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L’Oréal
Multi-Brand Architecture
The L’Oréal Group, one of the world’s leading cosmetics conglomerates, serves as an astounding example for the
study of brand architecture, with its amazing maze of brands and sub-brands in a diverse range of beauty and
personal care products. Over the years, L’Oréal has acquired a number of companies, thus bringing into its fold
numerous “corporate brands.” Each of these corporate/umbrella brands in turn has several range or line brands and
sub-brands in various product categories. Several of the companies have overlapping products, but are positioned
differently so that the L’Oréal Group as a whole reaches out to the widest possible range of consumers across all
market segments. Keeping the individual corporate brand names distinct helps the Group address the premium, mid-
range and economy markets simultaneously, without facing the problems of brand dilution and customer confusion.
Introduction
Brand Architecture
Brand Architecture refers to the way
a company structures its brands.
Some of the strategic issues that
brand architecture addresses are:
handling of acquired brands, inte-
gration of various brands, choice be-
tween umbrella and individual
brands, and the structuring of brands
as part of the marketing mix. The
type of brand architecture that a
company would follow depends on a
variety of factors including depth
and breadth of the product mix, the
extent of geographic coverage, the
product category, characteristic buy-
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ing behavior, if any, and so on. Here,
we look at how L’Oréal has devel-
oped its brand architecture and used
it as a strategic tool for nurturing a which soon afterward became try, i.e., France. L’Oréal is known as a
large and successful global business. L’Oréal. By the 1920s, the company house of diverse corporate and um-
had extended its business to a num- brella brands which include L’Oréal
The Origins of L’Oréal ber of countries in Europe, North and Paris, L’Oréal Professionnel, Garnier,
L’Oréal’s story began in 1907 when South America, the erstwhile Soviet Maybelline, Matrix, Biotherm,
Eugène Schueller, a young chemist, Union and the Far East. RedKen, SoftSheen Carson,
formulated the first synthetic hair Lancôme, Helena Rubinstein,
dyes in his kitchen, and sold them to A Plethora of Brands Cacharel, Shu Uemura, Giorgio
hair salons in Paris under the brand Currently, the L’Oréal Group has op- Armani, Ralph Lauren, Vichy and
name Auréole. Within two years, he erations in over 130 countries and many others. Each of these umbrella
established the Société Francaise des more than 80% of the Group’s sales brands, in-turn has under its fold nu-
Teintures Inoffensives pour Cheveux, are generated outside the home coun- merous range, line and product
Exhibit 1: L’Oréal’s Multi-brand Matrix Architecture Showing the Major Master Brands That L’Oréal has divided its busi-
ness into product-based divisions,
Consumer Products Division Luxury Products Division
rather than dividing it on geo-
† L’Oréal Paris † Lancôme † Giorgio Armani graphic basis clearly indicates that
† Garnier † Biotherm † Ralph Lauren it is the products and brands that
† Maybelline New York † Helena Rubinstein † Cacharel form the focus of the business and
† SoftSheen Carson † Kiehl’s † Victor & Rolf not geographic regions. This ap-
proach lays the foundation for a
† Le Club des Créateurs de Beaute † Shu Uemura † Diesel
brand architecture, wherein um-
Professional Products Division Active Cosmetics Department brella and range brands play an im-
† L’Oréal Professionnel † Vichy portant role.
† Kérastase † La Roche-Posay
Analysis of the Brand
† RedKen 5th Avenue NYC † Innéov
Architecture Design
† Matrix † SkinCeuticals
† Mizani Divisional Architecture Based
brands. In effect, the brand architec- umbrella brands under this division - on Target Markets
ture that we have is what one may L’Oréal Professionnel, Kérastase, L’Oréal has classified its business into
call a multi-brand matrix, with a hi- RedKen 5th Avenue NYC, Matrix and different divisions based primarily on
erarchy of brands which target differ- Mizani. the target market segments, rather
ent groups and levels of clientele (Re- The Luxury Products Division of- than on product categories. The
fer Exhibit 1). fers up-market premium products to brand architecture is designed in
consumers. The major master brands such a way that different umbrella
Multi-brand Matrix Architecture are—Lancôme, Biotherm, Helena brands are focused on each segment,
Under Four Groups Rubinstein, Kiehl’s and Shu Uemura. thereby creating synergy, clarity and
The L’Oréal Group’s business is The world’s top perfume brand like leverage, in spite of apparently hav-
broadly classified under three divi- Giorgio Armani, Ralph Lauren, ing several competing brands in the
sions – the Consumer Products, Pro- Cacharel, Victor & Rolf and Diesel same product categories. Consumers
fessional Products and Luxury Prod- also form part of this division. This from diverse socioeconomic and cul-
ucts divisions; and one department – division’s products are mainly sold tural backgrounds are thus able to
the Active Cosmetics department. through department stores, travel re- find products suitable to their tastes
The Consumer Products Division tail outlets, perfumeries, and the re- and spending power, without conflict
offers a range of competitively priced spective brands’ own boutiques. or confusion.
