Robben Ford

Busted Up
Words & Music by Robben Ford
F7
Bb7
E7#9
D7aug#9 C7aug#9
Gtr. 2 cue
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clean sound
Drums
Gtr. 1
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C7sus4
q = 128
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w/wah
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Copyright 1993 Tamale Music/Geffen Again Music/MCA Music Publishing (a division of MCA Incorporated), USA.
Universal/MCA Music Limited.
All rights in Germany administered by Universal/MCA Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Sorgdal
Digital Conversion 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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1. Bust - ed
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$ Verse
F7
up
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o - ver you.
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up
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Bust - ed
Sorgdal
(Verses 2 and 3 see block lyrics)
o -
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F7
- ver
Well you
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leave
the
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be
friend - ly,
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bust - ed
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up
o - ver
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hind,
that aint too
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To Coda
C7aug#9
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rest
want
and you
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what you
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take
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you.
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1.
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you.
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3
Sorgdal

2. Bust - ed
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Solo
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you.

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with - out your
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lov
in,
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Dont wan - na do
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dont wan - na do
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with - out the
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Clean funky rhythm
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Sorgdal
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fun
we
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Why you got - ta be such a

With wah-wah
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had.
D7
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heart
break
- er?
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D.S. al Coda
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You
C7sus4
made me love you, now youre
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gone,
gone,
C7sus4
C7
gone.
(Mm)

3.Bust - ed
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With wah-wah swells
With wah-wah
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Coda
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you.
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full
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Sorgdal
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Eb5
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G7
Eb5
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Repeat to fade
Continue ad lib. solo
Verse 2
Busted up over you,
Hey, busted up over you.
Well, you open up the door
And you slam it in my face.
That aint too friendly,
Mm, busted up over you.
Verse 3
Busted up over you,
Im busted up over you.
Well you tell me Im the one,
But you break me like a fool.
Its not too friendly,
Mm, busted up over you.
9
Sorgdal
from Keep on Running
Canonball Shuffle
Written by Robben Ford
A
Moderate Shuffle q = 128
=
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*Chord symbols reflect basic harmony.
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2003 TAMALE MUSIC (BMI)/Administered by BUG MUSIC

All Rights Reserved Used by Permission
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Sorgdal
Comin Up
By Robben Ford
A
Moderately
= 120
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*Two gtrs. arr. for one

**Key signature denotes B Dorian.
Chord symbols reflect basic tonality.
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Copyright 1997 by MUSIC CORPORATION OF AMERICA, INC., MCA - GEFFEN AGAIN MUSIC and TAMALE MUSIC
All Rights Controlled and Administered by MUSIC CORPORATION OF AMERICA, INC.
International Copyright Secured All Rights Reserved
MCA Music Publishing
full
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(14) (14)
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X
X
11
8
6
8
10
8
6
8
6
6
8
11
X
X
9 11 13 12 11
8
6
X
X
8
6
X
X
11
8
6
14
(14)
8
6
X
X
X
X
16 18
8
6
X
X
8
6
X
X
8
6
X
X
8
6
X
X
14
13
14
16
6
8
6
6
8
6
B 5
full
13
14
(8) 6
8
6
8
8
X
6
6
4 6
8
6
8
6
8
6
8
6
8
6
6
8
6
8
8
6
6
6
4
8
6
8
6
8
6
8
6
73
Sorgdal
B7
E 7 9
1/4
12
14
12
9
7
13 14
9
7
11
12
12
14
9
7
9
7
16
9
7
14
14
9
7
14 14 15 14
9
7
7
7
14
16
F7 9
9
7
9
7
9 9
7 10
9
7
12
11
9
7
9
7
10 (10)
9
7
9
7
9
10
11
11
8
6
9
7
9
7
18
21 18
8
6
B 5
8va
1/2
11
11
11
11
8
6
X
X
8
6
X
X
8
6
X
X
1/4
(9)
8
6
X
X
10
10
8
X
X
10
8
11
11
16
18
21 18
8
6
8
6
8
6
6
4
8
6
8
6
8
6
18
8
6
C
B 5
8va
loco
1/4
20
18
20
1/2
18
13
15
13
15
8
6
15
13
15
8
6
14 16 18 17 16
14
Harm.
8
8
X
74
Sorgdal
8
8
6
6
X
X
X
8
6
8
6
8
8
6
X
8
8
8
6
8
6
8
6
8
8
6
6
6
6
full
13
8
8
14 16
15
8
8
full
(16)
full
(16)
8
8
14
15
14 16
16
18
16 14 16
8
8
X
X
8
6
14
X
X
(14)
8
8
8
6
10
X
X
X
X
6
6
8
6
8
6
8
6
6 8
6 8
6
6
8
6
E 7
8
6
6
6
8
8
X
8
6
(9)
11
8
6
X
X
8
6
X
X
11
X
X
10
8
6
X
X
11
8
6
X
X
9 11 13 12 11
X
X
8
6
X
X
X
X
11
8
6
14
X
X
6
8
6
B 5
8va
loco
full
16
(14) (14)
X
X
X
X
6
8
6
X
X
6
8
6
6
8
6
X
X
18
6
8
6
18
10
16
8
8
14
6
6
16
15
8
8
9
10
(15) 13
8
8
8
6
8
6
8
8
8
8
8
8
8
8
8
8
75
Sorgdal
D
A 7sus4
full
1/2
9 6
8
6
X
X
8
8
8
8
6
6
1/4
8
6
8
6
8
8
8
8
9
9
8
(8) 18
8
8
8
8
6 6
6 6
6
4
9
9
8
6
4
9
9
8
6
4
6
4
9
9
8
6
4
6
4
9
9
8
6
6
9
9
8
6
6
B 5
9
9
8
6
4
6
4
X
X
11
9
8
6
4
X
X
9
9
8
6
4
9
9
8
X
X
6
4
9
9
8
X
X
6
4
X
X
6
4
9
9
8
11
X
X
6
4
X
X
8
8
8
8
9
9
8
8
8
Sorgdal
X
X
8
8
8
6
8
6
18
18
8
6
8
6
loco
(18) 16
76
A 7sus4
8va
16
(11)
8
6
6
6
8va
11
6
4
11
9
8
6
6
X
8
8
8
8
8
8
8
8
8
8
6
4
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
11
9
8
F5
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
9
9
8
6
6
11
9
8
6
6
6
6
6
4
6
6
11 13
10
13
11
10
5
3
8va
1/4
(9)
11
X
X
X
X
full
11
X
X
full full
1/4
(11) 9
X
X
2
2
0
13
15
3
3
1
X
X
16
13
3
3
1
X
X
3
3
1
16
(16)
3
3
1
X
X
X
X
full
16 16
16
3
3
1
full
3
3
1
X
X
full
16 16
16
B 5
8va
loco
let ring
full
(16)
(16) 13
5
5
6
1/2
16
16
1/4
16
14
14
15 13 15
13 15
8
8
X
6
10
6
6
X
15
15
6
6
X
8
6
77
Sorgdal
rake
full
full
8
6
15
14
14
full
14
11
13
6
6
8
8
8
6
8
6
8
6
6
6
8
8
14
15
8
6
(14)
6
6
8
8
8
6
E
B 5
1/2
6
6
8
6
9 6
9 6
6
6
9 6
8
6
1/4
6
8
6
9 6
8
6
8
6
1/2
9 10
1/4
8 6
8
6
9 6
8
6
8 10
6
6
8
6
let ring
8
6
1/2
8 6 8
1/4
8
6
8
6
8
6
P.M.
6 8
6 8
6
6 7
8 6 6
8
8 11
8 11
let ring
78
Sorgdal
8
6
8
6
8
6
6
6
8
8
8
6
8
6
8
6
8
6
8
6
6
6
8
8
8
8
6
6 7
6 8
6
6
10
8
8
8
8
8va
full
1/2
9 11
11 13 11 12 11 12 11
14
11
full
14
(14)
14
1/4
14
11
10
16
13 10
14
13
6
6
X
X
X
X
8
8
X
X
6
6
full
13
11
6
6
8
8
6
X
X
X
X
X
X
X
X
8
8
X
X
8
8
F 5
8va
loco
1/4
16
(16)
1/2
18
14 16
13
15
18
16
1/2
16 14
16
15
1/2
15
14
17
14
14
15
14
14
16
16
6
6
8
8
8
8
8
8
8
8
8
8
8
6
8
8
8
8
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
A5
full
14
4
2
15
4
2
14
17
6
2
14
1/4
16 14
16 16
4
2
4
2
6
2
14
6
2
1/2
17
17
2
4
2
4
14
17
(17)
2
2
0
14
4
0
2
0
79
Sorgdal
1/2
(14)
(14) 12
2
0
2
0
14 12
14 12
4
0
4
0
14 12 10 (10)
5
0
4
0
2
2
0
5
0
4
0
10
9 12
2
2
0
11
4
0
10
11 12 11 9
12
11 12
9 11 12
10 12
10 14 10 12 10
2
2
0
4
0
2 2
2 2
0 0
14 12 10 11
2
2
0
F 5
1/2
14
12 14
4
2
4
2
1/2
(16)
16
1/2
(16) 14 12
4
2
6
2
14 12
12 10
6
2
11 9
11 9 10 9
4
2
4
2
12 13 (13)
2 2
6
2
12 9
12
4
2
4
2
4
2
11
12
9 11
4
2
8 9
11
4
2
4
2
8 9 11
9 11 12
4
2
4
2
1/2
11 9
4
2
80
Sorgdal
11 10 9
4
2
6
2
11 9
12
11 9
10
10
9
10
10
7
8
7
8
9
10
9
10
12
10
12
10
12
9
5
5
5
6
7
7
5
12
5
5
6
7
7
5
5
5
6
7
7
5
5
5
6
7
7
5
7
5
9
5
9
5
7
5
7
5
9
5
7
7
5
B 5
8va
full
7
8
9
10
9
10
10
12
10
12
12
14
12
14
14
15
14
15
15
17
15
17
16
18
7
5
9
5
9
5
7
5
7
5
9
5
full
16
16
16
16
16
6
6
7
7
5
full
16
9
5
6
6
6
6
8
8
7
5
8
8
X
X
*vib. on 2
8va
16
16
16
8
6
18 17 14
16
8
6
1 1/2
full
full
(22)
22
15
(15)
15
8
6
8
6
8
8
1/2
22
22
8
6
1/4
8
8
6
1/2
1/2
18
15
16
18 21
8
8
8
8
15
16 (14)
8
8
15
15
13
8
8
8
6
6
6
X
8
6
F
B 5
loco
13
8
6
8
6
8
6
8
6
8
6
8
8
8
8
6
6
X
X
8
6
X
X
8
6
X
X
8
6
X
X
8
6
X
X
8
6
8
6
8
6
13
13 15
15
8
6
8
6
8
6
15
8
6
8
6
13
8
6
81
Sorgdal
1/2
15
14 16 18 17 16
full
14
14 16
15
13
6
6
8
6
8
8
6
8
6
8
6
8
8
8
8
8
6
1/2
8
6
82
Sorgdal
14 16 18 17 16
15
14
16
8
8
10
8
8
14 16
16 14 16
18
14
(14) (14)
6
6
8
8
9
8
6
1/4
8
6
full
15
full
(16)
8
6
6
6
8
6
full
(16)
6
8
X
X
13
9
10
14 14
9
10
6
6
8
8
X
X
8
8
8
8
6
8
8
6
8
8
6
(14)
9
10
X
8
8
13
13 15
15
8
8
15
8
8
13
1/4
full
14
9
10
13
8
8
8
6
8
6
11
8
8
11
8
8
8
8
11
11
10
11
10
6
6
X
8
6
6
8
X
8
X
6
X
1/4
10
11
full
6
6
6
6
8
8
6
6
8
8
8
8
6
6
8
8
6
6
6
6
6
6
full
(8) 6
6
6
6
6
8
6
6
6
6
6
8
8
6
6
8
8
6
4
full
(8)
full
(8) 6
6
6
8
8
full
(8) 6
full
(8)
8
8
full
(8) 6
(8) 6
full
8
8
(8) 6
8
8
8
8
8
8
6
X
X
X
X
Begin Fade
full
full full
full
1/2
6
6
8
8
(8)
8
8
(8) 6
8 6
X
X
8
6
9 6
6
6
6
6
(8)
8 6
(8)
(8)
9 6
1/2
8 6
6 9
8
6 8
6 9
13
8
8
6
6
X
X
8
6
X
X
8
6
X
X
X
X
8
6
8
6
10
8
8
83
Sorgdal
1/2
8
8
full
8
8
10
6
6
6
8
8
8
6
6
6
6
6
6
8
8
8
8
8
8
8
8
8
6
6
6
8
8
8
6
6
6
16
8
6
8
6
14
15
15
6
6
6
8
8
8
6
X
X
8
8
8
8
6
X
6
X
X
8
6
16
8
6
1/2
16
8
8
full
16
(6) 15
(16)
16
full
16
full
8
8
1/2
(16)
16
full
(16)
16
8
8
X
X
1/4
16
8
8
1/2
16
14
16 14
8
8
X
X
X
X
16
8
8
X
X
8va
full
16
(16)
1/2
1 1/2
(16) 14
full
(18) 16 14
18
(14)
1/2
18
14
13
6
6
84
Sorgdal
8
6
6
6
8
8
6
6
6
6
5
5
5
5
15
15
17
16 18 14
17 16
15
8
8
18 16
16 14
6
6
17
8va
1 1/2
1/4
15
13
full
1/4
15
13
(15)
16
13
16
15
13
15
12
13
16
14 15
15
18
full
21
6
6
6
6
8
8
8
6
(21)
21
8
6
8
6
8
6
8
6
8
6
8va
loco
1/2
21
1/2
(21)
8va
(21)
8
6
full
(21)
18
20 18
20
6
6
6
full
10
21 18
20
8
8
8
6
grad. bend
1/4
dont pick
1/2
(0)
loco
11 11
(11) 9
11
11 9
9
6
6
8
8
1/4
8
8
8
8
6
6
8
8
8
8
6
6
8
8
8
8
6
6
7
8
8
8
8
Fade Out
1/2
9
10
8
8
1/2
8
8
full
8
8 6
1
4
6
6
6
8
X
8
8
8
8
8
8
8
8
8
6
8
8
6
6
8
6
8
8
6
6
6
6
8
6
8
8
6
6
85
Sorgdal
Freedom
By Robben Ford
A
Ballad
= 82
*C69
Gtr. 1 (clean)
(drums)
Em7
Am7
Am11
Bm7
Cmaj9
Em7
Am7
Am11 Bm7
**
w/ reverb
3
3
2
2
3
4
X
X
3
3
0 10 10 X 7
0 8 8 X 7
9 9
5
5
X
X
3
4
10 10
8 8
9 9
5
5
*Chord symbols reflect implied tonality.
**w/ tremolo effect

set for eighth note
regeneration.
band enters
Cmaj7
Em11
Am7
Am11
Bm7
tremolo off
X
X
X
X
3
3
3
4
X
X
10 10
8 8
9 9
5
5
7
7
7
7
Cmaj7
Em11
w/ tremolo
tremolo off
7
7
7
7
3
3
Am7
3
4
5
5
Am11
Bm7
10 10
8 8
9 9
7
7
7
Chord symbols reflect overall tonality.
B
Cmaj7
Em9
Am7
w/ pick & fingers
8
9
(9)
7
7
(9)
(9)
Robben often plays phrases with his fingers for tonal variations.
Em7
Am7
7 8 7 5
(7)
Bm7
7 9
Cmaj7
Em7
8
9
7 9
Am7
15 12
15 12
15
17
15 12
14
14 16
Sorgdal
Em9
12
7 9
(9) 7
14
15 14
27
Am7
12
Em9
12
(12)
12 17 12
12
15 12
14
Am7
16
14
14
12
Em9
14
(14)
Bm7
8
9
(9) 7
Cmaj7
A7sus4
3
7 8 7
10
C
G7 9
grad. cresc.
(10)
X 10
5
6
4
0
Cmaj9
6
6
3
3
3
1
N.C.
5
5
5
3
(10)
X
X
X
0
N.C.
5
3
10
X
X
X
X
X
X
X
X
5
5
5
3
G7 9
3
1
6
6
4
X
5
3
Em7
X
X
X
3
3
3
X
X
X
N.C.
3
5
5
5
3
X
X
X
X
X
F5
G7 9
3
1
6
6
4
X
5
3
X
X
X
N.C.
Am7
X
X
X
N.C.
F5
X
X
X
F5
G7 9
3
1
6
6
4
X
5
3
1/4 w/ slight dist.
1/2
X
X
X
Am11
Bm7
Cmaj9
10 10
8 8
9 9
7
7
7
3
3
X
X
X
X
X
X
Em7
3
3
3
1
X
X
X
X
X
X
X
X
5
5
5
3
N.C.
5
5
5
3
3
3
3
1
X
X
X
X
X
X
G5
X
X
X
X
X
X
3
0
0
X
3
Am7
Am11
Bm7
10 10
8 8
9 9
7
7
7
w/ clean tone
3
3
28
Sorgdal
3
4
5
5
3
4
5
5
5
5
5
3
Cmaj9
Em7
3
3
Am7
3
4
Am11
X
X
10 10
8 8
9 9
5
5
Bm7
Cmaj9
Em7
w/ tremolo
tremolo off
7
7
7
7
3
3
Am7
Am11
Bm7
w/ tremolo
3
4
X
X
10 10
8 8
9 9
5
5
7
7
7
7
E
Cmaj7
Em7
Am7
tremolo off
(9)
Em9
Am7
7 8 7 5
8 7 5
Bm7
(9)
Em9
9
7
(9) 7
Cmaj7
Am7
Em9
full
7 9
12
7 9
7 9
(0)
12
Em9
12 15
12
12
15 12
12
15 12
14 16
Em9
17
12
14
14 16
15 12
15
(15) 12
14
12
14
14
16
Am7
14 12 12 14
12 14
12
12 15 12 15
14 14
14 16
12 15 12
Cmaj7
15
14 16
15 12
12
Bm7
15 12
12
(9)
Am7
15
15 12
9
X
7
10 12
X
7 9
A7sus4
11 10
X
8 7
8
X
5
29
Sorgdal
F
G7 9 N.C.
N.C.
F5
G7 9
3
1
6
6
4
X
5
3
w/ slight dist.
X
X
X
7
X
5
9
X
7
9
X
7
N.C.
X
X
6
6
4
X
5
3
12 (0)
X
10
3
3
3
1
X
X
X
N.C.
5
5
5
3
9
X
7
6
6
4
5
3
9
X
7
X
X
X
F5
G7 9
3
1
6
6
4
X
5
3
X
X
X
X
X
X
N.C.
5
5
5
3
X
X
X
3
3
3
1
X
X
X
X
X
F5
G7 9
3
1
6
6
4
X
5
3
X
X
X
N.C.
5
5
5
3
X
X
X
X
X
X
5
5
5
3
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
5
5
3
N.C.
3
3
3
1
X
X
X
X
X
X
X
X
X
5
5
5
3
G5
3
3
3
1
X
X
X
X
X
X
3
0
0
X
3
G
Cmaj7
Em7
14 16
15
Am7
14 12 14
12
14
Bm7
12 14
12 14 12
Bm7
14
Cmaj7
12 14
Cmaj7
12
12 14 12
Em7
14
12
Em7
13 12 10 12 10
Am7
(10)
Am7
Bm7
w/ pick & finger
1/2
Cmaj7
1/2
(8)
Em7
7
7
Am7
(7)
Bm7
10
12
Cmaj7
12
10
Em7
8va
10 12
Am7
1/2
full
(12)
30
Sorgdal
(12)
10
(10) 8
18
9 7 9
(7)
13
15
17
15
17
16
14 12 14
Bm7
Cmaj7
Em7
Am7
Bm7
loco
1/2
12
full
11 12 15
15
14
12
15 12
14
14
Cmaj7
Em7
(14) 12
Am7
12
14
12
12
14 12
14 12 14
Bm7
12
(15) 12
14
14
14
12
10
Cmaj7
Em7
Am7
1/4
4 2 4
Bm7
Cmaj7
7
8
Em7
Am7
Bm7
8va
w/ dist.
1/4
12
7
7
9 7
10
10
Cmaj7
10 10 12
12 15
Em7
12
12
15
14
12
1/4
15 12
14 12 14
12
Am7
12 14
14
12
Bm7
loco
13 12 10 12
Cmaj7
12
Em7
Am7
rake
1/2
15
14
12
8va
1/4
12
full
15 17
18
15
Bm7
15 12
15
17
12 15
Cmaj7
14
12
14
14 12
Em7
14
14
16
14
16
(16)
12
14
Am7
14
Bm7
8va
full
12
12
14
12 14
8 7
10
Cmaj7
10 7
10
12
Em7
10 12
12
14
12 14
12
12
14 15 14 12
14 15 14 12
15
14 12
14 12 14 12
14 12
Am7
full
15
15
15
Bm7
8va
full
15
full
15
(15)
full
(15) 15
full
12
15
12
15
1/2
(15) 12
16
1/2
full 1/2
(16)
(16)
15
18
1/4
15
17
15
17
16
31
Sorgdal
Cmaj7
Em7
Am7
Bm7
Cmaj7
Em7
Am7
8va
w/ delay
full
17
17
20
15
15
14 12 14 12 14
full
20 (19) 17
20
12
Bm7
Cmaj7
20 17
Em7/B
15
20
19
15
17 15
17
15
15
15
14
16
14
15
12
Am7
loco
full
X X 8 10
X X 7 9
full
10
10 8
9 7
9
9
7
7
9
9
7
7
10
7
7
full
8 10
10
8 10 10
10
9
10
7 13
G7 9
C7
full
3 5
3
6
10 8
18
17
10
15
15
13
(0)
15
15
17 15
C7
G7 9
1/2
15
17 15 17
12
10
full
G7 9
C7
full
8
10
X 10 8
X 10 8
X 10 8
(0)
G7 9
full
7 9
1/2
5
5
3
3
5
5
5
5
X
X
X
0
0
0
5
5
3
3
3
5
5
5
5
3
3
X
X
5
(0) (0)
(5)
I
C
G5
Am
w/ clean tone & reverb

