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BRAND GUIDELINES
VERSION 1 JANUARY 2013
Brand Guidelines V1
CONTENTS
INTRO 03
IDENTITY Logo06 Logo Clear Space 07 Logo Placement 08 Logo Sizes 09 Logo Colors 10 Logo Misuses 12 Attribution logo 13 TYPOGRAPHY Print Typeface Web Typeface Typesetting Guides 17 19 20
GRAPHIC ELEMENTS Color Palette 22 Graphic Arrows 24 Photography35 Icons38 DESIGN EXAMPLES Business Communications Visual Examples 45 47
Brand Guidelines V1
WELCOME TO THE NEW DEMAND MEDIA BRAND GUIDELINES. THESE GUIDELINES EXIST TO MAKE US LOOK CONSISTENTLY AWESOME! FOLLOW THESE GUIDELINES AS YOU CREATE MARKETING MATERIALS, INTERNAL AND EXTERNAL COMMUNICATIONS.
OUR DESIGN FOUNDATION Our brand is more than our logo. It is a design scheme made up of a number of core elements and guiding principles that combine to create a distinctive look and feel that is immediately recognisable as Demand Media. This guide will help to familiarize you with the core brand elements to assist you in designing and producing dynamic and powerful communications with a degree of flexibility. If unsure, just ask us at brand@demandmedia.com (We dont bite).
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Introduction
Brand Guidelines V1
Identity
ID
EN TH E LO G O
TI T
Brand Guidelines V1
Identity
OUR LOGO
Here it is againour logo. Our logo is the most visible element of our identitya universal signature across all Demand Media communications. Its a guarantee of quality that unites our diverse products and services. We use the same version in print, on screen, and on the side of our buildings. Its simple. Easy to understand. No drop shadows, no glossy reflections, no flashy graphic effects. Our logo is a bold, simple, graphic statement. It signifies a touchpoint, and a connection. The logo is made up of two elements: the symbol and the logotype. While it is a simple logo, we must treat it nicely. The following pages cover the correct usage to ensure the logo always looks its best.
Symbol Logotype
Logo
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50% 25%
Note: the logotype typography has been carefully spaced, and should not be changed, or re-typed. The D and M are vertically aligned, in addition to the e and a.
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Corner position.
Center position.
Much better :)
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Logo
Symbol
16 px
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In certain instances, such as on the Demand Media website, a vibrant color logo may not be appropriate, and may potentially clash with other colors. In these instances, an all gray logo can be used.
When using the logo on a white background, the logotype should always appear in gray, never in a vibrant color, and never in solid black.
When using the logo on a color background, both the symbol and logotype should appear white. The logotype should never appear in gray.
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MONOCHROME LOGOS
The preferred color for our logo is in one of our vibrant colors. In some cases, a full color logo may not be practical or possible due to limitations in printing. For these instances we may use a gray version (made as a 75% tint of black) or a one-color black or white logo.
Two-tone version for black backgrounds. In special uses when the logo appears on a black background (for example T-shirts, Tote bags), a two-tone logo is preferred. In this logo, the symbol should appear in white, and the logotype should appear in the following gray color (depending on application for print or web): Pantone Cool Gray 8 45% black R163 G166 B168
BACKGROUND IMAGES
Our logo may also be used on an image background with sufficient contrast. Use an all-gray logo for use on light colored backgrounds, and an all-white version for dark backgrounds. When placing the logo onto imagery, please ensure that it is placed within an uncluttered image area to allow for maximum legibillity and visibility.
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PLEASE DONT...
To maintain the integrity of the Demand Media logo, and to promote the consistency of the brand, it is important to use the logo as described in these guidelines. The examples shown here illustrate possible misuses of the Demand Media logo that should be avoided.
CONTENT FOR REAL LIFE
DONT create a logo lockup with text DONT rearrange the logo elements. DONT change the proportions between the symbol and logotype DONT rotate the logo
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DRIVEN BY...
