czech, etc. Classes and individualized lessons
available. Easy access from I-95.
1460 Outer Hammond St. (207) 992-2099
The Beadin PathFreeport
www.beadinpath.com
Vintage Lucite, Matte Metals, Chunky Chain, we have it all! Well worth
a trip to Freeport or see pictures of our store and shop online. We have
new design tutorials youll love!
15 Main St. toll-free (877) 92-BEADS
Maryland
East Street BeadsFrederick
www.eaststreetbeads.com
Growing Selection of Miyuki & Metal Seed Beads, Swarovski Crystals &
Pearls, Czech Glass & Pearls, Lampwork, Tools, Semi-precious, Findings,
Wire, Chain Mail, Books, Kumihimo, Fresh-water Pearls, Tools & More!
Classes 7 Days a week!
922 N. East St. (301) 624-2323
Accents Bead ShopRockville
(White Flint area)
www.accentsbeads.com
New 5,000 sq. ft. showroom. Awesome selection of semiprecious, Bali,
Swarovski crystals, pearls, seed beads including Delicas, 14k, gold-filled,
sterling silver beadsfindingschain, lots of classes. Wholesale to
public. MonSat 105, Thu till 6:30.
12112 Nebel St. (301) 881-2003
Marvin Schwab/The Bead Warehouse
Silver Spring
www.thebeadwarehouse.com
Wholesale and mail order. Huge selection of semiprecious beads, fresh-
water pearls, tools, and supplies. Findings in sterling silver, gold-filled,
14k, and plated. Showroom by appointment and special open hours. Fax
(301) 565-0489; Email beadware@erols.com.
2740 Garfield Ave. (301) 565-0487
Massachusetts
BEAD + FIBER: gallery . classes . materials
Boston
www.beadandfiber.net
A new concept. In the lively SOWA neighborhood. Unique bead and fiber
artwork, materials, exciting day and evening classes. Revolving gallery
features contemporary and traditional work. Unusual beads and supplies
from around the world. Repairs. Parties. Free parking at 500 Harrison
Ave.
460 Harrison Ave. (617) 426-2323
Boston Bead CompanyCambridge &
Salem
www.bostonbeadcompany.com
Two area bead shops offering vintage and contemporary beads, findings,
and tools from around the world. Jewelry-making classes and repairs.
Visit our website for locations and hours.
23 Church St, Cambridge. (617) 868-9777
10 Front St, Salem. (978) 741-2323
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The Bead Emporium of Cape Cod
Hyannis
www.capebeademporium.com
With over 15 years in business, we are Cape Cods foremost, full-service
bead store. We offer an incredible selection of wire, findings, tools,
Swarovski, Czech, pearls, charms, vintage, gems, more. Items arrive
weekly. Classes, parties. Visit today!
548 Main St. (508) 790-0005
BeadCacheMansfield
www.beadcache.com
Full-service shop with a fine, upscale selection of beads, findings, wire,
and tools. Original lampwork beads also offered and custom orders
accepted. Classes, parties, work space, and artistic support offered. Come
in and express yourself! Open TueSun. Email: beadcache@aol.com
457 N. Main St. (508) 339-3330
(866) 749-BEAD (2323)
Bead AddictionWalpole
www.bead-addiction.com
2000 sq ft of fabulous beads and beading supplies. We carry many name
brands, including Czech glass, Kazuri, Lillypilly, Miyuki, Thunderpolish
crystal, Swarovski, Fuseworks, TierraCast, Artistic wire. Huge tool selec-
tion and tons of wire choices. We also offer classes, Ladies Night Out,
birthday parties, or any event you can think of. We are open TueSun,
closed on Monday. Check our website for hours and directions or call or
email us at thebeadaddiction@gmail.com .
2000 Main St. (508)660-7984
Tatnuck Bead Co.
Worcester/Webster/Westborough
www.tatnuckbead.com
We sell service! Oh, and beads, too! Truly personal and empowering sup-
port for your beading obsessions. Family-owned, full-service stores
offering quality products, classes, parties, and online community. Visit
our website for store hours and directions.
1099 Pleasant St. (508) 754-0999
31 Thompson Rd. (508) 949-7400
Michigan
Munro Crafts-Berkley
www.munrocrafts.com
Great prices and discounts. Swarovski, Czech, Bali, freshwater pearls,
wood, bone, glass, metal, acrylics, and more. Sterling silver and gold-
filled beads and findings. Craft supplies, charms, books, tools, beading
supplies, and classes.
3954 12 Mile Rd. (800) 638-0543
Raisin River BeadsDundee
www.raisinriverbeads.com
An ever-growing selection of Delicas, charms, Japanese seed beads, but-
tons, Czech, Bali silver, Swarovski, semiprecious, and findings. Classes
and birthday parties. MonSat 115, Sun 125.
141 Riley St. (734) 529-3322
Pams Bead GardenFarmington
www.pamsbeadgarden.com
We specialize in Japanese seed beads. Full-service bead store featuring
Czech glass, pearls, Swarovski crystal, Delicas, silver, and tools. Free
classes, visiting artists, and lots more. Open six days, closed Sunday. Call
for more information.
22836 Orchard Lake Rd.. (248) 471-2323
Bead BohemiaFarmington
www.facebook.com/beadbohemia
Low prices *friendly service.* Unique selection. A wide variety of beads
and components including semi-precious gems and Czech glass to artist
pieces, seed beads, designer brass lines, and more. Ask for your free Bead
Addiction card!
33321 Grand River Ave. (248) 474-9264
Too Cute BeadsFarmington
www.toocutebeads.com
Our business is based on one principlegiving everyone the opportu-
nity to create beautiful and unique jewelry at a reasonable price. We carry
Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling
silver beads, cultured pearls, Murano glass, artist glass, tools and wire,
kits, and much more. Visit our website for class schedule and for our sale
of the week.
31711 Grandriver (866) 342-3237
Bead HavenFrankenmuth
www.beadhaven.com
Come shop 5,000 sq. ft. of Michigans largest bead store! Filled with the
best selection of beads from around the world, no matter what type of
beading youre doing. Free classes, open 7 days, and now shop online! We
carry everything!
925 S. Main St., E-1 (989) 652-3566
The Creative Fringe LLCGrand Haven
www.thecreativefringe.com
Were a full-service bead shop offering an extensive collection of beads,
findings, wire, tools, books, lampworking, silver, clay, and metalsmith-
ing supplies. Cultivate your creative side with classes and parties. Open
workstations available. Come to the Fringe! Your creativity awaits you.
Open 7 days a week.
210 Washington (616) 296-0020
World of RocksYpsilanti
www.worldofrocks.com
Fun and classes highlighting wire wrapping, metalworking, chain, and
beading. Beginners to advanced. Findings, silver, crystals, tools, supplies,
and many rock specialties. Mon, Wed, Thu, Fri 126, Sat 106, Sun 15.
Closed Tue. (I-94 to exit 183 go north past Michigan Ave.).
42 N. Huron St. (734) 481-9981
Stony Creek Bead & Gallery
Ypsilanti Twp.
www.stonycreekbead.blogspot.com
Supporting the artist inside of you! Huge collection of Seed & Czech
Beads. Bali, pearls, and stones. Lampwork & Polymer Clay by MI artists.
Classes, kits, books & so much more! I-94 to exit 183. South 1 mile.
Closed Mondays. TueFri 10 6, Sat 10 4, Sun 10 2. www.StonyCreek-
Bead.blogspot.com
2060 Whittaker Rd. (734) 544-0904
Minnesota
Nordic Gypsy Beads and Jewelry
Rochester
www.nordicgypsy.com
Incredible selection: Czech/Japanese seed beads, Delicas, vintage,
stones, Swarovski, Bali, findings, charms, pearls, tools, books, etc. Great
classes and friendly staff!
20 Third St. S.W. (507) 288-2258
Stormcloud Trading Co. (Beadstorm)
St. Paul
www.beadstorm.com
20+ years of experience shows in our vast selection of seed beads, pressed
glass, Swarovski crystals, Bali silver, sterling, and gold-filled beads. Shop
in-store or online. MonFri 106, Sat 105. No print catalog.
725 Snelling Ave. N. (651) 645-0343
Missouri
Plum BazaarBranson
www.plumbazaarbeads.com
Bead store in historic downtown Branson, near the Branson Landing.
