Signature and Name of Invigilator

Answer Sheet No. : ................................................

(To be filled by the Candidate)

1. (Signature)

Roll No.

(Name)

(In figures as per admission card)

Roll No.

2. (Signature)

(In words)

(Name)

Test Booklet No.

D6 5 0 5

PAPERII

PERFORMING ART

Time : 1 hours]

Number of Pages in this Booklet : 32

[Maximum Marks : 100

Number of Questions in this Booklet : 50

Instructions for the Candidates

1.

Write your roll number in the space provided on the top of this
page.

1. U DU U S U UU U

2.

This paper consists of fifty multiple-choice type of questions.

3. U U U, -S U U U

3.

At the commencement of examination, the question booklet

will be given to you. In the first 5 minutes, you are requested
to open the booklet and compulsorily examine it as below :

4.

(i)

To have access to the Question Booklet, tear off the paper

seal on the edge of this cover page. Do not accept a
booklet without sticker-seal and do not accept an open
booklet.

(ii)

Tally the number of pages and number of questions in

the booklet with the information printed on the cover
page. Faulty booklets due to pages/questions missing
or duplicate or not in serial order or any other
discrepancy should be got replaced immediately by a
correct booklet from the invigilator within the period of
5 minutes. Afterwards, neither the question booklet
will be replaced nor any extra time will be given.

(iii)

After this verification is over, the Serial No. of the booklet

should be entered in the Answer-sheets and the Serial
No. of Answer Sheet should be entered on this Booklet.

2. -

-S
U
(i) -S U U
U U SUU-U S
SU U
(ii) U DU U U U -S DU

U U U U U U S
DU / U UU
U U S SU U
UUU S U U -S
U U
-S U
UQ

(iii) -S R U- U

U UU U- R -S U U

4. U U (A), (B), (C) (D)

U UU U

Each item has four alternative responses marked (A), (B), (C)
and (D). You have to darken the oval as indicated below on the
correct response against each item.
Example :

where (C) is the correct response.

5.

5.

Your responses to the items are to be indicated in the Answer

Sheet given inside the Paper I booklet only. If you mark at
any place other than in the ovals in the Answer Sheet, it will
not be evaluated.

6.

Read instructions given inside carefully.

7.

7.

Rough Work is to be done in the end of this booklet.

8.

8.

If you write your name or put any mark on any part of the test
booklet, except for the space allotted for the relevant entries,
which may disclose your identity, you will render yourself
liable to disqualification.

9.

6.

9.

You have to return the test question booklet to the invigilators

at the end of the examination compulsorily and must not carry
it with you outside the Examination Hall.

10.

U (UU) U U

12. U U
11.

10. Use only Blue/Black Ball point pen.

11. Use of any calculator or log table etc., is prohibited.
12. There is NO negative marking.

See Page No. 2 and 3 for Special Instructions /

D6505

(C) U
U U I U U- U
U U U
S U U U , U
U U
(Rough Work) S DU U U
U-S U
, U U U
U
U # U U-S U UU
U U # U U
U
/ U ZU S U

P.T.O.

DANCE / DRAMA / THEATRE

PAPERII
SPECIAL INSTRUCTIONS
1. Candidates are required to answer all the 25 questions in Part-I, which are
compulsory. They should also select any one from Part-II and Part-III and
answer all the 25 questions of that Part only. Each question carries two
marks.
2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part
Number which they have selected.
PARTI
Common to Dance and Drama / Theatre
1.

Match the items in List-I with the items of List-II :

List -I
List -II
(a) Sita
(i) Mrutcha katikam
(b) panchali
(ii) Ramayana
(c) Vasantasena
(iii) Shilapadikaram
(d) Madhavi
(iv) Mahabharata
Code :
(A)
(B)
(C)
(D)

2.

3.

(a)
(ii)
(ii)
(iv)
(iv)

(b)
(iii)
(iv)
(ii)
(iii)

(c)
(iv)
(i)
(iii)
(i)

(d)
(i)
(iii)
(i)
(ii)

Thumari is performed in :
(A) Bhagvat Mela
(B)

Ramlila

(C)

kathak

Match the items in List-I with the items of List-II :

List-I
List -II
(a) Ratan Thaiyam
(i) Theatre
(b) Kavalan Narayan Panikar
(ii) Thanga Ta
(c) Chandralekha
(iii) Kathakali
(d) Mallika Sarabhai
(iv) Kalaripayetu
Code :
(a) (b) (c) (d)
(A)
(ii) (iii) (iv) (i)
(B)
(i) (iv) (iii) (ii)
(C)
(iv) (ii) (i) (iii)
(D)
(iv) (iii) (ii) (i)

D6505

(D) Kathakali

 / /
II

1. -I 25 -II
-III 25
2. OMR Sc M

I
/
1.