delay off
4
3
5 3
5 0
1 3
Em7
32
Sorgdal
X
X
(3) 10 X X
5
5
5
3
5
5
5
3
X X 3
X X 3
X X 3
1
X X
X X 5
X X 5
3
7 9
Am7
Em9
(9)
Am7
Em9
(7)
12
15 12
12
15 12
15
17
Bm7
15 12
14
14 16
(7)
Am7
15
14 16
12
14
Cmaj7
14 16
16
14
14
Em9
loco
8va
full
17
(16)
15
17
12
14
15
14 12
15
17
17
16
15 16 17
16
17
15
16 15 14 12
14
14
17
Am7
Em7
19
17
Am7
1/2
12
15
15 12
14
(14)
12
(17)
Em9
10
12
9
9
7
7
9
9
Bm7
10
12 10
10 12
10
12
7
7
5
5
Cmaj7
10
10
12
(12)
10
12
9
X
7
Cmaj9
Em7
3
3
7 10 12
8 10
10
Am7
3
4
Am11 Bm7
10 10
8 8
9 9
5
5
7
7
7
Begin Fade
Cmaj9
Em7
Am7
Cmaj9
Am11 Bm7
Em7
Am7
Am11 Bm7
Cmaj9
Em7
w/ tremolo tremolo off
3
3
3
4
5
5
10 10
8 8
9 9
3
3
7
7
7
3
4
X
X
10 10
8 8
9 9
5
5
7
7
7
7
7
7
7
7
3
3
3
4
Fade Out
Am7
Am11 Bm7
Cmaj9
Em7
Am7
Am11 Bm7
Cmaj9
Em7
Am7 Am11Bm7
w/ tremolo
3
4
5
5
0 10
0 8
9
7
7
7
10 12
10
7
7
10
33
Sorgdal
Ghosts
By Robben Ford
F7
Gm7
131211
B 7 IX
B 7
3 fr
6 fr
1141
D7
9 fr
13124
D 7
10 fr
213
1241
C7
9 fr
1241
8 fr
1241
A
Funk Rock
= 123
F7
Rhy. Fig. 1
End Rhy. Fig. 1
*Gtr. 1 (dist.)
8va
Gtr. 2 (clean)
**
Rhy. Fig. 1A
End Rhy. Fig. 1A
13
13
13
13
13
13
14
13
13
13
13 14
13
13
13
13
13
13
13
13
14
13
13
13
13 14
13
13
13
13
13 14
13
13
*composite arrangement of gtr. & kybd.

**Key signature denotes F Dorian.
B
Gtr. 1 tacet
Gm7
B 7
Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 2
Gtr. 3 (dist.)
3
1/4
3
5
Gtr. 3
(6)
6 6 8 7 6
4
5
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Gtr. 1 tacet
F7
Gm7
1/4
(6)
9
10
12
10
12
13
10 13 14
15
Sorgdal
15
19
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
B 7
F7
1/4
10
(15)
11
13
13
11
13 13 11
10
8 (10) 10
10 10 10 8 10
*C7
13
(10)
B 7
Gtr. 3
1/4
11
12 11
13
11
(11) 9
11
13
13
13
11
13 11
11
16
1/4
13
13
13
15
Gtrs. 1 & 2
Fill 1
13
12
End Fill 1
*Chord symbols reflect overall tonality.
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 2, simile
Gtr. 1: w/ Rhy. Fig. 1, 1st 3 meas.

Gtr. 2: w/ Rhy. Fig. 1A
F7
F7
Gm7
Gtr. 1
Gtr. 3
3
full
15
15
13
(15) 13
3
15
(15)
13
Gtrs. 1 & 2: w/ Rhy. Figs. 1 &

1A, simile
B 7
20
Sorgdal
F7
10
11 11 13
11
9
10
10
10
10
10
(10)

Gtr. 1 tacet
loco
Gm7
8va
1/4
18
18
16
1/2
18
16
17
13
1/4
15
15
13
10 12
10
12
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A,

simile
B 7
F7
let ring
10
12
12
12
13
13
13
10
13
let ring
13 13 11
9
10
1/4
10
10
10
Gtrs. 1 & 2: w/ Fill 1
C7
13
13
11
13
12
11
B 7
13
11
F7
1/4
(11)
11
13
13
11
13 11
11
full
16
16
13
13
13
15 13
15
full
(16) 13
16
(16) 13
17
15
13
15
13
21
Sorgdal
B 7
Gtr. 2
Gtr. 3
1/2
D7
6 8 10
D 7
10
10
12
12 14
12
10
11 10 8
C7
9
10
10 6
10
(8)
Gtr. 1: w/ Rhy. Fig. 1, 2 times

Gtr. 3 tacet
F7
Dm11
F7
8va
Gtr. 2
1
1
0
0
13
13
13
13
Dm11
13
13
14
13
13
13
13 14
13
13
13
13
13
13
13
13
14
13
13
13
13 14
13
13
13
13
13 14
13
F7
loco
End Rhy. Fig. 3
8va
Rhy. Fig. 3
1
1
0
0
13
13
13
13
13
13
14
13
13
13
13 14
13
13
13
13
13
13
13
13
14
13
D
Gtr. 2 tacet
Gtr. 3
G7
3
1/4
22
Sorgdal
1/4
1/4
6
13
13
13
13 14
13
13
C7
3
1/4
1/4
8 9
8 6
1/4
10
12
11
12
11 8
10
11
G7
1/4
13
15
13
15 13
15
13
1/4
11
13
15
13
15 13
15
13
11
3
12 10
12
4 3
3 4
C7
3
full
5
7
4 5 6
2 3
5 3
8 11
11
15 12
13
10
8
10
8 9
7
9 8
G7
3
full
6
6
8 6
7
3
3
C7
1/4
full
8 10
10
8 10 8 6 8
6 7 6
8 6
6
5 3
3
5
3 6
6
5
1/4
3
3
6
5
1/2
1/4
3
3
6
5
3
3
6
5
G7
1/2
6
5
1/4
3
3
6
5
1/4
3
3
6
5
1/4
3
3
6
5
1/4
6
5
1/4
3
3
6
5
1/4
6
5
1/4
3
3
6
5
1/4
3
3
6
5
1/4
6
5
1/4
3
3
6
5
1/4
3
3
3
3
6
5
3
3
23
Sorgdal
C7
1/4
6
5
1/4
6
5
1/4
3
3
6
5
1/4
6
5
1
1
3
3
8
5
3
6
15 15
15 15
5
4
(3)
16
(0)
E
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, simile
Gtr. 3 tacet
F7
1/2
0
13
1/4
(13)
12
11
13
11
12 10
12
15
F
Gtr. 3
Gm7
B 7
3
5
full
10 8
(6)
1/4
6 6
4
5
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Gtr. 2: w/ Rhy. Fig. 2, 1st 3 meas.
F7
Gm7
(6)
full
1/4
11
(11) 8
3
5
Gtrs. 1 & 2: w/ Rhy. Figs. 1 &

1A
B 7
B 7
F7
Gtr. 2
Gtr. 3
let ring
8
8
10
1/4
8
8 10 (10)
10
10 10
11 13
13
12
11
1/2
10
10
10
Gtrs. 1 & 2: w/ Fill 1
C7
1/4
4 1
24
Sorgdal
13
3
11
12 11
13
11
11
13
13
13
Gtr. 1: w/ Rhy. Fig. 1, 4 times

Gtr. 2: w/ Rhy. Fig. 3, 4 times, simile
B 7
F7
Dm11
8va
8va
full
11
13 11
11
16
1/2
13
13
13
(13)
13
13
13
F7
11
Dm11
1/4
18
(18)
16
F7
loco
1/4
18
16
1/4
(6) 4
3 3
Dm11
F7
full
full
(3) 1
Dm11
F7
3
1/4
4 6
4 3
8va
loco
w/ pick & finger
1/4
16 13
13
16 17
16 13
15
16 15 15 13
15 15
16 17
13
16
15
13 14
15
13
(13)
15 13
15
13
15
loco
8va
1/4
1/4
1/4
18
17
16
18 16
17
18 16
13
16 15 13
15 13
15 13 12
25
Sorgdal
full
13
13 17 13
1/4
13
13
13
16 13
16
11
13
11
15
11
10
11
13
11
8
9
10
11
1/4
11
11
11
13
11
11
13
full
11
13 11
8
9
11
13
11
13 11 13 11
13
13
15
13
15
13
1/4
13
13
15
16
15
15
13
15 13
15
3
1/2
13
1/2
15
13
15
1/2
13
15
1/2
(15)
15
13
15
1/4
(15)
15
13
13
15 (15)
13
Gtr. 3
grad. decresc.
1/2
1/4
(15)
15
13
full
15 (15)
13
(8) 6
Gtr. 4 (clean)
13
13
11
11
13
13
11
11
13
13
11
(0)
*Pick close to bridge w/ scraping motion to generate random

harmonics.
Repeat and Fade
13
26
Sorgdal
13
11
11
13
13
11
(0)
13
13
11
11
He Don't Play Nothing But The Blues

Ab7
Db
Db/F Ebsus4
Gb
Ab
Db7
Eb7
Dbsus4 Db'9
Eb
E'9
Guitar tuned down a semitone
q = 124

Gtr. 1 [Ab7]
9
7
10
9
7
9
7
7
7
5
5
7
7
5
5
Let ring...
1
0
3
2
3
2
0
Let ring...
1
0
9
7
1
0
0
3
2
8
9
7
7
10
9
8
9
9
7
7
7

Let ring...
7
7
5
5
1
0
7
7
3
2
3
2
1
0
1
0
0
3
Sorgdal
5
5
Ab7
10
Db
8
9
9
7
9
7
7
7
7
7
1
0
5
5
3
2
3
2
7
7
1
0
0
0
Ab7
1/2
1
2
3
2
10
3
2
5
5
0
0
7
7
Ab
2
2
2
2
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Dbsus4
Dbadd9
3
2
5
0
3
2
4
2
Sorgdal
7
7
1
0
8
9
Gb

3
2
8
9
Db
1
0
2
2
Verse
$ Ab7
1,3. Met a young man

(Verse 2 see block lyrics)
up
in
cane,
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Db

Ab7
just an
old
gui - tar
2
2
2
2
2
2
he
2
2
2
0
that
2
2
3
2
0
3
he showed him a lit - tle to
dont car - ry a cap or
2
2
Ci - ty,
New York
2
2
Gb
from his dad - dy,
1
0
2
2
got
2
2
play.
2
2
Db/F
2
2
0
Ab7
He got
fam -ly down in
Tex
2
2
2
2
3
2
2
2
2
0
3
2
2
3
Sorgdal
as,
2
2

3
2
1
0
Ab7

2
2
2
2
way,
Gb
learned to
2
2
2
2
2
2
Db/F#
2
3
2
0
2
3
2
0
2
2
Ebsus4
chose,
2
3
0
0
2
2
3
2
0
3

Gb
Ab7
he dont play no - thin but the blues.
To Coda
3
3
4
5
3
3
4
5
3
3
4
5
Gtr. 2 cue:

rake
Let ring...
8
2
2
2
2
5
5
4
Sorgdal
2
2
play what he
1,3.
5
5
Db
Let ring...
went his own
spent time in New Or - leans,
2
2
9
10
Ab7
10
9
7
7
7
7
8
9
9
7
5
5
1
0
5
5

3
2
7
7
3
2
1
0
0
0
Let ring...
1/2
1/2
2
0
2
2
0
2
2
2
2
7
7
5
5
7
7
2.
Solo:
Ab7
blues.
[Ab7]
Now play it!
full
1/2
1/2
15
2
2
5
5
full
16 16 12
15
2
2
1/4
15
13
15
2
2
5
Sorgdal
1/2
1/4
full
15
13
15
15
13
14
Db7

full
1/2
8 10
10
10
12
11
10
13
10
full
full
8
8
full
5
7
8
8
7
7
4
4
15 12
5
5
7
5
7
15
Eb7

Ab7
15
1/4
15
13
12
14 12
12
13
14
14
1/2
12
13 15
15
1/2
6
Sorgdal
13
1/2
1/4
15
11
13
14 12 14 12
1/2
12
12
12
12
10
Ab7
full
full
full
20
full
20
20
20
20
20
17
19
17
19
17
19

full
full
full
full
full
20
20
20
20
20
17
20
20
17
19
19
17
19
Db7
Ab7
full
1/4
15
17
17
19 17
19 17
15
15 13 15
13
14 12
14
14
7 9
8
8
5
7
5
6

Eb7
2
3
5
5
7
7
7
7
5
5
7
7
1/2
7
Sorgdal

Ab7
8
8
7
7
Db/F
2
2
0
0
Gb
3
3
4
5

1
2
3
3
4
5
3
3
4
5
0
3
Fbadd9
3
2
0
2
2
0
0
2
0
0
0
0
0
3
2
0
Eb
Eb
0
0
1
2
2
0

Gb
8
Sorgdal
Db
Eb
Ab7
3
5
10
10
10
9
10
12
10
8
10
7
7
10
9
7
7
7
5
5
Gb

3
2
3
2
1
0
1
0
0
7
7
Ab7
Let ring...
10
1/2
Db7
1
0
5
5
[Ab7]
10
10
1/2
7
7
7
7
5
5
7
7
D.S. al Coda
Db
Gb
Ab7
Dbsus4 Dbadd9
1
0
3
2
3
2
1
0
0
0
2
0
2
2
2
2
2
2
2
2
3
2
5
0
3
2
0
3
9
Sorgdal
Coda

Ab7
10
8
9
8
9
8
7
7
7
Db
5
5
Gb
1
0
3
2
3
2
1
0
0
0
Ab7
Let ring...
1
2
3
2
8
10
10
10
9
Db
Gb
1/2
7
7
3
2
3
2
0
0
Ab7
12
13
13
14 12
12
14
14
10

Db
Gb
0
8
1
0
3
2
3
2
1
0
1
0
0
3
10
Sorgdal
14
1/4
7
7
1/4
1
0
5
5
Let ring...
1
0
7
7
3
2
2
0
Ab7
5
5
3
5
0
3
3
5
2
0
7
7
1
0
0
3
2
0
3
0
0
1
0
0
0
0
3
1/4
5
5
0
3
1
2
Verse 2
People say he was born like that,
Playin ever since he was ten.
Got a funky sound and a funky way of talkin,
Its all the same to him.
When he shows up you know hes gonna get down,
Nobodys goin nowhere.
Cause hell blow your mind playin just what he choose,
He dont play nothin but the blues.
Now play it!
11
Sorgdal
from Talk to Your Daughter
Help the Poor

Words and Music by Charlie Singleton
Dm7
5fr
13121
Intro
Moderate Rock q = 120
* Dm7
Riff A
Gtr. 1 (clean)
End Riff A
mf
P.M.
*Chord symbols reflect overall harmony.
1.
2.
Verse
Dm7

1. Help the
P.M.
P.M.
7
Have a
poor.
Wont you help poor
Riff B
me?
P.M.
wont you, ba
heart,
by?
Lis - tning to
my
P.M.
Copyright 1964 (Renewed) by Warsing Music

All Rights Administered by The Songwriters Guild Of America
1
Sorgdal
A13sus4
A+7
plea.
7
7
5
7
7
5
7
7
5
6
6
5
6
6
5
6
6
5
Dm9
need
all
your
5
5
5
5
5
5
5
5
5
5
5
5
love,
need
your
5
5
5
6
5
7
P.M.
care.
G9
all
need
6
6
5
Bb9

of
the
love
you can
P.M.
Wont you
6
6
5
6
6
5
3
2
3
help
Dm7
poor
poor,
help the poor.
6
6
5
2. Say
you
me?
A7
Help the
6
5
6
P.M.
spare.
Dm7
End Riff B
P.M.
6
6
5
Verse
Gtr. 1: w/ Riff B
Dm7
will.
Gtr. 2 (clean)
Say youll help
Sorgdal
me
up.
12
12
10
10 12

mf
14
13
14
13
14
cant
12 10
12
12
12
10
make
it
no
fur
- ther
in
this world
A13sus4
A+7
lone.
Now I
10
10
1/2
10
12
10
Gtr. 2 tacet
Dm9
lost
all
Dm7
my
poor,
cour
age
till
help
the
poor.
found
A7
you.
Got what
Wont you
help
to
poor
need
Dm7
Bb9
G9
see
me
through.
Help the
D+7
me?
Bridge
Gm7

Youre my
in
spi - ra
Rhy. Fig. 1
mf
tion,
you could make
*Gtr. 3
Dm7
3
3
3
3
X
3
1
1
2
0
me
king.
5
6
5
5
4
5
X
5
*Kybd. arr. for gtr.
Bb9

You dont come to
6
5
6
X
6
my
6
5
6
X
6
res - cue,
A7
Ill nev - er
6
X
3
5
7
7
5
0
8
X
5
be
A13sus4
an - y - thing.
3. Help
Gtr. 3
Gtr. 1
divisi
the
End Rhy. Fig. 1

1/2
8
6
6
5
8
6
6
5
3
Sorgdal
Verse
Gtr. 1: w/ Riff B
1st time, Gtr. 3 tacet
2nd time, Gtr. 2: w/ Fill 1
poor,
help
heart,
the
wont
you,
ba
poor.
by?
Dm7

poor,
in
age
my
till
help the
Gtr. 2
eyes,
I
A7
Lis - tning
tears
cour
help
Wont you
Dm9
beg - ging with

lost all my
poor
to
my
poor.
Wont you help
Have
- thing you must re

Got what I
need
Dm7
poor
Now
Im
plea.
you.
A+7
G9
T o Coda
A13sus4
some
found
me?
Bb9
al - ize.
to
see
me
through.