Direct importer of beads. Bulk strands, turquoise, coral, gemstone beads,
pearls, and glass. Findings, sterling beads, complete line of supplies, and
friendly instruction. Custom jewelry. Open 7 days!
123 E. Main St. (417) 337-7586 (PLUM)
Bead BrowseryLiberty
Beads, supplies, and vintage chic. Basic supplies plus many types of vin-
tage including watch parts and Swarovski. Located in a historic setting
with close access to wool fiber, roving, and yarn supplies. Open beading;
classes available. MonSat 105.
131 S. Water St. (Corbin Milll) (816) 415-8750
Lady Bug BeadsSt. Louis
www.ladybugbeads.net
Midwests premier bead shop. 3,000+ seed beads including Toho, Aiko,
Czech, and Delicas. Full selection of Swarovski and semiprecious stones.
Pearls always on special. U.S. distributor for the Craft Kit Company and
Toho Treasure Kits. We are a teaching store. Mon, Wed, Fri 106, Tue and
Thu 108, Sat 94, Sun 124.
7616 Big Bend Blvd. (314) 644-6140
Nevada
Bead JungleHenderson (Las Vegas area)
www.beadjungle.com
Most complete bead shop in the Las Vegas area with the largest variety
of beads and findings. Classes, silversmithing, parties, workshops, and
volume discounts. Minutes from the Strip. Open 7 days a week 106.
Extended hours Tue, Wed, and Thu 108.
1590 W. Horizon Ridge Pkwy., Ste.160 (702) 432-2323
Bead HavenLas Vegas
www.beadhavenlasvegas.com
Nevadas most comprehensive bead store, catering to all bead enthusi-
asts. Huge selection of findings, pressed glass, seed beads. Full line of
Swarovski. Free classes daily. MonSat 106. Closed Sun.
7664 W. Lake Mead Blvd., #111 (702) 233-2450
New Hampshire
Bella BeadsCenter Harbor
www.bellabeadsnh.com
The Chic Boutique on the Bay Bellas features and takes pride in the
finest beads, findings, and tools from around the world. Weve expanded
our seed bead collection.Now offering master guest teachers. Come by
car or by boat, wed love to meet you! Handicap accessible.
34 Plymouth St. (603) 253-9010
Bead It!Concord
www.beadit.biz
Worth the trip? You bet! Fabulous shop, chock-full of semiprecious,
freshwater pearls, Swarovski crystal, Venetian and lampwork glass,
Czech fire-polished, and hanks, sterling, gold-filled, vermeil. Gorgeous
clasps. SunMon 125, TueWed 106, ThuFri 108, Sat 106.
146 N. Main St. (603) 223-0146
Beauty In The BeadsDerry
www.beautyinthebeads.biz
We have everything for the serious beaders -stones, chains, findings,
charms, sterling silver, nickel free
seed beads, miyuki & delica seed beads, tila beads, berry beads, books,
magazines, Swarovski crystals, fire polish, and much, much more.
11 Manchester Rd. #2 (603) 432-2700
Just Beading AroundEpping
www.justbeadingaround.com
We carry a huge selection of high quality beads, findings and beading
supplies. Miyuki and Toho seed beads, Swarovski, Preciosa, Pearls,
Kazuri, Czech, Lampwork, Gemstones & more. Classes and Parties.
Plenty of parking. Handicap accessible. Awesome staff!!
285 Calef Highway, Rte 125 603.734.4322
Ladybead and RookWilton
www.ladybeadandrook.com
Beautiful, quality beads to inspire your creativity and accentuate your
style. Emphasis on European beads: Czech crystals, pressed glass, seed
beads, pearls, and semiprecious. Artisan-created jewelry for fine gift
giving. Ample parking. ThuSat 95:30, Sun 114. At the Riverview Mill
Artist Shops.
29 Howard St. (603) 654-2805
New Jersey
Beads by BlancheBergenfield
www.beadsbyblanche.com
(Only miles from NYC.) Visit East Coasts premier bead shop. 3,000+
colors/styles of Japanese seed beads, glass, crystal, semiprecious,
lampwork, and more! Classes by local and nationally known artists.
Extensive inventory for unlimited possibilities!
106 N. Washington Ave. (201) 385-6225
Extraordinary BeadsClinton
www.extraordinarybeadsnj.com
Full-service shop offering quality beads and supplies. Inspiring collec-
tion of Swarovski crystal; Miyuki seed beads and kits; Czech, Venetian,
and artist-made glass; PMC; and fusing. Great classes! Great service! It
takes Extraordinary Beads to make exceptional jewelry! Tue, Wed, Thu,
Sat 106, Fri 107:30, Sun 125. Come in!
2 E. Main St. (908) 735-6797
Jubili Beads & Yarns

Collingswood
www.jubilibeadsandyarns.com
Everything you need under one roof! Fabulous full-service source
for beads, classic and novelty yarns. Eight-torch lampwork studio,
spinning, weaving, knitting, crocheting, PMC, and more! Repairs,
custom jewelry, parties. Contact us via Email at info@jubilibeadsan-
dyarns.com.
713 Haddon Ave. (856) 858-7844
SojournerLambertville
www.sojourner.biz
Sojourner stocks freshwater pearls, semiprecious stones, Swarovski
crystals, Czech glass and seed beads, sterling beads, Chinese enamel
beads, castings, charms, ethnic beads, findingsincluding our own
design sterling silver box clasps bezel set with vintage and semi-
precious elements. Open daily 116.
26 Bridge St. (609) 397-8849
The Birds & the BeadsMorganville
www.thebirdsandthebeads.com
Surround yourself in beads! Incredible collection of hand-selected stone,
pearl, glass, and shell beads. Plus, all the best seed beads, tools, books,
findings, and PMC. Please call or stop by for further information and our
extensive class schedule.
411 Rt. 79 (732) 591-8233
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90 beadworkmagazine.com
Multi Creations (NJ) Inc.Old Bridge
www.MultiCreationsNJ.com
All kinds of silver, gold-filled, and 14/18k gold findings, chains by foot,
Bali silver beads, hill tribe silver, gemstone and glass beads, pearls and
Swarovski crystals, beading accessories, tools, and much more at whole-
sale prices. TueSat 106, Sun 113. Closed Mon. MultiCreationsNJ@
aol.com; mobile (732) 642-2260; fax (732) 607-6416.
1405 Rt. 18 S., Unit #102 (732) 607-6422
The Place to BeadPrinceton
www.beadnow.com
Quality, variety, and friendly service! The best findings, tools, books,
and beads: Delicas, seed beads, glass, ethnic, semiprecious, sterling silver
and gold-filled, Thai silver, dichroic, lampwork, bone; unique and col-
lectible. Classes/worktable/parties. Open seven days a week. beadnow@
yahoo.com; fax (609) 921-3920.
41 Witherspoon St. (609) 921-8050
Bazaar Star BeaderyRidgewood
www.bazaarstarbeadery.com
Take a journey into the colorful wonderland of beads galore. Eclectic
collection gathered from around the world awaits you! Come one,
come all, sit and stay, well help you create it all. Ladies parties/
birthdays/original kits and instructions.
216 E. Ridgewood Ave. (201) 444-5144
New Mexico
The Beaded IrisAlbuquerque
Specializing in Japanese seed beads, Delicas, rare vintage beads, and
handmade beads, just to name a few. A relaxed atmosphere with cheerful
gals to help you!
1512 F Wyoming Blvd. NE (505) 299-1856
Thunderbird Supply Company
Albuquerque
www.thunderbirdsupply.com
A beaders candy store. Albuquerques largest and most complete bead
store! Filled with findings, Bali beads, strands, seed beads, and stringing
and wire-wrapping supplies. We carry a complete line of fabricated silver
and gold-filled sheet and wire product. MonFri 8:306, Sat 105.
2311 Vassar NE (505) 884-7770
Thunderbird Supply CompanyGallup
www.thunderbirdsupply.com
Our main showroom store is just off I-40, located just minutes from the
Navajo and Zuni Nation, and is filled with over 13,000 items; fabricated
silver and gold-filled findings, Bali beads, metalsmithing tools, beading
supplies, natural and man-made strands. Catalog available online or at
any of our 3 store locations; Gallup, Albuquerque, or Flagstaff. MonSat
8:306.