ATTRIBUTION BADGE
We have created these attribution badges to help strengthen and build equity in the masterbrand, and to create a clear relationship between Demand Media and the various sites we own, operate, and for which we generate content. Used consistently and accurately, this badge will build awareness for our brand across our entire network. Built from our primary logo, this badge includes the moniker Driven by as an indication of the role Demand Media plays regarding our various properties and content creators. Our logo color palette has been designed to adapt to a variety of applications. When using the attribution badge, choose the color logo that closest matches or compliments the website it appears on. For example, Livestrong.com features a yellow color palette, so a yellow attribution badge should be used. eHow.com features a green color palette so a green attribution badge should be used. Examples are shown on page 14.
Attribution Logo
Logo Colors
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Cracked.com Dominant website color, Red > Red Demand Media Logo > Primary placement
eNom Dominant website color, Blue > Blue Demand Media Logo > Secondary placement
eHow Dominant website color, Green > Green Demand Media Logo > Secondary placement
IndieClick Dominant website color, Yellow > Yellow Demand Media Logo > Secondary placement
Livestrong Dominant website color, Yellow > Yellow Demand Media Logo > Primary placement
There may be instances where the background color of a website doesnt sit comfortably with the Demand Media approved logo colors, or does not provide enough contrast to render the logo legible (examples below). In these cases and all white or all gray logo should be used.
Illegible
Color clashes
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FILE FORMATS
Our signatures come in a variety of formats for use in a range of applications. On this page, each file is categorized using the naming key listed below. Use the PNG logos for all screen-based applications, such as PowerPoint and the web. For print applications, use the Illustrator artwork with the EPS extension. To obtain digital artwork, please contact brand@demandmedia.com.
Primary logo
For Print: Folder location: Print > Pantone_U Print > Pantone_C Print > CMYK_U Print > CMYK_C
For Screen: Folder location: Screen > RGB Filename example: DM_Primary_RGB_Darkblue.eps (color name varies for each logo color)
1 color positive logo Folder location: Print > 1 color Filename: DM_Primary_1col.eps
Filename example: DM_Primary_Pantone_C_ Darkblue.eps (color name varies for each logo color)
For Print: Folder location: Print > Reg_Pantone_U Print > Reg_Pantone_C Print > Reg_CMYK_U Print > Reg_CMYK_C Filename example: DM_Reg_Pantone_C_Darkblue.eps (color name varies for each logo color)
For Screen: Folder location: Screen > Reg_RGB Filename example: DM_Reg_RGB_Darkblue.png (color name varies for each logo color)
Folder location: Screen > RGB_Reg_ Small Scale Use Filename example: DM_Reg_Small_RGB_Darkblue.png (color name varies for each logo color)
Attribution logo
For Screen: Folder location: Screen > Attribution_RGB Filename example: DM_attribution_RGB_Darkblue.png (color name varies for each logo color)
Reversed logos (for use on black websites) Folder location: Screen > Attribution_RGB_Rev Filename: DM_attribution_RGB_Rev_Darkblue.png
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EN
TI T ID TY PO G R A PH Y
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A FRIENDLY FACE GOTHAM ROUNDED IS OUR TYPEFACE. WE USE IT IN TWO WEIGHTS BOLD AND MEDIUM.
Typography is an important aspect of our brand identity. Our typographic style contributes to our distinctive aesthetic. The typography usage examples on the following pages should be followed to ensure all of our communications appear consistent.
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Gotham Rounded Medium is used for the Demand Media logotype. It should also be used for all standard body-copy.
Gotham Rounded is designed and distributed by New York type foundry Hoefler & Frere-Jones. It can be purchased directly here.
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Proxima Nova Soft Medium and Bold can be purchased directly here.
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TYPESETTING GUIDES:
Typography is always ranged left. This provides the eye with a constant starting point for each line, making text easier to read. The only exceptions are when typesetting headlines with the Demand Media arrowheads (see page 25) When typesetting headlines, the leading should be 15% larger than the type size. To calculate, multiply the type size by .15 and add the result to the typesize. When setting body copy, the leading should be 25% larger than the type size. To calculate this, multiply the type size by .25 and add result to the typesize. All type should be be set to -20 tracking. Body column width should ideally be between 7-9 words long.
