INSTRUMENTATION Strings to be placed in two different groups 1st Group: Violins I and II, Viola I Violoncello I, Double Bass I 2nd Group: Violins III and IV, Viola II Violoncello II, Double Bass IT Side Drum without snares) Side Drum with snares *Cymbals ne player Tam-Tam Bass Drum **Timpani (chromatic) Xylophone Celesta (takes over at certain places the second part of the piano) Pianoforte APPROXIMATE POSITION OF THE ORCHESTRA Double Bass I Double Bass II Violoncello I Timpani Bass Drum Violoncello II Viola I Side Drums Cymbals Viola II © Violin I Celesta Xylophone Violin IV Violin I. Pianoforte Harp Violin II DURATION : 26 Minutes 1st Mov.: 6 Min. 30 sec. 3rd Mov.: 6 Min. 35 sec. 2nd Mov.: 6 Min. 55 sec. 4th Mov.: 5 Min. 40 sec. This work, completed in September 1936, was first performed at Bale on 2ist January 1937, conducted by Paul Sacher. GENERAL REMARKS (1) All glissandi marked 4-# tc. in the string, as well as in the timpani parts, are to be played in such a manner that the starting note is left immediately, so that an even gliding sound during the full value of the first note is producddy, (2) The 4th movement can, in special circumstances, be played a little slower for accoustic’ reasons. *2 pairs, one of which should be of smaller size (sounding higher). ** If no chromatic Timpani available, the Timpani glissandi should be played on the piano in corresponding chromatic passages. For this purpose an extra player, not instrument, is required. B. & H. 16155Béla Bart6k (born in 1881 at Nagyszentmiklés, Hungary) presented himself ten years old to the public as pisnist and composer. He became a popil at the Budapest Academy, his musical development was guid- ed by the works of Wagner, Lisst, and Richard Strauss. ‘Throngh his study of Hungarian national music Barték became deeply interested in old folk songs. In his own compositions, he employed also such national elements of form and expression; this new and original creative style manifested itself in bis piano, vocal and chambermusic, and in his orchestral and stage works. In 1907 Barték was appointed professor of piano at the Budapest Academy. The “Music for string instru- ments”, completed in Septem- ber 1986 had its world premiére at Bale (under Paul Sacher) on 2ist January 1937. STRUCTURE OF “MUSIC FOR STRING INSTRUMENTS” IstMovementin A.Oncer- tain principles fairly