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  • Chromatic Features of Eb Major

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    Chromatic Features of Eb Major

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    ‘Music Theory Spectrum 2212 (2000) Chromatic Features of E}-Major Works of the Classical Period Mark Anson-Cartwright Ke tne he ed ee fi sei iy St en sicko hance ita cit ts ped Sites te yeti em chime ac anh n a e SSRI vi eo aa en ep seperti bo SSMS Se aceasta Esra hye wn ed pe ena ee diencate reat Srcte le stnteeccnsmae ee aft te a a wanes Se ne tr or gece et re igritaiemaasy ahcenamtonr Seema Sete air Seale ter Se en raters ariee as Serle ta vests wel a those etre tats camper apa fom each ter Fo example, Michal Tse soc hat many of he haa: terete snc wth Bstove’s"Cominoe moa” ae pe ‘ged in works by Mora and to eer dere, Haye In ‘more wide-ranging std. Stephen Blum comgare he habs of Monat and ote composers in tre mina eyes C minor, ‘mir, andD ior According to Blom, one imporane way in Stich thse Ker retreat is tog oamention oF scale degre Sn dhe opening pease of ise. Aisne es (are of Mozars © mor, for istics, ste us of te tum IAb=G=F1-G or some vain thereof) sry carly in he pce (eg, K 6S, sow mroucton; KTS; KA; K. 82 seo ‘movant and K 81). “Chromatic shure of Casal wos in Bb jr form te tepc of is sty, whic i tended a mast ep owas ‘pene hon fans bawoen Key and composi ‘gue? The mse srvejed lcd rumen overeat epee tate te ttt wo taeeeca se erent, cima io eenmerme mis sabtate memoir coe? nat Ey man eae a beets UPR ear ee 178 Music Theory Spectrum ‘onan a todo form (or some hybrid ofthese) by Hay, Mona, “in Befhoven, a walla selected vocal mimber by Meza ia "rows fore The chordie most en ce te de- ‘lopment secon (rhe le secon of an ai) special in Unearth etansion Aloe noe ofthe fests se wine {Othe gucay ia tht key in adn these of the fom! lostion sess tht ei wes related to the ‘hice of Key shal upon sich an srumen by examining 2 ‘eompsabe sample of movement in arabe comm be that ‘leo Eb nb pitch and character D ar Tl thee by the rundvon or ur sais to determine atic char ‘eters fr ther ky and ive fle pespcive wo my bse ‘tions boat Before preseing examples of te ehomti fetes stall onside sneer aspects of Keys in genera a of ES trae in partir |sal ale fer some petit words of ‘tion sbout making hese ot of etalon “The dramatic wie of key nowhere more eit than in Moras ope. Noble or ei as fr expe ae tpl seein D major (eg. "Fubede! mar” fo Komenen “Ve men ‘Wi soi frm Figo a “Or sm Don Giovanni) and Pathe Female nase often in G mina (ep “Trauigke from Serio; "Ac, eh ON" tm Die Zuber). An ia ‘9pm tat wally a BS jr the ari fein ta of ‘oda temp, ly sung tn solide, and messed oa et lover (egy “ch Bae fan rom Sergi, "Porg amor™ ftom Figaro Die Zanborive)” Esler “fee con he ie af an te wi aes (ove Casal) in opty 08 rane een Serengeti ty, Moar deren sho hat Masi signicance for Monat, most sol in Die Zauberéret aso i somenomaperatc woes. Wid ead 10 Stramenttion, Eh mar ope of two Keys in whch ches fe mow ikl 19 be wed (the ter ting Amo: weeks or Satan ate so ypialy in (re of Moras fur hom on ‘cain being at) “Coots ssh a hte, which ae cepted by coment, may be apple o martha one ey. Fe msc, the majestic ‘aly that mn fle atbred 10 C mao (eg the “per” $Syinhony or the Pino Concer nC, KS) alo exited by amumber of smaor works ep, Beevers Emperor” Cor ‘rt ad Moran's Synpony No 38. ipl thew ato ‘Section. Ina he tres th ese of mje) tlc in two ctcs by aknater depends ot oly ey, ba Soon faces such a ee tpi da Leo Raters ese) a ine stumeatation spel the ae of rps an inn) Despite shared tbs, however, ech key © sme exten uigae or resgninale,ntidtnding dernces of ‘hares in pc sts lange seopnphicl repos ois toneal pede. An iportat consideration whe lation of key (oe sae) he pps consoction of Isruments. Te fst tha msi for sug samen, fo example, more piel ‘harp Keys thn int key, a do With he rarer of ope Stings hat cn be wid ina given ey. The ting of horns ines and ter wind satumens abo deters the Keys in mich hy re mos ies te pave Wt ear heytod Teemu he sangerent of bck od white keys win 3 parler cle ena elvan 5 sud a pecans’ emse Uf ey makes & worl of difeence sheaber en plays Soh e's imprompe 0.90. 3s ented Key of Gb major or "Dampesyaghn we ao ply sy es nse he sorted tafe ae need amet hts Mees oie pare ih or Me's Ca, aa at lor oe tread Te — oe Ba heer in Ga, Ah key int which twa and forthe ha ‘hon, presamuly to muke more mata, Not ony does ape fel sry fleet oem Gunde the ager. bt playing {he plece in ohare an import ronal elation between Ob Shithe keys of he sounding movers! “The ality of ke) may Fen etn, eer Rec of sexy of pes tha eyo comely, bra 0 he get ‘dncrsy of work nthe sme ey, Cena seine of © Wy become rcwprzale only Moh rp use by successive "ssraons of comporer The drkaess-

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