Академический Документы
Профессиональный Документы
Культура Документы
All Ragas have been derived from one of the following 10 Thaats:
Bilaval - SA RE GA MA PA DHA NI SA. - All pure notes Kalyan - SA RE GA MA' PA DHA NI SA. - MA' tivra Khamaj - SA RE GA MA PA DHA ni SA. - ni komal Bhairav - SA re GA MA PA dha NI SA. - re and dha komal Poorvi - SA re GA MA' PA dha NI SA. - re and dha komal and MA' tivra Marva - SA re GA MA' PA DHA NI SA. - re komal and MA' tivra Kafi - SA RE ga MA PA DHA ni SA. - ga and ni komal Asavari - SA RE ga MA PA dha ni SA. - ga, dha and ni komal Bhairavi - SA re ga MA PA dha ni SA. - re, ga, dha and ni komal Todi - SA re ga MA' PA dha NI SA. - re, ga and dha komal and MA' tivra
Raga
No. 1 Aabhogi 2 Abhogi Kanhra
Thaat
Kafi Kafi
3 Adana
Asavari
S. d N S. , d , n PMP, S. gMRS
Alahiya Bilaval
Bilaval
bilaval 6 Asavari 7 Bageshri 8 Bahar S R M P d S. n d P M g R M P, n d P, d M P, Asavari D S. RS gRS Kafi Kafi S g M D n S. n D M g S. RS .n S, g M S. n D n P, P, g M, n D M P g M R N S. S S .n .D S, M g, M D n D, Mg, M g R S M P g M D N S. M M G S S 10 am . to 1 pm 10 am to 1 pm 10 am to 1 pm 4 to 7 am 7 to 10 am morning 10 am to 1 pm 7 to 10 pm 7 to 10 pm Some 10 pm use M' to 1 am also 10 am to 1 pm morning . mid night 7 to 10 pm 10 am to 1 pm Some consider R vadi and P samvadi
Poorvi Bhairav
r. N d P, M' S G M' d r. M' d r. S., r. N d P, G, M' d M' S M' G M' G G,rS S r G M P S. N d P d N S. MG r S DM r , GMP, MG, r S
S. D M
P R S S D N S g G S
17 Bilaval 18 Chandrakaun s
19 Chayanat
S. NDP, M' S, RGMP, PDP, Kalyan DP, ND, S. RGMP, GMRS .n S R g R S. d n P, M Asavari S, M P d n P, g M R S R. S. S R M P N S. n D P M S. GRGS
20
Darbari Kanhdra
g M R S, .d .n S R S
21 Des
Kamaj
7 to 10 pm 7 to 10 am 10 am to 1 pm 1 to 4
Bilaval
S R G P D, S. D P, G R D D P, G P D P, G R D S. S S
G R S
P, n S. 25 Durga
P g, M g R S MgRS S
pm 10 am to 1 pm 1 to 4 pm 7 to 10 am 10 am to 1 pm 7 to 10 pm Some consider G - Vadi and NSamvadi N is used less to avoid Sohni Some consider thaat Bilaval
S R M P D S. D P M R Bilaval DMR, MPDMR, .DS M S. S Kafi R G R M, G R S, M R P M P, D S. S. n D n P, D G P M, R RGRM, GRS, PM, G R M G R PD, S. , D P M S S, GRMG, PRS M
26 Gaur Malhar
27 Gaur Sarang
S, GR, M' S. DNP, Kalyan G, PM' , DM' PG, DP, ND, S. MR, PR, S S r g M' d N S. S. n d M' g r, g r S
D r G
.d .n S r g, r S, M' g r d grS D
SRS,G Kalyan M D, N D S. S G R, G P, N S.
30 Hansadhvani
Bilaval
7 to 10 pm
31 Hindol
S G, M' D Kalyan N D, S.
S. , N D , M' SG, M'DND, M'GS G,S R g RS, .n.D.P, R, GM, R g R S RMP, n d P, d M P, gRS
7 to 10 am 10 am to 1 pm 10 am to 1 pm
32 Jai Jai Vanti 33 Jaunpuri 34 Jhinjhoti 35 Jogiya 36 Kafi 37 Kalavati 38 Kamod 39 Kausi Kanhda
Kamaj Asavari Khamaj Bhairav Kafi Khamaj Kalyan Asavari Kalyan Khamaj Marva
R d
P g n S R S S S M N S
10 am 10 am to 1 pm to 1 pm morning 1 to 3 pm .
S. N d P M r M, r S, S r r M r S S S. n D P M gRS SS RR gg MM P
S G M P D S. n D P M n S. GRS
10 pm . to 1 am 7 to 10 pm 10 pm Bageshri to 1 am Ang 7 to 10 pm 10 pm to 1 am 4 to 7 .