Help the
me?
Dm7
w/ dist.
1
1/4
Guitar Solo
Gtr.1: w/ Riff B (2 times)
Dm7
1/2
Fill 1
Gtr. 2
12
4
Sorgdal
P.M.
1/2
10
10
10
Dm9
Eb/A
10
10
13
12
Dm7
15
15
1/2
8
10
13 11
X
X
X
X
10
13
13
10
10
10
10
1/2
10
10
13
10
10
10
13
A7
10
13 15
15
13
15
12
1/2
10
12
10
12
10
10
1/4
14
10
12
13
1/4
13
15
12
12
10
12
12
1/4
13
13
13
1/4
10
1/2
10
13
10
10
Dm7
12
10
11
10 12
12
1/2
1/2
Bb9
G9
A13sus4
3
1/2
5
Sorgdal
1/4
X
X
G9
10
10
10
10
10
10
15
15
13
13
13
15
14
10
10
13
10
13
10
10
10
10
12
12
10
10
15
16
10
12
10
12
10
D+7
12
1/2
13
10
12
10
10
Dm7
10
1/2
15
1/4
Dm7
Dm9
1/2
16
10
A7
Bb9
10
1/4
A+7
A13sus4
12
Bridge
Gm7
Youre
my
in - spi - ra
Dm7
tion,
you
1/2
6
Sorgdal
X
X
12
could make
me
king.
12
12
Bb9
12
You dont
come
to

my
res
13
10
13
Ill
nev
3
1/2
10
13
er
be
an
12 10
12
12
10
10
thing.
8v a
10
A7
cue,
A13sus4
12
20
20
20
20
20
20
20
20
20
10
20
20
Guitar Solo
Dm7
Gtr. 1

8v a
Gtr. 2

Rhy. Fig. 2
End Rhy. Fig. 2
20
18
3
1
20
20
20
20
20
20
20
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
8v a
18
20
20
19
17
19
19
17
20
20
20
20
20
20
20
20
20
20
20
20
1/2
hold bend
18
15
19
20
17
19
17
19
18
17
15
17
17
15
17
15
18
19
17
19
18
19
1/4
18
7
Sorgdal
A13sus4
8v a
15
15
1/2
15
X
X
13
15
15
15
13
14
17
16
16
14
17
14
16
14
18
17
Dm9
loco
17
15
16
Eb/A
8v a
16
20
20
17
18
16
18
17
12 10
12
12
10
17
19
18
17
17
G9
17
13
15
10
10
15
13
13
13
10
1/2
1
15
19
8v a
Bb9
10
10
18
10
12 13
20
15
16
15
18
18
15
12
D.S. al Coda
Dm7
A7
18
8
Sorgdal
1 1/2
17
16 15
18 15
18
4. Help the
8v a
Dm7
18
18
15
loco
rake
17
17
17
17
10
X
17 14
13 10
12
12 10
12
10
Coda
help
1/4
poor
the
12
10
10
Help
the
poor,
help
13
poor.
15
15
8v a
17
17
14
14
*
1
18
18
15
15
the
12
poor.
15
10
help
me?
Dm7
Mm,
Wont you
Gtr. 2
me?
Gtr. 1: w/ Riff A (till end)
Dm7
14
*Vol. swells (next 6 meas.)
8v a
loco
18
1/2
16
16
15
13
15
13
13 12 10
1 1/2
10
16
10
10
10
10
12
12
12
10
12
1/2
8
12 10
1/2
18
3
1
1/2
9
Sorgdal
Begin fade
3
1/2
1/4
3
1/2
3
let ring
1 1/2
15
13
15
Sorgdal
13
15
1/2
13
15
15
13
15
16
15
15
13
13
15
14
10
13
13
15
14
15
10
Fade out
13
13
12
10
1/4
15
loco
3
1
8v a
1/2
8
8
8v a
10
12
I Cant Stand the Rain

Words and Music by Don Bryant, Ann Peebles and Bernard Miller
B
Moderately Slow
= 77
*C7
C7
(kybd.)
1/2
10
1/4
10 10
11
13
(13) 8
full full
10
10
10
10 8
1 3 5
3 1
F7
C7
1/2
8
3
10
(3)
11 10 8 10
8
10
F7
8 10
10 12
8 10 8
C7
1/2
(13)
10
10
1/4
11
10 8
10 8
11 13
10
B 7
1/4
8 10
10
1/4
11 8
10
8 X
11 X
9 X
X
C7
6
9
7
8
15
1/4
17
17
15
16
17
E 7
1/2
17
15 17 17
17 (17) 15
1/4
15 13 15
15
15
13
17
1/4
17
15
16
Dm7
full
13
10
(10) 8
C7
let ring
1/4
11
11
10
58
Sorgdal
10 10
10
10 8
10
8 10
8
8
10
9 10
1973, 1978 IRVING MUSIC, INC.

11
13
10
11
8
9 10
10
F7
C7
full
full
10
10
1/4
(10) 8
10
8
7
8
10
8 10
8
8
8 10
1/4
8
8
10 10
10
10
10 8
11
13
F7
8va
1/2
(13)
13
full
13
11
13
1/4
full
(13) 11 (11)
20
20
20
20
11 13
11 13 13
13
11
13 13
B 7
8va
loco
full
13
(13)
full
13
10
10
11
11
13
13
11
10
10
C7
10
E 7
w/ increased gain
full
11
13
11
12
12 10
1/4
10
1/4
11
(8)
13
13
11
11
Dm7
1/4
(11)
1/4
13
17
11
11
15 17
10
1/4
12
1/4
12
10
1/4
10
10
10
10
D
C
10
12 12 12
14 12 14 14
15
12
12
12
12 14
15
13
10 10
12 10 12
13
10 10 10
12 10 12 12
13
10
10
10
8
15
12 12
12 14 14
12
12
10
59
Sorgdal
E
E
C7
full
8
8
8
8
11
11
11
12
11
13
F7
13
11
12 10 11
10
10
10
(10)
10
11
12
C7
11
13
8va
hold bend
full
13
11
full
10 8
10
10
10
10
full
full
(10) (10) 8
F7
8va
18
17
11
13
18
(13)
18
C7
1/2
16
11
11
20
18
20 19 18
(17) 15
20
1/2
18
18
17 20
20
17
20
20 21
17
20
16 17
14 15
13
12
loco
1/4
11
10
12
11
10
12
11
10
11
12
12 10
1/4
11
10
10
F7
11
12
10
12
11
10
11
12
12 10
10
C7
full
10
10
12
12
8
8
10
10
10
full
10 10
11
full
8
10
10
10 8
10
10
10
10
10
8va
full
11
60
Sorgdal
13
13
13
11
13
full
13
13
11
11
13
11
18
18
(18)
15
18
F7
C7
loco
8va
let ring
full
full
11
20
(18) 16
18
11
11 10
10
full
full
11
11
11
11
10
10
10
10
let ring
full
full
full
11
11
11
10
10
10
10
8
8
10
let ring
full
11
(10) 8
(10)
8
8
10
F7
full
full
11
11
11
11
10
10
10
10
(10)
10
C7
8va
hold bend
full
1/4
13
12
10
16
14
14
13
16
14
13
15
15
12
full
15
15
15
15
15
full
15
15
15
15
15
15
13
Begin Fade
8va
hold bend
hold bend
15
hold bend
full
full
15
13
15
13
full
15
13
15
15
15
full
15
full
15
15
13
15
8va
13
15
16 18 16 18 18
18 18
18
18
18
18
18
18
18
loco
hold bend
full
1/4
full
18 18
18
15
16
18
full
11
11
8
10
1/4
10 8
10
8
10
8
8
Fade Out
8va
loco
P.H.
5
5
X
X
4
X
X
X
X
(5)
61
Sorgdal
from Blue Moon
Indianola
Written by Robben Ford
Cm7
F/A
8fr
2 333
311
Moderately fast Rock q = 156

* Cm7
Gtr. 1 (clean)
Riff A
Eb/G
10fr
F9/C
8fr
311
G7#9/D
7fr
F9
G7#9
9fr
2 133
7fr
2 134
9fr
2133
2134
End Riff A
mf
w/ fingers
w/ chorus
let ring throughout
11
11
11
8
8
10
11
11
11
10
*Chord symbols reflect implied harmony.
Riff B
11
11
11
8
8
mf
1/4
11
13
Gtr. 1 tacet
11
11
11
10
Cm7
Gtr. 2 (dist.)
10
1/4
1/4
11
11
13
10
10
10
10
Gtr. 1
End Riff B
1/2
10
10
1/4
11
13

Gtr. 2
1/4
11
11
13
10
2002 TAMALE MUSIC (BMI)/Administered by BUG MUSIC

1/2
10
10

10
10
10
10
1
Sorgdal

F7
12
10
Cm7
8
8
8
10
10
10
F7
8
8
8
10
10
10
10
10
8
8
8
10
10
10
8
8
8
8
8
8
10
10
10
8
8
8
G7

11
10
10
11 10
13
10
13
G7
10
11
8
8
8
10
10
10
Cm7
10
F7
13
10
13
13
14
13
16
10
10
8
8
8
10
10
10
10
10
8
8
8
10
10
10
8
8
8
8
8
8
10
10
10
8
8
8
10
Gtr. 1: w/ Riff B
Cm7
8
8
8
10
10
10
1/2
10
10
13
10
10
10
10
8
8
8
8
8
8
10
10
10
10
8
8
10
C
F/A
Rhy. Fig. 1
Gtr. 3
(clean)
mf
w/ Leslie effect
1/4
11
10
2
Sorgdal
13
Eb/G
Cm7
Cm7
1/4
1/4
11
11
10
13
F9/C
Cm7
10
10
10
Eb/G
1/4
11
13
1/4
11
11
10
13
10
F9/C
Cm7

1/2
F/A
G7#9/D
1/2
10
10
10
10
10
12
8
8
8
10
10
10
Rhy. Fig. 2
16
10
10
10
10
F9
8
8
8
10
Cm7
End Rhy. Fig. 1
14 13
10
10
10
8
8
8
10

10
10
10
10
8
8
8
8
8
8
10
10
10
8
8
8
10
10
10
8
8
10
11
13
8
8
8
10
10
10
8
8
8
10
10
10
8
8
8
Cm7
8
8
8
10
10
10
10
8
8
8

10
10
10
10
8
8
8
3
Sorgdal
G7#9
F9
Cm7
11
10
10 11 10
13 10
13
13 10 13
10
8
8
8
10
13
10
10
10
10
8
8
8
10
10
10
(cont.
innotation)
End Rhy. Fig. 2
8
8
8
18

* G7
Gtr. 2
Rhy. Fig. 3

Gtr. 3
10
10
10
12
10
12
10
10
10
12
10
12
10
10
12
10
10
12
*Chord symbols reflect overall harmony.
F7

10
12
4
Sorgdal
10
12
10
12
8
10

10
End Rhy. Fig. 3
Gtr. 3: w/ Rhy. Fig. 2 (1st 4 meas.)
Cm7
8
8
8
10
10
10
Gtr. 2
10
8
8
8
10
10
10
8
8
8
10
10
11
10
13
10
8
8
8
10
10
10
F9

10
G7#9
11
13
10
13
10
10
13
10
Cm7
13
8
8
8
10
10
10
8
8
8
8
8
8
10
10
10
8
8
8
10

10
10
10
8
8
8
E
Cm7
G7#9
mf
1/2
10 8
10
10
10
10
9
10
10
8
7
8

F9
Cm7
Cm7
8
7
8
6
8
10
10
1/4
8
8
1/4
5
Sorgdal
F9
1
1
10
10
11
10
13 11
11

15
14
15
11 8
10
10 8
10
11 13
11
15
15
15
17
15
15
3
3
18
18
11
12
12
11
13
10
10
12 11
10
8
8
10
6
Sorgdal
11
10
10
16
13
11
15
1/4
18
18
16
8
8
10
10
10
8
8
8
8
10
10
8
8
10
10
11
11
10
10
8
8
10
10
10
10
8
8
8
8
3
3
8
8
16
10
10
18
17
1/2
1
1/2
10
10
10
10
1/2
18
18
8
8
1/2
1
10
1/2
18
18
17
10
8 11
1/2
13 11
let ring
17
10
16
16
11
11
Cm7

loco
G7#9
8v a
F9
13
13
13
13
Cm7
8v a
11
8
1/4
10
10
8v a
1/2
G7#9
1/2
11
11
10
F9
Cm7
3
3

1 1/2
13
12
10
11
10
12
10 11
3
3
3
3
3
3
4
5
10 8
10
G7
3
4
1/4
3
4
10 8
Cm7
10
13
F9
10 11
G7#9
0
0
0
1/2
3
3
Gtr. 1: w/ Riff A
Gtr. 3 tacet
F7
12
Cm7
Cm7
mf
Gtr. 2
Gtr. 1
divisi
1/4
11
Gtr. 1 tacet
13
Gtr. 2
1/4
1/4
11
11
1/2
13
10
10
10
10
7
Sorgdal
1/4
11
13
1/4
11
11
13
10
10

F9
10
Cm7
14

8v a
16
12
15
18
12
13
12
10
15
13
18
18
15
16
14
15
8
8
11
10
15
13
14
15
12
15
13
13
15
10
10
10
10
10
10
let ring
15
P.M.
13
10
16
1/2
3
7
13
P.M.
1/2
G7#9
let ring
13
17
10
17
13
15
F9
14

loco
1/2
10
16
17
1/4
15
15
10
11
13
15
10
12
G7#9
1/2
10
10
10
10
f
1/2
10
10
10
10
10
Cm7
8
8
8
10
10
10
8
8
8
8
Sorgdal
10

10
10
10
8
8
8
8
10
10
10
8
8
8
10
10
10
8
8
8
10

10
10
10
8
8
8
8
10
8
8
10
F9
1/2
8
8
8
10
10
10
G7#9
8
8
8
10
10
10
10
Cm7
10
8
8
8
10
10
10
11
10
10
11
10
13
10
13
13
8
8
8
10
10
10
8
8
8
1/2
F9
10
13
10
10
13
Cm7
10
10
10
10
8
8
8
10
10
10
8
8
8
10
8
8
8
10
10
10
8
8
8
G7#9
11
10
Gtr. 2
10
11 10
13
10
13
13
10
13
10
Gtr. 3
11
10
13
10
13
10
Cm7
10
10
13
8
8
8
10
10
10
10
8
8
8
10
10
10
13
10
13
10
13
10
10
10
10
1/2
1
11
F9
10
10
10
Cm7
8
8
8
10
10
10
8
8
8
10
10
10
8
8
8
8
8
8
10
10
10
8
8
8
6
10
10
10
10
10
10
8
8
8
9
Sorgdal
In the Beginning
By Robben Ford
A
*Gtr. 1
**
Funk Rock
= 96
N.C.(E7)
let ring
0
0
let ring
2
1 2
0
0
sim.
0
0
2
1 2
0
0
0
0
0
0
0
0
2
1 2
*Kybd. arr. for gtr.

