Stefano Mirtis

Blueberries
Paolini's Studies
on Perspective
264/388
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A work does not belong to one artist or another; it
possesses an autonomous and independent identity
of its own and so existed before the painter
stepped in, required only to confirm its legitimate
existence. It is the work that guides the painter's
hand, appropriating the artist (an unknown artist)
and not vice versa.

~ Giulio Paolini
Stefanos Blueberries Paolini's Studies on Perspective 264/388
2009/2010, Turin
Giulio Paolini, Study for: Gli uni e gli
altri: l'enigma dellora (The Ones and
the Others. The Enigma of the Hour)
Stefanos Blueberries Paolini's Studies on Perspective 264/388
2011, Turin
Giulio Paolini, Una sequenza virtuale
con due spettatori che guardano l
Autoritratto (A Virtual Sequence with
Two Spectators Looking at the Self-
portrait)
Stefanos Blueberries Paolini's Studies on Perspective 264/388
2011, Turin
Giulio Paolini, Uno spettatore virtuale
guarda da vicino lAutoritratto (A
Virtual Spectator Looks at the Self-
portrait from Close Distance)
1994, Turin
Giulio Paolini, Lezione di pittura
(Painting Lessons)
Stefanos Blueberries Paolini's Studies on Perspective 264/388
Turin
Giulio Paolini, Titles Unknown
Stefanos Blueberries Paolini's Studies on Perspective 264/388
2005, Turin
Giulio Paolini, Study for: Sottosopra
(Upside Down)
Stefanos Blueberries Paolini's Studies on Perspective 264/388
2006, Turin
Giulio Paolini, Study for: Aula di
disegno (Drawing Class)
More about Giulio Paolini's work at: http://www.
fondazionepaolini.it/