1907 W. 66 Ave. (800) 545-7968
The Beading Heart of Santa FeSanta Fe
www.beadingheartofsantafe.com
Largest selection of SEED BEADS in Santa Fe as well as numerous semi-
precious strands, pearls, crystals, and Czech glass. We provide instruc-
tion and feature finished jewelry by well-known local artists. We offer
weekly classes in a variety of techniques for all skill levels, and we carry
many pre-made kits. Our staff is friendly and knowledgeable and always
welcome beaders to our Community Table. MonSat 105:30. Email
beadingheart@qwestoffice.net
939 West Alameda St. (505) 988-8961
New York
Lets Bead!East Rochester
www.letsbead.com
3,200 sq. ft. bright full-service bead shop. Ever-growing selection
of tools, books, beads, stringing materials, findings, wire, chain
mail, kumihimo, Swarovski crystals, classes, and more! Relax, use
our tools, and get friendly help at our in-store design station.
349 W. Commercial St. (585) 586-6550
Beads MosaicNanuet
www.BeadsMosaic.com
Exclusive beads boutique! Huge selection of quality semiprecious, pre-
cious and gem stones, sterling silver beads, charms and findings, copper
and brass beads/findings, seed beads, pearls, shell pearls, raku,
Swarovski, Kazuri, artist lampwork, beading supplies, tools, and more!
Open 7 days/week. Exit 14 off I-87/NY Thruway, 40 minutes north of
NYC. Beading classes and store hours at www.BeadsMosaic.com.
78 S. Middletown Rd.. (845) 501-8295
Toho Shoji (NY) Inc.New York
www.tohoshoji-ny.com
Exclusive selection of findings, chain, and beads. Swarovski, Japa-
nese seed beads (Miyuki, Delica, Matsuno), glass, fire-polished, and
more! Mass-production price available. MonFri 97, Sat 106, Sun
105.
990 6th Ave. (212) 868-7465
Beads World Inc.New York
www.beadsworldusa.com
From beads to crystals to leather cords and more. Beads World is your
one-stop shop. Quality selections in the heart of NYCs fashion district.
MonFri 97, SatSun 105.
1384 Broadway (212) 302-1199
I Dream of BeadingPoughkeepsie
www.idreamofbeading.com
Hudson Valleys premier source for beads and more. Stop by for the selec-
tion and inspiration to fulfill your wildest beading dreams! Classes/
workshops. Kit selection available online. TueFri 106, Wed till 8, Sat
104. (in Freedom Executive Park).
Rt. 55, Ste. 107 (845) 452-7611
BEAD SHOP at Lady Jane Craft Center
Queens (Ozone Park)
www.ladyjanecraftcenter.com
Largest selection outside Manhattan. Classes, Swarovski, Preciosa,
Pearls, Thunder & Fire Polish, 1,000s of Semiprecious Strands,
Myuki, Delicas, TOHO, Hanks, Pendants, Cabochons, Donuts, Find-
ings, Chain in all Metals & Finishes.
Tools & Books. Open 7 Days. Belt Pkwy, Exit 17.
137-20 Crossbay Blvd. (718) 835-7651
North Carolina
Chevron Trading Post & Bead Company
Asheville
www.chevronbeads.com
With over 20 years in the bead business we are Ashevilles premier bead
store offering an incredible selection of beads, findings, wire, tools, silk
ribbons, buttons, books, and gifts. Cultivate your creative side by making
your own jewelry. Our friendly, helpful staff awaits you! Classes/parties/
workspace. Direct importer. Wholesale/retail. MonSat 106. Call for
Sun openings.
40 N. Lexington St. (828) 236-2323
Beads & BeyondAsheville
www.beads-and-beyond.com
Open 22 years. Ashevilles first and oldest bead store. Unsurpassed and
inspiring collection of modern, vintage, and ancient beads. Specializing
in stone beads and pearls, books, tools, and supplies for beading and
metalsmithing. MonSun.
37 Wall St. (828) 254-7927
Aint Miss Bead HavenMooresville
www.aintmissbeadhaven.com
We are a full-service bead store offering classes, handmade jewelry, and
beading supplies. Birthday and private parties, Wine & Bead Night,
BYOB Socials (bring your own beads), and Girls Night Out. We offer a
large variety of Vintage jewelry and components, Seed beads, Swarovski
Crystals, Precious and Semi-precious gemstones, Crystals strands, Ster-
ling Silver, Silver filled, Gold filled, and Vermeil findings. Hours: Mon-
daySaturday 106; Email: aintmissbeadhaven@ymail.com
152 N. Main St. (704) 746-9278
Beads and Other Fancy StuffMorganton
Bead-stringers destination! Huge variety of quality beads and findings,
friendly new staff, repairs, on-site work area, classes, low prices. Wel-
come novices or experienced beaders! I-40 near Exit 103.
408-A W. Fleming Dr (828) 439-9935
OrnamenteaRaleigh
www.ornamentea.com
Visit us for our wide selection of beads in glass, stone, pearl, and metal
with worktables, classes, and the most helpful staff anywhere. We also
carry art clay silver, Kato clay, glass-soldering supplies, paper-craft sup-
plies, books, and unusual ribbons. We will be your favorite bead store!
509 N. West St. (919) 834-6260
Cindale BeadsSmithfield
www.cindale.com
Everything you need to bead. Free training. Over 100 different kinds of
gemstones. No customers, just friends that visit. MonSat 107, Sun
115.
150 B S. Equity Dr. (919) 934-2900
Dings Fashions & GiftsWinston-Salem
Specializing in Swarovski, Miyuki, Beadalon, WigJig, silver, gold,
10,000+ findings, and 1,000s of strands of stones. Designing, manufac-
turing, repairs, and much more. Our specialty is designing/beading
education. Email ding@dingsfashions.com. TueFri 106, Sat 105, Sun,
Mon (closed).
2834 Reynolda Rd. (336) 723-3465
Ohio
Bead Q!Chagrin Falls
www.bead-q.com
Bead Q! now has Ohios widest selection of beads! Swarovski crystal,
sterling silver findings, semiprecious bead strands. Classes and parties.
8584 E. Washington (440) 708-1771
Beaded Bliss Designs
Cincinnati (Harrison)
www.followyourbeadedbliss.com
The tri-states best bead shop: create your own jewelry from our ever-
growing selection
of Swarovski crystal, semiprecious, glass, metals, pendants, lampwork,
clay beads, books, tools, and much more! Project assistance, classes &
parties, too. Always follow your bliss!
1151 Stone Dr., Ste. E (513) 202-1706
1 Stop Bead ShopColumbus
www.1stopbeadshop.com
Central Ohios largest bead store! Ohios premier bead class headquarters
with over 90 classes per quarter in beadweaving, wire wrapping, lamp-
working, PMC, and more. We offer the areas largest selection of Czech
glass and Japanese seed beads. Silver, Swarovski, semiprecious, and
much more! NEWshop our online store! Email: info@1stopbeadshop.
com.
6347 Sawmill Rd. (614) 573-6452
Gahanna Bead ShopGahanna
www.gahannabeadstudio.com
Vast selection of glass and semiprecious beads, crystals, and Miyuki seed
beads. Sterling, pewter, and gold-filled findings for all your beading
needs! Distributor of Unicorne
TM
and Kazuri
TM
beads. Open studio area
with friendly, knowledgeable staff.
1024 N. Hamilton Rd. (614) 933-8948
Potomac Bead CompanyMedina
www.potomacbeads.com
Visit the largest bead store in Ohio! Our two-story 4,000 sq. ft. urban
loft in historic downtown Medina has an extensive selection of
Swarovski crystal, Miyuki, gemstones, glass, sterling silver, findings,
copper, wire, and tools. We offer classes, parties, and workspace. Open
7 days a week.
109 West Washington Street (330) 722-2555
Meant to BeadToledo
www.meant2bead.com
You are meant to beadand we can help! We offer a wide selection of
seed beads, Swarovski, Delicas, Bali, semiprecious, pearls, art beads,
charms, etc. Design assistance, classes, and parties in a friendly atmo-
sphere. MonThu 107, Fri and Sat 106, Sun 15.