S -

S S-I
i
{S
ix
v

II

(A)
(B)
(C)

(a)
(ii)
(ii)
(iv)

(b)
(iii)
(iv)
(ii)

(c)
(iv)
(i)
(iii)

(d)
(i)
(iii)
(i)

(D)

(iv)

(iii)

(i)

(ii)

(a)
(b)
(c)
(d)

E] :

2.

3.

E x E :
S-II
(i)
SUE]E
(ii) h
(iii) {nE
(iv) i

` E |ii i :
(A) Mi
(B)

S-I S-II E x EV :
S-I
(i)
(a) ix l
(b) Ex {hE xh
(ii)
(c) SxpJ
(iii)
(d) E <
(iv)
E] : (a) (b) (c) (d)
(A)
(B)
(C)

(ii)
(i)
(iv)

(iii)
(iv)
(ii)

(iv)
(iii)
(i)

(i)
(ii)
(iii)

(D)

(iv)

(iii)

(ii)

(i)

D6505

(C)

ElE

(D)

ElE

S-II
MS E
lxMi
ElE
E {i

P.T.O.

4.

Assertion (A) : Without dance, there was no theatre is ancient India.

Reason (R) :

5.

(A) (A) is false (R) is true

(B)

(A) is false (R) is false

(C)

(D)

(A) is true (R) is false

(A) is true (R) is true

Assertion (A) : All actors must know dance and vice a versa.
Reason (R) :

6.

People loved Dance.

Both dance and theatre are complementary.

(A) (A) is false (R) is true

(B)

(C)

(D) (A) and (R) both true

(A) and (R) both false

The West Zone cultural center is situated at :

(A) Udaipur

7.

8.

9.

(A) is true (R) is false

(B)

Jaipur

(C)

Panji

(D) Mumbai

The Sponsership for many performances are provided by :

(A) NGOS

(B)

High schools

(C)

(D)

Corporate industries

(A) Therapy

(B)

Jumping exercise

(C)

(D)

Weight reduction

Cricket boards

Dance can be used as :

harmony

Which is in the correct sequence ?

(A) Rukminidevi, Uday Shankar, Habib Tanvir, Girish Karnad
(B)

Uday Shankar, Rukminidevi, Habib Tanvir, Girish Karnad

(C)

Uday Shankar, Habib Tanvir, Rukminidevi, Girish Karvad

(D) Uday Shankar, Girish Karnad, Habib Tanvir, Rukminidevi

D6505

4.

5.

6.

Elx

(A)

: |Sx i xi E x x] |M x l*

Eh

(R)

: M E xi {n l*

(A)

(A)

Mi

(R)

(B)

(A)

Mi

(C)

(A)

(R)

(D)

(A)

Elx

(A)

: +xi E xi Vxx +E + xiE E +x*

Eh

(R)

: xi + x] nx {E *

(A)

(A)

Mi

(C)

(A)

8.

(R) nx

Mi

(B)

(A)

(D)

(A)

Mi

(R)

(R)
(R)

Mi

nx i

=n{

(B)

V{

(C)

{hV

(D)

<

(D)

Vx-P]x

E |nx |ii E lx xxJi i :

(A)

M E l

(B)

(C)

GE] b

(D)

xM =tM

xi E ={M Ei :
(A)

9.

Mi

{S Ij EiE Exp li :
(A)

7.

(R)

(R)

SEi

(B)

JEn

(C)

xx E G :
(A)

p_UrXodr, =nE, VZdra, M Exb

(B)

=nE, p_UrXodr, VZdra, M Exb

(C)

=nE, M Exb, VZdra, p_UrXodr

(D)

=nE, M Exb, VZdra, p_UrXodr

D6505

P.T.O.

10.

Assertion (A) : Dance and Drama audiences are increasing

Reason (R) :

11.

Famous TV personalities are now dancers and actors.

(A) (A) and (R) both false

(B)

(A) and (R) both true

(C)

(D)

(A) is true (R) is false

(A) is false (R) is true

Which is in the correct sequence ?

(A) Bharatanatyam, Odissi, Kudiattam. Bhavai
(B)

Bharatanatyam, Kudiattam, Odissi, Bhavai

(C)

Kudiattam, Bhavai, Bharatavatyam, Odissi

(D) Kudiattam, Odissi, Bhavai, Bharatanatyam

12.

13.

14.

15.

Which is correctly matched ?