DEMAND MEDIA, CONTENT FOR REAL LIFE 10/11.5 As dollestiatum con pratem dolupta dolor sint molessendam, idus minctas sunteni mpores et voluptiant quat hiliquam non pel minctisite oditas adis ent eicimpo riteces equisitibus arumend ererchitem quidero reperum quiatur sequias etum ni re est que endi cuptat. 10/12.5
DEMAND MEDIA, CONTENT FOR REAL LIFE 15/17.25 As dollestiatum con pratem dolupta dolor sint molessendam, idus minctas sunteni mpores et voluptiant quat hiliquam non pel minctisite oditas adis ent eicimpo riteces equisitibus arumend ererchitem quidero reperum quiatur sequias etum ni re est que endi cuptat. 15/18.75
DEMAND MEDIA, CONTENT FOR REAL LIFE 20/23 As dollestiatum con pratem dolupta dolor sint molessendam, idus minctas sunteni mpores et voluptiant quat hiliquam non pel minctisite oditas adis ent eicimpo riteces equisitibus arumend ererchitem quidero reperum quiatur sequias etum ni re est que endi cuptat. 20/25
G R IE A D L PH E E N M I C T E C O IT G L N TS Y PH RA O IC O PH R P O TO I A C L N S GR A ET R A R TE PH O Y WS
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PICK A COLOR ANY COLOR OUR CORE COLORS ARE WHAT GIVE US OUR PERSONALITY. WERE BRIGHT, BOLD, AND COLORFUL.
Up until this page, youve been seeing an all-gray logo. But an all gray logo would be a bit boring, right? The Demand Media logo can in fact appear in one of six vibrant colors. And theres a dark gray color for our typography, and for instances where a color logo is not appropriate. As you can see, our colors are VIBRANT. When using the colors in print, it is important to always seek to use Solid Pantone inks. This way, all of our materials will be consistent, and our colors look vibrant. These same vibrant colors cannot be achieved using standard CMYK printing. Only use CMYK colors when absolutely necessary. Please note, when printing certain colors onto coated or uncoated paper, the Pantone color specified differs. Please refer to the color breakdowns on this page.
Coated Paper PANTONE 285 C Uncoated Paper PANTONE 285 U R 80 G 150 B 242 HEX #5096F2 Coated C 90 M 48 Y0 K0 Uncoated C 70 M 30 Y0 K0 Coated Paper PANTONE 305 C Uncoated Paper PANTONE 305 U R 70 G 212 B 230 HEX #3DD4E6 Coated C 60 M0 Y7 K0 Uncoated C 60 M0 Y 10 K0 Coated Paper PANTONE WARM RED C Uncoated Paper PANTONE WARM RED U R 250 G 84 B 54 HEX #F95336 Coated C0 M 86 Y 80 K0 Uncoated C0 M 70 Y 66 K0 Coated Paper PANTONE 116 C Uncoated Paper PANTONE 115 U R 254 G 203 B0 HEX #FECB00 Coated C0 M 12 Y 100 K0 Uncoated C0 M 12 Y 95 K0
Coated Paper PANTONE 7479 C Uncoated Paper PANTONE 7479 U R 50 G 209 B 126 HEX #32D17E Coated C 80 M0 Y 65 K0 Uncoated C 58 M0 Y 58 K0
Coated Paper PANTONE 382 C Uncoated Paper PANTONE 381 U R 200 G 215 B0 HEX #C7D600 Coated C 28 M0 Y 92 K0 Uncoated C 25 M0 Y 84 K0
Coated Paper PANTONE COOL GRAY 10 C Uncoated Paper PANTONE COOL GRAY 10 U R 102 G 110 B 117 HEX #666E75 Coated C4 M0 Y0 K 75 Uncoated C4 M0 Y0 K 75
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SECONDARY COLORS
Our color palette is bold, and in certain instances it can appear too bold. So weve created 6 additional pale colors that can be used to support the primary color palette. These secondary colors should only be used when absolutely necessary. Our preference is to only use primary color palette across most communications. Secondary paletteWhen to use: Charts or infographics More expressive graphic communications (such as posters) Presentation slide backgrounds How to use them: Only use neutral colors for presentation slide backgrounds. Never use the secondary colors on their own. They should only be used to complement the core colors. Examples of our color palette in use can be seen on pages 31 and 32. Please note, when printing certain colors onto coated or uncoated paper, the Pantone color specified differs. Please refer to the color breakdowns on this page.