6536 W. Central Ave. (419) 842-8183
Oklahoma
BeadlesBroken Arrow
www.beadlesbeadshop.com
Beads to beat the band! Beads take center stage in our showroom and
classroom. Whether you are looking for a rock-star centerpiece or some
great back-up beads, our selection and service are sure to make you twist
and shout.
114 W. Dallas St. (918) 806-8945
The Spiral Beadery & More
Oklahoma City
www.thespiralbeadery.com
Beads, findings, and supplies; glass, crystal, vintage, ethnic, furnace,
freshwater pearls, semiprecious and precious gemstones, silver, gold, and
more! Great selection and prices with a courteous, experienced staff.
Check us out on Facebook!
4327 N. Western Ave. Ph./Fax: (405) 525-5454
Alouette-a unique bead shoppe
Oklahoma City Metro
www.alouettebeadsok.com
The areas largest collection of beads & findings2,400 sq. ft. of stock,
featuring Japanese Seed Beads & a full selection of Czech Hanks.
Swarovski, Tierra Cast, Natural Stones, Czech Glass Beads, and Tools.
Full service from a Professional Staff in a Creative Environment.
2150 S. Douglas Blvd., Ste H (405)733-5300
Oregon
Azillion BeadsBend
www.azillionbeads.net
More beads than you can imagine! NEW LOCATION IN BEND.
Over 2,000 sq. ft. of beads. Call for directions. Email azillionbeads@
gmail.com.
240 NE Emerson, Ste. 110 (541) 617-8854
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Azillion BeadsEugene
www.azillionbeads.net
More beads than you can imagine! Over 2,000 sq. ft. of beads. Call for
shop hours.
1011 Valley River Way #108 (541) 338-8311
Harlequin Beads & JewelryEugene
www.harlequinbeads.com
Huge selection and great service. Czech and Japanese seed beads and
bugles, Czech pressed glass, Swarovski crystals, gemstones, vintage Ger-
man, antique African trade, and metal beads. Charms, findings, books,
tools, classes, and more! Beads you wont believe.
1027 Willamette St. (541) 683-5903
Sparkling CreationsHood River
A kaleidoscope of colors! New, fun, funky, and bead store. Offering a
variety of gemstones, Swarovski, Czech, blown glass, pendants, metals,
wood, findings, etc. Helpful, friendly, experienced staff, workspace, and
classes. MonSat 106, Sun 115.
416 Oak St. Mall (541) 387-4367
Beads At Dusti CreekPortland
www.beadsatdusticreek.com
Portlands Premier Bead Shop. High quality Unique & Unusual products,
as well as the basics. Friendly, Helpful, Experienced Staff & Outstanding
Instructors. Everything you expect a Quality bead store to be! MonFri
106; Sat 105; Sun 124
4848 SE Division Ave. (503)235-4800
Pennsylvania
KATS BEAD BOUTIQUEALLENTOWN
www.katsbeadboutique.com
Biggest Little Bead Shop in PA. Full selection of crystals, seed beads,
findings, books, tools, unusual items, and one-of-a-kind jewelry. Classes
by local and nationally known teachers. Once a month stitch-for-free
day.
725 N. 19th St. (610) 432-7545
The Rolling BeadCarlisle
www.therollingbead.com
Your bead headquarters in Central PA offering a wide selection of seed
beads, Miyuki Delicas, and Swarovski crystals. 2,000 sq. ft. of inventory
with over 4,500 items. We also carry a wide variety of Czech pressed
glass, fire polished beads, findings, clasps, threads, tools, books, and
magazines. Beading classes offered. Shop MonFri 106, Sat 104. Easy
access from I-81.
200 S. Spring Garden St. (717) 243-5300
Toll-free (877) 315-2323
The Bead GardenHavertown
www.thebeadgarden.com
Friendly, full-service bead store for all of your jewelry-making needs.
Classes for all levels of experience, including beginners. Birthday parties
and group outings. Knowledgeable staff that is delighted to help.
2122 Darby Rd. (610) 449-2699
BeadweaversLuzerne (Wilkes-Barre)
www.beadweaver.com
Japanese (Miyuki), Delicas, seed beads, bugles, squares, triangles, and
drops. Swarovski, fire polish, window beads, pressed glass, Bali, and
marcasite. Beadalon, Nymo, C-Lon, hemp, tools, books, storage, and
more! Now offering classes. TueSat 11:306.
487 Bennett St. (570) 714-6700
Blue Santa BeadsMedia
www.bluesantabeads.net
A newly located artistic venue. Classes available. Customers always come
first and always return.
1165 W. Baltimore Pike (610) 892-2740
Bucks County BeadsNewtown
www.buckscountybeads.com
The Corners at Newtown Place. Email: kathy@buckscountybeads.com.
A large selection of semiprecious, pearls, Swarovski, Czech glass, seed
beads, lampwork beads, and dichroic glass. Great selection of findings:
pewter, sterling, plus gold-filled. We offer beginning and advanced
classes, beadweaving classes, parties, stringing materials, and tools.
Stock is constantly updated.
#2 Cambridge Ln. (215) 579-8340
Crystal Bead BazaarPittsburgh
www.crystalbeadbazaar.com
A world bazaar of beads. Swarovski, Czech, Venetian, lampwork, sterling
and gold-filled, freshwater pearls, and semiprecious. Largest selection
of seed beads in area. Classes and custom designs. MonSat 106, Thu
109, Sun 125.
4521 Butler St. (412) 687-1513
Buttercup BeadsPottstown
www.buttercupbeads.com
Let your creativity blossom in our cozy cottage setting. Classes, parties,
oh-so-pretty sparkly things, fun! No experience necessary. Service with
a smile and always free chocolate. Something for everyone. Lampwork
artisan/bead addict owned and operated. Guilds/bead society discounts,
too!
2151 E. High St., Ste. A (484) 524-8231
South Carolina
MB Jewelry & BeadsAiken
www.mbjewelryandbeads.com
Located in the heart of historic downtown Aiken. Phenomenal selec-
tion of Semiprecious Stones, Pearls, Swarovoski, Chinese Crystal,
Toho seed beads, tools, findings. Youll be shocked at all our stock!
We are the CSRAs largest bead shop! mbjewelryandbead@bellsouth.
net
145 Laurens St. SW (803) 502-0200
Your Place to BeadHorse Feathers
Campobello
www.horsefeathers1.com
Souths best source for the best selection of Delicas, trim beads, gold and
silver findings, Swarovski, semiprecious beads, cabochons, dichroic glass
and wire. We offer classes daily or by your schedule. MonFri 115, Sat
102:00.
18845 Asheville Hwy. (866) 228-7600
(864) 457-2422
South Dakota
Moonshadow BEAD StudioRapid City
Handmade lampwork beads semiprecious sterling silver and gold-
filled beads and findings Swarovski crystals Delicas triangle, hex,
square, faceted beads books and patterns one-on-one CLASSES fin-
ished, exclusive, beaded art to wear Come sit and bead with us! Contact
us via Email at moonshadow@rushmore.com.
318 Mt. Rushmore Rd., Ste. B (605) 348-2510
Tennessee
White Fox BeadsKnoxville
whitefoxbeads.com
White Fox Beads is moving this October! Or new location is at 5111
Homberg Dr. in Knoxville. We have the jewelry making supplies you need
for your next project and those must haves for your stash! Come in
today and discover why our awesome classes, expert staff, and superb
service are well known throughout the region. Visit us on the web at
www.whitefoxbeads.com for the latest information on our move, classes,
and products.
5111 Homberg Dr. (865)-980-0237
Texas
Ny6design Beads & SuppliesAllen/Plano
www.Ny6design.com
Wholesale Beads showroomOpen to public. Semi-gemstone beads,
supplies & findings. Beading Class (BeginningAdvanced). $25/person,
2nd person 1/2 price.
Sign up Online or In Store
1023 S. Greenville Ave., (Allen) (214) 509-6700
Beads of SplendorDallas
www.beadsofsplendor.com
Upscale, designer-inspired inventory & classes. Soldering & Silversmith-
ing tools & supplies. Gorgeous semi-precious beads & findings.
1900 Abrams Pkwy (214) 824-2777
Nova Beads and CreationsHouston
www.novabeads.net
A happy, cozy bead shop tucked in beautiful historic Heights, filled with
a wide variety of beads and findings. Check out our website for a schedule
of fun classes and shop online for stylish kits.