strictly executed form of a fugue, i.e. the 2nd entry appears one fifth higher, the 4th again one fifth higher than the 2nd, the 6th, 8th and so forth again a fifth higher than the preceding one. ‘The 3rd, 5th, 7th, ete. on the other han1 enter each a fifth lower. Afterthe remotest key: E flat—has been reached (the climax of the movement) the following entries render the theme in contrary movement until the fundamental key—A reached again, atter which short Coda follows. N. B.: 1st: Several secondary entries appear in a stretto. 2nd: Some entries show the theme incom- pletely, that is in fragments. IInd Movement in C, So- nataform (Sidemovement in G ) In the execution the theme of the Ist Movement also ap- pears, however, in altered shape and so does an allusion to the main theme of the IVth movement. ‘The repetition changes the 3), rhythm of the exposition into a rhythm of &, beat. Ulrd Movement in F sharp. “Brueckenform” (Ron- do): A, B,C, B, A. Between each section a part ofthe theme of the Ist Movement appears. Vth Movement in A. For- mula: A+B+A,C+D4+E+ D+F, G,A. G Part (bar 208— 284) shows the main theme of the Ist Movement extending, however, the original chroma- tie form into one of diatonic expanse.Musik fir Saiteninstrumente, Schlagzeug und Celesta (in 4 satzen) Musique pour instruments a cordes, percussion et célesta (en 4 parties) I. Andante, tranquillo, 2 ca 116-412 Béla Barték con sord. 1.2.viotel oes niger con sord- PP 3.41] 12Mle, 12.vic 2 Copyright 1937 by Universal Edition. Copyright assigned 1939 to Boosey @ Hawkes, Ltd., - for the British Empire. North, Central and South America. aH. 161552.VL. 3.4.¥1, 1.2MIe, a= 1.2.MIe, oon sord, 1.2.01 Pp \ 2.VLe 3.4.V1. 1.2Mie. 1.2.Mle,| 1.2.00. \ 2.VL. 3.4.¥1. 1.2.Vle, 1.2.vle, 1.2.00. BL AH. 16155Bl con sord. senza sord. (2) ¥ sepa 501 sein sora.) @ BLAH. 16155ip encanta ‘Timp. senza sora. 4vi. @ avl. 3.41, 1.2.¥le. Senza sord, 1.2.Vle. ® ™Pespr: senza sor’ 1.2.00. 3.4.1. 1.2.Vie] 1.2.MIe. 1.2.0, 1.2.le. 1.2m 4.2.00, B. &H. 1615Savi. avi. 3.4.V1. 1.2.Vle.| 12Me. 1.2.00. -F —_ ‘sempre ereac. A 1.2.V1. 3.4.1. 1.2.Mle,| 12Me. 1.2.00. 2 Piatti Timp. (won div) PP 4.2.V1. (non div) — ~ Sfinon div) 3.4.¥1. ~ Simon av) 1.2.Vie.| 4.2.00. BH. 16155er-Ts. tr. Timp. (non div.)= 1.vL Gontaivyp 2.VL. 34M. 12mel 4.2.Mle. 1.2.00, Amuie pie J? , z = 12.1. 