Coated Paper PANTONE 304 C Uncoated Paper PANTONE 304 U R 154 G 222 B 239 HEX #9AE0EF Coated C 36 M0 Y6 K0 Uncoated C 39 M0 Y 11 K0
Coated Paper PANTONE 373 C Uncoated Paper PANTONE 372 U R 212 G 229 B 138 HEX #D4E58A Coated C 20 M0 Y 42 K0 Uncoated C 20 M0 Y 48 K0
Coated Paper PANTONE 100 C Uncoated Paper PANTONE 100 U R 252 G 232 B 112 HEX #FCE870 Coated C0 M0 Y 58 K0 Uncoated C0 M0 Y 61 K0
Coated Paper PANTONE 196 C Uncoated Paper PANTONE 196 U R 255 G 202 B 192 HEX #FFCAC0 Coated C0 M 23 Y5 K0 Uncoated C0 M 25 Y 10 K0
Coated Paper PANTONE Cool Gray 1 C Uncoated Paper PANTONE Cool Gray 1 U R 236 G 242 B 243 HEX #ECF2F3 Coated C3 M2 Y4 K5 Uncoated C4 M3 Y7 K7
Coated Paper WARM GRAY 4 C Uncoated Paper WARM GRAY 3 U R 209 G 209 B 200 HEX #D1D1C8 Coated C9 M 11 Y 13 K 23 Uncoated C8 M9 Y 11 K 121
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When typography interacts with the arrows, there are specific rules that apply. The examples on this page show the various ways in which typography relates to the arrows. Typography blocks should always relate to the 90 right angle created by the arrows. Depending on the rotation of the arrowss, typography will vary from left aligned, to right aligned. Typography can also be rotated 45 clockwise, anticlockwise, or remain straight as shown in these examples. The following pages provide some detailed guidelines.
L M OR A AD EM E M O C TU ET LO IPU IN R C R G AD O A IP NS RE E T OF
U IP R M LO SE RE DO N IP LO A CO ADRET M T R A E U M T G A E IN C
L A M OR M A E ET D M C ETU CO OL IPU IN R N O G A S R A DI E RE P T
L M OR A A E ET ME DO M I C U T LO PU IN R C R G AD O A IP NS RE E T
L A M OR M A E ET D M C ETU CO OL IPU IN R N O G A S R A DI E RE P T
L M OR A A E ET ME DO M I C U T LO PU IN R C R G AD O A IP NS RE E T
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When placing text within the arrows, the typography layout will vary depending on the orientation of the arrow, and the amount of text within the arrow. Please follow the guides below, and on the following pages.
LO IP R A SU EM D M O LO R
LO M R A AD EM ET ME O I U T LO PU RI C P EN R
100%
12% Blue lines represent a clear space border. The width of the border is equal to 12% total width of the arrow.
Right alignment
I L O PU OR R M E ET AM A M U E D RI T P
M RE UM R LO PS LO I O D A
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LO IP R A SU EM D M O LO R
LO M R A AD EM ET ME O I U T LO PU RI C P EN R
100%
12%
4 lines of type
5 lines of type
I L O PU OR R M E ET AM A M U E D RI T P
M RE UM R LO PS LO I O D A
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L M OR A AD EM E M O RE TU ET LO IPU C RA CO R IN D N G IP S E
N IC M T E EE O YO T U
Right alignment
Right alignment
L A M OR M A E E M ET T C DO IP U O LO U RE RA NS R C DI E IN P G
N TO IC E M YO EE U T
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An Adobe Illustrator file containing various graphic arrow layouts can be found in the brand assets folder: Filename: DM_arrow_crops.ai This file containds multiple editable layouts. These will give you a starting point for creating layouts. Please note, you will need Adobe Illustrator to edit and create design layouts. Also note, you will need the font Gotham Rounded Bold installed to edit the text.