3518 White Oak Dr. (713) 868-1310
Spring BeadsHouston/Spring
www.springbeads.com
Best full-service bead store in Texas where we feed your need to bead!
Great selection of Swarovski crystals, pearls, gemstones, Czech glass,
lampwork, sterling silver, gold-filled, pewter, and copper findings, tools,
leather, books, Kazuri and Tagua beads, wire, and so much more! Classes,
parties, jewelry design, and repair services offered. Outstanding cus-
tomer service with friendly faces and bead smart! Old Town Spring.
421 Gentry, #202 (281) 288-9116
BeadoholiqueHouston
www.beadoholique.net
Fabulous selection of gemstones, pearls, Swarovski, silver, Delicas, find-
ings, tools, books, and classes. Now carrying silver metal clay and
dichroic glass-making supplies. Friendly, knowledgeable staff.
5020 Louetta, #170, Spring (281) 257-0510
14315 Cypress Rosehill #110, Houston (281) 256-0904
Vermont
Bead Crazy LLCWilliston
www.beadcrazyvt.com
Northern Vermonts only full-service bead store. Beads of all types,
shapes, and sizestubes, strands, singles. Stringing materials, books,
tools, containers, charms, watches, findings. Birthday and adult parties.
Evening classes. Instruction always available.
21 Tafts Corners Shopping Center (802) 288-9666
Virginia
Studio Baboo

A Big Little Bead Store


Charlottesville
www.studiobaboo.com
Full-service bead store with a huge selection of Delicas, seed beads, glass,
semiprecious, pearls, polymer clay, French beaded flower supplies, and
more. Friendly, knowledgeable staff. Visit website for class schedule.
Tue, Wed, Fri, Sat 105; Thu 117; Sun 124. www.studiobaboo.com
STUDIO BABOO

A Big Little Bead


TM
Store
321 East Main St. (On the Downtown Mall) (434) 244-2905
Beads on ParadeFredericksburg
www.beadparade.com
Just getting started or a pro, come be inspired by our huge selection
of Czech glass, seed beads, silver, pewter, pearls, semiprecious stone,
and Swarovski. Great prices and the friendliest staff in town. Classes
ongoing.
10013 Jefferson Davis Hwy., Ste. 105 (540) 710-0705
BeadworkzPortsmouth
www.Beadworkzstore.com
A friendly, full-service store with a fantastic selection of semiprecious
stones, crystals, pearls, seed beads, and more. We carry a wide variety of
gold-filled, sterling silver, and copper beads; findings; chain; and wire.
We offer wonderful classesfrom stringing and pearling knotting to
wire working, as well as bead weaving and fiber artstaught by excellent
instructors. We teach a unique and wonderful Copper Loom class for
beads and fiber. A large variety of wonderful lampwork beads by local
artist Linda Campbell is available.
3258 Academy Ave. (757) 483-7800
The Bead Goes OnVirginia Beach
www.beadgoeson.com
Travel the world; passport not required. Experience world cultures with-
out leaving home. Exotic, unique, rare beads and artifacts from around
the world, www.beadgoeson.com. Experience retail in a zen atmosphere,
wholesale showroom or online shopping. Its always a BEADIFUL day in
Virginia Beach.
2700 Avenger Dr. (866) 861-2323
The Bead CottageVirginia Beach
www.thebeadcottage.com
A Beading Paradise1,000s of beads, Swarovski crystals, Bali,
sterling silver, gold-filled, seed beads, Delica beads, magnetic hema-
tite, semiprecious stones, findings, beading supplies, tools, classes,
and moreall in a paradise-like setting.
5350 Kempsriver Dr., Ste. 106 (757) 495-5400
Washington
Beads and BeyondBellevue
www.quiltworksnw.com
Now partnered with QuiltWorks Northwest
Full range of seed beads, charms, sterling, vintage, books, Swarovski,
tools, trade beads along with unique fabrics and patterns for the quilter
and sewer. This is your shop for creative inspiration. Great local and
national instructors. Mon, Wed, Fri, Sat 106; Tue, Thu 109; Sun 125.
121A 107th Ave NE (425) 453-6005
Wynwoods Gallery & Studio
Port Townsend
www.wynwoods.com
A beautiful and unique bead shop that has everything the beader could
need or want. Also, a line of sterling charms and components designed
by the shops owner, Lois. Daily 107.
940 Water St. (360) 385-6131
Beyond Beads GallerySpokane
www.beyondbeads.com
Home of inspiration and creative minds. Huge selection of Japanese and
Czech beads, Swarovski crystal, and findings ranging from base metal to
sterling gold-filled. Classes for every level of beader. Open 7 days a week.
12021 E. Sprague (509) 891-8653
Rings & Things Wholesale-Spokane
Visit our Spokane, WA, warehouse for hands-on access to our entire line
of cataloged items (everything in our print catalog and online store) plus
special cash and carry gemstones, red-tagged sale items, African art, and
more! Reseller Permit or $50 minimum purchase required Mon-Fri 10-6
(except first Tue of each month). First Tuesday of each month noon-6,
Sat 11-4.
304 E. 2nd Ave (509) 252-2900
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Wonders of the World Beadshop
Spokane
Best little bead shop in Spokane. Incredible gemstones, crystals, charms,
seed beads, chain, findings, and books for your creative needs. Friendly
staff and great prices. Make us your first stop! In the historic Flour Mill.
621 W. Mallon, Ste. 412 (509) 325-2867
Wisconsin
Bead BucketDoor County
www.themotherbead.com
Must-see destination bead shop! Exquisite jewelry, inspirational atmo-
sphere, compelling designs. Incredible selection. Private classes upon
request. Come and create in our outdoor bead garden. Open daily June,
July, and August 105. Call ahead for May, September, and October
hours. Established 1997 under same ownership as The Mother Bead.
Hwy. 42, Ephraim (920) 854-7047
The Mother BeadGreen Bay
www.themotherbead.com
A well-organized, extensive inventory in a welcoming environment.
Helpful, knowledgeable, and professional staff. Classes and demonstra-
tions. Always something new. Call for newsletter. Established 1998.
419 Dousman (920) 437-2821
Knot Just Beads

Greenfield
www.knotjustbeads.com
Seed beads: 5 to 15 Japanese and Czech, Delicas, unique stone beads.
Pearls: keishi and freshwater. Vintage: beads, sequins, and cabochons.
Robert Jennik lampwork. Innovative classes. Thu 106, Fri 105, Sat
105, Sun 114.
4309 S. 76th St. (414) 771-8360
Bead BinMadison
www.beadbinmadison.com
We have expanded! More beads! Offering gemstones, Swarovski crystals,
sterling, gold-filled, pearls, seed beads 615, full line of Delicas, and
more. Helpful, expert staff. Open 7 dayseasy parking.
402 Westgate Mall (608) 274-0104
JSM Bead CoopSheboygan
www.jsmbeadcoop.com
Sheboygan Countys bead store! Offering a wide variety of beads, find-
ings, tools, books, and more. Workspace, tools, and a friendly, knowl-
edgeable staff availablecreate right in the store! Classes and special
events. TueSat 107.
931 N. 8th St. (920) 208-BEAD (2323)
Meant to BeadSun Prairie
www.Meant-to-Bead.com
Full-service bead shop. Featuring classes, large selection of beads, books,
tools, etc. Specializing in PMC, semiprecious stone and vintage beads.
MonFri 108, Sat 105, Sun 124.
1264 W. Main St. (608) 837-5900
Canada
Capilano Rock & Gem
North Vancouver, BC
www.capilanorock.ca
Stone beads, pearls, Swarovski, Czech glass, sterling silver/gold-filled
findings and chains. Distributors for Grobet, EuroTool, Pepe Tools, Soft
Flex, Beadalon, Lortone. Wholesale/retail. We are known for our great
prices and friendly staff! Close to downtown Vancouver.
1406 Pemberton Ave. (604) 987-5311
BeadFXToronto
www.beadfx.com
A must-see destination. Open 7 days a week. Breathtaking selection,
great prices, and knowledgeable, bead-obsessed staff. We are a full-ser-
vice bead store with classroom, design area, and lampworking studio.
From Art Glass to Zircon (Blue), Zoisite (Ruby), and Zinnias (Swarovski).
