Le Chteau de ma mre

(French, 1990, 98 minutes, color, 35 mm) Directed by Yves Robert Cast: Philippe Caubere . . . . . . . . . . Joseph Julien Ciamarca . . . . . . . . . . Marcell Nathalie Roussel . . . . . . . . . . Augustine Julie Timmerman. . . . . . . . . . Isabelle Le Chteau de ma mre :from the novel of Marcel Pagnol Marcel Pagnol (French pronunciation: [masl pal]; 28 February 1895 18 April 1974) was a French novelist, playwright, and filmmaker. In 1946, he became the first filmmaker elected to the Acadmie franaise. Paris: teacher and playwright In 1922, he moved to Paris, where he taught English until 1927,[1] when he decided instead to devote his life to playwriting. During this time, he belonged to a group of young writers, in collaboration with one of whom, Paul Nivoix, he wrote the play, Merchants of Glory, which was produced in 1924. This was followed, in 1928, by Topaze, a satire based on ambition.[1] Exiled in Paris, he returned nostalgically to his Provenal roots, taking this as his setting for his play, Marius, which later became Pagnol's first film in 1931.Separated from Simone Collin since 1926 (though not divorced until 1941), he formed a relationship with the young English dancer Kitty Murphy: their son, Jacques Pagnol, was born on 24 September 1930.[1] (Jacques later became his father's assistant and subsequently a cameraman for France 3 Marseille.) The themes of Pagnol's films In his films, Pagnol transfers his playwriting talents onto the big screen. His editing style is somberly reserved, placing emphasis on the content of an image. As a pictoral naturalist, Pagnol relies on film as art to convey a deeper meaning rather than solely a tool to tell a story. Pagnol also took great care in the type of actors he employed, hiring local actors to appear in his films to highlight their unique accents and culture. Similar to his plays, Pagnol emphasizes dialogue and musicality throughout his films. The theme of many of Pagnol's films revolves around the acute observation of social rituals. Using interchangeable symbols and reoccurring character roles such as proud fathers and rebellious children, Pagnol illuminates the provincial life of the lower class. Notably, Pagnol also frequently compares

Women and Land, showing both can be barren or fertile. Above all, Pagnol uses all this to illustrate the importance of human bonds and their renewal. Plot This film, together with La gloire de mon pre, is set in the period between 1900 and the First World War in 1914. Following the summer holiday which features in La gloire de mon pre, the family returns to Marseilles but Marcel still yearns for the hills. His wish is granted when they return for the Christmas holiday, much to Marcel's delight. Although only a few kilometers outside Marseilles the journey to the holiday home is time consuming as public transport takes them only a short portion of the way and the rest is a walk along a long, winding road. Marcel then tells of an encounter with a girl, Isabelle. He meets her whilst exploring the countryside of the Provence with Lili, and they plan to meet at her house in the future to play. On his first visit to her house, he meets her father and mother, who are both very eccentric. Isabelle herself is also a bit strange, always dressing up in different dresses, and demanding Marcel to dress up as a dog, a soldier, or other things at various times. When they play, Isabelle commands Marcel around to do various things. At one point, she tells him to close his eyes and open his mouth. She then feeds him a grasshopper. Lili and Paul, Marcel's younger brother observe this, and they report it to Marcel's father. He then forbids Marcel to continue meeting "with that crazy girl". Marcel later observes the departure of Isabelle and her family. One day, when travelling to their house, the family encounters one of Marcel's father's former pupils, who now works in maintaining a canal which runs from the hills into Marseilles. The canal runs across private estates and so he is issued with a key which allows him to pass through several locked doors along the towpath. The employee points out to the family that this is a shortcut which will allow them to reach their house in a fraction of the journey time and offers them his spare key. Marcel's father, being honest and upright realises that this would amount to trespassing. He nevertheless accepts the key after much persuasion from his family for use in an emergency. Despite his reservations, the family use the key more and more and the reduced journey time allows them to visit the holiday home every weekend. They still have an apprehension each time they unlock a door fearing they will be caught. As time passes, however, they encounter the owner of one property and the groundsman of another, who are friendly and quite happy that they cross their land. At the beginning of the summer holidays they make the journey again and Marcel's mother feels a great fear and trepidation of meeting the owner. When they reach the final door they discover it has been padlocked. They are confronted by the caretaker of the final property who has been watching them for some time and who decides to make an official report. Marcel's father is devastated, believing a complaint could damage his career prospects and he could possibly lose his job as a school teacher. The employees of the canal however, confront the caretaker threatening him with prosecution for having unlawfully padlocked one of the company's doors. The caretaker withdraws his complaint against Marcel's family and the matter is concluded. Unfortunately

during the ordeal between the canal workers and the caretaker they take the padlock, put it around the gate, and give the key to his dog so he can't leave the estate. The epilogue mentions that uncle Jules hired a carriage for the family. The film jumps 5 years to the future, telling of the death of Marcel's mother. It also tells of Lili and Paul: Paul was a goatherd in the countryside of the Provence, until his sudden death at the age of 31. Lili is killed in 1917, during the First World War. Marcel is the only one left of their childhood company, now a successful film director. His company has purchased a large old house in the Marseilles area to turn into a film studio. When walking through the grounds he sees a familiar door and realizes that this is the last property on his childhood journey to his holiday home. In a burst of rage he picks up a rock and smashes the door and thus ends a bad spell. Cast and roles[edit source] Philippe Caubre - Joseph Pagnol Nathalie Roussel - Augustine Didier Pain - Oncle Jules Thrse Liotard - Tante Rose Julien Ciamaca - Marcel Pagnol Victorien Delamare - Paul Pagnol Joris Molinas - Lili des Bellons Paul Crauchet - Edmond des Papillons Pierre Maguelon - Franois Michel Modo - le facteur