**Key signature denotes E Mixolydian.
0
0
0
0
2
2
0
0
2
2
0
0
Gtr. 1 tacet
Gtr. 2
E9
(slight dist.)
w/ slap echo & chorus
7
7
7
7
7
7
7
7
7
X
7
7
7
7
7
7
X
7
7
7
7
7
7
X
7
7
7
Dm13 Dm11
7
7
7
7
7
7
7
7
7
X
7
7
7
7
6
5
5
5
5
6
5
5
5
G/A
X
X
X
X
X
X
X
(0)
8
7
7
X
X
X
(0)
X
X
E7
X
X
X
5
7
6
X
X
X
X
X
X
E9
7
7
7
7
7
7
7
7
7
X
6
Sorgdal
7
7
7
7
7
7
X
7
7
7
7
7
7
X
Dm13 Dm11
7
7
7
7
7
7
7
7
7
X
7
6
5
5
5
7
7
7
5
6
5
5
5
G/A
X
X
X
E7
8
7
7
X
X
X
X
X
X
10
11
X
X
X
X
X
X
5
7
6
X
X
X
X
X
X
C
E7
Gtr. 3 (dist.)
grad. bend
1/4
full
15
17
(17)
15
16
(14)
14
12
14
14
12
9
14
12
X
X
X
X
X
X
12
12
13
3
1
2
3
1
2
Gtr. 2
w/ wah-wah
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
3
1
2
3
1
2
3
1
2
X
X
X
X
X
X
X
X
X
X
X
X
D5
X X X X X X 7
X X X X X X 7
X X X X X X 7
7
7
X 7 X X 7
X 7 X X 7
7 7
7 7
7 7
3
1
2
1/4
15
9 7
X
X
X
E5
1/4 1/4
8 8
X
X
X
9 7 9
X X X X X X X X X
X X X X X X X X X
X X X X X X X X X
full
17
(17) 15
16
14
14 12
7 X 7
7 X 7
7 X 7
X X
X X
X X
7
7
5
9
9
7
7
Sorgdal
1/2
10
13 10 12 10
12 10 11
14
12
9
9
9
7
14
12
14 12
10 11
X X X X X X
X X X X X X
X X X X X X
X
X
X
12
X X X X X X X
X X X X X X X
X X X X X X X
5
5
5
3
7
7
7
7
7
7
(0) 5
X X X X X X
X X X X X X
X X X X X X
7
7
7
12
12
10
12
X X X X X X
X X X X X X
X X X X X X
E7
grad. bend
1/4
15
7
6
full
17
(17) 15
X X X X 7
7
X X X X
9
16
1/2
(14) 12
14
9 X
7
6
7 7
6 6
14
14
12
12
9
14 12
12
10 11
X X X X X X X X X X X X 7 7
X X X X X X X X X X X X 6 6
13
14
7 7
6 6
D5
X
X
12
X
X
X
X
12
14
X
X
X
X
X
X
14
X
X
X
X
(14)
12
7
7
7
X
X
X
X
X
X
X
X
X
7
7
7
X
X
X
7
8
Sorgdal
X X
X X
7 X X 7 X X 7 X X 7 7 7
7 X X 7 X X 7 X X 7 7 7
1/2
15
14
X
X
15
14 12
1/4
12
14 12
14 12 13
(0)
7
7
5
17
17
9
9
9
7
(17)
15
16
16
14
12
7
7
D
C13sus4
C7
D13sus4
simile on repeat
1/4
14
12
14
12
14 12
10 11
9 11
(11)
12
14
13
(13)
8
9
8
10
8
12
12
10
12
12
let ring
9
9
11
10
12
1/4
simile on repeat
8
10
10
8
10
11
8 8 8
10 10 10
10 10 10
8 8 8
10 10 10
8
10
10
8
10
8
8
8
10
8
X
X
X
8
9
8
10
8
8
9
8
10
8
8 8
9 9
8 8
10 10
8 8
Gtr. 3: w/ Fill 1, 2nd time
D7
Em7
8va
1/4
12
12
10
12
13
12
14
12
12
10
12
12
12
10
12
full
(13)
12
12
10
12
12
12
10
12
12
12
10
12
Fill 1
Gtr. 3
X
X
X
10
10
10
12
10
10
11
10
12
10
11
17
14
16
10
11
10
12
10
10
11
10
12
10
10
11
10
12
10
(15)
15
5
5
10
11
10
12
10
1/4
5
7
5
(15) 13
14
14
5
5
6
5
7
5
20
(14)
5
5
6
5
7
5
5
5
6
5
7
5
5
5
6
5
7
8
7
9
7
8va
full
(15) 13
17
14
14
15
14
17
17
15
15
17
15
16 15 14
14
9
Sorgdal
Gm9
8va
Am13
Am7
loco
1/4
17
20
8
7
9
7
8
7
9
7
19 20 19 17
8
7
9
7
8
7
9
7
8
7
9
7
19
19 17
11
10
12
(11)
12
13
12
14
(0) 17
8
7
9
7
10
10
12
10
10
10
12
10
7
8
7
7
7
10
10
12
10
5
5
5
5
5
5
5
5
5
Gtr. 3: w/ Fill 2, 2nd time
*D/A
B+7 9
8va
14
5
6
5
13
12
5
5
5
5
5
5
(14)
10 15
12 14
10
7
7
7
3
3
2
1
2
(10) 0
12
17
3
3
2
1
2
3
3
2
1
2
3
3
2
1
2
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
Fill 2
Gtr. 3
3
3
2
1
2
8va
full
full
16
Sorgdal
17 15
16
*bass plays A
10
(17) 15
14
15
15
(15)
17
15
3
3
2
1
2
3
3
2
1
2
E
Gtr. 3 tacet
E9
loco
Gtr. 2
simile on repeat
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
X
7
7
7
7
7
7
X
To Coda
Dm13 Dm11
G/A
E7
E7sus4
loco
8va
Harm.
7
7
7
7
7
7
7
7
7
X
7
7
7
5
5
12
5
6
5
5
5
X
X
X
X
X
X
X
(0)
8
7
7
X
X
X
5
7
6
X
X
X
5
7
7
7
6
X
X
pitches: B
G
F
Gtr. 3
7
6
5
5
5
7
7
E7
1/4
7
7
7
X
X
X
7
0
Gtr. 2
5
7
6
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
7
7
X
X
X
X
X
X
7
7
7
X
X
X
X
X
X
6
5
7
6
D7
full
7
7
X
9 7 8 7 5 7
X X X X X X X X X X
X X X X X X X X X X
X X X X X X X X X X
X X
X X
X X
5
7
6
7
X
X
X
X
X
X
X
X
(7)
X
X
X
X
1/2
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
7
6
7
X
X
X
X
X
X
X
X
X
X
X
X
13
10
X
X
X
X
3
5
4
5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
11
Sorgdal
E9
1/2
10
13
10
12
11 10
3
5
4
5
X
X
X
X
X
X
X
X
12
X
X
X
X
1/2
10
10
12
10
12
10
10
12
X
X
X
X
X
X
X
X
12
X
X
X
X
3
5
4
5
X
X
X
X
X
X
X
X
7
7
7
6
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
13
X
X
X
X
X
X
12
10
12
12
10
X
X
X
X
X
X
X
12
X
X
E7
1/4
10
12 9
7
7
7
6
7
13 13 12
9
12
12
10 11
X X X X X
X X X X X
X X X X X
12 10
X
X
X X X
X X X
X
X
X
X
14
12
12
1/4
12
14
(14)
12
X
X
X
X 7 6
5
7
6
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
0
7
5 5 7
12 1412
14 13 12 10
12 10 12
X
X
X
X X
X X
6 7
X 0 X
7 X
7 5 7
X
4 5 3 3 X
D7
1/2
X
X 5
X 7
6
7
12
Sorgdal
10
5
7
6
7
X X
X X
X X
X
X
X
X X
X X
X X
X
X
X
8 5
X X
X X
X X
X X
X X
X X
X
X
X
X
X
X
5
7
6
7
7 5
X X
X X
X X
X
X
X
7 7
X
X
X
X X
X X
X X
4
4
5
7
6
7
7 4
X
X
X
X
X
X
X
X
X
X
X
X
X X
X X
X X
7 5
3
5
4
5
3
5
X X
X X
X X
X
X
X
X
X X
X 7
X
X
7
X
5 7 9 7
X XX
7 7 7
X XX
E7
1/4
5 7 9
X X X X
X X X X
X X X X
7 9
8 (8) 10
8va
12
8 10 8
X
X
X
5
X X X X X X
X X X X X X
X X X X X X 5
X
X
X
5
9 7
X
X
X
5
7
9
7
X
X
X
5
10
12
1/2
16
10 12
X X X X X 7 7
X X X X X X X
X X X X X 7 7
12 15
16 16
X X
12
16
7 9
5 7
X
X
14 12 13
14 12 12
X 9
X
X
X X X X X X 7 7 7 7 X 7
X X X X X X 7 7 7 7 X 7
X X X X X X 7 7 7 7 X 7
1/2
full
12
12 15 12
14
X X X X X 7 7
X X X X X 7 7
X X X X X 7 7
7 5
(16)
X X X
X X X
X X X
1/2
16
16
X X X X
X X X X
X X X X
(16)
16
X X X
X X X
X X X
12
D9
1/4
8va
16
X X
12
X X X X X X X
X X X X X X X
X X X X X X X
1/2
loco
5 7
12
1/2
16
X X X X X X X X X X
15
12 9 12
E9
1/2
11 10
X
X
X
8va
16
1/4
let ring
1/4
12
D 7
1/4
14 12
14
14
X X 7 7 X X
X X 7 7 X X
X X 7 7 X X
12
5
5
5
12
15
12
(15)
5 5 5
5 5 5
5 5 5
5 X X 5
5 X X 5
5 X X 5
14
X 5 0
X 5 0
X 5
11
11
12
5 5 X
5 5 X
5 5 X
9
9
10
X
X
X
(10)
5
4
5
X X X X
X X X X
X X X X
6
X
6
X
6
X
X
X
13
Sorgdal
E7
E9
1/4
7 9
1/4
7
X
7
X
7
7 9
10
7 9
X X X X X X
X X X X X X
X X X X X X
X X
X X
X X
7 (9)
10
X X X X X X X X
X X X X X X X X
X X X X X X X X
11
9 7
12
12
11
X X X X X
X X X X X
X X X X X
10
X
X
X
12
X X X X 7
X X X X 7
X X X X 7
10
10 11
11
11 12
7
7
7
7 7 X
7 7 X 0
7 7 X 0
E7
E9
1/2
1/4
12
11
10
5
7
6
X
X
X
12 10 9
X
X
X
10 9 8
X
X
X
9 8 7
8 7
5
7
X
X
X
X
X
X
0
17
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
7
7
7
7
7
7
7
7
X
X
X
X
X
X
D9
1/4
let ring
7
7
7
0
14
Sorgdal
7
7
7
X
X
X
full
X
X
X
7
7
7
(5)
7
7
7
7
7
7
7
7
7
5
5
5
5
5
5
0
0
(5) 3
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
D.S. al Coda
D7
(3)
E7
3
5
4
5
X X X X X 3
X X X X X 5
X X X X X 4
5
0
2
0 1
X X X X X X
X X X X X X
X X X X X X
C13sus4
3 5
5
7
6
7
(5)
5
7
6
7
5
7
6
7
X X
X X
X X
5
7
6
X 5
X 7
X 6
0
0
14
12
12
(5) 12
12
X X X X X
X X X X X
X X X X X
0
0
14
12
0
0
14 14 12
12
14 12
14 12 10
5
7
6
7
X X X X5
X X X X7
X X X X6
7
XX
XX
XX
5
7
6
7
8
10
10
8
10
5
7
6
7
Coda
G
E9
Gtr. 3
grad. bend
1/4
full
15
17
(17) 15
16
(14) 12
14
14
14
12
(9)
9
14
12
10
12
11
Gtr. 2
7
7
7
7
7
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
6
7
7
6
7
7
6
7
7
6
7
H
D
1/4
15
X
X
X
0
(15)
1/4
1/4
12 15
7 X X X X X 7 7 7
7 X X X X X 7 7 7
7 X X X X X 7 7 7
X
12
7
7
7
15 12
X
X
X
0
15
14 12
7 X X X X X 7 7 7 7
7 X X X X X 7 7 7 7
7 X X X X X 7 7 7 7
X
7
7
5
17
full
16
17
9
9
7
(17) 15
16
14
14 12
X X X X
X X X X
X X X X
15
Sorgdal
C5
D5
1/2
12
14
12
1/2
(12)
12
14
X X
X X
X X
12
14 12
10 11
(12) 10
12
12
12
X X X X X X X X X X
X X X X X X X X X X
X X X X X X X X X X
X X X
X X X
X X X
5
5
3
X X
X X
7
7
(0) 5
7 X X X 7 X X X 7 X X X 7 X X X
7 X X X 7 X X X 7 X X X 7 X X X
5 X X X 5 X X X 5 X X X 5 X X X
I
E7
E9
8va
1/4
full
15
7
6
7
7
6
7
17
(17) 15
16
14
X X X X X X X X
X X X X X X X X
X X X X X X X X
1/2
full
14
(14) 12
X
X
X
X X X
X X X
X X X
15 17
14
7
6
7
12
14
14 12
10 11
15
12
7 X X 7 X X
7 X X 7 X X
7 X X X X X X X 7 X X 7 X X
6 X X X X X X X
7 X X X X X X X
E7
7 7 7 7
7 7 7 7
7 7 7 7
7 X X 7
7 X X 7
7 X X 7
7
7
7
X X X
X X X
X X X
X
X
X
E9
8va
loco
grad. bend
1/4
1/2
17
12
17 (17) 15
17
15
1/2
(8)
9 9
7 9 7
1/4
7 7 7 7
6 6 6 6
7 7 7 7
16
Sorgdal
0 7 7
X X X 7
X X X 7
X X X 7
7
0 6 5
7 X X
7 X X
7 X X
7 X X
7 X X
7 X X
7
0
7
0
7
6
7
7
6
7
7 X X X X X
7 X X X X X
X X X X 7 X X X X X
X X X X
X X X X
X X
X X
X X
11 13
6 7
5 6
6 7
7
6
7
7 9
11 9
7
7
7
7
7
7
7
7
7
7
7
7
7
X 7 X X
7 X X 7 X X
6 7 7 7 X 7 X X 7 X X
7 7 7
5 6 6 6 X
X
9 9 9 9 9
6 7 7 7 X
7 7 7
A/C D5
D 5
(9)
7 9 7
X X X X X X X X X X X X X
X X
X X
X X
E9
3
1/2
9
11
9 11
1/2
(6)
1/2
(6) 4
(5)
1/4
6
5
6
7 7 7
6 6 6
7 7 7
X X X X X X
X X X X X X 7 7 7 7
X X X X X X 4 4 5 5
8 8
6 6
6 7 7
5 6 6
6 7 7
7
7
7
X X X X
X X X X
X X X X
X
X
X
X X X
X X X
X X X
6 7
12
1/4
X
X
X
7 5
7 5 3
12
let ring
7
7
7
7 7
7 7
7 7
7 X X 7
7 X X 7
7 X X 7
7 7
7 7
7 7
7
7
7
7
7
7
7
7
7
7 7 5
X
X (0)
X
7
5
7
6 5
X X X X X 7
X X X X X 7
X X X X X 7
7
X 7
X 7
X 7
7
7
7
7 7
7 7
7 7
X
X
X
17
Sorgdal
Begin Fade
10 12
12
10 12
8va
let ring
7
7
7
7
7
7
7
7
5
(0)
let ring
7
6 5
X X X 7
X X X 7
X X X 7
7 5
7
7
7
7 7
7 7
7 7
X
X
X
7
5
Harm.
7 7
6
loco
5
5
0
5 7
pitches: B
G
1/4
15
12
10
11 10 8
1/4
9 7
let ring
7 X X 7
7 X X 7
7 X X 7
7
7
7
7 7 X X
7 7 X X
7 7 X X
7
5
7
6 5
5 5
6 6 7 7
5 7
0 0 0
6 7
X X X X X X X X
X X X X X X X X
X X X X X X X X
0 0
Fade Out
C 5
7
X
7
18
Sorgdal
7
X
7
7
X
7
X
X
X
X
X
X
X
X
X
D5
D 5
E7
(0)
6
4
6
4
7
5
7
5
8
6
8
6
(9)
7
6
7
0
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Just Like It Is
By Robben Ford
C 9
B7 9
C 7
D7
E7
B7
6 fr
2134
2134
213
213
213
A7
G 7 9
7 fr
5 fr
1 23
10 fr
1 23
123
A
Moderately Fast
*Gtr. 1 (clean)
= 142
**C 7 9
fade in
grad. cresc.
4
3
4
4
3
4
4
3
4
X
X
X
X
X
X
4
3
4
4
3
4
4
3
4
X
X
X
X
X
X
4
3
4
4
3
4
4
3
4
X
X
X
X
X
X
4
3
4
4
3
4
4
3
4
X
X
X
X
X
X
*Key signature denotes C Dorian.

**Chord symbols reflect overall tonality.
next 4 meas.
B
D13 9
C 7 9
Gtr. 2 (dist.)
w/ wah-wah
1/2
1/2
12
12
14
11
Gtr. 1
11
4
3
4
4
3
4
11
12
13
14 14
(14)
12
11
Rhy. Fig. 1
4
3
4
4
3
4
4 X 4
3 X 3
4 X 4
5
4
5
5
4
5
B7 9
4
3
4
4
3
4
4
3
4
C 7 9
X
X
X
B7 9
X
X
X
C 7 9
4
3
4
X
X
X
G 7 5
X
X
X
4
3
4
4
3
4
4
3
4
X
X
X
X
X
X
C 7 9
grad. bend
1/2
11
10
12
12
12
12
11 9 11
1/2
11
9
10
9 7 9
(7)
End Rhy. Fig. 1
2
1
2
2
1
2
2
1
2
X
X
X
X
X
X
4
3
4
4
3
4
2
1
2
2
1
2
4
3
4
5
4
5
4
3
4
4
3
4
4
3
4
4
3
4
Sorgdal
4
3
4
51
C
N.C.
D13 9
C 7 9
1/2
1/2
12
1/2
12
14
11
5
4
5
5
4
5
B7 9
4
3
4
4
3
4
4
3
4
C 7 9
X
X
X
X
X
X
B7 9
11
4
3
4
4
3
4
11
12
13
12
14
11
4
3
4
C 7 9
14
X
X
X
X
X
X
4
3
4
G 7 5
4
3
4
4
3
4
X
X
X
X
X
X
N.C.
1/2
2
1
2
11
2
1
2
12
12
10
12
12
2
1
2
X
X
X
X
X
X
4
3
4
4
3
4
11 9 11
2
1
2
2
1
2
11
4
3
4
4
3
4
9 7 9
5
4
5
9 7 9 7 9
D
E7
*
12
52
Sorgdal
7
6
7
14
7
6
7
7
6
7
*Key Signature denotes E Dorian.
12
14
7
6
7
7
6
7
12
7
6
7
(12)
15
17
B7
1/4
15
(17)
1/2
14
1/4
(15)
(14) 12
15
16
14
(14)
(14) 12
15
16
16
8
7
X
7
14
16
8
7
X
7
A7
1/2
12
(16)
14
14
12
12
12
14
15
14
14
12
12
X
X
X
8
7
X
7
7
X
7
7
5
7
5
8
6
X
7
5
6
5
X
5
6
5
X
5
6
5
X
5
G 7 9
D7
1/2
1/4
X
X
X
X
X
X
X
X
X
X
X
X
5
5
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
X
X
X
X
X
X
X
X
X
X
X
X
12
11
10
11
12
11
10
11
12
1/2
12
5
4
5
5
4
5
53
Sorgdal
E
Gtr. 1: w/ Rhy. Fig. 1, 1st 5 meas., simile
C 7 9
B7 9
C 7 9
B7 9
C 7 9
11 9 11
Gtr. 2
14
11
14
12
9 11 11 13 13
(14)
12
11
G 7 5
12
12
10
9 11
12
12
N.C.
D9
Gtr. 2
(drum fill)
1/2
(9)
11
9
10
7 9 11
(9)
Gtr. 1
(cont. in slash)
4
3
4
4
3
4
5
4
X
4
F
C 9
Gtr. 1
Gtr. 2
3
1/2
1/4
12
15
12
14
12
13
11
11
10
12
11 (11)
(11) 9
12
1 1/2
1/4
12
14
13
full
full
12
12
11
1/2
(11) 9
11
11
10
11 9
B7 9
11
11
10
12
9 13
11
(11)
C 7
D7
1/4
12
54
Sorgdal
12
13
12
11
13
15
14
12
14
16 14 12
14
12
14 12
13 11 9
11
17
11 11
5 (5) 16
C 7
1/2
14
(17)
17
14
14
16
12
14
12
13
13 12 11
11
11 (11)
16
20 19 17
3
3
17
18 16
18 16
18 16 18 15
16 14
14
16
16
13 12 13 16
15
14
14 17
14
14 16 14
14
B7 9
17
14
17 14
17 16 14
16
16
C 7
3
3
grad. bend
1/2
15
16
13
14 13
16 13
16
16
13
16
13 15
13
16
15
(16)
full
13 12 13
11
(13)
11
12
14 14
12
13
13
11 9
11
E7
1/4
1/2
7
9 11
11
11
11
0
3
1/4
5
3 5
55
Sorgdal
B7
A7
3
let ring
Harm.
1/4
4
4
2
7
7
4
4
2
10
11
11 10
13
12
12 11 10 12
12
12
10
13
12
11
G 7 9
3
1/2
12 11 9
12 11 10
(10)
11
12
11
10
12
11
10
12
11
10
12
11
10
12
11
10
12
11
10
12
12
11
10
1/2
12
G
C 7 9
B7 9
Gtr. 2
14
11
C 7 9
B7 9
11
11
12
13
C 7 9
(14)
14
12
11
G 7 5
C 7 9
12
10
11
N.C.
12
D9
Gtr. 2
Gtr. 1
divisi
(Gtr. 1 cont. in slash)

1/4
*
1/2
(12)
12
12
11 9 11
11
9
10
(9)
(11)
H
C 7
Gtr. 1
Gtr. 2
hold bend
full
11
56
Sorgdal
11
11
11
11
11
9 11
full
9
11
(11)
11
11
5 9
4
5
5
4
5
*Gtr. 1 tabbed to
left of slash.
D7
full
12
9 12
11
11
9 11
11
9 11
10
Begin Fade
C 7
1/2
13
12 13 14
12 13 14
13
13
12 13
14
12 13 14 14
13
12 13
(17) 18 19 20
13
14 12
12
13
16
20
16
15 14
17 14
16 13
16
13
14
15
D7
C 7
loco
8va
full
14
14 12
let ring
17
14 13 12
1/2
12 13 14
14
(14)
full
19
19
1/4
17
19
19
17
18 16
16
18
18
17 18 17 18
18 16
18
Fade Out
1/4
16
18
17
full
19 19
full
17
19
17
19
17
18 16
18
16
18
16 18
16
18 16
14 16
16 14
16
14
16
14
16
14
57
Sorgdal
Mama, Talk To Your Daughter

Words & Music by J. B. Lenoir & Alex Atkins
G7
____ 3
q = 134 =
Gtr. 1
C7
D7
F7/B
E7/C
Eb7/Db
Ab7
G7

P.M.
Continue sim. rhythm with fills
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
Gtr. 2 (Bass arranged for guitar)
10
10
12
12
10
10
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
12
12
10
10
12
12
10
10
12
12
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
10
10
15 13
12
12
10
10
12
12
15
full
10
10
12
12
10
10
12
12
10
12
10
12
15
Copyright 1968 Leric Music Incorporated/Ghana Music.