34M. non aiv)} 1.2.Vi 1.2.Vle 1.2.00, \ ao. _ poco rall. - iv. 2.1. aa. 1.2.¥1e. 1.2.v164 mf 1.2.00, mf B. &H. 161557 tempo + ca 116-112 1. avi. 3.4". 4.2.Vle,| 12.1e.| 1.2.00. ANY 3.4.1. s12vie @ a. con sora. 1.2.10 ® \ con sord. 2.v1. 3.V1. ay. t.Vie. 2.Vie. 1.2.vIel BAH. 16155av. avi. ay. Avie. 2.Vie. 1.2.Mle, cel. con sord. 1v1. 2.V1. av ay. 1.Vie. 2.Vle. AH, 16155Cel. Avi. 2.vL. avi. Avie. 2.Vle. 1.2.10] cel. 4.vL. avi. av. avi. 1.Vle. ave. 1.2.vle. 4.2.00. 155,10 cel. 4.VL 2.V1. 3.V1. 4vL 1.Vle. 2.Vle. 1.2.Mle. 1.2.00. \ 1vL 2.V1. 3.4.¥1. 4.2.Vle, 1.2.MIe Ne® X Ppp co _rall. 4.v1. 1.2.Ie. 1.2.viel BLAH. 16155 Durée d’exéeution ca 6’ 30”1 II. Allegro, d ca 1s8- 144 Timp. Pfte. 4. Vie. A.Vle. 2, Vie. B. AH. 16155‘Timp. im, av. Avie, 1.Vle. 1.0, 3M. av. 2. Vie. 2.Vle. 2.0. av. au. 1vie. Vie. av. av. 2.vie. 3 2.0b. BLAH. 16155,‘Timp. Pite, ivi. 2.vL. 1. Vie. 1.Vie. 1.00, avi. 4.VL 2.Vle. 2.Vle, 2.06, B. &H. 161554 Timp. 1M. amv. Avie, 1.¥Ie. 1.0. 3.vL. ay. 2.Vle. 2.¥le, 2.00. Timp. am. 4.V1e. Avie, 1.00, am. 2.VIe. 2. Vie. BLAH. 161551u. avi. 1.VIe. 1.16. 10D. au. 2.Vle. 2.vie. avi. avi, 1.Vle, Vie. 1.0. av. av. 2.Vle. 2.¥ie. 2.00, B. aH. 1615516 1.¥1. am. 1.Vle. 1.Vle, 1.00, 3.v1. am, 2.vle. 2.Vle. 2.00, imp. 1m. VL. 1.VIe. 1.VIe. 1.00, 3.VL, am. 2.Vle, 2. Vie. 2.0 BL &H. 16155.v. 2.1. 1.Vle, 1.VIe. 1.00. avi. ay 2, Vie, : Bleggero 2, Vie. Pleggero 2.0b, Bleggera \ arco av Avie, 1.VIe, 1.00. av. am. 2.Vle. 2.Vle. 2.00, B. &H, 1615518 iv. av. 1.vie, 1.vIe. 1.0. "PD 5 ote a, Ta, aM. ‘my, scherzando 4vl. = mp,ackerzando_|pizz. 2.Vie. Piz. 2.VIe, 20d. \ avi. 1.VIe. Vie. Leb. avi. av 2.Vle. 2.¥Ie, farce 2.0. B. RH. 161552.VL Avie, 1.vIe. 1.00. av. 4M. 2.Vle, 2.vle. 2.00, 1.Vie. 1.VIe, av. 4.vi. 2.Vie. 2.Vie. BLAH. 1685520 4 cx 1se or ‘Tamb.pice. con cords, iv. avi. 1.Vle, 1.VIe. 1.00, av. av. 2. Vie, ave 200 Sf SS “6 = ein starkes pizz.,bei welchem die Saite auf | ¥)o = pizeieato fort, jusqu’ a ce que la corde Frappe la toucke. 8. RH. 1615521 ‘Tanb pice. fret oe senza corda 2.v1. 4.Vle. 1.Vle, 1.00, 3.V1. 2. Vie. 2. Vie. 2.00, BLAH, 1615522 ‘Tamb pi ‘senza corda 2m. Avie. Avie. avl. 2.Vle, 8. &H. 16155Avi. 2vL. 1Vle, t.vile. aM. am. 2.Mle. 2.¥le. 2.00. av 2M. 1.VIe. Avie. 1.00, vl. am, 2Nle. 2vie. 2.00. 8. AH. 1615524 2M. AVle. vie. 1.00, 3.VL. avi. 2Mle. 2Nle. 2.0. Pite. av. avi. tv. ame, am. am. mt. avie. "Sa ont. simile.