LO M R A AD EM ET ME O I C U T LO PU IN R C R G AD O A IP NS RE E T
L A M OR M A E ET D M C ETU CO OL IPU IN R N O G A S R A DI E RE P T
L M OR A E A ET ME DO M I C U T LO PU IN R C R G AD O A IP NS RE E T
U IP R M LO SE RE DO N IP LO A O D ET M T C RA AR E U M T G A E IN C
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We have a vibrant color palette so we need to be careful when using it to avoid clashing colors. Some general rules when using color: When using our color palette, try to stick to using a core color + white. (see example 1) When using two colors together, pick a complimentary palette, such as two blue shades, or two green shades (see example 2) You can use secondry colors to complement core colors, but as outlined above, the colors should be complementary. (see example 2) Please only use two colors together in addition to white. (see example 3) If in doubt, keep it simple.
LO M R A AD EM ET ME O I C U T LO PU IN R C R G AD O A IP NS RE E T
U IP R M LO SE RE DO N IP LO A O D ET M T C RA AR E U M T G A E IN C
Below are some approved color combinations. Please note, some of these utilize our secondary pale colors.
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The examples on this page show how not to use our colors. In fact they are so garish you need sunglasses just to look at them.
LO M R A AD EM ET ME O I C U T LO PU IN R C R G AD O A IP NS RE E T
U IP R M LO SE RE DO N IP LO A O D ET M T C RA AR E U M T G A E IN C
Avoid these color combinations They clash and many are difficult to read
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L M OR A AD EM E M O C TU ET LO IPU IN R C R G AD O A IP NS RE E T OF
LO R D CO O EM N LO IP S R U RE D E E A M C IP TU ME A IN C R T A IN A RE G T
When placing images within the arrows, please be mindful of composition. Do not crop out important parts of the image (such as faces) and ensure that the outline shape of the arrow is always clearly visible.
L A M OR M A E ET D M C ETU CO OL IPU IN R N O G A S R A DI E RE P T
L M OR A AD EM M O ET L IP CO OR U N SE
L M OR A E A E M DO M C TU ET LO IPU IN R C R G AD O A IP NS RE E T
U IP R M LO SE RE DO N IP LO A CO ADRET M T R A E U M T G A E IN C
Photography can either be placed within the arrows, or can be used full bleed with the arrows on top of the image.
L M OR A A E ET ME DO M I C U T LO PU IN R C R G AD O A IP NS RE E T
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L M OR A A E ET ME DO M I RE U T LO PU C RA CO R IN D N G IP S E
is ta
nc e
10
of
L M OR A A E ET ME DO M I RE U T LO PU C RA CO R IN D N G IP S E
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PRETTY PICTURES
PHOTOGRAPHY USAGE
Our photography captures a slice of everyday life. Its never fake or frivolous. It should make you feel like you are right there in the room. Its about telling stories through personalities, interactions, and experiences. So it feels real, honest and straightforward. OUR APPROACH TO PHOTOGRAPHY natural and relaxednot posed or artificial everyday and honestsomething we can all relate to in real life (with warts and all, our coffee cups are dirty, our boots have mud on them, our shirts wrinkled this makes them more believable) personal and engagingcapturing emotions and intimacy. sometimes funny. Real life can be a little weird, goofy, and funny. Were not afraid to celebrate that.
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PHOTOGRAPHY USAGE
Further examples.
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PHOTOGRAPHY DONTs
DONT use images where people are posing, or are used as props like in a catalog
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FOOD
HOME
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AUTO
PETS
ENTERTAINMENT
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MEDIA
TECHNOLOGY
FINANCE
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LIVESTRONG
HEALTH
MOMS
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STYLE
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PLEASE DONT...
Please follow the guides below to keep us looking our best.
PLEASE DO...
Here are some examples of icons used in a thoughtful way.
DO group icons together into compositions, but please keep to 90 or 45 rotation of icons.