New stuff every week. Crystals, Seedbeads, Stone beads, Pearls, Sterling,
Copper, Wire, Metal Clay, Toolsway too much to list! If you want it, we
have it. If we have it, you want it.
19 Waterman Ave., Unit 2 (877) 473-2323
Country BeadsVancouver
www.countrybeads.com
Semiprecious stones, freshwater pearls, sterling silver and gold find-
ings, and beads. Chain by the foot, Swarovski crystals, Delicas,
Czech fire-polished, and more. Books, tools, and classes. Wholesale
prices to public. A unique shopping experience! Now you can conve-
niently shop online at our new updated website www.countrybeads.
com.
2015 W. 4th Ave. (604) 730-8056
POCO Creations & BeadsWinnipeg
www.pocobeads.com
Your full-service bead store. Freshwater pearls, gemstones, porcelain,
metal, wood, Swarovski, glass, and shell; sold by strand or individually.
Findings, wire, tools, books, Jewelry Workshop Kits, magazines, and
displays. Workshops, private parties, custom design, repairs, and hand-
made consignment jewelry.
575 Archibald St. (204) 219-2528
CLASSIFIED WORD
INSTRUCTION
INSTRUCTIONAL VIDEOS for polymer clay, Precious
Metal Clay, and bead weaving. Online catalog available at
www.abbadabbavideo.com. Order online, toll-free (877) 744-
0002 or (603) 744-0002 abba dabba Productions LLC.
SCHOOLS/EDUCATION
WILLIAM HOLLAND LAPIDARY SCHOOL of Arts. PO
Box 980, Young Harris, GA 30582. Call for information (706)
379-2126; lapidary@windstream.net; www.lapidaryschool.
org. Week-long classes from AprilOctober.
BEAD SOCIETIES
California
Central California Bead Society
P.O. Box 895
Clovis, CA 93613
Web address: www.CentralCaliforniaBeadSociety.org
We meet the 4th Saturday of the month January-Octo-
ber, at the Ramada, 324 E. Shaw Ave and Highway 41,
Fresno, from 9:30-2. We have workshops by local and na-
tional teachers. Contact Rhonda (559) 276-2336. Check
us out; were the fun Society that does stuff!
New Jersey
South Jersey Bead Society
PO Box 1365
Merchantville, NJ 08109
Email: coprez2@southjerseybeadsociety.org
Web address: www.southjerseybeadsociety.org
Meetings are held the 1st Thursday of the month Sep-
temberJune, at Mount Laurel Fire House, 69 Elbo Ln.,
from 79. SJBS also offers workshops taught by local and
national teachers.For more info see the web site.
Texas
Dallas Bead Society
Email: info@dallasbeadsociety.org
Web address: www.dallasbeadsociety.org
Yahoo Group: http://groups.yahoo.com/group/dallas
beadsociety/
Join DBS for camaraderie, learning and sharing the love
of beads. Meetings are the first Saturday of the month,
subject to holidays. We gather at 10 and have a short
meeting at 10:30 followed by a program. Bring your
lunch and stay after the program for open beading un-
til 4 Check out our website or Yahoo group for specifics
on meeting dates, location and programs. DBS brings in
national teachers twice a year and regional teachers more
frequently. We cant wait to meet you.
Canada
Toronto Bead Society
Ste. 43, 155 Tycos Dr. (mail only)
Toronto, ON, Canada M6B 1W6
Email: info@torontobeadsociety.org
Web address: www.torontobeadsociety.org
Meetings 2nd Wednesday 7 pm, SeptemberJune. Ryer-
son University, 380 Victoria St. (East of Yonge, between
College and Dundas), Toronto Bead Society has a fair
twice a year, 1st weekend in May and 2nd weekend in No-
vember. All info on our website, under Fairs.
BEAD BROWSER
www.FusionBeads.com
Your online destination for an inspiring selection, exceptional
quality, guaranteed service, and volume discount pricing. Free
shipping on domestic orders with no minimum order!
www.thebeadcagebeads.com
The Beadcage. Large selection of seed beads, Crystalized Ele-
ments recommended store, large classroom with national
instructors often, large gemstone strand selection, and most
available with designer discounts. Freshwater-pearl importer.
MonSat 107.
www.toocutebeads.com
We carry Swarovski crystal, pendants, pearls, gold-filled beads,
chain, sterling silver beads, cultured pearls, Murano glass, artist
glass, tools and wire, kits, and much more. Visit our website for
class schedule and for our sale of the week.
www.jubilibeadsandyarns.com
Dont miss our easy-to-use e-commerce website with ever-
expanding inventory! Seed beads coming soon! Check out our
beautiful focal beads, vintage treasures, finished jewelry, and
mixed media kits. Come back often as were growing fast!
CLASSES
Florida
The Down the Street Bead Shows
Orange City, FL
Ph. (866) 667-3232
Email: info@thedownthestreetbeadshow.com
Website: www.thedownthestreetbeadshow.com
The Down the Street Bead Shows, with stops in DeLand (Or-
lando area), Tampa, St. Augustine, Pompano, West Palm, and
Ft. Myers, have ongoing classes in basic beading, seed bead-
ing, wire wrapping, cold fusion, soldering, fused glass, kumi-
himo braiding, and more.
Illinois
Natures Creation Ltd.
40W541 IL Rt. 64-B360
Wasco, IL 60183
Ph. (630) 377-0197
Email: info@dichroic.biz
Website: www.dichroic.biz
Handson instruction, small classes, flexible scheduling.
Dichroic glass jewelry studio and rock shop offering classes in
silver jewelry, silver clay (PMC), cabochons, and dichroic-glass
fusing. Retail/wholesale: designer cabs, fused and flame-
worked beads, fusible glassBullseye, C.B.S., DichroMagic,
Navitar, and Moretti Rods.
New Jersey
Jubili Beads & Yarns

713 Haddon Ave.


Collingswood, NJ 08108
Ph. (856) 858-7844
Email: info@jubilibeadsandyarns.com
Website: www.jubilibeadsandyarns.com
Crafters ecstasy! Great classes in all levels of beaded jewelry
making, bead weaving. Featuring state-of-the-art, 8torch
flame-work studio. Open studio rental available. Mixed-me-
dia specialists offering classes and supplies in knitting, cro-
cheting, loom weaving, PMC, wirework, and more! Vintage
attic now open!
Shows
BEAD SHOWS IN SOUTHEAST FL (just north of Orlando)
Dates and locations on our website, www.thedownthestreet-
beadshow.com or (866) 667-3232 (bead, soldering, cold fu-
sion, fused glass, PMC, and wire-wrapping classes offered at
most shows).
To be listed in the classified
section,
contact Monica Turner at
(800) 272-2193 x424
MTurner@interweave.com.
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bead buzz
BEAD ALL ABOUT IT!
Michelle Mach
Cloudy with Crystals
Artists Andy Cao and Xavier Perrot collaborated with J. P. Paull of Bodega
Architecture to suspend a hand-sculpted, wire-mesh cloud with 10,000 crystals
over the Arbor Terrace in Dumbarton Oaks Gardens in Washington, D.C. The
crystals are mirrored in a reflecting pool. Twenty-six volunteers helped
construct the project with assistance from Swarovski Elements, who provided
the crystals. The exhibition is open to the public through December 1, 2012.
Find directions and hours at
www.doaks.org/about/
visit-dumbarton-oaks.
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This summer, Suzann Sladcik Wilson created the last of three beaded butterflies
for a public-art fund-raising project for Rainbow Hospice in Illinois. The
butterflies, which measure about three feet wide by four feet high, are among
the more than sixty artist-decorated butterflies displayed in Park Ridge,
DesPlaines, and Mount Prospect, near Chicago. Each beaded butterfly required
about eighty hours to complete and at least 20,000 beads to cover the fiberglass
butterfly form. In the fall, Suzanns butterflies will be moved to the healing
gardens at Resurrection Hospital in Chicago, where they will remain on
permanent display.