Bug Music Limited.
All Rights Reserved. International Copyright Secured.
Sorgdal
12
12
12
12
15
14
16
14
16
15
17
14
15
15
Ma - ma, Pa - pa, please talk
12
13
G7
to
14
16
15
17
14
15
15
17
12
13
14
15
12
13
15
17
15
17
17
your daugh - ter for me.
Ma -

P.M.
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5 5 7
3 3 3
7
3
5
3
5
3
7
3
7
3
2
Sorgdal
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
5 5 7 7 5 5 7
3 3 3 3 3 3 3
7
3
ma, Pa - pa, please talk
to
your daugh ter for me,
she done
made
5 5 7 7
3 3 3 3
5
3
5
3
7
3
7
3
5 5 7
3 3 3
7
3
me a lov - er
and I aint
5
3
5 7
3 3
7
3
5 5 7 7 5 5 7 7
3 3 3 3 3 3 3 3
gon - na leave
her be.
5 5 7 7 5 5
3 3 3 3 3 3
7
3
5
3
5
3
G7
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
11
12
5
3
5
3
7
3
7
3
1/2
7
3
7
3
10
10 8
8 10 8
9
8
9
1/2
6
5
3
Sorgdal
Hey
ba - by,
G7
please
dont
dog
me a - round,
Continue shuffle rhythm with fills
3
3
3
5
7
3
5
3
5
3
7
3
7
3
7
3
5
3
C7
yeah,
3

3
10
11
6
7
7
3
7
3
dont
dog
G7
ba - by,
please
3
5
3
1/4
13
7
3
5
3
5
3
7
3
7
3
5
3
4
Sorgdal
13
11
13
11
12 9 12
7
3

3
3
13
5
3
7
3
if you dont
full
5
3
7
3
me a - round,
7
3
7
3
5
3
5
3
5
3
1/2
5
3
1/4
10
10
D7
put
you
P.M.
8 10
7
12
1/2
1/2
G7
talk
to your daugh - ter,
3
5
you should

talk
to your
daugh - ter,
Continue rhythm & fills

15
18
3
5 5 5

1/4
You should
ground.
the
G7
six in
quit your fool - in, (Ill)
C7
C7
you should
talk
you should
talk
full
11
11
11
5
Sorgdal
G7
to your
daugh - ter,
she done
12
lo - ver and
10
12
10
Spoken:Talk to your daughter
3
1/2

1/2
1/2
1/2
1/2
1/2
12
12
G7
aint gon - na leave her be.
me
12
made
11
12
C7
D7
Solo
G7
full
1/2
10 12
13
11
11 13
12
12
10
10
12 10
10 8
10
6
Sorgdal
C7
3
3

Uni
1/2
7
8
11
10
10 7
11
11 10
10
D7

G7
1/2
5
11
10
12
10
12
1/2
8
11
12
G7
G7/B
C#dim
6
8
D7
12
C7
10
11
1/4
full
3
3
3
5
G7
6
6
full
full
1/2
1/2
7
Sorgdal
C7

1/4
12 10
11 10
12 9
G7
10
1/2
11
10
full
13
13
13
13
13
13
13
13
13
13
C7
3 3 3
13 13 13
13 13 13
3 3 3
full
13 13 13 13 13
13 13
13
13
full
13 13
13 13
3 3 3 3
13 13
13 13
13 13
13
full
13 13 13 13 13
13 13 13 13 13
13
13 13
13 13
C7
3
full
13
13 13
13 13
13
full
13 13
13 13
13
full
13 13
13 13
13
full
13 13
13 13
13
full
full
13 13
13 13
20
13
11
19 17
8
Sorgdal
12
full
full
10
13
10
13
12
10
13
12
D7
full
10
13
10
12
1/2
11
full
18
18
G7
1/2
15
15
18 15
15
15
17 15
17
17
15 17
18 17 15
17

C7
D7
full
15
15
17
18
20
20
18
14
20
17
13
17
20
19
loco

2nd time

G7
17
17
18
15
P.M.
2nd time ad lib. bass solo
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
2.
1.
5
3
You should
talk
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
5
3
5
3
7
3
7
3
9
Sorgdal
G7
1st time continue sim. rhythm

2nd & 3rd times play with fills
15
18
to your
talk
10
G7
13
you should talk
to your
daugh - ter,
11
13
11
she done
D7
made
aint
gon - na leave
1.
C7
lo - ver and
1/2
12

me
Pick
harmonics
12
6
6
10
Sorgdal
you should
10
ter,
full
daugh
1/2
talk
Rhythm fill
3rd time only
full
C7
you should


her
be.
2.
G7
G7
8 7
3.
C7

You can talk__
8
7
Rubato
F7/B
1/4
1/4
You can talk__
C7
E7/C
Eb/Db
D7
Ab7
G7
G7
1/4
full
13
13
10
11
11 10
8
8
1/2
14 13 11
13
11 13
12
10
8
10
11 12 11
10
12
12
11
1/2
1/2
11
12
12
11
Sorgdal
Misdirected Blues
C7
Gb%
F%
8fr
q. = 120
G7
Eb%#11
7fr
Gtr. 1
10
10
12
8
8
8
*Optional rhythm
10
8
10
8
10
8
12
8
10
8
Let ring...
P.M.
8
8
0
9
10
10
8
12
8
10
8
10
8
10
8
12
8
10
8
P.M.
8
9
7
8
10
8
Let ring...
10
8
P.M.
8
8
9
F7
C7
Eb%
5fr
5fr
8
8
9
10
12
8
10
8
Verse
8
9
10
me,
8
8
9
Copyright 1993 Music Corporation of America Incorporated, USA.

Sorgdal
now she
Continue rhythm sim.
8
7
8
1. Ba - by used to want
(Verses 2 & 3 see block lyrics)
Let ring...
7
8
$ C7
says its time to go,
(but) she needs some ad - ven - ture
that she needs a brand
Let ring...
8
8
9
8 10
9

yeah,
new show,
Let ring...
I know the day to - daycan
8
8 10
9
get an - y - bod - y down,
you dont have to run off with the
Let ring...
8
8
9
first
Gb%
new thing you found.
F%
Aint
9
8
8
9
9
8
8
9
it
Eb%(#11)
babe,

you
8
7
7
8
2
Sorgdal
8
8
9
8 10
9
8
8
7
7

5
6
5
5
6
5
5
6
need
C7
my
love,
8
9
10
10
(yeah,
yeah.)
G7
a - you might just
10
10
10
8
8
mis
8
9
be
- di - rec - ted,
3
4
5
5
10
To Coda 1.
(its)
you
that
Im
think - in
C7
of.
1/4
11
6
7
5
5
8
9
2.
C7
of.
Let ring...
1/4
11
8
8 10
9
8
8 10
10
8 10
10 8
8
10 8 10
10 8
8 10
10
10
3
Sorgdal
Solo
C7
4
1/4
11
10
8
5
17
1/4
1/4
11
17 15
17 15
16
17 15
16
17
15
16
16

Eb%
16 15
13
13
15
C7
10
10
13
F%
8
7
1/2
13
12
13
14
12
11
16
11
15
13 11 12
13
13
13
1/2
10
13
15
15
15
14
13
12
13 16
14
4
Sorgdal
10

G7
F7
1/4
11
11
10
12
11
12
10
8
10
8
10
12
10
10
10
10
12
3 3
C7
1/4
8
8
11
1/2
11 8
8 11 8
10
10 8
10
10
10
C7
10
5
10
5 7
10
1/4
6
6
8
8
10
8
10
1
3
5
5
8
8
10
11
8
10
8
10
13
14
13
13
11
13
5
Sorgdal
F%
Eb%
7
7
13
8
8
8
8
8
8
11 10
8
11
8
10
17
11
13
11
11
10
G7
5
7
C7
5
7
8
8
5
10
12
8
8
5
7
5
6
8
8
11
13
7
8
6
Sorgdal
F7
10
8
12
11
11
10
1/2
15
10
1/2
11
13
11
12
13
12
13
C7
12
13
12
13 14 13 11
13
13
1/4
11
13
11
11 12 13 12
12
11 13
11
9
13 11
13
12
11 10
12
8
12 11
10
12
12
7
10
11
11 10 8
7 10 9
7
8
11 10
F%
10
13
Eb%
14
13
13
15
16
13
14 13
11
14
13
13
11
13
11
12
13
13
13
15
17
15
16
17
18
20
21
19
18
15
15

1/4
16
18
17
18
17
16
17
15
17
7
Sorgdal
G7
F7
full
15
15
17
15
15
13
18
16
13 11
14
17
16
15
17
D.S. al Coda
4
14 13 11
13
16
17
17
13
1/4
11
13 11
Let ring...
13
11
10
11 12
12 10
8
8
8
10
10
Coda
C7
of.
8
8
8
10
11
10
10
C7
Continue ad lib. solo
8
Sorgdal
F%
Eb%
C7
F7
C7
Repeat to fade
G7
Verse 2
Baby used to want me, now she treats me like yesterdays news,
She brought the dog dinner and she brought me my walkin shoes.
Is that any way to treat the best friend you ever had?
Just to get your kicks, you gotta make me feel so bad.
And it just aint it babe,
What you need is my love.
You might just be misdirected
But its you that Im thinkin of.
Verse 3
Now the way I see it, Im an ordinary guy.
I dont look for trouble, in fact Im a little bit shy.
Dont I give you the room that you need to be yourself,
You dont have to worry, I wont leave for someone else.
Cause it just aint it little girl,
Hey! You need my love.
You might just be misdirected,
Its you Im thinkin of.
9
Sorgdal
Mystic Mile
Esus4
Am
Gtr. 1 *Esus4
12 10 8
10
1/2
5
7
0
*Acoustic guitar plays open chord accompaniment
Am
5
5
Am
5
5
7
5
7
7
5
5
7
7
5
5
5
7
7
7
5
5
4
4
4
4
7
7
9
9
5
7
5
5
5
7
7
Sorgdal
12
10
full
Amaj7
Let ring...
10
C/D
Bass cue
D7
q = 84
7
7
1.Some -where
8
7
5
5
5
7
7
5
5
5
5
4
4
Verse
$ Am
o - ver
my left
5
5
5 7
8 5
7
man
5
5
when I
7 7
5
5
5 7
2
7
7
who
waits.
7
7
5 7
stum - ble
and he
full
4
4
ways watch - in
Sorgdal
5 7

theres a
5
5
7
7
Hes al -
shoul - der
5
5
5 7
4
4
blinks
when I
5
5
5 7
hes - i - tate.
He got a
5
5
5
5
7
7
real
strange sense of
5
5
7
7
7 9
5 7
Am
hu - mour
but he dont
laugh,
he
dont
D7
cry.

Hes the
Let ring...
8
5
5
5
To Coda
Am
mys - tic
on the
5
5
5
7
7
5
7
5
7
7 5
Am
mys - tic
mile.

5
5
5
7
7
3
Sorgdal
1.
Am
2. I had a
1/4
5
5 7
1/4
1/4
10
9
7 5
7 5
5 7
7
2.
Am
full
full
5 7 5
1/4
5
5

1/4
full
10
10 10
9
7
7
4
Sorgdal

rake
full
Solo
3
1/4
13
13
full
full
1/4
10
12
12
5
7
8
8
8
9
10
10
0
8
10

D7
full
full
13
15
14
Am
15
17
17
1/2
1/4
15
15
15
13
15
14
13
14
12
14
1/4
12
14
14
13
12
10
12
5
Sorgdal
Am
full
full
10
10
14
10
13
13
15
full
15
13
15
1/2
15
13
full
8
5
10

10
10
15 17
10
12
15
3
10 12
17
10
13
13
12
rake
5
7
7
7
7
7
8
8
7 9
10
9
6
Sorgdal
15
14
full
12
full
15
13
full
full
rake
5
5
5
1/2
5
7
5
7
Am
10
8
10
7
10
10
10
10
5
7
Am
full
10
8
Am
1/4
7
5
D7
rake
full
full
full
1/4
D.S. al Coda

3. Like

1/4
5
7
0 2
0 2 0
2
0
3
7
Sorgdal
Coda
Am
Hes the mys - tic
on the
1/4
1/4
5
7
5 7
Am
5 7
mys - tic mile.
1/2
5 7
1/4
5 7
5 7
Play 4 times Esus4
5
7
C/D
7
7
5
5
Ad lib. guitar solo
7
7
7
7
8
Sorgdal
9
9
Rubato
[Amaj7]
With volume pedal swells
5
5
12
10
12
4
7
5
6
4
7

3
3
Let ring...
0
0
2
2
7
rall.
rit.
16
14
14
14
0
0
2
2
0
7
Verse 2
I had a dream of colours
And a world in disarray,
Someone peekin round the corner,
But I couldnt see his face.
But he could see into my future,
About my past he would only smile,
Hes the mystic
On the mystic mile.
Verse 3
Like a fish leaps from the water,
Like a thief in the night,
Like a road suddenly ending,
And there hes standin by the roadside.
And he wont need no introduction,
And he wont want to stop a while.
Hes the mystic
On the mystic mile.
9
Sorgdal
Oasis
By Robben Ford
Funky Blues
= 100
*Cm7
Gtr. 1
(clean)
(drums)
10
12
10 11 10 8
10
(10) 11 10 8
10
(10)
8
8
10
10
8 10
8 10
10
8 9
11
11
10
12
10 11 10 8
8
10 (10) 11 10 8
8 9
10
12
10
8 10
10
10
10 11 10 8
8
10
(10) 11 10 8
10
N.C.(G7)
8 10
11
10 11 12
10
10
10 8
10 12
10 12
10 11 10 8
10 11 10 8
8
8
10 11 10 8
10 11 10 8
10
10
8
8
Sorgdal
43
C
Gtr. 2: w/ Fill 1
E m7
full
1/4
9 7
(7)
(8) 6
Gtr. 2: w/ Fill 2
N.C.
E m7
10 11
10 11
8
8
11
10
8
8
5
6
3
4
14
3
4
16
14
B 7 9
13
11
13
11 13
10
(6)
6
6
8
6
6 4 5 4
Gtr. 2: w/ Fill 3
Cm7
10
12
10 11 10 8
8
10 (10) 11 10 8
10
(10)
8
8
10
10
8
8
10
10
8 9
11
11
Fill 1
Gtr. 2 (clean)
1/4
6
7
Fill 2
Gtr. 2
6
7
Fill 3
Gtr. 2
grad. bend
6
7
Sorgdal
13 (13)
1/4
44
11
N.C.
1/4
15
1/4
6
7
X
4
10
12
10 11 10 8
8
10 (10) 11 10 8
10
8 10
10
10
8 9
8
8
10
3
3
10
8
10 11 10 8
10
12
10
10
11 10 8
10
Gtr. 2: w/ Fill 3, simile
8 10
10
N.C.(G7)
8
8
8
8
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
10 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 10 8
10
10
(10)
10
10
12
12
10 11 10
10 11 10
8
8
8
8
10
10
11
11
10
10
8
8
10
10
8
8
E
Gtr. 2: w/ Fill 2
E m7
1/4
6
7
7
7
7
X
X
X
X
11
10
8
8
X
X
X
X
X
X
X
X
X
X
X
X
(4)
13
11
13
13
14
11
Gtr. 2: w/ Fill 2
grad. bend
1/4
full
(11) 14
14
(14) 11
14
13 11
13
10 11
10 11
(13)
X
X
7
7
X
X
11
10
X
X
8
8
X
X
5
6
(4)
B 7 9
grad. bend
1/4
6 8
(7)
grad. bend
1/4
(8) 6
(6)
(8)
6 8 6
45
Sorgdal
N.C.(Cm7)
8va
loco
full
18
(8) 6
(8)
10 10 12
10
6 4 5 4
Cm7
1/2
(12)
full
10 8 10
10
(10)
10
10
10 8 10
(10)
11 10 8
10
1/4
10
full
1/4
6 4
10
10
10
grad. bend
1/4
5 3 5
13 (13) 11
(6)
full
(11)
11
12
10
10
10
10
10
8 9
10
10
loco
8va
1/4
(11)
full
11
13
11
1/4
11 (11) 12
X X X 20
20
20
20
11
10
1/2
X
X
10 11 (8)
10 11 8
10
10
10
8
8
10
8 10
8
8
10
8 6
* 3 is picked by l.h. 3rd finger

while pulling off 4 .
G
E m7
full
10
13 12
6
46
Sorgdal
10 11
full
11
11
14
13 11
13
(13)
(13) 11
13 11
13
13
11
11
13
11
13 11
13 11
13
hold bend
full
full
hold bend
full
full
14
13
11
13
13
14
(13) 11
full
full
14
14
11
14
14 11
14
13
13
11
13
1/4
9
(13)
11
11
11
11 9
11
11
11
10
11
11 12
10
13 0 8
10 8
11 9 8
11 10
B 7 9
6
6
6
6
6
6
8
8
6
6
9
8
10
8
8
10
6
6
X
X
X
X
H
Cm7
6
6
(8)
6
6
8
8
8
8
7
7
8
8
X
X
6
6
6
8
6
6
6
8
X
X
6
6
1/4
6
6
6
6
6
6
1/4
X
X
X
11
10
11
13
14 (13) 14 13 11
13
47
Sorgdal
8va
13
12
11
13
11
12
10
11 10
8va
10
13
12
12
13
10
11
13
12
11
15
13
16
15
19
loco
18
18
16
15
16
15
13
12
(12)
11
12
10
10
10
12
11
10
12
3
full
10 13
10 12
10
10
10
10 (8) (10) 8
10
(10) 8
10
1/4
11
13
13
11
8
10
10 10
10 8 6
12
11
12
10
10
1/2 full
10
10
(8)
I
E m7
10
10
48
Sorgdal
8
8
10
10
(10) 8
10
10
8
8
8
10 10
10 10
10 10
11
11
11
10
10
10
8
8
8
8
8
10
10
10
10 11
10 11
10
11
11
11
11
7
7
7
6
full
7
6
(3)
10
11
13
13
11
11 10
11
8va
6
6
8 6
X
X
X
16 9
16
X
13
13 6
X
X
X
14
X
11
16
X
13
B 7 9
17 18
X
14 15
N.C.
8va
loco
18
X
15
17
X
14
16
X
13
15
X
12
14
X
11
13
X
10
12
X
9
11
X
8
J
Gtr. 1
14
X
11
11
X
8
6
6
6
6
6
6
8
8
8
6
6
6
6
Begin Fade
Cm7
1/4
8
8
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
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8
8
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8
8
10
10
8
8
X
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X
X
X
X
X
X
X
X
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X
X
X
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X
X
X
Gtr. 2
1/4
49
Sorgdal
3
1/2
X
X
X
X
X
8
10
X
X
X
10
10
X
X
X
X
X
X
5
5
X
X
X
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X
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X
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X
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X
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X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
10
10
8
8
X
X
X
X
1 2 1
4 5
3 5 3
X
X
X
X
X X
X X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
10
11
11 X
11 X
10
10
8
8
8
X
X
X
X
X
X
11
11
X
X
10
X
X
X
X
8
8
10
10
10
1/2
(4)
Fade Out
8
8 9
X X
X X
X X
X
X
X
X
X
X
10
X X
X X
8
8
X
X
X
X
X X
X X
X
X
X
X
X X X
X X X
10
10
10
X X
X X
8
8
8
10
10
8
8
X
10
full full
50
Sorgdal
10
10
10
(0)
10
(10) (10) 8
10
10
X
X
X X
X X
Politician
Words & Music by Jack Bruce & Peter Brown
Db
Gb7
Ab7
Gb7/Bb
Guitar tuned down a semitone
q = 92
Drum cue
6
4
7
5
4
3
5
4
5
6
4
7
5
7
6
4
7
6 5
7
5
Verse
$ Db

Gb7
1,4. Hey now

ba - by,
(Verse 2 see block lyrics)
get
Semi-damped / P.M.
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
in
big black
car,
3
6
4
3
5
3
5
3
Copyright 1968 Dratleaf Limited.