S.NDP, M' S, RP, M' RP, M' PDP, PDP, GMP, PDP, NDS. GMP,GMRS GM, RS SRgMP D n S. S M, M P, D P, N D S. S. n D P M gRS S. NDP, M' PDPM, PMRS
S G M P D S. n D P M N S. GRS .N r G M, R. N D, M'
D M' M G, RS
M'GRS P R S P M S
am 4 to 7 am 7 to 10 am night 1 to 4 am 10 pm to 1 am
48 Mand
all time 10 pm to 1 am It is a Sandhi evening Prakash Raga 10 am to 1 pm 10 pm to 1 am 1 to 4 pm 10 pm to 1 am all time 4 to 7 am 1 to 4 It's N is pm little (toward sharper s 4 pm) 1 to 4 pm All 12 notes are used in this raga
49 Maru Bihag
50 Marva
Marva
51
Miya Ki Sarang
Kafi
S R M R, S. n D n P, SRS, .nD.nP, M P n D N M P, M R M .M.P.n.D.NS, R, MR, R S. R, S .N S PMR.NS R M R S, S. n D, n M RMR S .n .p, .M .P .n M R P, M M P, g M R S .D .N S, P g M R S P n D, N S. .N S g M' P S. N d P M' .N S, M' g, P g, r S N S. grS SGM,P D , N P S. S. D, N P, D M' P, G M GMDP, RSGM DPRS P S S S.
52 Miya Malhar Kafi 53 Multani 54 Nand Anandi Todi Kalyan Bilaval Poorvi
S S P P P
55 Pahadi 56 Paraj
S R G P D S. D P , G P, G, RS, .D, .P.DS S. GRS S. N d P, M' .N S G, M' S., N d P, M' P d P, P d P, G M d N S. GMG G, M' G r S S g M P N S. N D P M D P, g, M P N S. S. gRS
57 Patdeep
Kafi
58 Piloo
Kafi
.N S G M P N S.
S. n D P n d .P .N S R g S, G M P PdPMgS G g S, .N S .N S
59 Pooriya
Marva
S. N D M' G G, .N r S, rS .N.D.N.M'.D, r S S. N d P, M' .N r G, M' P, DP, M' G M' r G, r G, M' r G, r S S S. N d P M', .N, S r G, MG, M' G GMG, r S rS GMDN S. n DM, GMRS, .D .n S G M
M'
It is a Sandhi evening Prakash Raga It is a Sandhi evening Prakash Raga It is a Sandhi evening Prakash Raga 10 pm to 1 am rainy season
Pooriya 60 Dhanashri
Poorvi
61 Poorvi
Poorvi
Khamaj
S G M D N S. n D M G S. RS
Kafi
P M P
S S R
67 Shankara 68 Shivranjani
G P
N S
69 Shri
Poorvi
S. N D, N D S R G P D P, M' G R, GRS, .N.D.N.D.P, S, Kalyan G S. G R P R G GR, PR, GRS RS Kafi Kalyan Asavari Marva S R M P, M' P N S. .N S R M' P N S. SRgMP d n S. S G M' D N S. S. N D P M' GRS S. N D P M' .N S R M' P, G M R P G M R .N .N S S S. n d P M g RS S. r. S. N D, S. N D, G M' DNS. G M' D, G r. S. M' G, M' G r R P M D
P S S G
74 Sohni
S R G S, R S. P D M G, .P.NSRG, S, RPMG, 76 Tilak Kamod Khamaj M P D, M S R G, S .N S.N P, S. 77 Tilang 78 Todi 79 Vibhas 80 81 Vridavani Sarang Yaman Kalyan Khamaj Todi Bhairav Kafi Kalyan Bilaval S G M P N S. n P M G S. S S r g M' P d N S. .NSGMP, NS. , S. nP, GMGS
R G
P N g G R N S
S r G P d P S. d P G P d S. P, G r S S R M P N S. n P M R S. S
.N S R, MR, PMR, S P G P
Yamani 82 Bilaval
Taal
1. Teen Taal - 16 beats , most important taal in indian classical music
Dha Dhin Dhin Dha 1 X 2 3 4 Dha Dhin Dhin Dha 5 2 6 7 8 Dha Tin Tin Ta 9 0 10 11 12 Ta Dhin Dhin Dha 13 14 3 15 16
2. Dadra - 6 beats , used mostly in bhajan, thumri and some film songs
Dha 1 X Dhi 2 Na 3 Dha 4 0 Ti 5 Na 6
3. Keharwa - 8 beats , most popular taal used in film songs, bhajan etc. This taal has many
variations and is used differently in songs Dha 1 X Ge 2 Na 3 Ti 4 Na 5 0 Ka 6 Dhi 7 Na 8
4. Roopak - 7 beats
Ti 1 0X Ti 2 Na 3 Dhi 4 2 Na 5 Dhi 6 3 Na 7
5. Jhap - 10 beats
Dhi 1 X Na 2 Dhi Dhi Na 3 2 4 5 Ti 6 0 Na 7 Dhi 8 3 Dhi 9 Na 10