Healing Beaded Butterflies
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ADVERTISERS INDEX
Accent Bead Design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
AD Adornments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Adam Beadworks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Alacarte Clasps and WireLace . . . . . . . . . . . . . . . . . . . . .33
Artbeads.com . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ifc
Baubles By Balonis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Bead Buddy/GHI Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Bead Need. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Beadaholique. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Beadalon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Beaded Bungalow, The . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
BeadFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
Beadiak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
Beadin Path, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Beading Heart of Santa Fe, The. . . . . . . . . . . . . . . . . . . .53
Beadsmith/Helby Imports . . . . . . . . . . . . . . . . . . . . . . . . 17
beadsRfun.com. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Beaducation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Beady Eyed Women Enterprises . . . . . . . . . . . . . . . . . . .36
Beautiful Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Best Bead Show. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 53
Best Craft Organizer/First Choice Products . . . . . . . .28
Beyond Beadery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Brenda Schweder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 37
Carol Cypher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
CF Originals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30, 37
Chinook Jewelry Designs . . . . . . . . . . . . . . . . . . . . . . . . .29
Chirby Designs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Christines Beadworks/Brewed Adornments . . . . . . .36
C-Koop Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Craftoptics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Creative Castle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
Crystal Clay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Crystal Creations/Beads Gone Wild . . . . . . . . . . . 36, 81
Cynthia Rutledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 81
D & I Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Debbi Simon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 37
Dees Place. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Designers Findings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Diane Whiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33, 37
Dreamtime Creations. . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Ds Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Elephant Eye Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Ezel Findings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Fire Mountain Gems & Beads . . . . . . . . . . . . . . . . . . . . . bc
Fusion Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Gardiner Design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Gem & Lapidary Wholesalers . . . . . . . . . . . . . .32, 34, 81
Glassy Jewels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Grace Lampwork Beads . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Green Girl Studios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Innovative Beads Expo, The. . . . . . . . . . . . . . . . . . . . . . .39
Interweave . . . . .9, 16, 38, 47, 53, 67, 80, 82, 83, 84, 85
Jean Power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Joan Babcock Designs . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
John Bead Corp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
JP Designs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Kabela Design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Kandras Gallery & Beads . . . . . . . . . . . . . . . . . . . . . . . . .81
LanaiKinsky.com. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36, 82
Laura Timmons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Leslee Frumin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37, 81
Leslie Frazier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Lillian Chin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Lillypilly Designs Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Lumina Inspirations/3C Studio Beads . . . . . . . . . . . . .26
Manek-Manek Beads . . . . . . . . . . . . . . . . . . . . . . . . . 36, 81
Melinda Barta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Melissa Shippee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Merchants Overseas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Met Innmon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Miyuki Co. Ltd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Natural Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Nina Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Quilt-Pro Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Red Panda Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Rings & Things. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Rio Grande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Rocky Mountain Bead Society. . . . . . . . . . . . . . . . . . . . .37
Royalwood Ltd.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Ruby Tuesday Bead Company . . . . . . . . . . . . . . . . . . . . .30
San Gabriel Bead Company, The . . . . . . . . . . . . . . . . . . .82
School Of Beadwork . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Shiana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Shipwreck Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Skunk Hill Studio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Soft Flex Co.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Spirited Bead & Klews Gallery. . . . . . . . . . . . . . . . . . . . .28
Starman Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Stars Clasps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Sun Country Gems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Swarovski North America. . . . . . . . . . . . . . . . . . . . . . 2, 33
Tamara Scott Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
Tambrook Bead & Trade. . . . . . . . . . . . . . . . . . . . . . . . . . .77
Tapestry Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
T-Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
TierraCast, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Tiny Dog Seed Beads. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
TOHO Company Limited . . . . . . . . . . . . . . . . . . . . . . . . .77
Too Cute Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Tulip Beading Needles . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
U Bead It . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Universal Synergetics/Beadcats . . . . . . . . . . . . . . . . . . .81
Venetian Bead Shop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Vineyard Creek Original Findings . . . . . . . . . . . . . . . . .29
Wired Up Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ibc
Wire-Sculpture.Com. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Wynwoods Gallery & Studio . . . . . . . . . . . . . . . . . . . . . .82
Xuron Corporation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
BW 93 BeadBuzz_Dec12.indd 93 10/4/12 12:46 PM
10042012124654
94 beadworkmagazine.com
These basic instructions are for techniques used in this issues projects and are from The Beaders Companion
(Interweave, 2005). Dont have this popular book? Call (800) 272-2193 or visit interweavestore.com.
techniques
PAS S T HROUGH VS
PAS S BACK T HROUGH
Pass through means to move the needle in the same direc-
tion that the beads have been strung. Pass back through
means to move the needle in the opposite direction.
F I NI S HI NG AND S TAR T I NG
NE W T HRE ADS
Tie off the old thread when its about 4" long by making
an overhand knot around previous threads between
beads. Weave through a few beads to hide the knot and
trim the thread close to the work. Start the new thread by
tying an overhand knot around previous threads between
beads. Weave through several beads to hide the knot and
to reach the place to resume beading.
S TOP BE AD
A stop bead (or tension bead) holds your work in place.
To make one, string a bead larger
than those you are working with,
then pass through the bead one or
more times, making sure not to split
the thread.
S QUARE KNOT
This knot is the classic sturdy knot suitable for most
stringing materials. Make an overhand knot, passing the
right end over the left end. Make another overhand knot,
this time passing the left end over the right end; pull snug.
F RI NGE
Exit from the foundation row
of beads or fabric. String a length
of beads plus 1 bead. Skipping the
last bead, pass back through all
the beads just strung to form
a fringe leg. Pass back into the
foundation row or fabric.
PI COT
A picot is a decorative net, most often made with 3 beads,
used to embellish a beadwork surface.
PE YOT E S T I TCH
For one-drop even-count flat peyote stitch, string
an even number of beads to create the first two rows.
Begin the third row by stringing 1 bead and passing back
through the second-to-last bead of the previous row.
String another bead and pass back through the fourth-to-
last bead of the previous row. Continue adding 1 bead at a
time, passing over every other bead of the previous row.
Two-drop peyote stitch is worked the same as one-drop
peyote stitch, but with 2 beads at a time instead of 1 bead.
For odd-count flat peyote stitch, string an uneven
number of beads to create Rows 1 and 2. String 1 bead,
skip the last bead strung, and pass through the next bead.
Repeat across the row (this is Row 3). To add the last
bead, string 1 bead and knot the tail and working threads,
clicking all beads into place. Start the next row (Row 4)
by passing back through the last bead added. Continue in
peyote stitch, turning as for even-count, shown above, at
the end of this and all even-numbered rows. At the end of
all odd-numbered rows, add the last bead, string 1 bead,
pass under the thread loop at the edge of the previous
rows, and pass back through the last bead added.
Begin a midproject peyote-stitch increase by working
a stitch with 2 beads in one row. In the next row, work
1bead in each stitch, splitting the pair of beads in the pre-
vious row. For a smooth increase, use very narrow beads
for both the two-drop and the one-drop between.
To make a midproject peyote-stitch decrease, simply pass
the thread through 2 beads without adding a bead in the
gap. In the next row, work a regular one-drop peyote stitch
over the decrease. Work with tight tension to avoid holes.
For circular peyote stitch, string 3 beads and knot the tail
and working threads to form the first round; pass through
the first bead strung. For the second round, string 2 beads
and pass through the next bead of the previous round; repeat
twice. To step up to the third round, pass through the first
bead of the current round. For the third round, string 1 bead
and pass through the next bead of the previous round; repeat
around, then step up at the end of the round. Continue in
this manner, alternating the two previous rounds. It may be
necessary to adjust the bead count, depending on the relative
size of the beads, to keep the circle flat.
For even-count tubular peyote stitch, string an even
number of beads and knot the tail and working threads to
form the first 2 rounds; pass through the first 2 beads
strung. To work Round 3, string 1 bead, skip 1 bead, and
pass through the next; repeat around until you have
added half the number of beads in the first round. Step
up through the first bead added in this round. For the
following rounds, work 1 bead in each stitch and continue
to step up at the end of each round.
BRI CK S T I TCH
Stitch a foundation row in one- or two-needle ladder
stitch. String 2 beads and pass under the closest exposed
loop of the foundation row and back through the second
bead. String 1 bead and pass under the next exposed loop
and back through the bead just strung; repeat.
To decrease within a row, string 1 bead and skip a loop of
thread on the previous row, passing under the second loop
and back through the bead.
To increase within a row, work 2 stitches in the same
loop on the previous row.