All Rights Reserved. International Copyright Secured.
Sorgdal
to my
5
3
5
3
5
3
5
3
Db
1/2
3
5
hey
now
ba -
by,

get
in
3
3
5
3
5
3
5
5
5
3
5
3
to my
black
3
3
4
5
3
3
4
5
car,
1/2
5
5
big
3
3
4
5
7
7

1/2
5
5
5
5
3
5
2
Sorgdal
Db
6
5
1/2
Gb7
To Coda
Ab7
just
wan - na
7
5
7
5
show
7
5
7
5
7
5
just
what
my
pol - i - tics
you
7
5
Gb7/Bb
are.
7
5
7
5
7
5
7
5
6
4
5
1.
[Db]
2. Im
5
5
1/2
5
5
a pol
1/2
3
5
2.
Verse
3. I
sup
the
left
1/4
5
7
- port
Db
5
5
3
5
7
5
7
5
7
5
7
5
7
7
7
7
7
7
3
Sorgdal
Gb7
but Im lean - in

P.M.
10
10

1/2
10
12
10
12
10
10
10
10
12
12 10
10
10
Yeah,
10
10
sup
13
1/2
13
13
12
12
Gb7

the
5
3
left,
5
3

but Im lean
P.M.
5
3
5
3
5
3
5
5
3

3
0
0
3
1
10
10
4
Sorgdal
13
12
12
- port
10
12
10
10 12 10
12
1/2
10 12
to the right.
Db

3
0
0
3
0
0
10
in,
lean -
Db
in to the right.
5
5
10
8
10
6
7
6
4
Ab7

But
youll
ne - ver
find
Gb7/Bb
me,
not
when
theres
fight.
1/4
6
7
5
7
5
7
5
7
5
7
5
7
5
7
5
1/4
5
5
1/4
7
5
Db
7
5
6
7
1/2
10
10
10
12
5
Sorgdal
Solo
Db
full
full
13
13
12
12
13
13
13
10
10
12
10
10
Gb7
rake
7
9
10
10
2
5
full
1/4
6
7
1/2
10
13
10
10
12
10
10
12
6
Sorgdal
Gb7
3
5
full
Db
12 10
12
10
Db
full
10
13
10
10
1/2
10
13
13
10
12
12
10
12
10
12
12
10
12
10
12
10
11
10
12
10
14
12
7
8

Ab7
Gb7/Bb
1/2
13
13
13
1/2
13
13
15
13
15
15
13
15
13
14
14
Db
15
14
14
1/4
1/4
13
13 13
13
10
1/4
13
1/4
10
13 10
12
12
10
10
12
10
12
full
20
12
7
Sorgdal
Db
20
20
20
full
20
20
18
18
20
18
20
18
19
Gb7
Db
18 20
1/4
1/2
17
18
19
17
17
15
19 17
15
15
17
19 17
17 19
17
17
17

full
1/2
15
15
18
18
15
14
17
14
17
15
17
15
17
15
17

full
10 12 12 12 10
10
1/2
full
10
10
10
3
6
6
7
15
5
7
8
Sorgdal
17
17
Gb7
17
Db
7
7
5
10
10 8
5
7
0
2
Gb7/Bb
1/2
12
12
12
12
10
5
Ab7
10 12
10
12
12
12
10
14
12
12
14
Db
D.S. al Coda
1/2
full
10
10
10
11
10
13
10
10 13 10
10
13
13
12
10
12
10
12
10
12
12
13
Coda
Gb7/Bb
just what my
pol - i - tics

7
5
7
5
10
9
[Db]
are.
10
9
10
10
12
12
1/4
5
5
5
5
9
Sorgdal
5
5
10
8
10
8
10
10
12
10
Let ring...
Let ring...
10
10
10
12
10
12
12
10
10
8
10
Db
3
Let ring...
Let ring...
10
10
10
10
6
7
10
13
12
13
12
Gb7
10
10
13 10
12 12
10
12
10
Sorgdal
8
10
12
Gb7
8
8
Db
12
10
12
14
12
12
14
14
12
12
15
14
Db
full
13
15
full
full
1/2
15
15
15
13
15
15
1/4
1/2
15
13
15
15
13
15
Ab7

full
13
13 10
15
13 10
12 12 10
2
12 10
Gb7/Bb
full
1/4
17
20
20 20 18
20
18
19

5
7
6
4
7
5
7
5
19
7
6
17
[Db]
14 17 19 13 17
5
3
7
6
4
7
5
7
5
Verse 2
Im a political man,
And I practise what I preach.
Im a political man,
And I practise what I preach.
Now dont deny me,
Not when youre in my reach.
11
Sorgdal
Red Lady with Cello

By Robben Ford
Bm
7 fr
111
A
Funk Rock
= 102
N.C.
Gtr. 1 (dist.)
*
**E9
w/ wah-wah
wah-wah off
full
full
12
12
15
12
14
(14) 12
14
14 12
14
14
14
*Key signature denotes E Mixolydian.

Gtr. 1 tacet
12
**Chord symbols reflect overall tonality.
Gtr. 2 (clean)
w/ wah-wah
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
7
X
X
X
X
X
X
X
X
X
X
8
5
Bm
8
5
A/C
Em7
Gtr. 1
11
12
11
14
12
14
14
15
12
14
12
14
15 14 12
Gtr. 2
wah-wah off
X
X
34
Sorgdal
X
X
X X X X
X X X X
X
X
X
X
X X X
X X X
X
X
X
X
X
X
X X X X X
X X X X X
X
X
X X X X
X X X X
X
X
X
X
X X
X X
X X X
X X X
X
X
X
X
7
7
7
D/E
E 69
E m11
(12)
15
7
7
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
15 12
7
7
7
Dm7
14
X
X
X
11 11
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
7
6
6
X
X
X
Gadd6/D
X
X
X
X
X
X
X
X
X
X
X
X
12 12
12
X
X
X
1/2
(14)
14
X
X
X
1/2
(14)
X 12
X 12
X 12
(14)
X
X
X
A/C
7
6
1/2
10
10
10
14
Bm
let ring
15
12
11
X
X
X
X
X
X
Em7/D
X
X
X
X
X
X
F/G
X
X
X
X
X
X
X
X
X
X
X
X
11
X
X
X
X
X
X
X
X
X
12
X
X
X
X
X
X
X
X
X
X
X
X
Dm/G
1/2
10
11
X
X
X
X
X
X
X X X X X
X X X X X
X X X X X
10
X
X
X
16
18
X X X X
X X X X
X X X X
15
X
X
X
17
X
X
X
12
17
X
X
X
X X X X
X X X X
X X X X
X
X
X
X X
X X
X X
10
10
10
10
10
10
10
12
10
X X
X X
X X
10
10 10
10
10
10
12
35
Sorgdal
C
D13/F
Cmaj7 11
Bm
N.C.
A5
A 5
8va
(12)
10
12
19
10
11
12
11
7
7
7
9
12
11
10
B5
N.C.
A5
X
X
Bm
X
X
2
0
3
1
X
X
Bm7
loco
full
10 7
12
14
4
2
4
0
7
5
14
14
X X X X
X X X X
X X X X
7
5
12
14
7
7
7
9
11
7
7
7
7
(11)
7
7
7
7
D
Dm11
10 12
10 12
10
10
14
36
Sorgdal
7
7
7
7
9
9
9
7
7
7
8
10
10
14
12 13 15
14
6
5
14
12 13
5
6
12
X 8
X 5
0
0
Am9
Em7
loco
8va
14
13
14
15
15
17
15
0
0
5
5
17
15
15 14 12
8
9
14
7
7
12
12
14
Dm11
1/2
(14)
14
1/4
(14) 12 14
12
14
12
14
14
12
14
5
5
5
A 69 /C
14
12
12
13
X
X
X
X
X
X
Cmaj7 11
8va
(12)
14
5
5
5
14
13
10
(15)
15
14
X
X
X
5
5
4
4
5
5
5
14
16
full
17
17
14
X
X
X
14
17
37
Sorgdal
E
B7 9
C7
B7 9
8va
loco
(17)
(17)
10
10
8
9
X
X
X
X
12
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
8
9
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
8
9
Cmaj7 5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
8
9
X
X
X
X
11
10
11
9
10
12
X
X
X
10
10
8
9
10
10
10
8
9
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
10
10
8
9
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
B7 9
10
10
8
9
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
11
12
7
9
10
10
10
8
9
11
13
(10)
10
11
X
X
X
X
X
X
X
X
X 10
X 10
X 8
X 9
10
10
8
9
12
X
X
X
X
X
X
X
X
10
10
8
9
X
X
X
X
X
X
X
X
X 10
X 10
X 8
X 9
10
12
10
7 10 7
11
10
10
8
9
X
X
X
X
10
X
X
X
X
B7 9
w/ wah-wah
full
10
12
10
9
10
10
8
9
38
Sorgdal
X
X
X
X
X
X
X
X
X 10
X 10
X 8
X 9
10
10
8
9
full
(9) 7
X
X
X
X
X
X
X
X
10
10
8
9
7
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
7
8
7
7
9
10 7
9
F
Gtr. 2 tacet
Em7
Gtr. 1
Bm7
1/2
10 7
11
Em7
7 10
Bm7
full
full
(10) 8 7
10
10
10 7
8 7
1/4
10
10
10
1/4
1/4
10
Em7
full
full
12
12
15
(15)
12
14
Bm7
Em7
hold bend
full
full
17
16
17
17
14
16
14
15
16
14
16 17
16
full
17
15 17
(17) 15
17
16
15
17
15
16
Bm7
grad. bend
full
(15) 12 10
11
10
full
7
9
10
9
full
10
10
7
9
Em7
10
(9) 7
Bm7
3
1/2
(10)
full
10
7
9
8
7 7 9
39
Sorgdal
Em7
1 1/2
full
5 3
3 5 7
6 5
full
9 11
(7)
10
11
10
10
11
11
Bm7
12
(12)
10 12
Em7
10 11 12
8va
full
(12)
10
12
10
11
10
12
12
full
12
12
(12) 10
10
12
12
10
(10)
14
12
17
14
Bm7
8va
full hold bend
14
15
14
17
14
15
14
15
full
full
17
(17)15
16
15
18
14
14
15
17
(17)
14
17 17
17
17
17
17
17
17
17
17
Em7
loco
8va
17
17
16 3
16 0
full
full
15
15
15
12 10
9 12 11 11
10
10
7
9
9 7
9 7 5
7 9
7 5 7 5
G
Dm7
Am7
Am9
8va
Gtr. 1
wah-wah off
w/ chorus
14
0
14
12
13
15
14
14
12
13
12
(12)
14
14
17
17
15
17
15
15
Gtr. 2
X
X
X
40
Sorgdal
X
X
X
X X
X X
X X
5
5
7
X 10
X 9
X 10
5
5
5
X
5
X
X
X
X
X
X
7
5
5
5
Em7
loco
8va
full
(15)
17
15 12
14
12
7
5
5
5
14
X
X
X
X
12
X
X
X
X
14
(14) 12
14
12
12
12
X
X
X
X
X X 12 12 X 12 X X X
X X 12 12 X 12 X X X
X X 12 12 X 12 X X X 9
9 9 9
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
12
X X X
X X X
X X X
X
X
X
X
X
X
14
12
14 12
14
X X X X X X
X X X X X X
X X X X X X
Am7
12
14
12
14
12 12 12 12 12 12 X X X X X X X
12 12 12 12 12 12 X X X X X X X
12 12 12 12 12 12 X X X X X X X
12
12
12
12 12 12 12
12 12 12 12
12 12 12 12
X X X X X X X
X X X X X X X
X X X X X X X 12 12 X X
12 12 X X
Aadd9/C
14
12
12
13
5
5
X
5
Cmaj7 11
8va
1/2
full
(12)
14
5
5
5
14
5
5
5
13
15
(15)
15
14
7
7
5
5
5
7
10
9
X
X
9
7
10
9
X
X
9
14
12
7 7
10 10
9 9
X X
X X
9 9
12 17
(17)
17
7
9
9
X
8
(17)
7
9
9
X
8
7
9
9
X
8
18
7
9
9
X
8
41
Sorgdal
H
B7 9
N.C.
A5
A 5
B7
N.C.
A5
A 5
B5
N.C.
A5
A 5
loco
8va
(18)
17 17 14
17
16 15
17
14 17 14
17 15
16 14
10
10
16
11 9
12 9
12
Rhy. Fig. 1
X X 2
X X 0
3
1
7
10
8
9
X
X
X (0)
X X 2
X X 0
3
1
X
X
X (0)
4 4
2 2
X X 2
X X 0
X
X
X (0)
3
1
B5
Cmaj7 11
B7 9
A5
A 5
B7
A5
A 5
full
7
7
9
9
7 10
7
9
End Rhy. Fig. 1
4
2
4
2
2
5
4
0
Fade Out
Gtrs. 1 & 2 tacet
B5
A5
A 5 B5
Cmaj7 11
Bm
Gtr. 2
Gtr. 1
Gtr. 1
full
full
12
11
42
Sorgdal
15
15
12
14
14
14
14 12
14
14
(sax.)
from Robben Ford & The Blue Line
Start It Up
By Robben Ford
Intro
Moderate Shuffle
* D5 E5
= 122
D5
Verse
E7
E7
play 3 times
1. My, my,
my,
yes,
Gtr. 1 (clean)
ba by, youre my
some thing in your
cup of tea.
sex y ways.
Rhy. Fig. 1
simile on repeat
slight P.M. throughout
1/2
14
12
12 14
14
14
14 12
12
12
14
12
13
2
0
0
4
0
5
0
4
0
0
0
4
0
5
0
4
0
* Chord symbols reflect overall harmony throughout.
A7
2
0
4
0
5
0
0
0
1
2
4
0
2
0
4
0
My,
Yes,
my,
yes,
5
0
4
0
Im
gon
my,
yes,
0
2
4
0
5
0
4
0
lov in what you

na love you
0
(2)
2
0
4
0
do
all
5
0
to
my
4
0
1
B7
E7
me.
days.
brand new
You got a mo tor like a
car,
so start it
up
for me.
End Rhy. Fig. 1
2
0
4
0
5
0
4
0
0
0
1
2
2
0
4
0
5
0
4
0
4
2
X
X
6
2
4
2
6
2
4
2
6
2
4
2
6
2
up
for
2
E7
B7
2. Yes,
yes,
brand new
car,
so start it
me.
cresc.
112
Sorgdal
2
0
4
0
5
0
0
0
1
2
2
0
0
0
4
2
6
2
4
2
6
2
2
4
Copyright 1992 UNIVERSAL - GEFFEN AGAIN MUSIC and TAMALE MUSIC