(A) Rasda - Tarnetar fair

(B)

(C)

(D) Bihar - Gajon Festival

Tamilnadu - Onam

Andhra - Draupadi Festival

The last chairperson of Sangit Natak Akademy was :

(A) Sonal Man singh

(B)

(C)

(D) Shanta Gandhi

Girish Karnad

Bhupen Hazarika

The famous film on dance which received world acclaim is :

(A) Kalpana

(B)

(C)

(D) Monsoon Wedding

Mughal-E-Azam

Devdas

The three generations of a family belonging to film and theatre is :

(A) the Tata-s

(B)

(C)

(D) the Ambanis

D6505

the Kapoors

the Bajajs

10.

11.

12.

13.

14.

Elx

(A)

: xi + x]E E nE g *

Eh

(R)

: Vxx nnx |iB + xiE + +xi *

(A)

(A)

il

(C)

(A)

Mi

(R) i

Mi

(B)

(A)

il

(R) nx

(D)

(A)

(R)

Mi

xx G :
(A)

ix], +b, Eb+^, <

(B)

ix], Eb+^, +b, <

(C)

Eb+^, <, ix], +b

(D)

Eb+^, +b, <, ix]

xxJi Ex- M ?
(A)

b - ihi

(B)

+w - p{n =i

(C)

ixb - +h

(D)

- MVx =i

Mi-x]E +Enx E Mi-+vI l :

(A)

x- x

(B)

{x WE

(C)

M Exc

(D)

i Mv

xi { x < |r V { nx x A{^ZpXV E :
(A)

15.

(R) nx

E{x

(B)

nn

(C)

M AmO_

(D)

_moZgyZ doqS>J

E{

(D)

+~mZr

ix nr{T>`m| + MS Vwc :
(A)

D6505

Q>mQ>m

(B)

VV

(C)
7

P.T.O.

16.

17.

18.

19.

The Westerner who contributed maximum awareness of Indian Dance tradition is :

(A) Annie Besant

(B)

(C)

(D) Ruth st Danis

Anna Pavlova

Simki

The well-known Theatre critic is :

(A) S.D. Desai

(B)

(C)

(D) Devendraraj Ankur

Ram Gopal Bajaj

Nemi Chandra Jain

The latest book on dance is by :

(A) Mrinalini Sarabhai

(B)

(C)

(D) Saryu Doshi

Damyanti Joshi

Mohan Khokar

Which of the following is not correctly matched :

(A) Sarawsati Sanman & Theatre
(B)

Gaurav Puraskar and performing Arts

(C)

SNA awards for multimedia arts

(D) Uday Shankar award and music

20.

Which is correctly matched :

(A) Sitar - Vilayatkhan Saheb
(B)

Sarod - Amjad Ali Khan Saheb

(C)

Nadaswaram - Rajratham Pillai

(D) All of above

21.

The traditional theatre performed by men and women together is :

(A) Tamasha

(B)

Bhavai

(C)

(D)

Yakshagana

D6505

Terukuthu

16.

17.

18.

19.

20.

21.

nmMm`dVu Vx `mXm i Zi {{ H$mo g_PZo _| Mnx {X`m, dh h :

(A)

EZr x]

(B)

(C)

+x {

(D)

W g|Q> bx

Vx x MS IE :
(A)

B. b. n<

(B)

x Sp Vx

(C)

M{ VV

(D)

XodoamO AHy$a

xi E x |Ei {iE E JE :
(A)

hZr <

(B)

x JE

(C)

nxi Ve

(D)

ne

xxJi M Ex M x *
(A)

i x + x]E

(B)

Mm {E + MS E

(C)

g x + {E + ]b AmQ>g

(D)

=XE {E + Mi

xxJi M Ex M ?
(A)

i - {dbm`VImZ gmho~

(B)

n - +Vn-+br ImZ

(C)

xn -Vix- {

(D)

D$na E

{{E MS x]E {, V j + { l |ii Ei , :

(A)

(B)

<

(C)

ioEl

(D)

IMx

D6505

P.T.O.

22.

23.

24.

The present Solo dance style most popular all over the world was known in 18th
century as
(A) Nautch

(B)

(C)

(D) Kuchipudi

Sadir

Which of the following is not correctly matched ?

(A) Hema malini and Odissi

(B)

(C)

(D) Shovana Narayan and Kathak

Kamala Hasan and films

Nasiruddin Shah and theatre

Match List - I with List - II :

List-I

25.

Bharatanatyam

List --II

(a)

Mira Nair

(i)

Aparna Sen

(b)

Mr &Mrs Iyer

(ii)

Adoor Gopal Krishnan

(c)

Nizhalkuthu

(iii) Monsoon Wedding

(d)

Gurinder chadda

(iv) Salam Mombay

Code :

(a)

(b)

(c)

(d)

(A)

(iii) (ii)

(iv) (i)

(B)

(iv) (i)

(ii)

(iii)

(C)

(iv) (ii)

(i)

(iii)

(D)

(iii) (iv) (ii)

(i)

NCPA Stands for :

(A) National Community for Performing Arts
(B)

National Council for Puppetry Arts

(C)

Natural Council for Public Awarencess.