| ale. *) ou plat. mit dém Nagel am auberstetoberea) Ende] "0 pizsicato doec Longleau bout axtréme oupéricur der Saite, knapp unterhalb des Griffingers gerissen. de la corde, tiré au dessous du doigt touchant. BL &H. 16155Timp. Phte, Ave, \ ca 138 Timp. am. am. ave, tf 2 arco ek | HS 2.¥Ie. P 7 7 |S Dp | f 2.00. s e nf -P B. AH. 1615526 Timp. 3.Vl. Mle. ale. F que eee BLAH. 1615527 dea tsa B. AH. 1615528 Tambpice, corda Gr. cassa Arpa. Pite. sempre simile avi. sempre|simile sempre |simile tle. sempre| simile Ale. 1.00, VL. ay amie, 2MIe. 2.00, am Rand des Felles * au bord dela peau **) Sbezeichnet cin pizz,bei weichem die Saite auf das | ™* 6 indique wn pizzicato,auquella corde frappe latouch Griffbrett anschlist atattacuerae‘Tamb pice ‘senza corda Gr, casa Pie. am. Vie. Avie. 2Nle. ROD, ‘von hier anin der Mitte des Felles / d'ici au milieu de la peau B&H. 1615530 Tamb pice, ‘eon corda, Gr. cassa| xyl. 2M. Avie. avie. 1.00, aM. 8. &H. 1615531 Tambsgice, we + + + +—— corda Gr. cacca Arpa Pte. al. am. Ale. aM. 2Me. 2.0, &. AH. 1615532 Gr. cassa xyl. Ptte, Av. 2M. Avie. 1.vIe. am. ay. ave, 2.Vle, BAH. 16155Phe, im. 2M. Avie. 1.00, 2Mie. ave. 2.06, aM, 2M. Vie. 4.Mie. 1.0, aM. av. ave, 2.VIe. 2.00, piazz.in modo ord. B ‘unis,Pizz.in modo ord. bab B. AH. 16155 P zz. in modo ord. 2. in modo ord.34 av. au. 1.vVle. 1.ve. 1.00. avi. au. rilievo 2.Vle. rilievo, 2.¥ie. 2.0. eZ i. tome. tt, 1.00, 3.v1. am. 2.Vle. ame. 2.0 8. RH. 16155,arpa, AVI. 2M. 4.Vle. a.vL. 2.¥le. 2.vle. BLAH, 1615536 Arpa am. 1Mle. ive, av. av. amie. vie. 2.0b. BL &H, 16155,arpa, 1M. aM. (non div.) Avie. Avie. 1.0. am. avi. 2Vle. 2M. 2.00, im. Ale. Avie. 3M. 4M. ayle. amie. a BLAH. 1615538 aml. Ave. Lvle. avi. ay. B. aH. 16155Pite. am. te. Me. cb. am. am. ave. 2Mle. ive. 1.00. 2MIe. 2.00. B.&H, 16155,40 Timp. Ale. aye. 2.00. X\ Timp. ile, ave. ‘Timp. Ale. ave. Xv Timp. Avie. Ale. 2Vle. B&H. 16155areo,con sora. PB Avie. Avie. 2¥le. \“ Timp. AML 21. ime. sve, 2¥le. \ Timp. av. avi. Ale. Avie. 1.0. 2Mle., 2.0b. BLAH. 1615542 seuss roct dca 144-138 wv. 21. Avie: Avie, 10. 3am. tv. 2Mie. 2Mle. 2.0b. \ 4, 21. senzasord. 1Mle, F ime. am. am. BLAH. 16155aw. 2.V1. ame. 10. 1.00. 3M. 4M. 2Mle. 2Mle, arb. awl. 2.ML. ime, ave. al, am. 2Mle. 2Mle. 2.00. B&H, 1615544 ‘Timp. iv. 4.Vle. 1.VIe. au. 2. Vie. 2. Vie. 2.00. “ Timp. 1.1 2.¥h. 1.vie. 1.1 2.vie. B. &H. 16155Timp. Avie. 1.Vie. 1.00. 3. 