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Comments:: BILLIE JEAN/SMOOTH CRIMINAL:: Page 1

Title:BILLIE JEAN/SMOOTH CRIMINAL


Subtitle:originally by Michael Jackson
Instructionsquarter note= 117
Author:arr. by Stacy Rechelle Lear
Copyright:April 1997
Keywords:
~ ~ ~
* Basses should truncate their notes, singing them with accents, instead of holding them straight out to their
written value.
* Two Sopranos should split to the alternate soprano line when it appears in the music.
*In the other lines where two parts are written on one track, have one singer sing the part very stylistically.
* You may wish to add a one beat rest between measures 96 and 97 to facilitate a smoother transition back
into Billie Jean
* In measure 97, have the background singers hit the dotted half note very hard and loud, back off almost
to the point of silence and then have a *huge* crescendo to get the best effect
* have anyone who is holding a sustained whole note or two whole notes to do the 'clothespin' effect of a
crescendo followed by a decrescendo
* start hand claps at measure 113 on beats 2 and 4 - if you have enough singers, adding in cool vocal
percussion parts from here to the end will help spice the piece up. Try not to have the basses doing
percussion however, since their parts become more important here.
* in measures 113-117, bring the bass 2 line out as loudly as possible, but don't cover up the soloist and
'smooth' soprano.
BILLIE JEAN/SMOOTH CRIMINAL
quarter note = 117

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Ohe fDtJS more /ike a beauty queen
Cfrom a mooie scene
9 said don' I mind bul rohai do you mean
9am !he one
CUJho will dance on !he floor in !he round
ohe said9 am !he one
CUJho will dance on !he floor in !he round
ohe fold me her name fDtJS CBillle 8ean
9ls she caused a scene
'17:xm eoery head fumed
CUJiib eyes !hal dreamed
Of being !he one
CUJho would dance on !he floor in !he round
CfJeople alfDtJys fold me
CBe carefol rohal you do
CJJon 'I go around breakin' young girls' hearls
9lnd molher alfDtJys fold me
CBe carefol who you looe
CBe carefol rohal you do
'Cause !he lie becomes !he lrulb
9fey, CBillle 8ean is no/ my looer
ohe's Jus! a girl who says !hal
9am !he one
CBullhe kid is no/ my son
ohe says 9 am !he one
CBullhe kid is no/ my son
Cfor foriy days and for foriy nlgbls
Cfbe law fDtJs on her side
CBul who can sland when she's in demand
9/er schemes and plans
'Cause we danced on !he floor in !he round
Oo lake my slrong adoee
8usl remember lo alfDtJys lhink lu:Jce
CJJo lbink lu:Jce
ohe fold my baby we'd danced 'HI/ line
'17:xm she looked al me
'17:xm showed a pholo my baby cried
9/is eyes were like mine
'Cause we danced on !he floor in !he round
93tllie f}eank5moolb Criminal
*** originally by 9rlichae18ackon ***
Cf>eople alfDtJys fold me
CBe CNrifo/ rohal you do
CfJoo'lgo around hreakin' young girls' hearts
Obe CDme and slood rigbl by me
Cfben !he smeU of sweel perfome
Cfbls bcppened much lao soon
ohe caUed me lo her room
9/ey, 9lnnte are you okay
'lJJIII you leD us !hal you're okay
Cfbere's a sign in !he window
crbol he slruck you a aTISCendo 9lnnle
9/e came hlo your DptJrimenl
9/nd left !he bloodslains on !he carpel
Cfhen you ran hlo !he hedroom
CJ}ou IDf!1T! slruck doiUI ff a:w your doom
9lnnie are you okay
9leg 9lnnie are you okay
9lre you okay 9lnnie
9lnnie are you okay
9/ey 9lnnie are you okay
9lre you okay 9lnnle
9lnnie are you okay
9/ey 9lnnie are you okay
9/re you okay 9lnnle
CJ}ou'oe been bii by
CJ}ou'oe been bii by
9l smoolb criminal
CfJeople alfDtJys fold me
CBe CNrlfo/ rohal you do
CfJon'l go around breakin' young girls' hearls
9lnd molher alfDtJys fold me
CBe CNrlfo/ who you looe
CBe CNrlfo/ rohal you do
'Cause !he lie becomes !he lrulb
9/ey, CBillle 8ean is no/ my looer
ohe's jus! a girl who says !hal
9amlheone
CBullhe kid is no! my son
CBillle 8ean is no/ my looer
ohe's Jus! a girl who says lbal
9amlheone
CBullhe kid is no/ my son
ohe says 9 am !he one
CBullhe kid is no! my son