(D) National Centre for Performing Arts.

D6505

10

22.

{ Ji B BE {j xi
(A)

23.

24.

xS

(B)

ix]

(C)

gXr _| Vx Vi l :
n

(D)

ES{b

xxJi M Ex M x ?
(A)

x - +b

(B)

xqx MS

(C)

E x

(D)

x xh-ElE

S-I S-II E x EVB :

S-II

S-I

25.

18

(a)

(i)

+{h x

(b)

lr/lr_{V A`a

(ii)

+n M{ H$UZ

(c)

xWEl

(iii)

xx doqS>J

(d)

Mn Mm

(iv)

Ei :

(a)

(b)

(c)

(d)

(A)

(iii)

(ii)

(iv)

(i)

(B)

(iv)

(i)

(ii)

(iii)

(C)

(iv)

(ii)

(i)

(iii)

(D)

(iii)

(iv)

(ii)

(i)

Bx{+ xx E qE :
(A)

xx-H$`w{ZQ>r \$ma na\$mo{_J AmQ>g

(B)

xx-H$mpgb \$ma nnoQ>r AmQ>g

(C)

ZoMwab H$mpgb \$ma npbH$ Ado`aZog

(D)

xx x] \$ma {M AmQ>g

D6505

11

P.T.O.

PART - II
DANCE

In the Opics Ramayan and the Mahabharata many dance performances are
prescribed. In the works of the poets Bhasa, Kalidasa, Bharavi and others, until the
time of Harsha. We encourter many precise descriptions of dancers and dance recitals.
From all this one; can gather that the poet and the dramatist were equally well versed
in the technical intricacies of dance. They appriciated the aesthetic beauty drew upon
this art to structure their poetic on dramatic edifice. As is no recognised none of the
plays of Kalidasa or his successors had been conceived of a drama dependent on the
spoken word alone. The communication systems employed by the writer; take into
account not only the verbal communication but also communication through gestures,
costumes, decor and above all the inner states of being which reflected in invaluntary
expressions.

26.

27.

Many dance descriptions are encountered in works of :

(A) Bharavi, Kushan, Bhasa

(B)

(C)

(D) Kalidas, Matanga, Kushan

Bhasa, Matanga, Kalidas

Assertion (A) : The dramatist was well-versed in the technical intricacies of dance.
Reason (R) :

28.

Bhasa, kalidas, Bharavi

It was a must far a dramatist to learn dance.

(A) (A) and (R) are both false

(B)

(C)

(D) (A) and (R) are both true

(R) is false and (A) is true

(A) is false and (R) is true

Kalidass play were dependant on :

(A) Spoken word alone

(B)

(C)

(D) All of above

D6505

Music and dance

12

Spoken word and music

PART - II

xi
h il i E E +xE xi +x E xvi E M * h E E
iE, , En, il +x E Ei , xiE B xi |ii E E< { E ] hx
I +i * =x il go +xwx M V Ei E E il x]E xi E
iExE E i +SU |E {Si l* xn-{E gxni E |E l, il < E
E B OU E il EiE +l x]{E ^ { xi E* V E + x Vi ,
En +l =xE =ki E E x]E, E j SE n { +vi x E
E{x x E V E l* JE u |Ci |h |h E +xiMi x E JE |h
E i E Vi * E _wmAm|, , VV B <E D$na iE { E
|ii Ei V E +x|i +Vx E |ii Ei *

26.

27.

xi E E< h xx E Ei { Vi *
(A)

, Ex,

(B)

, En,

(C)

, iRM, En

(D)

En, iRM, Ex

Elx

(A)

: x]E xi E VH$ZrH$s { drU l*

Eh (R) : x]E E xi Jx +E l

28.

(A)

(A)

il

(C)

(R)

Mi

(R)
(A)

nx Mi

(B)

(A)

Mi

(D)

(A) + (R)

(R)

nx i

En E E xx { +vi l :
(A)

+E SE

(B)

SE + Mi

(C)

Mi + xi

(D)

D$na E

D6505

13

P.T.O.

29.

30.

31.

The Communication System employed by the writer mainly was :

(A) Verbal

(B)

(C)

(D) Codes

Spoken

The most important of communications systems for a play writer was :

(A) Satvika Bhava

(B)

(C)

(D) Postures

Costumes and decor

33.

Gestures

Assertion (A) : Bharatanatyam is 5000 year old dance style.

Reason (R) :

32.

Bodily

It is described in the Natyashastra.