4.VL 2.Vie., 2.0. \ llargando _ 2.1 1.Me erese molto - 4.vle. érese. molto 1.00. Baerese. malto- 3.vL Frese. molto av Brese. molt 2. Vie. 2.Vie. 2.00. —eEow B. aH. 1615546 - a tempo f ivi Lvle. B. AH. 16155Timp. Avie. 2.Vle 2.VIe, BAH. 16155 47Timp. Pite. 1vL av 1.Vle. ivie. 1.00. av. au 2.Vle. 2. Vie. 2.06. &H, 16155Timp. Pite. 1vi 2.vL. Avie. 1.VIc. 1.00. avi. au. a.Vie. 2.0b. BL &H. 16155poco allarg.. __ _ Quasi a tempo dca sa Timp: Arpa, Pite. 1M. Fe pathersando am. ive. Mle. 1.00, am. Becherzando 41. 2.Vle. 2.vle. BAH. 16155Arpa Pfte, v1 am. 1M. ive. Lob. avi. amie. 2.0b. mfespr. mpecpr. ‘arco mnffeepr. 8. aH. 16155 51 rallent.ez - = ~afempo Arpa P uv. L¥le. av. ave. 2vle. B. &H. 161551.Vie. 1.VIe. 2.Vle. 2.¥le. B&H. 16155 5354 poco rallent. Vivo d. ca 104 Arpa, Pite. aml. Ml. 1.Vle. 3.VL. av. 2.Vle. ame. 2.00. B&H. 16155b, = 7 7 = = 7 f= BLAH. 1615556 Meno vivo, J-cass Tambgpice. con conta P—=F Gr, casa] Pte. 1.Vie. 2.Vle. 2.Vie. 2.cb. B. RH. 16155‘Tambpice. corda Pite. am. A.Vie. Ale. am. 2vle. 2.VIe. B&H, 1615558 2M. 1.Vle. Avie. 2.vle. 2.Vie. Un poco largamente d.ca so 8 ar F B. RH. 16155,Pit mosso d.ca 104 Liss Arpa, Pfte. iv. 2.¥1 Ave. 1. Vie. 1.00. 3.¥1 4vL. 2.Vle, 2. Vie. 2.0b. B&H. 1615560 Vivace, J ca 160 Arpa, Pie. au. 1Vie. 4.VIe. 3.41. au. 2.Vle. 2. Vie. xy. Pte. iv. av. 1.Vle. 1.V1e, av. 4v1 AH. 16155‘Timp. Pte. .vi 2.V1. L.Vle. 4.Vle. 3.vL. 2. Vie. 2.Vie. 61 Allegro molto ¢ ca 168 f B. AH. 16155i B. &H. 161551.Vle. 4.00, 3. 4vL 2.Vle. 2.¥le. 2.¥1 ave, Ame. 4.00. 3a.vl. av 2. Vie. 2.Vle. 2.00, BLAH. 1615564 am. avi. ime ame] 1.00. 3M. am. amie. 2.vie. 2.00. B&H. 16155Un poco allarg. - 7 Timp. wo Pife. avi. vie, bvle. 4.00. amie 2.Vle, 2.00. iF Durée d'exécution: ca 6” 55” B. &H. 1615566 Adagio, ¢ ca 66 allarg. - Timpani of Xylophon . SSS P= Z G_ _—__al- Adagio motto, J ca 40 trem tre Deen EE Timp. 2p am. t.vle. 1m, B&H. 1615567 poco ral - 8. RH, 1615568 lentando - = + = =a fempo Timp. dim. Xyl. ve av. ime 4vie,| sul pont. Pp a.vl. am. amie. sul pont. 2.vie.| pp sul pont. 2.0b. pp B&H. 1615569 Leo} Piu andante, J ca se Gr. cassa ‘Tam-tam ‘Timp. con sora: zl PP a.vi. av, 2.Mie. 2. 0. B. RH. 1615570 Pte. 2¥1. div. ‘tVle. avi. B. aH. 16155n rallent. - - al Pil lento, J ca 46 tt te Timp. P xyl. Pite. avi. div. Ale. Ale. 1.00, am. 2vie. 2.0. BP BLAH. 16155R Bl fp DP andante, J ca 66 Timp. 20 cel. Arpa Pre, av1. Ale. AVie. 1.00. 