For circular brick stitch, work increases as needed to
keep the work flat; at the end of each round, pass through
the first and last beads to stitch them together, then
string 2 beads to begin the next round.

For tubular brick stitch, join a ladder-stitched foundation
row into a ring by passing through the first and last beads
of the row, with the holes facing up. *String 1 bead and
pass under the closest exposed loop of the foundation
ring. Pass back through the same bead and repeat, adding
1 bead at a time. Finish the round by passing down
through the first bead and up through the last bead
of the current round, then string 2 beads to begin
the next round.
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BEADWORK december 2012/january 2013 95
n
L ADDE R S T I TCH
For one-needle ladder stitch, string 2 beads and pass
through them again. Manipulate the beads so their sides
touch. String 1 bead. Pass through the last stitched bead
and the one just strung. Repeat, adding 1 bead at a time
and working in a figure-eight pattern.
HE RRI NGBONE S T I TCH
Form a foundation row of one- or two-needle even-count
ladder stitch and exit up through the final bead. String
2beads, pass down through next bead in the ladder, and
up through the following bead; repeat to the end of the
row. Step up for the next row by wrapping the thread
around previous threads to exit up through the last bead
strung. To form the next row, string 2 beads and pass
down through the second-to-last bead of the previous row
and up through the following bead. Repeat, stringing
2beads per stitch, passing down then up through 2 beads
of the previous row, and stepping up as before. The 2-bead
stitch will cause the beads to angle in each column, like a
herringbone fabric.
Begin tubular herringbone stitch with a foundation ring
of one- or two-needle even-count ladder stitch. String
2beads. Pass down through the next bead and up through
the following bead. Repeat around the ring. At the end of
the round, pass through the first beads of the previous
and current rounds to step up to the new round.
NE T T I NG
String a base row of 13 beads. String 5 beads and pass
back through the fifth bead from the end of the base row.
String another 5 beads, skip 3 beads of the base row, and
pass back through the next; repeat to the end of the row.
To turn, pass back through the last 3 beads (one leg of
the last net). String 5 beads, pass back through the center
bead of the next net, and continue.
For circular netting, string a multiple of 4 beads; pass
through them again to form the foundation round. String
3 beads, skip 3 beads in the foundation round, and pass
through the following bead to form a net; repeat around
the foundation round. Step up for the next round by pass-
ing through the first 2 beads added in this round. *String
3 beads and pass through the center bead of the next net
in the previous round; repeat to connect all the nets from
the previous round. Step up through the first 2 beads
added in this round. Repeat from * to the desired length.
RI GHT - ANGL E WE AVE
For single-needle right-angle weave, string 4 beads and
pass through the first 3 beads again to form the first unit.
For the rest of the row, string 3 beads and pass through
the last bead exited in the previous unit and the first
2 just strung; the thread path will resemble a series of
figure eights, alternating directions with each unit. To
begin the next row, pass through beads to exit the top
bead of the last unit. String 3 beads and pass through
the last bead exited and the first bead just strung.
*String 2 beads, pass back through the next top bead of
the previous row, the last bead exited in the previous unit,
and the 2 beads just strung. Pass through the next top
bead of the previous row, string 2 beads, pass through the
last bead of the previous unit, the top bead just exited,
and the first bead just strung. Repeat from * to complete
the row, then begin a new row as before.
To begin double-needle right-angle weave, add a needle
to each end of the thread. Use one needle to string
3 beads and slide them to the center of the thread. *Use
one needle to string 1 bead, then pass the other needle
back through it. String 1 bead on each needle, then repeat
from * to form a chain of right-angle-weave units. To turn
at the end of the row, use the left needle to string 3 beads,
then cross the right needle back through the last bead
strung. Use the left needle to string 3 beads, then cross
the right needle back through the last bead strung. To
continue the row, use the right needle to string 2 beads;
pass the left needle through the next bead on the previous
row and back through the last bead strung.
S QUARE S T I TCH
String a row of beads. For the second row, string 2 beads;
pass through the second-to-last bead of the first row and
through the second bead just strung. Continue by string-
ing 1 bead, passing through the third-to-last bead of the
first row, and through the bead just strung. Repeat this
looping technique to the end of the row.
For circular square stitch, string the first round of beads
and pass through them again to form a circle. Start a new
round by stringing 2 beads; pass through the last bead of
the first round and through the 2 beads just strung.
Repeat around, passing through the next bead of the
previous round for each 2 new beads strung. At the end
of the round, pass through the whole round again to
tighten the beads. Start a new round by stringing 2 beads;
pass through the last bead of the previous round and
through the 2 beads just strung. String 1 bead and
pass through the next bead of the previous round and the
bead just strung. Repeat around, stitching 1 or 2 beads to
each bead of the previous round, adjusting the count as
necessary to keep the work flat.
WI RE WORKI NG
To open a jump ring, grasp each
side of its opening with a pair of
pliers. Dont pull apart. Instead,
twist in opposite directions so
that you can open and close it
without distorting the rings shape.
For a simple loop, use flat-nose pliers to make
a 90 bend at least " from the end of the
wire. Use round-nose pliers to grasp the
wire at the tip; roll the pliers toward the
bend, but not past it, to preserve the 90
bend. Adjust the pliers as needed to con-
tinue the wrap around the nose of the
pliers. Trim the wire next to the bend.
Open a simple loop by grasping each side of
its opening with a pair of pliers. Dont pull
apart. Instead, twist in opposite directions
so that you can open and close it without
distorting the loops shape.
MORE STITCHES
& TIPS!
Watch free videos at beadingdaily.com
to learn valuable beading
tips and techniques.
S T RI NGI NG
Stringing is a technique that uses beading wire, needle
and thread, or other material to gather beads into a
strand.
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10032012091729
bead artist by Michelle Mach
Alice, 2012
Blue Butterfly, 2008
96 beadworkmagazine.com
Netherlands-born Huib Petersen designs bead-
work with an organic feel, often featuring flow-
ers, butterflies, insects, and other nature motifs.
A popular teacher, hes taught both in the United
States and internationally. His work has appeared
in Masters: Beadweaving (Lark Books, 2008) and
Beading Across America (Kalmbach Books, 2011).
Huib lives in San Francisco, California. Visit Huibs
website at www.petersenarts.com.
Q: When you moved from Holland
to San Francisco in 1995, you opened
a gallery. What kinds of things did
you sell?
A: Id left a puppet theater group in Hol-
land, so I was still doing soft sculptures.
I was also trying to become a famous
oil painter, but that didnt work out.
Q: And that was before you discovered
beadwork! Tell me about that.
A: Through the theater, I had done some
clothing design. A friend had asked me to
make her wedding gown, and she gave me
a little sample with some beading. I knew
I wanted to do the same kind of bead-
work. But the first time I went into a bead
store, I walked out. I was so overwhelmed
by all the colors. I did go back and buy
some beads and a magazine with an
article on Russian beadwork. I put the
necklace I made in my shop window and
it sold in a couple of hours. I later took
classes with Cynthia Rutledge.
Q: Does your theater background
help in the classroom?
A: What really helped my teaching was
that I was a caregiver to about twelve
blind children in Holland. The children
would come to the institution on Monday
and leave on Friday. I was their father
figure. Teaching a blind child how to tie
shoelaces is one of the most difficult
things to do. It really taught me patience.
Q: Can you tell me a little about your
design process? How do you start?
A: I buy flowers and pull them apart to
see how they are put together. I also have
plastic insects; they dont break as easily
as the real ones. Sometimes I make draw-
ings before I start, but rarely. Instead, my
sketchbook is a dress model. I make all
my elements separately and then see
where things go, which colors go together.
Q: Do you have favorite beads?
A: Ive done an enormous amount of
Russian leaf stitch, also called diagonal
peyote stitch. I like tubular peyote
because its so three-dimensional. I have
also been using more herringbone and
cubic right-angle weave in the last three
or four years. I like round seed beads
because theyre not as perfectfor
organic work, theyre the best.
HUIB PETERSEN
BW 96 Bead Artist Dec12.indd 96 10/1/12 4:45 PM
10012012164548
BW c3 wiredup ad.indd c3 10/3/12 9:24 AM
10032012092515
BW c4 firemtn ad.indd c4 10/3/12 9:24 AM
10032012092516

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