(A) (A) is true but (R) is false

(B)

(C)

(D) (A) and (R) are both true

(A) and (A) are both false

(A) is false but (R) is true

The prominent dance guru who passed away in 2003 is :

(A) Kelucharan Mahapatra

(B)

(C)

(D) Krishnaveni Lakshmanan

Damayanti Joshi

Protima Bedi

The folk art form of Keral is :

(A) Taiyam

(B)

(C)

(D) Rasiya

D6505

Vithinatakam

14

Rouf

29.

30.

31.

32.

33.

JE-MME x ={M E, |h E b l :
(A)

nE

(B)

(C)

=SSi

(D)

Eb

MME-x] JE E i{h |h E |E l :
(A)

iE

(B)

x-Sx

(C)

+ M

(D)

Elx

(A)

: ix]

Eh

(R)

: =E x]j hx *

(A)

(A)

(R)

(C)

(A)

(R) nx

5000

Mi
Mi

{ {x xi *

(B)

(A)

Mi

(D)

(A)

(R)

(R)

nx i

{d`mV Z` Jw {OZH$m {ZYZ 2003 _| hAm, dh Wo

(A)

ES {j

(B)

|i n

(C)

ni V

(D)

Ghh b_UZ

E H$s EE :
(A)

(B)

amoC\$

(C)

lx]E

(D)

D6505

15

P.T.O.

34.

Match List-I with List-II :

List-I

35.

(a)

Abhinava Bharati

(i)

Abhinaya Darpana.

(b)

Bharat

(ii)

Abhinava Gupta

(c)

Sangita Ratnakara

(iii) Natyashastra

(d)

Nandikeswara

(iv) Sarangadeva

Code :

(a)

(b)

(A)

(ii)

(iii) (iv) (i)

(B)

(ii)

(iv) (iii) (i)

(C)

(iv) (iii) (i)

(D)

(iv) (i)

37.

(c)

(d)

(ii)

(iii) (ii)

Assection (A) : The present classical dance styles are 2000 years old.
Reason (R) :

36.

List-II

They are all described is Bhartarnava.

(A) (A) is false (R) is true

(B)

(C)

(D) (A) and (R) are both false

(A) and (R) are both true

(A) is true (R) is false

The Natyashastra does not describe :

(A) Nritta

(B)

(C)

(D) vritti

Tandava

Nritya

The other dance festival is yearly held at :

(A) Mumbai

(B)

(C)

(D) Bhopal

D6505

Chennai

16

Chicago

34.

S-I S-II E x EV :
S-II

S-I

35.

36.

37.

(a)

+x i

(i)

+x n{h

(b)

(ii)

+x M{i

(c)

Mi ixE

(iii)

x]j

(d)

xnE

(iv)

gmaXod

Ei :

(a)

(b)

(c)

(d)

(A)

(ii)

(iii)

(iv)

(i)

(B)

(ii)

(iv)

(iii)

(i)

(C)

(iv)

(iii)

(i)

(ii)

(D)

(iv)

(i)

(iii)

(ii)

Elx

(A)

: ix |Si j xi

Eh

(R)

: <x E ih h *

(A)

(A)

Mi

(C)

(A)

(R)

(R) nx

2000

|Sx

(B)

(A)

(D)

(A)

(R)
(R)

Mi

nx Mi

xxJi E x]j x h E :
(A)

xk

(B)

xi

(C)

ib

(D)

+v xi i i :
(A)

<

(B)

EM

(C)

Sz<

(D)

D6505

17

P.T.O.

38.

39.

40.

Abhivaya Darpana gives description of :

(A) Mattavarini

(B)

(C)

(D) Jati Hasta

Nayika

The Universities offering full time courses in Dance is :

(A) Rabindra Bharati

(B)

(C)

(D) All of above

Mumbai University

M.S. University

Match the items in List - I with the items of List - II :

List-I

41.

Javanika

List-II

(a)

Astad Daboo

(i)

Odissi

(b)

Ibrahim Rimli

(ii)

kuchipudi

(c)

Singhjit Singh

(iii) Modern Dance

(d)

Raja Reddy

(iv) Manipuri

Code :

(a)

(b)

(c)

(d)

(A)

(iii) (i)

(ii)

(iv)

(B)

(iv) (iii) (ii)

(C)

(iii) (i)

(D)

(i)

(i)

(iv) (ii)

(iv) (iii) (ii)

Which is the correct sequence ?

(A) Matsya, Vamana, Varaha, kalki
(B)

Matsya, Varaha, Vamana, Kalki

(C)

Varaha, Vamana, Matsya, Kalki

(D) Matsya, Vamana, Kalki, Varaha

D6505

18

38.

39.

40.