2VIe. 2.00. ») Griffbexeichnung / indique la maniére de toucher BL &H. 16155Timp. cel. Arpa, Pte. avi ime. am. 2Mle. amie. 2.06. same sense sordsflaut. ?) senza ord. B. AH. 16155 734 poco . Timp. Arpa. Prte. ami. 1Vle. Ale. 4vL 2Nle. 2.06, B&H. 16155Timp. cel. Arpa. Pite. 2¥1. Avie. Ale. 4VL amie. ale. 2.0b. reac. - : : - - B. AH. 16155cel. Prte. av. 1vie.] amie, ay. ale. 2.Vle. 2.00. -stringendo - H. 16155cel. Arpa Pite. 2.VL Avie. Avie, avi. amie.| a.vie, 2.00.78 Timp. Cel. Arpa. Pte. 2.1. 1vte, A.Vle. 1.00. am. > 2.ve,| * 2.vle.| mp- - 7 : 5 : . : - - - B&H. 16155Timp. Arpa Pte. 2vL. ive ivie| “Gra) senza sord. VI. ‘mp crese. - av. 2.vle, 2.Vic. 2.00. B. &H. 1615580 *) Piatto Timp. cel, Arpa Pie. Avi, 1Lvle. 1.Vle, 1.cb. 2.Vle. 2.Me. 2.00. » ke © piu mosso, J ca 88 5. + tet ‘neres Instrument mit hdherem Ton | instrument plus petit au son plus clair B. AH. 16155‘Temiee- accel. - cords Piatti XyL Arpa, Pte. sul pont... nv. Feat pon, POF 2.V1. 5 . 1.Vbe. 1.Vle. 3a.VL. avi. 2.Vle. 2. Vie. 2.0d. SF Ff p nf 7 syadaineres Tectrument | distrument plus petit B&H. 1615582 Ea a le eee eee guasi a tempo, J ca so 4 Piatti Timp. xyl. Arpa Pte. 1.VIe, 1.VIe. top. am. am. 4.Vie. BLAH, 16155Be) Altegretto, J cx 104 83 cal. PMte. am. am. 1.Vle. vie. 10. au. am. 2.Vie. 2.Vic. 2.0. 8. aH. 16155poco a poco rallent. _ _(©)Meno mosso, J ca 76 bese Beg Pite Ds Sa 7 oe 1M. Mpdolee arco, 2M. Pp dolce Ave, Pp, dolee Avle, 1.00. 3.vL. 2.Vle. 2.vle, 2.08. B&H. 1615585 Adagio, caes by Pte. 2.Vle. BD dolee 2.Vle. Pdolee B&H. 161556 ive. av. 2.Vle. 2.Vle. 8. AH. 1615587 Pite. am. Vie. av. Vie. ave. BLAH. 1615588 Arp. Pte, avi. avi. av. avie. vie. BLAH. 16155cel. avi. Vie. avi. a.vle. 2.Vle. B. & H. 1615590 allen. | - - - + : = pel. Pie. am. ivle. am. 2vie. 2Vie, 8. RH. 16155- - tan. - 7 - cerca > = SSS | 2Vie. == a =: = 5 8. RH. 1615592 1v. avi. 1.Vle, 2.Vle. 2.vie.| B. aH. 1615593 SEE EEE EERE EEE EEEEEH EE = al Dea 70 ® ouasi a tempo by ca so, rallent. ee pres de la table 4.Vle, fi pizz. A.vie, Spizz. sul pont. 2.Vle. 2.Vle, B&H. 16155roy Adagio molto, J = 42 tre tre Timp. av. av. ave, amie, 2.00. 4 rallent. — - - Tempo! d= ce tre tre ‘dim. - xy. avi. amie 2vie ave, 2.00, Durée dexéeution: BLAH. 1615SIv. 95 Allegro molte, d ca 180 ‘Timp. ize: = im. Pit am. ave. LVie. 1.00. ‘Timp. avi. avi. ile. Avie, 1.00. a.vL. ay. F BL aH. 1615596 Timp. 1M 2.V1. 1.Vle. 1.Vle. 1.0. 