All Rights Controlled and Administered by UNIVERSAL - GEFFEN AGAIN MUSIC
4
2
6
2
E7
Chorus
E7
Start it
up,
up.
start it
You make me
feel
like
cresc.
2
0
4
0
5
0
0
0
1
2
2
0
0
0
1
2
2
0
2
2
0
4
4
0
5
5
0
X
X
X
4
4
0
2
2
0
2
2
0
4
4
0
X
X
X
5
5
0
0
0
1
2
4
4
0
A7
even
ro manc in.
Start
it
up,
start it
up.
You make me feel
like
3
1/4
full
0
0
2
0
4
0
5
0
2 2
(2)
E7
2
0
4
0
X
X
5
0
0
2
4
(0)
B7
danc in.
2
0
4
0
5
0
X
X
4
0
0
0
1
2
2
2
0
4
0
5
0
2
2
4
0
2
0
4
0
5
0
A7
brand new
4
4
car,
6
2
so start it
4
2
6
2
2
0
4
0
up
0
0
for
me.
0
0
1
2
Verse
E7
E7
even
3. The way
you
0
0
1
2
2
move,
such
a fine ly
tuned ma chine.
2
0
A7
Mm,
Yes,
such
sol
id
groove,
the best
Ive
ev
er
seen.
113
Sorgdal
To Coda
E7
B7
You got
mo tor like
A7
brand new
car,
so start it
up
for
me.
2
0
Gtr. 1
4
2
E7
6
2
4
2
6
2
4
2
Guitar Solo
E7
N.C.
3
3
0
2
cresc.
rake
full
12
12
12 14
14
1/4
15
12
14
14
14 12
12
14
14
14
12
14
13
14
(14)
3
3
1/4
12
11
14
14
12
14
12
12
12
12
14
full
14
12
14
12
11
A7
E7
3
rake
2
2
0
0
0
0
4 4 2
(0)
1/4
2 0
B7
1/4
1/4
1/4
E7
3
3
1/4
114
Sorgdal
1/4
1/4
(0)
0
0
3
3
5
5
5
5
6
6
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
3
3
3
5
5
3
3
5
5
3
3
6
6
5
5
3
3
5
5
1/2
3
3
1/2
A7
4 0 1 0
14
14
1/4
14
14
12
12
17
17
15
14
12
12
15
12 15
3
3
full
15
15
12 14
14
E7
17
12
12
15 15
12
(14) 12
14
15
14
14
15
17
15
15
17
15
17 15 17
15
15
15 15
14
14
14
15
14
15
16 14 16
12
14 11
14
B7
3
3
full
12
14
12
13
12
14
12
14
14
3
3
hold bend
full
14
14
14
(14) 12
14
13
12
14
12
14
D.S. al Coda
A7
E7
4. The way
you
1/2
1/2
12
14 14
14
14
12
14
12
12
12
14
14
14
14
12
12
14
14
14
12
12
12
14
12
12
12
13
Coda
B7
E7
even
brand new
car,
ba
by,
start it
up for
me.
Start it
up,
start it
cresc.
4
2
6
2
4
2
4
2
4
2
6
2
4
2
6
2
Chorus
E7
0
0
4
4
0
0
1
2
2
0
0
0
1
2
2
0
up.
0
0
1
2
2
0
Mm,
2
2
0
4
4
0
X
X
X
5
5
0
X
X
X
4
4
0
0 1
you make me feel
2
2
0
4
4
0
X
X
X
5
5
0
like ro
X
X
X
4
4
0
0
0
0
manc in.
2
2
X
X
X
4
4
0
Start it up,
X
X
X
5
5
0
4
4
0
0
0
1
2
2
2
0
4
4
0
5
5
0
start it
X
X
X
4
4
0
0
2
115
Sorgdal
A7
E7
up.
You make me
feel
danc in.
like
let ring
2
0
X
X
4
0
X
X
5
0
X
X
7
7
6
5
B7
5
5 6
A7
brand new
so start it
car,
2
0
4
0
X
X
5
0
E7
up
2
0
for
X
X
0
0
1
2
4
0
me.
Spoken: Start it
4
2
4
2
2
0
4
0
5
0
4
0
Outro Guitar Solo

E7
2
0
4
0
X
X
5
0
5
0
X
X
X
X
4
0
0 3
0 3
0
3
4
0
3
3
let ring
let ring
0
3
let ring
0
3
A7
3
3
3
3
X
X
up for me.
0
6
2
4
0
let ring
4
2
2
0
1/4
6 5 3
3 2 0
2
2
0
0
2
2
0
0
2
2
0
0
0
0
7
8
1/4
7
8
E7
3
3
1/4
7
8
7
8
1/4
7
8
1/4
9 9 10
10 10 11
12
B7
9
10
7
8
A7
full
9
9
D5
11
9
9
9
11
E5
12 14
14
D5
E7
play 3 times
full
full
12
14
15 12
14
116
Sorgdal
full
14 12
14
12
14
1/2
14 12
14
14
14
14
12
12
14
14
12
12
14
14
14
14
14
12
12
14
12
12
13
12
12
Start It Up
D5
q = 122
E5
E7
A7
B7
=
____
D5
E5

D5

D5
E5
Gtr. 1
12
12 14
14
E5
12
12 14
14
12
14
12
10
14
14
12
14
12
10
12
12 14
14
12
14
14
12
12
14
12
10
14
14
12
Verse
E7
1. My,
my,
my,
ba - by youre
my
cup
of
tea,
(Verses 2 - 4 see block lyrics)
Open
Damped / P.M.
12
12
13
12
0
2
0
2
0
4
0
5
0
4
0
2
0
2
0
4
0
5
0
4
0
Sorgdal
P.M.
Open
my,
my,
P.M.
0
0
1
A7
2
0
2
0
4
0
5
0
2
0
lov - in what cha
do
to
my.
Im
Open
P.M.
2
0
4
0
5
0
Open
0
2
0
4
0
Open
2
0
4
0
5
0
4
0
me,
P.M.
4
0
you got
P.M.
Open
P.M.
mo - tor like
5
0
4
0
0
0
1
2
0
2
0
4
0
5
0
4
0
0
2
0
2
0
4
0
5
0
4
0
2
0
2
0
4
0
To Coda 1.
B7
brand new
car,
so start
it
up
for
4
2
4
2
6
2
4
2
6
2
4
2
4
2
6
2
2
Sorgdal
4
2
6
2
2
0
2
0
4
0
me.
Open
P.M.
0
2
0
4
0
2, 4.
2. Yes,
Start
P.M.
Open
0
0
1
2
2
0
__
yes,
2
0
2
0
4
0
5
0
it
up,
Open
4
0
0
0
1
2
2
0
start
it
0
0
1
Chorus
P.M.
you make me feel
like
up,
Open
P.M.
ro - man - cing,
Open P.M.
Open
1/4
2
0
2
0
4
0
5
0
4
0
start
it
2
2
2
0
up,
start
it
2
0
4
0
5
0
A7
4
0
2
2
2
2
0
2
0
up,
4
0
you make me feel
5
0
Open
P.M.
like
Open
1/2
0
0
2
0
2
2
0
2
0
4
0
5
0
4
0
0
2
0
2
0
4
0
5
0
4
0
0
0
3
Sorgdal
dan - cing,
you got
P.M.
Open
B7
mo - tor like

P.M.
5
0
4
0
brand new
car,
Open
0
0
2
0
2
0
4
0
5
0
4
0
2
0
2
0
4
0
4
2
6
2
4
2
A7
so start
it
up
for
P.M.
2
0
Open
4
0
5
0
3.The way
4
0
0
0
1
2
2
0
0
0
me.
2
0
D.S. al Coda
To Coda
6
2
4
0
2
0
2
0
4
0
5
0
you
Coda
Solo

P.M.
Open
1/2
12
12
5
0
5
0
2
0
2
0
4
0
12
14
4
Sorgdal
14
15
12
14
15
14 12
14
14
14
12
14
12
13
12
14
14
10
12
10
7
8
8
9
7
9
1/2
A7
1/2
2
2
0
0
0
0
0
2
0
2
B7
A7

1/4
3
2
0
2
0
0
5
Sorgdal
1/4
0
0
3
3
5
5
5
5
6
6
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
6
6
5
5
3
0
5
5
3
3
3
4
12
12
14
14
12
12
12
15
14
14
A7
full
12
15
15
12
15
15 12
14
12
14
6
Sorgdal
15
15
17
15
17
15
15
17
15
15
15
17 15 17
3
Hold bend
1/2
15
15
12
15
15
16
15
15
16
14
14
12
12
12
14
12
14
A7
12
14
14
14
14
14
12
14
B7
14
14
13
12
12
14
12
14
15
14
12
14
12
12
12
14
13
D.S. al Coda
4. The
14
14
14
14
12
14
12
12
12
14
12
way
you
12
13
12
7
Sorgdal
Coda
Spoken: Start it up!
0
0
2
0
2
0
4
0
5
0
0
0
0
5
4
0
Solo
3
3
0
1
0
5
0
5
0
1
0
2
3
3
0
5
3
5
3
4
2
2
0
0
0

A7
2
2
2
0
0
0
2
2
2
0
0
0
7
8
9
7
8
7
8
9
9
11
10
12
9
10
12
8
7
9
9
9
8
Sorgdal
9
10
1/4
B7
1/2
12
9
9
9
6
6
12
12
14
14
14
12
12
E5
12
12
14
14
14
14
14
12
14
14
12
14
14
D5
E5
12
12
12
14
14
12
10
14
14
12
12
10
E7
14
14
D5
12
14

12
12
12
12
10
E5
14
14
12
14
D5
14 12
15
14
15
12
15
14
A7
14
12
12
14
12
13
12
14
12
Verse 2
Yes, yes, yes,
Something in your sexy ways.
Yes, yes, yes,
Gonna love you all my days.
You got a motor like a brand new car,
So start it up for me.
Verse 3
The way you move,
Such a finely tuned machine.
Mm, such a solid groove.
The best Ive ever seen.
You got a motor like a brand new car,
So start it up for me.
Verse 4
As Verse 3.
9
Sorgdal
The Brother
Music by Robben Ford
Eb
Db
Ab
Gb5
Bb5
Eb7
Ab5
Cb7
Db7
3fr
Bb7
Ab7
Eb5
Eb
Tune guitar down a semitone
q = 124

Gtr. 1

Drums
Bb5
0
0
Eb7
Fig. 1...
3
3

Db
Ab
Eb
Db
Ab
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
3
2
0
2
2
0
3
2
0
2
2
0
3
2
0
0
1
2
2
0
4
4
Eb
Eb
Ab
Gb5
Db
0
0

3
3
0
0
...Fig. 1 end
3
3
0
0
7
2 2
0
2 2
0
2 2
0
Sorgdal
2
2
0
$ Eb7
P.M.
0 0
8
10
8
8
0 0
7 9
9
7
9
9
9
9 7
9
0 2
0 2
1/4
1/4
1/4
10
1/4
8
9
P.M.
Open P.M.
Bb7
Open
1/4
7
7
7
7
7
7
To Coda

Ab7
1/4
10
9
8
9
8
9
1/4
15 12
15
14
12 14
14
2
Sorgdal

Gb5 Bb5
Eb5
15 12
14 12
12
14
14
12
14
1.
Eb7
10
10
14
15 12
12
2.
17
Ab7
Gb5
14
2
0
Gb5
Gb5 Ab5
Eb7
...Fig. 1 ends
15 12
1/4
12
14
With Fig. 1...
5
3
Ab5
Gb5
1/4
10
10 9 10
8
9
10
10
10
10 9 10
8
9
7
5
Ab5
Eb5
7
8
Gb5
Ab5
Gb5
Eb5
1/4
10
10 9 10
12
8
8
9
3
Sorgdal
1/4
Eb7
3
3
8
7
7
7 9
9
0
1/2
15 12
3 0
3 0
9 7
1/4
12
12
15 12 10 12
15 12
12 15
12
14
12
14
14 12
14
14
1/4
12
1/4
9
7
8
7
10
8
9
7
9
Solo

1/4
Eb7
1/4
full
15
15
9
7
7
5
7
4
Sorgdal
full
15 12
12
15 12
14
14 12
3
5
14
14
Ab7

Eb7
1/2
1/4
1/2
3
7
full
12
5
0
2
0
3
P.M.
1/4
12
14
14
12
10
11
12
14
14
P.M.
1/4
12
14
14
0
2
15 12
15
12
14
14
14
5
Sorgdal
P.M.
12
12
12
12
14
15
15
15
14
14
14
Cb7
14
12
12
13
15
13
12
12
14
Db7
P.M.
14
12
14
14
12
P.M.
15
12
12
14
14
16
16
14
12
14
14
Eb7
15
17
[Eb7]
full
17
14 12
14
full
15 17
12
14
6
Sorgdal
12
15
14
full
17
full
17
full
17
full
17
full
17
full
17
full
17
3
full
full
full
full
full
1/2
full
1/2
17
17
17
17
12 15 12
17 12
17 17
17
14
Ab7
1/2
1/2
15 12
15
full
1/2
12
12
15 12
12
15
Ab7
15
14
14
15 12
14
12
12
10
12
12
14
12
15
12
12
14
15
15
14
12
15
12
12
10
7
12
10
12
10
12
10
12
7
7
10
10
7
Sorgdal
8
9
10
1/4
9
9
7
7
7
7

Cb7
10
12
10
10
10

1/4
10
10
10
8
9
7
9
17
5
8
Sorgdal
1/4
8
9
1/4
Eb7
1/2
15
1/2
15
Ab7
14
12
15
12
12
12
14
14
14
Gb5 Ab5
1/2
Gb5 Ab5
Gb5
1/4
10
10 9 10
Ab5
Gb5
Eb5
3
8
Ab5
10
10 9 10
Gb5
8
9
Eb5
1/4
10
10 9 10
Eb7
1/4
3
3
8
7
7 9
9
7 9
7
7 9
7
9
12
9 7
3 0
0
15 12
9
0
9
Sorgdal
D.S. al Coda
1/2
full
12
15
14 12
14
14
7
Coda

Eb5
Eb7
full
15 12
15 12
22
14
14
full
1/2
full
full
22
12
22
22
20 22
20
22
12
Eb7
15
Repeat to fade
10
Sorgdal
14
from Tiger Walk
The Champ
By Robben Ford
A
Moderately
= 77
band enters
*Dm7
(drums)
Bm7 5
B maj7
Gm7
Em7 5
A+7
B
Dm7
Dm7/C
E7 9
Gtr. 1 (dist.)
3
full
1/4
(8) 6
Gm7/B
10
A+7
10
10
Dm7
(9)
Dm7/C
3
full
10
12
full
(12)
10 12
10
E7 9
(13) 11
Dm7
10
12
10
Sorgdal
10
12
12
14
13
13
11
(13) 14 13 11
14
15
(15)
let ring
10
12 10 12
G /A
8va
13
24
12
13
16
10
10
13
12
14
1/4
11
12
(16)
14
Em7 5
1/2
12
12
12
(13)
13
Gm7/B
1/2
D /E
10
12
12
full
13
11
13 (13) 14 13 11 (11)
14
A+7
14
16
Copyright 1997 SONGS OF UNIVERSAL, INC. and TAMALE MUSIC

All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.
17
20
(20)
C
Dm7
Dm7/C
E7 9
loco
3
full
1/4
(8)
Gm7/B
10
(8) 6
A+7
10
10
Dm7
(9)
Dm7/C
3
1/2
10
12
full
12
10 12
10
12 10 12
10
12
full
13
10
12
(13)
13
13
15
(15)
14
10
12
13
12
D
E7 9
Gm7/B
Dm7 D m7 Em7
Fm7
3
1/2
(13)
1/2
11
12
12
10
(10)
12
12
10 12
12
10
10
D 7
12
13
(13)
13
15
C7sus4
full
10
14
1/2
11
9 11
10
11
12
(11)
12
10
12 11
1/4
(11)
11
10
10 9
11 2
E
Dm7
Bm7 5
1/4
7
7
5
5
7
7
5
5
10
10
Gm7/B
7
7
5
5
A+7
7
7
5
5
7
7
5
5
5
5
7
7
5
5
10
10
7
7
5
5
7
7
Dm7
1/4
1/2
7
7
10
10
10
13
10
13
10
13
13
10
full
13
10
13
10
13
10
13
13
1/4
(13)
10
13
25
Sorgdal
F
G7/B
Gm7/B
Am7
Gm7
loco
8va
full
1/2
10 10
10
13
10
12
13
10
10
13
13
1/4
13
15
15
13
12
12 10
10
10
12
E+7 9
12
10
A+7
3
1/2
10
8
10
12
10
12
10
10
12
12
1/4
(12)10
12
10
12
10
12
12
Gm7
12
10
E+7 9
*-
4:3
4:3
3
1/2
9
8 8 10
10
10
8
8
8 6
8 8
1/4
1/4
(8) 6 (6)
10 10
10
13
1/2
10
10 9 8 (8)
(8)
10
*Played behind the beat.
A+7
Dm7
Gm7
loco
8va
4:3
4:3
1/2
15
14
13 17 15 161513
10
13 10
12
12
10 12
(12)
14
15
13 12 15 12
E+7 9
13
12
15 14
15 12
13
8 6
8 6
8 6
12
A+7
3
1/2
9
8 6
7 5
6 5
10 13 10
7
12
10
12
13
14
(13)
Gm7
full
(13)
13
15
14
E+7 9
15
12
15
14
13
13
12 10
8va
1/4
let ring
12
26
Sorgdal
10
10
11 11 13
12 12 14
11
12
10
10
12
10
12
10
10
11 11 13
12 12 14
11
12
10
10
12 12 14
12
13
13
12 13
15
12 13 15 15 16 15 13
12 10
A+7
Dm7
Gm7
8va
4:3
hold bend
full
15
17
20
17
20
17 20 17
17
20
18 (18)
20
full
18 20
19
full
(20) 18 20
20
E+7 9
8va
full
loco
(20) 18
19
20
18
19
20 18
20 20
(20)
4:3
3
1/4
18 20
19
full
20
4:3
1/2
19
19
17
19
20
20
(19)17
18
A+7
17
Gm7
18 17 15 14
15
12
13
12
15
12
14
13
17
8va
1/4
15
17
13
14
12 13 12 10 12
10
12 10
12
10
15 17
15 17
15 18
15 18 17
18
15
18 15
17
18
E+7 9
loco
3
1/2
1/4
10
13
13 10
12
13
10
10
13 10
13 12 10
12
5
9
G
A+7
Em7 5
Gtr. 2
(dist.)
Gtr. 1
divisi
let ring
8
10
10
10
10
10
10
9
5
5
14
11
11
13
(13) 14 13 11
14
Gtr. 1 tacet
D /E
G /A
8va
A+7
Gtr. 2
(11)
13
14
13
13
11
(13) 14 13 11
14
16
(16)
14
16
17
20
(20)
27
Sorgdal
H
Dm7
Dm7/C
loco
E7 9
full
1/2
(8)
Gm7/B
A+7
10 12
12
10
10
13
10
12
(12)
Dm7
full
10
10
12
10
10
12
Dm7/C
full
10
12
10
12
10
12 12
E7 9
(12) 10
12
Gm7/B
10 (10)
13
10
12
Dm7 D m7 Em7
13
10
10
13
10
12
Fm7
3
1/2
(13)
11
12
1/2
12
12
10
12
10 12
12
10
full
10
12 10 12
13
14
14
D 7
1/4
1/4
13
14
15
13
13
13
15
18
13
13
16
15
15
(15)
C7sus4
1/4
15
15
13
13
15
16
16
1/2
15
1/4
16
16
(15)
(16)
15
Fm7
13
15
15
13
15
D 9
8va
3
4:3
full
13
1/4
1/4
15 15
16
(15)13
17
18
(18)
16
16
18
18
16
18
16
18
full
18 (18) 16
16
18
18
J
C7sus4
Dm7
loco
Dm7/C
8va
16
28
Sorgdal
18 16
10
17 5 12
13 10
13
13
12 10
12 2
7
7
5
5
7
7
5
5
10
10
7
7
5
5
7
7
3
6
Bm7 5
Gm7/B
A+7
Dm7
1/4
1/4
7
7
5
5
7
7
5
5
10
10
7
7
5
5
7
7
5
5
7
7
5
5
10
10
Dm7/C
10
10
7 5
13
10
10
13
13
13
10
13
Bm7 5
4:3
3
1/4
10
10
13
13
13
1/2
10
(10)
15
13
14
1 1/2
(15)(15) 13
13
14
15
13
15 13
15
14
13
14
14
13
15
K
Gm7/B
A+7
8va
Dm7
Gtr. 2
4:3
Gtr. 1
divisi full
1/4
16
17
16
17
13
15
18
15
14
13
15
14
13
15
13
14
12
10
10
10
10
10
12
Gtr. 2 tacet
Dm7/C
Bm7 5
Gm7/B
loco
A+7
Gtr. 1
10
10
13
12 10
10
10
10
10 8 10
10
13 10
13
12
Begin Fade
Dm7
Dm7/C
12 10
8 10
12
17
10 13 10
10
10
13
15
13
loco
14 13 12 10 12 10
Bm7 5
3
P.M.
10 13 10
10
12 10 12
8va
10
1/4
15 17 19
Gm7/B
18 20
17
17
13 10
18 20 18
10 13
13
A+7
12 10
12 10
6 5 3 5
5
5
5
6
Fade Out
Dm7
4:3
1/4
(5)
12
12
13
10
12
10
10
11 13 10
11 10
13
10
12
10
12
12
12
10
12 13 12 10
12
12 10
12 10
12
29
Sorgdal
Tiger Walk
By Robben Ford
A
Moderately Slow
= 58
*Gtr. 1 (clean)
**
Esus4
E/D
dont pick
fade in
0
0
1
2
0
0
1
2
0
0
2
X
2
0
0
1
2
0
0
4
6
0
0
4
6
0
0
4
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
0
0
4
6
6
*Two gtrs. arr. for one.

