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Architect Detlef Mertins rethinks how architecture can serve as a communicative art today. He links what Hejduk says about his projects (thoughts) with detailed observations of the actual projects. Mertins discusses Claude-Nicolas Ledoux's architecture distortions of classicism.
Architect Detlef Mertins rethinks how architecture can serve as a communicative art today. He links what Hejduk says about his projects (thoughts) with detailed observations of the actual projects. Mertins discusses Claude-Nicolas Ledoux's architecture distortions of classicism.
Architect Detlef Mertins rethinks how architecture can serve as a communicative art today. He links what Hejduk says about his projects (thoughts) with detailed observations of the actual projects. Mertins discusses Claude-Nicolas Ledoux's architecture distortions of classicism.
MERTINS, Detlef. The shells of architectural thought (1996)
IGNACIO TORRES CANDIA Detlef Mertins claims that Hejduks architectural projects/objects embody thoughts rethink how architecture can serve as a communicative art in the public domain today 1) linking what Hejduk says about his projects (thoughts) with detailed observations of the actual projects 2) situating Hejduks work within a historical framework of philosophy. arguing the existence of form and expression in Hejduks work, Mertins discusses Claude-Nicolas Ledouxs architecture distortions of classicism early versions of twentieth-century functionalism, formalism, and expressionism absorbed and exorcised When discussing schematic versus symbolic elaboration in Hejduks work, Mertins refers to Peter Behrens theoretical constructs as one new-Kantian, the other derived from the scientific study of vision When discussing the body-feeling relationship in Hejduks work, Mertins reviews the historical precursors of the emotionally charged formalism of the Bauhaus within the psychology of architecture and the theory of empathy Mertins contrasted literal versus phenomenal transparency. Mertins points out how the idea of transparency is problematized in Bernstein houses, in which elements of the interior are placed on the outside and obscure the representational device of the faade. Mertins provides a glimpse of the medium-specific way of discussing the archi- tectural concept.