3.Vi. avi 2.Vie. 2.Vle. 2.cb. 1.1 2.vh. 1.Vle. Avie, 3.VL. av. 2.Vle. 2.vle. 2.00, B&H. 16155ivi. avi. ime. Avie. 1.00. a.Vi. avi. 2vle. ave. 2.0b. \\ Timp. 4.1 2. Avie. 4.VIe. 10d. 3M. avL Vie. avle. 2.0b. B&H, 1615598 Timp. avi. ive. 1.MIe. 1.00, avi avi. avle, 2.Vle. 2.6. Pimareato B&H. 16155‘Timp. am. 2v1. 1Mle. 4Mle. 1.00. 3.ML. am. 2.Vie. 2.vle. 2b. 8H. 16155100 ‘Timp. Pfte. avi. av. 1.Vle. Avie. 1.0 VL, am. 2.Vle- 2¥te. 2.0b, B&H. 16155101 ‘Timp. Pite. am. tie. 1.Vie. av. 2.Vle. avie. - ~ - of re B.&H. 16155102 Timp. avi 1.vie. tie, to. av. 2.Vle, 2.¥le. 8. aH. 16155103 @uUhn poco meno mosso, ad a 220, Timp. Sf a Prte. Avie. AVle. av avle. 2.vle. Rob. BAH. 16155104 ‘Timp. Pfte. uv. Vie. 1.v1e. 1.0, 2.Vie, 2.Vie. B. AH. 16455Timp. Pte. 4.Vie. 1.0, aM. a.Vle. 2.Vle. 1a, B&H. 16155106 am. Avie. am. ave. avie. B&H. 16155am. le. vie. av. av 2.Me. 2.Vle. B. AH. 16155 107108 ® Ancora meno mosso, ¢ ca 112 Timp. 1M. 41. 2.Vle. 2.Vle. 2.cb. BL RH, 16155‘Timp. arpa, am. au. aMe. 2.Mle. 2.00. rallentando - B. &H. 16155 109 © Pi col legno B, P110 8. 8H. 16155‘Tamd pice. Arps. 1 ‘sempre sim. Pite. n. ‘sempre sim. avi. 21. ime 1.vie 1.00. am. col legno ay. P col legno ave Prottegno ave P 2.00] P aM, 16155112 ‘Tamb pice. senza corda 4. Mle. amie. 2.vle. 2.00. B. AH. 16155,118 Pite. m. av. avi. 4Vle. ime. 1.00. —_wS eresc. molto ‘arco am. ale. amie. 2.0.114 Arpa Prte. iv. erese.molto am. * crescrmojto 1Mle. ‘ereec. molto argo erage. molto erese. molto avi. Crese- molto ami. molto a Pp 2.Vle. leresé.malto Sf 2.Vle. ‘erese.moito |YF pp 2.00. erese.molto Sf > 8. AH. 16155115, ‘Timp. Arpa Pte. uv av. Mle. amie. 1.00. av. 4M. amie. amie. 2.00. BLAH, 16155@Mun poco meno mosso, d ca 120 ov. 1.Vle. 1LVie. 10>. av. au. 2Vie. 2.Mie. ao. ——=F 8. HL. 1615517 Pte. am. am. 1c. 10, am. av. 2M, ave. Rov. BLAH. 16155a b Tempo | av. am. 2.Vle. 2.Me. avi. aM. am. 2.Vle. 2.Vle. B. aH. 16155Avie. 4.Vie. av 2.Vle. 2.00. B. aH. 16155 19120 © Un poco meno mosso, 4 ca 120 Prati 82 PEp Arps, Pte. 2.¥L, ave. 4c. 2.Vle. 2.Vle. 8. RH. 16155Platt Pte. avi. 4.MIe. Lo. av 2M, 2.Vie. 2.06. BH. 16155Prte. 1M. 2.1 Lvie. 3.M1 am. 2.Vle. 2.VIe. poco- - - . .a poco. - * : Pite 3.1 ‘crese poco @ poco ay oreon p00 a pate pie 2.vIe. erese poco a poco ame Crese poco a pose Fy AH. 16155Prte. Th come aopra .vL 2.1 1.Vie. 3.VL. ra 2.Vie. 2.Vle. . sempre simile e 4 ‘Sempre simile ‘Sempre simile non div. ’ simile Phe. simile aM. 2M. ive 3.