**Key signature denotes F Dorian.
vol. swells
B
Gtr. 1 tacet
N.C.(F m)
F m
E5
simile on repeats
full 1/2
(4)
(4) 2
1/2
4 (4)
(4)
2
2
2
0
68
Sorgdal
1/2
4
4
4
2
full
(4) 2
(4)
5 2
2
5
N.C.
(4) 2
2
2
2
X X 2
2
F 5
4
4
X
X
X
X
N.C.
1/2
(4) 2
N.C.
F 5
1/2
E5
1/2
2
2
2
0
4
4
4
2
X X 2
2
E5
2
0
2
2
2
0
5 2
2
2
2
2
5
N.C.
5 2
4
4
2
5
2
2
2
0
4
4
4
2
2
2
2
0
N.C.
7 4
4
4
4
2
C
C
A/E Am7
B C
grad. bend
4
4
4
2
6
6
6
4
5
5
7
7
7
5
A/E Am7
grad. bend
1/2
8
7
*Dm7
8
7
4
4
4
2
6
6
6
4
5
5
7
7
7
5
8
7
1/2
w/ clean tone
full
8
7
19
let ring
19 17
(17)
19
19
17
*Chord symbols reflect implied tonality.
Em
Am13
8va
Am
loco
full
15
18 20
19
18
17
1/2
(15) 15
15 15 (15) 13
C9(no3rd)
D/A
Bm7
full
13
F m11
12 11
15
12
14
9 10
12 13
A/E Am7
let ring
1/2
w/ dist.
15 15
12
10
15
F m/E
*-
12
loco
8va
12 13 12 15
13 10
15
D9(no3rd)
15
10
10 13
15 15
14
4
4
4
2
B9/D
B9 C 7
6
6
6
4
5
5
7
7
7
5
8
7
F m
(7) 5
(7)
F m/E
w/ clean tone
1/2 1/2
(7) 5
7
5
9
7
2 4
B9/C
A6
11
12
10
11
12
10
11 9
11 9
*Played behind the beat.
B9/D
B9
3
1/2
10 9 7
9 7 9
7 9
B9
9 9
7 6 9
B9/A
10
11
(9)
11
10
11 (11) 9
B9
11 9 11 9
12
C 7/E
1/2
11
N.C.
1/2
(9)
full
(11) 9
12 10 9
12
12 10
11
10
12
10
12
69
Sorgdal
F m
3
3
11
10
11
12
10
11
11
9 12
12
14 (14) (14) 11 (11)
12 (12) (12) (12) (12) (12) (12) (12) (12)
*vol. swells
full
(12)
12
14
11
14 14
(14) 12 11
12
11
14
13 11
14 12 11
(11)
B9
1/4
B7
(2) 1
10
8
9
6
let ring
1/2
(8) 9
10
F m7
10
9 7
9 8
7 6 4
(4)
8va
5:4
1/2
11
9 11
10
12
14
15 14 12
14
1/2
1/2
(16) (16) 14 16
12 14 16
(16) 14
14
loco
8va
1/2
14 16 16
1/2
(16) (16)14 14 16
3
1/2
full
(16)14 12
14
full
full
(14) (14)12 11
17
70
Sorgdal
full
19 17
18 16
full
14
14
17
(17)
14
14 17 14
17 16 14
16 14
16
B9
1/4
full
12
7
(10)
10
(9) 11 13
11
12 13 14
11
14
11 9 8
10
9 10
11
10
9 11
Dm7
8va
full
10 12
11
full
(12)
Em
1/2
14
full
16
16
Am13
cresc.
1/2
(16) 14
13
11
13
11 13
(11)
15
14
Am7
15
12 13 15
Dm7
15 (15)
13
Cm7
8va
15 17
15
15 15 (15) 13
14
12 14 (14)12
15 15
15 13 12
Bm
13 12 15
12
14
12
D/A
(15)13 12
14
14
15
14 (14) 12
F m7
8va
1/4
15
17
15
15
(15)
12
15
14
12
14
(14)
12 (12) 10 (10)
11 (11)
(9)
11 (11)
(9) (9) (9) (9) (9) (9) (9) (9)
Begin Fade
8va
loco
(9)
(9)
(7)
(6) (6) (6) (6) (6)
B9
(2) (2) (2) (2) (2) (2)
6 4 2
4 0
Fade Out
0
0
2
4
0
0
0
4
6
0
0
6
7
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
0
0
8
9
71
Sorgdal
Worried Life Blues

Words & Music by Maceo Merriweather
Db7
Db7/F
Gb7
Gdim
Ab7
Db9
4fr
Gb9
D9
9fr
q = 171
5fr
Db7#9 Fb%/Bb A13 Abaug7

4fr
7fr
6fr
5fr
Tune guitar down a semitone
Gtr. 1
With volume pedal
15
13
13
Db7
Db7/F
12
full
10
10
10
10
10
12
12
Gb7
Gdim
Db7
etc.
10
8
8
10
10
Copyright 1941 & 1960 Duchess Music Corporation, USA.

Sorgdal
13
Ab7
1. Oh,
Verse
$ Db9

it
1. Lord - y, Lord,
8
10
8
10
hurts me
so
Gb9
Lord - y, Lord,
bad
for
1
3
2
Sorgdal
Lord,
1
3
8
10
8
10

us
to part.
[Gb9]
D9
Db7#9
Some day
ba
5
7
A13
by
7
8
7
7
6
6
5
6
3
5
Fb%/Bb
Ab7aug
wor - ry
my
life
an - y
8
8
7
6
6
5
4
5

aint gon - na
5
6
6
7
1.
Db7
more.
Db7/F
Gb7
1/2
13
10
13
10
12
12
Db7
1/4
etc.
10
12
10
10
12
10
12
3
Sorgdal
2,3.
Ab7
Db7
2.Youre
10
11
Gb7
10
12
Gdim
Db7
13
more.
10
12
Db7/F
15
13
15
15
13
14
Ab7
3.Do you re
12
13
10
10 12
- mem ber
See Block Lyric for Verse 5
6
7
5
7
ly - in on
my
bed,
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
4
Sorgdal
Db9
10
12
__
__
1/4
12
Verse =
5
5
5
4
Gb9
its drink - in all of that
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
5
5
5
4
whis
10
10
10
9
key
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
your
head?
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
10
10
10
9
12
12
12 10
(its) talk - in all
10 10 10 10
10 10 10 10
10 10 10 10
9 9 9 9
10
10
10
9
D9
*Gdim
10
10
10
9
*Substitute these chords on D.S.
*Gdim
Db7#9
*Db9
out of
10
10
10
9
10
10
10
9
Some - day
12
6
6
5
6
6
5
4
5
To Coda
Fb%/Bb
ba
by,
let ring
8
7
7
A13
you
8
8
7
6
aint gon - na
Ab7aug
wor - ry
my
life
5
6
6
5
5
Sorgdal
iq = iq
Db7

an - y
Db7/F
Gb7
Gdim
Db7
more.
full
10
13
7
10
Solo
Ab7
Db9
Ad lib. solos 2 and 3
13 10
12 12 10
12 10
12
12
18
15
11
10
10
10
14
15

Gb9
3
10
12
12
12 10
10
12
10
12
10
13
10
13
12 10
Db9
full
10
12
15
full
15
10
12
1/2
13
10
12
12
12
12
12
10
12
10
12 10
12
6
Sorgdal
15
18
12
full
15
10
10 12
4 7
10
6
7
6 5 3
5
Gb9
1/2
10
12
12
12
12
full
15
15
13
13
12
12
10
12

full
17
full
10
15
18
10
10
13
13
12
17
12
12
12
full
10
10
10
13
12
14
14
12
Db9
10
9
9
12
10
10
10
12
12
12
12
13
12
12
7
Sorgdal
13 10
12
9
10
10
12
12
10
full
10
11
12
12
9
10
10
11

Ab7
full
5
5
5
7
Gb7
7
7
10
10
7
10
8
9
9
10
11
11
Db7
13
12
10
12
12

13
10
Play 3 times
D.S. al Coda
Gb7
Db7
Ab7
(Last time only)
1/4
10
12
10
8
10
8
10
10
10
12
10
12
12
8
Sorgdal
10
4. Do you
Coda
Ab7aug

wor - ry
my
[Db7]
life
an - y
more,
oh,
oh,
with volume pedal
5
6
6
5
15
13
oh,
oh.
Ab7
12
13
full
10
10
17
13
10
10
18
12
10
12
12
12
Db7
3
full
1/2
21
1/2
1/4
20
20
19
full
17
17
20
20
18
18
9
Sorgdal

full
full
full
17
20
18
20
20
18
19
17
19
19
17
17
17
Gb7
1/2
17
17
15
17
15
17
12
10
12
Gdim
1/2
12
12
12
12
10 12 10
10
13
10
12
Db7
1/2
16
13
13
16
Fb%/Bb
15 13
15
13
10
10
13
10
12
12
12
10
Sorgdal
12 10
12
12
10
A13
12
12
Ab7aug
13 12 10
12
10
12
[Db7]
10
12
10
12
12
10
8
10
Db7
Db7/F
10
10
10
10
With volume pedal
15
13 12
13
10
10
10
12
12
12
12
rall.
Gb7
10
10
10
10
Gdim
10
10
Db7/Ab
12
12
12
D9
10
10
Verse 2
Youre on my mind
Every place I go,
And how much I miss you
Youll never know.
Someday, baby,
You aint gonna worry my life anymore.
6
6
5
6
Db7#9
6
5
4
5
5
5
5
4
5
Verse 4
Do you remember
Lyin on my bed,
Hey, drinkin all of that whiskey
Talkin all out of your head?
Yes, someday baby
(You) aint gonna worry my life anymore.
Verse 5
Hey, goodbye baby
Im leavin you now
Dont make much difference
Cause you never meant me no good anyhow.
Someday baby
You aint gonna worry my life anymore.
Sorgdal
Db9
11
You Cut Me To The Bone

By Robben Ford
Intro
Moderately Fast = 144 (
Gtr. 1 (clean)
* Fm7
w/ wah-wah
3
3
3
3
3
3
1
1
1
3
3
3
3
3
4
4
3
4
1
1
3
4
1
1
1
* Chord symbols inplied by bass.
1. No bod y
3
3
3
1
1
1
3
3
3
1
1
1
3
3
3
4
4
3
3
Verse
Fm7
knows when it all be gan,

way from a lov ing me,
3. See Additional Lyrics
this kind of trou ble

be tween a wom an and man.
and now youre leav ing me in
mis e ry.
You know
for get
simile on repeats
3
3
3
3 4 1
3 4 1
1
1
1
3
3
1
1
1
1
3
3
D 9 5
the na ture of love brings pain,

a bout it, all that weve been through.
but you tell me you nev er wan na feel

na do the things you wan
Youre gon
that way
na do.
4
3
3
82
Sorgdal
Copyright 1992 Tamale Music and Geffen Again Music

All Rights Controlled and Administered by Geffen Again Music, an MCA Company
a gain.
And I seem
And you dont
6
5 5
5 5
3
4
4
3
A maj13 Gm11
C7 5
to
be
wan na
heart
at the
hear
of all your
sin gle word Im
3
4
4
3
4
4
3
2
4
4
3
2
pro
say
Fm7
blems.
ing.
4
4
3
2
You cut me to the bone,
1
1
3
5
1
1
3
0
1
1
1
(4)
Chorus
B m7
Fm7
ba
6
6
6
6
4
5
by, you
cut
me
6
6
6
6
6
to the bone.
8
8
8
8
8
8
6
7
8
4
5
6
To Coda
9
D 13
3
You know how to make a man
feel a
lone,
6
4
4
3
4
5
6
the way you cut me
to the
Gm11
Fm7
1
1
3
0
1
1
1
bone.
4
4
3
2
1
1
3
5
2
N.C.
2. Youve gone a
A maj13
C7 5
Guitar Solo
Fm7
long
hold bend
full
w/ dist. full
4
3
(3)
83
Sorgdal
1/2
1/2
full
(3)
(3)
X
6
(6)
15 13
12
C7 95
D 9 5
3
3
1/2
1/2
3 1
A maj13
Gm11
(1)
16
(15) 13 15
13 15
3 3 1
15
14
16 13
13
13 14
Fm7
B m7
3
3
full
10
full
11 8
10 10 8
6 9
6 8
9 6
9 6
8 6
Fm7
1/2
11
1/4
11
10
C7 95
8 10
6 8 10
D 9 5
14 13 11
(8)
16
10
10
8
10
A maj13
full
(6)
Gm11
15
16
16
17
16 13
15
Fm7
3
3
full
1/4
1 1/2
1 1/2
16
13
16
13
15 15
full
13
16 13
15
(15) 13
15 13
15
13
13
16
16
(15)
B m7
A maj7
3
full
(16)
84
Sorgdal
13
17
16
13
full
6
15
13
15
13
15 12 15
9 6
9 6
8 6
11
10
9 11
8 11
8
9
11
Gm7
C7 9
Fm7
B 7
E m7
A 7
D 7
3
3
11
10
8
10
Gm7
C7
10
10
D 7
C7
(8)
16
Fm7
3
3
full
full
10
10
11 13
11
13 13 16 13 13 16 13
15 13
16
16
8va
Fm6
13
B m7
loco
A 7
1 1/2
full
1/2
full
16
13
13
1/2
16
16 13
(15) 13
15
Gm7
C7
15
(16)
16
16
13
16 13
X X
X X
12
Fm7
13
1/2
(13) 6
17
B 7
8va
14
E m7
A 7
14
16
D 7
loco
3
3
1/2
1/2
(16) 16
3
3
1/2
3
full
18
(14)
16
18
(18)16 18 16
18
17
C7
15
D 7
13
15
13
15
C7
15
14
13 15
13
16 14
14
14
full
16
16
15
15
Fm7
3
full
full
1/2
13
16
15
15
(15) 13
15
13
13
16
13
16
13
15
15
13
15
12
D.S. al Coda
D 7
C7
Fm7
D 7
C7
Fm7
3.
1/2
13
(13)
X 4
Lost
in
1/2
(4)
13
1
3
(3) 1
(13)
85
Sorgdal
Coda
D 9 5
C7 5
You know how to make a man
feel a
A maj13
the way you cut me
lone,
3
4
3
3
4
to the
Gm11 Fm7
bone.
4
4
3
2
1
1
3
5
1
1
3
0
1
1
1
Outro Guitar Solo

Fm7
w/ dist.
full
full
6
6
4
4
B m7
A maj7
Gm7
C7
Fm7
1/2
full
3 1
E m7
B 7
1/2
(4) 1
(4)
1/2
1/2
(3)
(3)
3 1
A 7
D 7
C7 9
3
D 7
C7
Fm7
3
1 1/2
Fm7
D 7
C7
C7
3
3
1/2
full
1/2
11
11
(11) 9
10
11
3
3
4
4
1
1
13
11
11
(11) 8
11
1/4
3
3
(11) 9
11
poco dim.
Sorgdal
Gm7
86
Fm7
hold bend
(11)
11
(1)
10
1/4
10
10
(10)
1/4
(3) 1
(3)
Gm7
3
3
1/2
10
10 8
10
10
10
8
8
8
9
Fm7
3
3
C7
1/4
11
6 8 10
8 10
full
9 11
even
16
10 8
8 6
Gm7
C7
Fm7
1/2
full
(16) 16
full
(16) 13
16
full
13
15
15
15
15
13
15
15
15
15
15
15
15
15
15
15
13
15
15
16 13
15 13
15
Gm7
C7
15
15
Fm7
3
full
1/4
16
15
16
15
16
15
16
15
16
15
A maj7
1/4
(6)
16
15
16
15
16
15
G7
15
15
15
C7
13
13
15
8
8
10
Fm7
(8) 10
A 7
10
D 7
1/4
C7
Fm7
full
(4)
B 13 11
rit.
w/ wah-wah manipulations
3 4 3
3 4 3
3 4 3
1
1
1
3
3
3
1
1
1
3 1
3
3
3
3
3
5
5
6
(6)
Additional Lyrics
3. Lost in a dream, thats what you are.
One day youll wake up and see you went too far.
Along with the sunshine there will be some rain,
But it was never meant to be in vain.
And you dont wanna hear a single word about it.
87
Sorgdal

Robben Ford

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Robben Ford

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Busted Up

Words & Music by Robben Ford

(Verses 2 and 3 see block lyrics)

that aint too

with - out your

with - out the

Clean funky rhythm

Why you got - ta be such a

made me love you, now youre

With wah-wah swells

Continue ad lib. solo

from Keep on Running

Gtr. 2 (slight dist.)

*Chord symbols reflect basic harmony.

2003 TAMALE MUSIC (BMI)/Administered by BUG MUSIC

End Rhy. Fig. 1

End Rhy. Fig. 2

Gtr. 2: w/ Rhy. Fig. 1 (last 4 meas.)

*w/ dist., played mf.

End Rhy. Fig. 3

Gtr. 2: w/ Rhy. Fig. 1

*Two gtrs. arr. for one

*Chord symbols reflect implied tonality.

**w/ tremolo effect

Chord symbols reflect overall tonality.

w/ pick & fingers

1/4 w/ slight dist.

w/ pick & finger

w/ clean tone & reverb

w/ tremolo tremolo off

End Rhy. Fig. 1

End Rhy. Fig. 1A

*composite arrangement of gtr. & kybd.

End Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Gtr. 2: w/ Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

*Chord symbols reflect overall tonality.

Gtr. 1: w/ Rhy. Fig. 1, 1st 3 meas.

Gtrs. 1 & 2: w/ Rhy. Figs. 1 &

Gtr. 2: w/ Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A,

Gtrs. 1 & 2: w/ Fill 1

Gtr. 1: w/ Rhy. Fig. 1, 2 times

End Rhy. Fig. 3

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Gtr. 2: w/ Rhy. Fig. 2, 1st 3 meas.

Gtrs. 1 & 2: w/ Rhy. Figs. 1 &

Gtrs. 1 & 2: w/ Fill 1

Gtr. 1: w/ Rhy. Fig. 1, 4 times

w/ pick & finger

*Pick close to bridge w/ scraping motion to generate random

Repeat and Fade

He Don't Play Nothing But The Blues

Guitar tuned down a semitone

1,3. Met a young man

he showed him a lit - tle to

dont car - ry a cap or

from his dad - dy,

fam -ly down in

he dont play no - thin but the blues.

went his own

spent time in New Or - leans,

Now play it!