+x n{h h ni :
(A)

kh

(B)

VxE

(C)

xE

(D)

Vi i

xi E {h-Ex +xnx xx t n Vi :
(A)

xp i

(B)

. . t

(C)

< t

(D)

={ E

S-I S-II E x EV :
S-II

S-I

41.

(a)

+]b b

(i)

+b

(b)

<

(ii)

ES{b

(c)

Vi

(iii)

_mS>Z bx

(d)

V d

(iv)

h{

E] :

(a)

(b)

(c)

(d)

(A)

(iii)

(i)

(ii)

(iv)

(B)

(iv)

(iii)

(ii)

(i)

(C)

(iii)

(i)

(iv)

(ii)

(D)

(i)

(iv)

(iii)

(ii)

xx G :
(A)

i, x, , EE

(B)

i, , x, EE

(C)

, x, i, EE

(D)

i, x, EE,

D6505

19

P.T.O.

42.

Which is the correct sequence ?

(A) Angika, Vachika, Aharya, Satvika
(B)

Angika, Satvika, Aharya, Vechika

(C)

Satvika, Aharya, Vachika, Angika

(D) Angika, Aharya, Satvika, Vachika

43.

Which one is correctly matched ?

(A) Bihu - Ashadh
(B)

Garba - Ashwin

(C)

Ghoomar - Paush

(D) Kummi - Chaitra

44.

Which is the correct sequence ?

(A) Tishra, Mishra, Khanda, Chatushra
(B)

Chatushra, Mishra, Khanda, Tishra

(C)

Tishra, Mishra, Chatushra, Khanda

(D) Tishra, Chatushra, Khanda, Mishra

45.

Which one is not correctly matched ?

(A) Indian films and dance
(B)

Indian classical dance and shoes

(C)

Ballet and Shoes

(D) Kabuki and masks

D6505

20

42.

43.

44.

45.

xx G :
(A)

+ME, SE, +, iE

(B)

+ME, iE, +, SE

(C)

iE, +, SE, +ME

(C)

+ME, +, iE, SE

xxJi M Ex- M :
(A)

- +g

(B)

M - +x

(C)

v-{

(D)

E - Sj

xx G :
(A)

i, , Jb, Si

(B)

Si, , Jb, i

(C)

i, , Si, Jb

(D)

i, Si, Jb,

xxJi M Ex M x :
(A)

i + xi

(B)

i j xi + Vi (W)

(C)

] + Vi (V)

(D)

EE + J]

D6505

21

P.T.O.

46.

One of the greatest music composers for classical dance is :

(A) Raghunath Panigrahi
(B)

Vajid Ali Shah

(C)

Muthuswami Dikshitar

(D) Bal Murli Krishnan

47.

Indicate the oddone out :

(A) Sunil Kothari - Dancer
(B)

Kapila Vatsyayam - Dance Scholar

(C)

Mohan Khokar - Dance historican

(D) Subbud - Dance Critic

48.

Ramayana is popularly performed is :

(A) Burma
(B)

Java

(C)

Shrilanka

(D) Japan

49.

50.

The popular Magizines of dance are :

(A) Nartanam

(B)

(C)

(D) All of above

Ballet news

Dance Magazine

The highest award from the government of India awarded to a dancer is :

(A) Padmashree

(B)

(C)

(D) Padma Vibhushan

D6505

Padma Bhushan

22

Kalaimamani

46.

47.

48.

49.

50.

jS xi E |Jb Mi -SxE BE l :
(A)

Pxl {hO

(B)

Vn +

(C)

l nIi

(D)

H$UZ

xxJi +Mi E {MphV EVB :

(A)

x E` - xiE

(B)

E{ ix- xin,

(C)

x JE - xi <iE

(D)

b - xi IE

h Vni E Vi :
(A)

(B)

(C)

(D)

V{x

xi E E| MWx :
(A)

xix

(B)

bx-MWx

(C)

~boQ> `yO

(D)

={Ci

i |x E + xiE E + iE |hi E + ` xx :
(A)

D6505

nlr

(B)

Eh

(C)
23

n ^yfU

(D)

n {d^yfU
P.T.O.

PART - III
DRAMA / THEATRE
26.

Which is the correct sequence according to Natyashastra :

(A) Bindu, Bija, Pataka, Kavya, Prakari
(B)

Pataka, Prakari, Bija, Bindu, Kavya

(C)

Bija, Bindu, Pataka, Prakari, Kavya

(D) Kavya, Pataka, Prakari. Bija, Bindu

27.

The term Arthopakshepaka refers to :

(A) The meaning of the play
(B)

The sub-text of the play

(C)

Linking devices between acts in a play

(D) Introduction of the play

28.