¥1 4.¥L 2.Vie. ave.124 avi. 1.Vle. sempre simile 1M. 3M. 41 2.Vle. non diy. 2vIe, BLAH. 16155Pite. iv. 2.¥1. vie. avi. am. 2.Vle. 2.Mle 2.00. OH. 1615s4.Vle. 1.Vle av 2. Vie. BLAH. 16155Vivacissimo, ¢ ca 176 127 .vL 2M. 1.Vle. 2.¥le. 2.Vle. 2.00. \ Presto strepitoso, J Lf 2.¥1. 4.¥le. 1.Vie. 1.00. 2.Vie B&H. 16155128 ov. av. ive. ive. Lc, av. av. Bvi 2.vle, 2.0. av. am. a1 1Vle. 1.00, av. 2.Me. 2.Vic. ov. 8. AH. 16155‘Timp. Pite. ov. av. ave. avie. 4.00. av. av. 2.Mie. 2.Vie. om BLAH, 16155130 @)Molto moderato, } ca 144 Timp. wf cel. Pte. avi. av. Avie. Ame. 1.00. av. B ie av Srmolto expr. aVie. Srmolto espr- 2M. Somolta © espr- 2.00. f B. RH. 16155131 Timp. cel. Pite. av. av. avi Vie. 10d, av. av. 2.Vle. 2.Vie. 2.00. B&H. 16155132 Timp. Pre. im. Smottoespr. am. frmolto eapr. vie. Frmoltoespr. t.vie, fuaitBeork REE tov. avi. av 2.Vie. 2VIe. acy, BLAH. 16155BLAH. 16155134 Timp. Pite. 4.vi. 2V1. 1.Vie. 1.Vie. 4.06, 3.VL. avi 2.Vle. Vie. 2.00, B.&H, 16155avi avi 1.vie. 4.Vie. svi. av. 2.Vle a.Vle. Av 2.vi. Vie. 4.VIe. av. au. 2.Vle. 2.Vle. 2.00. BL aH. 16155136 [230]rallent. A - al Adagio, 2 ss pacientes am. sempre av = A.Vle. pm #| sempre PD, vie. — — 1.00. am. an. ame. amie. “P Z ® oo Allegro, d ca 116 ime! Pr pguprareato ame. Dima marcato am. am. 2.Vle. Bie. BAH. 16155avi av. 1.Vle. 1.vle. 2.Vle. a.viel avi. av. Avie, ime. svi. ami. 2Me. ave. 137 we inf, marcato ———| a mp, marcato ‘mp, marcato ———_—_—— accelerando _ S erese. | S. crese. © ae 7 a B&H. 16155138 Calmo, J ox 72 rallentando - - = molto ‘simile cel. a jttmile Arpa am. am. ame, Ame. 1.00. am. aml. ave. 2Me. 2®@ Vivacissimo, stretto, d ca 140 av. 21. 2.Vle. 2cb. B&H, 16155139 1vi 2.v1,] 1.vie.| 1.Vie, 1.00. 3.v1. 2.vle, 2.vie,| 2.00. Tempo | d ca 180 \ Bl Prte. LVL 2.VL. vie. 4M. 1.00. 3.¥1. avi. ame.| 2.Vle. 2.0b. : PEE ert140 BAH. 16155141 ‘Timp. Phe. 1. 1Me. 4. Vie. 3M. au. 2.Vle. 2.Me. 2.08. f BAH. 16155142 Prte. vi 2M. Me, 1.Me. aM. au. Me. ave. 2.0b. F771 Sane an Dun SEEDS ERODE EERE UREA EREEEEEES B&H. 16155@Meno MOSSO, J ca 100 ane sempre rallenrando - 7 - - - - Arpa, im) pit f, copr. au. 1Me. pia fiespr. 2.VIe. pin fienpr av. 4v. 2.Vle. 2.vIe. pint B. aH. 16155144 - - += = ~al hargo a tempo allarg. atempo e100 (d 100) d 100) Timp. Arps Phte, 1. 2M. 1 ve 1. Mie. Lb. 3.ML ay 2.Mie. 2.vIe. 20d. Durée dexécution: ea BB 407 BAH. 16155