Alexander Goodhart

Une histoire illustre

vignettes
pour
l'orchestre
2
Une histoire illustre, or "An Illustrated Story," is a set of continuous
musical vignettes, composed for orchestra in 2014. The program seeks
to connect and juxtapose disparate natural forces: ones volatile and
chaotic, and those sublime and symmetrical. The story is one of cosmic
creation over the millenia, as told in seven movements:
I. Le Monde ("The World")
II. Une million d'annes ("A Million Years")
III. Dbris du temps ("Debris of Time")
IV. Intermde (Interlude)
V. L'effet papillon ("The Butterfly Effect")
VI. Grande arrive ("Grand Arrival")
VII. Danse de la pluie ("Rain Dance")
The Piece
The Composer
Alexander Goodhart is a pianist and composer, born in Philadelphia, PA.
His works include music for visual media, chamber ensemble, soloists,
vocalists, and the orchestra.
Performance Notes
The piece is highly percussive; performers should put as much emphasis as possible into
accented notes. In section of measures 122-128, this percussiveness is especially important
in the lower voices.
The ensemble must make careful note of the metronome modulations that occur at measures
125 and 122.
The diagrams in the Violin I & II parts in measure 65 are not to be played; they are instructions
for the exuction of harmonics to measures following (to which the arrows point). These diagrams
appear in the players' parts as well.

The percussionist is permitted to improvise rhythm and accentuation in all djembe parts of
repeated 16th or 32nd notes.
3
Instrumentation
Winds...............................................................
1 Flute
doubling Piccolo
1 Oboe
1 Clarinet in Bb
doubling Bass Clarinet in Bb
1 Bassoon
Horns...............................................................
1 Horn in F
1 Trumpet in Bb
1 Bass Trombone
Percussion.....................................................
Djembe
Snare Drum
Pandeiro
Triangle
Crotales
Strings...........................................................
Harp
3:3:3:2:1 Strings
Score in C
Duration: 7:30

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12

{
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpt.
B. Tbn.
Cym.
Pan.
Tri.
Crot.
Hp.
Vln. I
Vln. II
Vla.
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Cb.
f
Calme et trange (la mme tempo)
58
mf mf
mp mf
mf
mp mf mp ff mf
mp ff fff ppp
mf
mp ff mf fff ppp
p
f
mf
NMLOLLMM
mp mf mf ff
Calme et trange (la mme tempo)
mp mf mf ff
mp mf mf ff
p mf ff fff
col legno
p
p
mf ff fff pp
6
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13

{
Fl.
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Tpt.
B. Tbn.
Cym.
Hp.
Vln. I
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Vla.
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p p
65
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ff mf
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14

{
Fl.
Ob.
B. Cl.
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Tpt.
B. Tbn.
Cym.
Hp.
Vln. I
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mp p
73
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15

{
Fl.
Ob.
B. Cl.
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Tpt.
B. Tbn.
S. D.
Hp.
Vln. I
Vln. II
Vla.
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mp mf
78
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molto cresc.
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16

{
Fl.
Ob.
B. Cl.
Bsn.
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Tpt.
B. Tbn.
S. D.
Hp.
Vln. I
Vln. II
Vla.
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Cb.
f mf
G.P.
ff
G.P.
Lentement et coulant (q=40)
81
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molto legato
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molto legato
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ord.
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6
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17

{
Fl.
Ob.
B. Cl.
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Tpt.
B. Tbn.
Djembe
Hp.
Vln. I
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Vla.
Vc.
Cb.
mp
G.P.
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93
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mf f
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18

{
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpt.
B. Tbn.
Djembe
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp mf
r. = e.
Doppio movimento (q. = 132)
101
mf mp mf f mf
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mp f mf f mp
sf sf
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mf mp
r. = e.
Doppio movimento (q. = 132)
mf
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19

{
Fl.
Ob.
Cl.
Bsn.
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Tpt.
B. Tbn.
S. D.
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf f ff
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molto rall. h = 112
106
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p
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molto rall. h = 112
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15
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{
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{
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mp
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22

{
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{
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{
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{
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{
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27

{
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{
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{
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30

{
Fl.
Ob.
Cl.
B. Cl.
Bsn.
Hn.
Tpt.
B. Tbn.
Tri.
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ppp p
Doux et soucr (q = 72)
158
ppp p
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mp mf
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pizz.
p
ord.
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Doux et soucr (q = 72)
pizz.
p
ord.
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pizz.
p
ord.
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ff
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p
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4
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31

{
Fl.
Ob.
B. Cl.
Bsn.
Hn.
Tpt.
B. Tbn.
Tri.
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p pp ppp
168
pp ppp p
p p ppp p ppp mp
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p
mp
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32

{
Fl.
Ob.
Cl.
B. Cl.
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Hn.
Tpt.
B. Tbn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf pp
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q=96 accel.
176
pp
mp
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p
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q=96
accel.
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33

{
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpt.
B. Tbn.
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
183
mf mf
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34

{
Fl.
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Cl.
Bsn.
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Tpt.
B. Tbn.
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp mp p pp
molto rall.
188
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mp mp
p pp
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mp p pp
mf mp p pp
p
p p
arco
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molto rall.
arco
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