hair care, skin care, make-up and The Active Cosmetics Department
perfume products. The most promi- offers skin care, sun care, hair care Focus on Distinct Identity and
nent international brands in this divi- and make-up products. It has three Image of Individual Brands
sion are — L’Oréal Paris, Garnier, prominent brands under its fold— L’Oréal also focuses regularly on
Maybelline New York, SoftSheen Vichy, La Roche-Posay and Innéov strengthening the meanings of its
Carson and Le Club des Créateurs de plus the SkinCeuticals range. These brands and fully exploits the advan-
Beaute. These are distributed products are sold through pharma- tages which are rooted in the indi-
through mass-market retail outlets. cies and specialist retailers. They of- vidual brands. L’Oréal has established
The Professional Products Divi- fer consumers proven safety and ef- distinct identity, image and signage
sion serves hairdressers by providing fectiveness, supported with profes- for each of its brands so as to build a
products to meet the requirements of sional advice from pharmacists and close relationship with the relevant
salon professionals and salon cus- dermatologists. target markets. For example, custom-
tomers. There are five major ers have come to associate Lancôme
Author’s Profile
with stylish combination of elegance,
R Harish, Faculty Member, The Icfai Business School, Bangalore. The author can be charm and daring. Helena Rubinstein
reached at harishr58@gmail.com is perceived as a cosmetics pioneer,
which combines cutting-edge science
with the art of femininity, glamour, always begin at the top with luxury L’Oréal also adopts different ad-
high-performance and luxury. Garnier brands, which are then modified to vertising and promotional methods
fulfills the aspiration of natural beauty penetrate downwards into different according to the brand’s position in
for the masses. price levels and markets. The devel- the market. The mass brand
opment of multiple products on the Maybelline is promoted mainly
Emphasis on Cultural Origins same technology platform reduces through TV advertising and brand
and Diversity of the Brands the overall cost. The company thus ambassadors. La Roche-Posay, the
L’Oréal embodies cultural diversity takes advantage of spreading the brand positioned at solving skincare
and captures the cultural cachet of benefits of a strategic investment problems, is promoted through der-
different countries in its brands. across different product divisions. For matologists, skincare specialists and
Many of L’Oréal’s star brands are example, L’Oréal first introduced a professional beauty salons. L’Oréal
from different cultures, whose dis- break-through anti-ageing formula Paris relies to a significant extent on
tinct identities and cultural origins in 1986 under the prestigious public praise by professional cosmet-
have been promoted to advantage Lancôme stable, as Lancôme ics consultants.
by the company. This marks a con- Niosôme. This was then imple- L’Oréal has created a brand ma-
scious departure from the common mented under the Vichy brand and trix with a strong power of integra-
practice of multinationals trying to eventually extended quite success- tion. Thus, new brands merge into
harmonize and standardize their fully to the consumer products divi- the existing structure taking full ben-
products and brands for global mar- sion as L’Oréal Plenitude. Leveraging efit of available resources, related to
kets. core technology platforms across both technology and marketing.
The most prominent example is brands, thus optimizing on develop- The company leverages upon the
that of Maybelline New York, whose mental cost and reducing wastage of strength of its brands and advertises
cultural association with its country resources, is an important factor in brands rather than the products. It
of origin was strengthened by L’Oréal successfully managing a complicated focuses on building a strong relation-
after its acquisition. As a result, brand architecture having a multi- ship between the brands and the mar-
Maybelline’s sales rose dramatically. tude of brands marketed widely ket segments that they are targeted
It was also pushed into more than 90 across the world. at. In effect, L’Oréal emphasizes on
countries, positioned as an brands rather than on product fea-
aspirational brand from the US. It Aligning the Brand Architecture tures, and thus uses brands as strate-
soon became a stylish global brand with the Marketing Mix gic marketing tools. The value of a
for women all over the world, from Brand architecture is a sub-set of the brand lies in its ability to be hedonis-
being merely a regional brand ear- larger view of the marketing mix. It tic. It also reduces perceived risk and
lier. Currently, around 50% of is closely allied with the marketing generates much more customer value
Maybelline’s sales revenue comes practices and distribution channels. as compared to an equivalent prod-
from outside the US. Each product division has many uct, which too may otherwise have
L’Oréal’s brand architecture pro- brands and sub-brands, and their dis- the same level of utility, quality and
vides a platform for a diverse variety tinct identities are maintained various tangible features.
of brands by letting each brand re- through conspicuously different
tain its specialty and specific target packaging, image and advertising. Integrating Acquired Brands
markets; while at the same time fit- The luxury brands are sold strictly in into the Brand Architecture
ting into the overall brand matrix. selected up-market outlets. Profes- Firms that aim for strengthening
While retaining umbrella/range sional products are sold through sa- their market position internation-
brands as endorsers, many individual lons and hair dressers. Active cosmet- ally, tend to make acquisitions and
brands are promoted under various ics products are distributed through hence bring in new brands into their
products. pharmacists. The products which brand architecture. L’Oréal has con-
generate maximum revenues—the tinuously pursued the strategy of ac-
Leveraging Core Technology consumer products—are sold quiring well-positioned brands in
Platforms Across Brands through mass market retailers such related businesses, from different
L’Oréal has a strong research and de- as super markets and department geographic regions. The acquisition
velopment network. Its innovations stores. of the American brand Maybelline
and the Japanese brand Shu Exhibit 2: L’Oréal’s Consumer Products Division – Major Master Brands
Uemura are prominent examples.
This strategy also helps compete ef-
fectively with strongly entrenched
local brands and gain access to lo-
cal distribution channels in different
markets.