Dr. Alison Reynolds When does music education begin? I used to think the ideal age for beginning a childs musical education was nine months before birth.
Now I think it is nine months before his mothers birth.
Kodly (Salty Saint, 1966, p. 41) Language Acquisition
Where does the predisposition for language come from?
Children learn language while using it. Immersed in a regular flood of meaningful, purposeful language Offered 1000s of demonstrations Expected to think and communicate using langauge Presented meaningful, purposeful opportunities to use language Applauded for approximations Met with sensitively-crafted feedback ~ forward Held accountable for learning
Reynolds, Long, & Valerio, 2007
Are children born literate? Music Acquisition
Where does the predisposition for music come from?
Social interactionism Co-Constructivism MUSIC Conversational partners Interactive functions vary Scaffolding (Bruner 1983; Vygotsky, 1978) Expert <~~~> Novice (Rogoff, 1990; Wells, 1999) Shared Intentionality and responsibility As if . . . (Kaye, 1979, 1982; Kaye & Charney, 1980; Vedeler, 1987)
Cambournes Conditions (1988)
Children learn music while making it. Immersed in a regular flood of meaningful, purposeful musicing Offered 1000s of demonstrations Expected to sing, chant, move, compare, create, improvise, read, write Presented meaningful, purposeful opportunities to music Applauded for approximations Met with sensitively-crafted feedback ~ forward Held accountable for learning
Reynolds, Long, & Valerio, 2007
Are children born musically literate? Music Aptitude Music aptitude: Potential to achieve in music Theoretical construct ~ Measurable Everybody is born with it Theoretically greatest birth Combined innate (nature) and environment (nurture) (Gordon, 2012)
Music Learning
Born with potential, what does music learning and development look, sound, and feel like in the first three years of life? first five years? first eight years? School years? Post-school years? Music-Learning Environment
Born reliant on having music development nurtured, what does the music-learning environment look sound, and feel like?
Defining Early Childhood
At least birth through 8 years of age National Association for the Education of Young Children Pre-K traditionally youngest age for state certification Age 3 grade 3 (general education) PreK-12 th grade (music certification)
Pennsylvania Certification = K-12 MUSIC. Early Childhood National Association for Music Education (NAfME)
Standards (Undergoing Revisions, 2012) Pre-K standards (2-3 years) Kindergarten third grade standards (5-8 years) (~ K-12) Early Childhood Special Research Interest Group (ECSRIG) c. 1980-present Conference sessions; Dedicated Conference Days for early childhood administrators and teachers; Dedicated conferences to early childhood research Resources Research publications Learning from Young Children (Burton & Taggart, 2011) Journals Journal of Research in Music Education General Music Today Update Journal of Music Teacher Education Practice publications
Early Childhood Early Childhood Music and Movement Association (ECMMA) Certification Biennial Conferences Publications Perspectives: Music and movement journal ECMMA Newsletter Early Childhood Gordon Institute of Music Learning (GIML) Research, Texts, Curriculum, Materials Begin: GIA Publications Website Mastership Certification Level I: Two weeks! Level II: Two weeks!
Observation likely: Temple University Center City (TUCC) Early Childhood Music Foundations (ECMF: 1980s)
Early Childhood Music National/International Businesses
Kindermusik Musicgarten Music Together Gymboree
Music Environment Conversational Partner Provision for interactions Expectations Group and individual Foundations for life-time music learning: audiation Informal Music Learning Formal Music Learning Consuming References Brown, R. (1970). Three processes in the childs acquisition of syntax: The childs grammar from I to III. In .R. Brown (Ed.), Psycholinguistics: Selected papers by Roger Brown. New York: MacMillan Bruner, J. (1983). A childs talk: Learning to use language. New York: Horton. Cambourne, B. (1988). The whole story: Natural learning and the acquisition of language. Auckland, NZ: Scholastic. Gordon, E. E. (2012). Learning sequences in music: A comprehensive music learning theory. Chicago: GIA. Kaye, K. (1979). Thickening thin data: The maternal role in developing communication and language. In M. Bullowa (Ed.), Before speech: the beginning of interpersonal communication (pp. 191-206). Cambridge: Cambridge University Press. Kaye, K. (1982). The mental and social life of babies. Chicago: The University of Chicago Press. Kaye, K., & Charney, R. (1980). How mothers maintain dialogue with two year olds. In D. Olson (Ed.), The social foundations of language and thought: Essays in honor of Jerome Bruner (pp. 211-230). New York, NY: W. W. Norton & Company. Reynolds, A. M. , Long, S., & Valerio, W. H. (2007). Language acquisition and music acquisition: Possible parallels. In K. Smithrim & R. Upitis (Eds.) Listen to their voices (pp. 211-227). Canadian Music Educators Association. Salty Saint of Budapest. (1966). Time 88(9), 41. Rogoff, B. (1990). Apprenticeship in thinking: Cognitive development in social context. Oxford, England: Oxford University Press. Vedeler, D. (1987). Infant intentionality and the attribution of intentions to infants. Human Development, 30, 1-17. Vygotsky, L. (1978). Mind in society: The development of higher psychological processes. Cambridge, MA: Harvard University Press. Wells, G. (1999). Dialogic inquiry: Toward a sociocultural practice and theory of education . Cambridge, England: Cambridge University Press.