The term Janantika, refers to :

(A) exchange between the hero and the heroine
(B)

exchange between the actor and the audience

(C)

exchange between two charecters from which other characters excluded

(D) exchange between the hero and other characters.

29.

Make the items in list - I to the correct one in list - II :

List-I

List -II

(a)

Nataka

(i)

Mrichakatikam

(b)

Prakarana

(ii)

Bhagavadajjukam

(c)

Prahasana

(iii) Madhyama

(d)

Vyayoga

(iv) Abhijnana Shakuntalam

Code :

(a)

(b)

(c)

(d)

(A)

(iii) (ii)

(i)

(iv)

(B)

(iv) (i)

(ii)

(iii)

(C)

(iii) (i)

(ii)

(iv)

(D)

(i)

D6505

(iv) (iii) (ii)

24

PART - III

x]E / MS
26.

x]j E +x +xG ?
(A) xn, V, {iE, E, |E
(B) {iE, |E, V, xn, E
(C) V, xn, {iE, |E, E
(D) E, {iE, |E, V, xn

27.

+l{I{E
(A)
(B)
(C)
(D)

28.

VxxiE
(A)
(B)
(C)
(D)

29.

n Ei Ei :
x]E E +l
x]E E Cn {df`
BE x]E _| +E E Vbx Ci
x]E E |ix
- n EE EiE ?
xE il xE E v n
+xi il i+ E v n
B n Sj E v E n Vx Sj +x Sj E {lE E n M
xE il +x Sj E v n

S-I E n E, S-II E n < :

S-I
S-II
(i)
SUE]E
(a) x]E
(b) |Eh
(ii) MnVVE
(c) |Ex
(iii) v
(d) J
(iv) +YxExi
Ei : (a) (b) (c) (d)
(A)

(iii)

(ii)

(i)

(iv)

(B)

(iv)

(i)

(ii)

(iii)

(C)

(iii)

(i)

(ii)

(iv)

(D)

(i)

(iv)

(iii)

(ii)

D6505

25

P.T.O.

30.

The term Bharatavakyam refers to :

(A) the final speech of the new
(B)

opening remarks of the sutradhara

(C)

the epilogue of a play

(D) a dramatic monologue

31.

32.

Nandi is performed :
(A) at the end of the play

(B)

(C)

(D) throughout at the play

at the beginning of the play

H. Kanhialad is an eminent theatre director from :

(A) Assam

33.

(B)

35.

36.

Utter Pradesh

(C)

Delhi

(D) Manipur

Which one of the following is a classical language ?

(A) Kannada (B)

34.

in between acts of a play

Tamil

(C)

Marathi

(D) Bangla

(A) Play about a play

(B)

play within the play

(C)

(D) A play based on myth

The term Garbhanataka means :

A virtualistic play

Indicate the odd one out :

(A) Mohan Rakesh

(B)

(C)

(D) Girish Karnad

Vijay Tendulkar

Jabbar Patel

Surabhi is the name of :

(A) a popular touring theatre company of Andhra Pradesh
(B)

a traditional art of Andhra Pradesh

(C)

a traditional dance of South India.

(D) a famous Opera from Andhra Pradesh.

D6505

26

30.

31.

32.

iC
(A)

xE u +xi Elx

(B)

jv E + E ]{{h

(C)

E x]E E ={

(D)

BE x]E BE{

xxn

E +xi E Vi :

(A)

x]E E +xi

(B)

BE x]E E +E E v

(C)

BE x]E E |

(D)

x]E E { iE

BS Ex xx |n E Ji x]E xnE : +

(A)

33.

35.

36.

(B)

=k |n

(C)

(D)

_{U{

(C)

(D)

xx Ex CE ?
Ezc

(A)

34.

- n Ei Ei :

(B)

x]E - n E +l :

(A)

x]E E BE x]E

(B)

x]E E i BE x]E,

(C)

+x`xE x]E

(D)

lE (H$nZm) { +vi BE x]E

+Mi E {] EVB :
(A)

x E

(B)

V {]

(C)

V ixnE

(D)

M Exc

EE x :

(A)

+w |n E BE h x]E E{x

(B)

+w |n E BE {{E E

(C)

nIh i E BE {{E xi

(D)

+w |n E BE |r +{

D6505

27

P.T.O.

37.

Which is the correct sequence ?

(A) Richard Schechner, Brecht, Stanislavsky, Grotowski
(B)

Grotowski, Richard Schechner, Brecht, Stanislavsky

(C)

Stanislavsky, Brecht, Grotowski, Richard Schechner

(D) Brecht, Grotowski, Richard Schechner, Stanislavsky

38.

39.

Eugene Barba got trained is :

(A) Kathak

(B)

(C)

(D) Yakshayhana

Kuchipudi

Kathakali

Which one of the following is not correctly matched ?