LEARN MORE
VIEW SLIDESHOW
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EX D A ES M I PL GN ES
ST W A IN EB TI TE S ON R ITE ER N Y A L PR IN T
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STATIONERY
1333 2ND STREET STE 100 SANTA MONICA CA. 90402 WWW.DEMANDMEDIA.COM P/ 310.123.4567 F/ 310.123.4567 E/ ACCOUNTS@DEMANDMEDIA.COM
Mr John Smith Company Title 340 Bryant Street San Francisco CA 94107 USA Date: 03.05.2011
Dear Name, Pudis ea coreper esequia estrunt isitam expliquiam autem rempostinis voluptatur, omnis imus rest, coribus re nis et di si dolentionse verior magnimos int eaturentur sitenti onsequam ut magnihit aut volum aut quiaspe libuscilique none volo optibus exernatis dusam quam fuga. Ita denda nonectem eum volo blatest ibeatibustis elis ra quae magnatur solore ni in corescipsant fugitibus, atur, omnis imil et quaturibus dolectatet moluptaquo beatas sed mi, sapid quia nobitis simusae cor aut evel estrum, aute voloreptas quis eturiam hitatur alique coritatur aciis eatiatur seque il ilibus cusam incia quiaectota sectur andigeni dit, ipsam am, oditatemped ullab il ipsapero exerciae sintus derum excestium veni dolest, quia ne ducilitatus duci num ant eum quas abo. Is modipid magnam, sitassincil elliatum que volesed ut fugitiam fugiatem qui restrum, solum et quo quia voluptatem restiunt fugiat andita conescius voluptate cus sum libusdae. Ut voles et perferspero eaquaestium as et moluptiunto evelia de min poreperumquo bea velit intintur, ullam nos nos res am, volendi sero voluptas enectur? Occae porem qui dem. Itas et autam faceat faccab ipiciam endebit atusae incid molupturibus re, occuptatis vitatem quo officiat voloribusam comnimagniam nullam ape simi, quia aut dolore por at quamet omnis magnimi, nem faceri tem arit haria sequianiste am res in core sitatemqui ut il incte nullani mporese quidisquis dundantis sim sequae quaerum que sapid unt ipictota dolest adit quia nobis unt quo veratiis et auta earum quo volest, simusapit, ius magnisitas eicabo.
Envelope
Et od eos nist aliqui qui tempeliatum nonse sum ea eaque cone comnimi, nestis et fuga. Iquiatquia sequidelest, alit fugit fugiaes diat. Regards, John Smith
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Email Signature
From: John Smith Subject: Brand Guidelines Date: May 25, 2011 10:14AM GMT Cc:
Dear Sir, Lorem ipsum dolor sit amet, consectetur adipiscing elit. Duis ornare, urna varius faucibus ornare, ante metus eleifend dolor, ac porta nunc nisi elementum orci. Phasellus a ipsum eros. Donec mattis nunc et urna faucibus quis laoreet magna eleifend. Maecenas imperdiet faucibus tellus vel placerat. Nullam quis nisl eu leo faucibus accumsan. Best Regards, Nest
Peter Luttrell SVP Ad Solutions & Brand Management Demand Media 1333 2nd Street Ste 100 Santa Monica, CA. 90402 www.demandmedia.com peter.luttrell@demandmedia.com 310.917.6438
Arial Regular and Bold 12px typesize 14px linespacing Color R 102 G 110 B 118
Peter Luttrell SVP Ad Solutions & Brand Management Demand Media 1333 2nd Street Ste 100 Santa Monica, CA. 90402 www.demandmedia.com peter.luttrell@demandmedia.com 310.917.6438
Horizontal lines: Repeated em-Dash (Option key plus ) Color R209 G211 B212 Horizontal lines should be at a length, depending on the staff name and title (longest line)
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WEBSITE
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INTERNAL PRINT
Shown on the following pages are hypothetical examples, showing the brand identity applied across various materials.
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POSTER
TOTE BAG
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DESIGN MATTERS
If youve just read these guidelines, you have our appreciation. It means you share our belief in details and quality. We know applying these principles takes time and effort, but the stories we tell in all our Demand Media communications will be stronger for it. If you ever have additional questions about our visual identity and its application in design, dont hesitate to contact brand@demandmedia.com Thank you.