(A) Death of a Salesman - Artha Miller
(B)

The Charirs - Jean Genet

(C)

Three sisters - Anto chekjhov

(D) A Dolls House - Hinrik Ibsern

40.

Adya Rangacharya is a playwright in :

(A) Tamil

41.

42.

43.

(B)

Telugu

(C)

Kannada

Attaprakaram is followed in :
(A) Bharatanatyam

(B)

Kuchipudi

(C)

(D)

Therukkootha

Kathakali

Padayani is a traditional performing art form of :

(A) Tamil Nadu

(B)

Andhra Pradesh

(C)

(D)

Kerala

Karnataka

Koothambalam is the performance space for :

(A) Kathakali

(B)

Theyyam

(C)

(D)

Therukkoothu

D6505

Koodiyattam

28

(D) Malayalam

37 .

38 .

+xE Ex :
(A)

Sb Cx, ], ]xE, O]E

(B)

O]E, Sb Cx, ], ]xE

(C)

]xE, ], O]E, Sb Cx

(D)

], O]E, Sb Cx, ]xE

Vx x xx |Ih :
ElE

(A)

39.

+ gx

- +l b

- VVx

- Bx]x SJ

bW =

- xE BgZ

ES{b

(D)

IMx

D6505

iM

(C)

Ezc

(D)

(C)

ElE

H$m `moJ hmoVm h {ZZ _|

(B)

ES{c

(D)

iEWw

{{E MS E VE lx :

ixb

El
(A)

(B)

ix]

nXm`Zr
(A)

43.

+^|E
(A)

42.

(C)

Am MS xx E BE x] JE !
(A)

41.

ElE

xx Ex r { i x ?
S>oW

40.

(B)

(B)

+w|n

(C)

Ex]E

(D)

(C)

Eb^

(D)

iEl

MS |nx E VM :

ElE

(B)

i
29

P.T.O.

44.

45.

46.

47.

Sanskrit is the language in the performance of :

(A) Yakshaghana

(B)

Koodiyattam

(C)

(D)

Bhagawat mela

Koothu

The author of My life in Art is :

(A) Anton Chekhor

(B)

Stanislavsky

(C)

(D)

Maxim Gorky

Tolstoy

Surya ki Antim Kiran se Surya ki Pahli kiran tak is a play written by :

(A) Surendra Varma

(B)

Lakshmi Narayan Lal

(C)

(D)

Shankar Shesh

Dharamvir Bharti

Which one of the following pairs is correctly matched ?

(A) Shrikantan Nair - Ashad Ka Ek Din
(B)

N. Muthuswamy - Naar Kkalikarav

(C)

Badal Sircar - Lanka Lakshmi

(D) Mohan Rakesh - Pagla ghoda.

48.

49.

50.

Barnam Vana is a Hindi adaptation of Shakespeares :

(A) King lear

(B)

(C)

(D) A Midsummer nights Dream

Hamlet

Macbeth

Which one of the following is not a play written by Rabindranath Tagore ?

(A) Rakta Karabi

(B)

(C)

(D) Chitrangada.

Raja

Muktadhara

Assertion (A) : Going back to traditonal theatre is revivalism.

Reason (R) :

Traditional theatre enriches contemporary theatre.

(A) (A) is false (R) is true

(B)

(C)

(D) (A) is true (R) is false

Both (A) and (R) are false

-oOoD6505

30

Both (A) and (R) Are true

44.

45.

46.

47.

48.

49.

50.

xxJi E MS |nx Ei E |M x :
(A)

jMx

< <x +] E JE :

(A)

EQ>moZ SJ

(B)

]x]E

(C)

]]

(D)

_pg` ME

E +i Eh E { Eh iE E x] JE :

(A)

xp

(B)

xh

(C)

v i

(D)

(B)

Eb^

El

(C)

(D)

Mi

xxJi MM Ex- ?
(A)

Eix x - +g E BE nx

(B)

Bx l - xCEE

(C)

n E - E

(D)

x E - {M Pc

x {hXr +xn , C{ H$s Ei E :

(A)

qH$J +

(B)

El

(C)

h_boQ>

(D)

+ {_S>g_a x<] b_

xxJi Ex x]E xpxl ]M x x J ?

(A)

CiE

Elx

(A)

: {{E MS E + { Vx nwZOudZ

Eh

(R)

: {{E MS iiEbrZ MS E r xV

(A)

(A)

Mi

(C)

(A)

(B)

(R)

(R) nx

Mi

Civ

(C)

(D)

(B)

(A)

(R) nx

(D)

(A)

(R)

SjMn

Mi

-oOoD6505

31

P.T.O.

Space For Rough Work

D6505

32