Triad Pairs

symmetric studies: diminished
chapter two
triads & triad pairs
Triads work well over diminished chords.I find it easiest to use pairs of triads In
Example 10 below, the four dominant chords can be derived in a few different ways. One
way is to think of the chords or triads to be one half-step below each of the notes in
the diminished chord:
Chord
Bdim7 B
Notes In Chord
D
Triads 1/2 step below Bf
Df
Af
Or, you consider function. If the Bdim7 is functioning as a G7 f9 , for example, the
four triads would be derived from the four notes a 1/2 step below a G7 f9 chord.. The
same would be true for Bf7, Df7 or E7. Although four major or minor triads will sound
good on diminished chords the pair I find the most effective are the root and tritone
based on function. For example: Bdim7 = G7 ff9 = G and Dff triads.
Track 20
Example 10 Four Triads
Could be four different dominant chords
G7(b9) B b7(b9) D b7(b9) E7(b9)
or just the triads
Bdim7
G
4
& 4
T
A
B
3
4
5
Bb
b
6
7
8
Db
b
b
4
6
6
7
9
9
Bb
3
#
b

Db
U
3
b b n
There are patterns using 4 triads starting on page 75 in Chapter 4,

Patterns.
43
I like the sound of the two triads a tritone apart like in the third and fourth
measures in Example 10. These triplet figures fall nicely on the fretboard but there are
a lot of different fingering possibilities.
Track 21
Fdim7 Ddim7
Bdim7 A bdim7
G
6
b n #

Bb
Db
3
3
b # n
E
6
10
3 b 3 b
12
Bb
10
b
#
12
12
13
# 3
G
9
Bb
3
b
Db
Db
E
3
G
4
Bb
b

b
&
3
Db
T
A
B
E7(b9) D b7(b9)
B b7(b9) G7(b9)
3
3
3
#
b
b b b n # b
T
A
B
Or
3
4
& 4
Exercise 10 Triads in tritones / from 3rd up & 5th down
12 13
15
15
3
b 3
b n
&
Bb
T
A
B
13
E
15
15 13
Db
G
12
12
10
12
Bb
E
9
12 10
Db
6
G
6
U
3
3
b # n
&
Bb
T
A
B
44
E
7
Db
G
4

b
b
3
b

Bb
E
1
b
b n
Db
G
3
Track 22
Gdim7 Edim7
Or
C #dim7 B bdim7
3
G b7(b9) E b7(b9)
C7(b9) A7(b9)
3
4
& 4 # b b # # #
Eb
T
A
B
3
b b
&
Eb
T
A
B
Eb
8
F#
8
3 # 3 #
#
11
12
10
3
#
n
# #
F#
14
A
11 12
3
b
Eb
11
F#
# # #

8
n
# #
A
8
10
C
8
F#
b b n #
14
14
15
3
# 3 b 3 b # # 3
# n
C
14 15
17
17
3
b 3
b # n
&
F#
T
A
B
15
17
17 15
14
14
F#
Eb
A
12
14
11
11
14 12
Eb
11
11
A
8
U
3
# #
#
&
F#
T
A
B
10
F#
Eb
6
b b n
#
Eb
C
8
# b b # #
# n
A
A
5
45
Track 23
Ab
F7(b9)
Ab
D
3
4
& 4
Ab
b 3
Ab
# #
b b
45
b n # ##
b
# #
10
11
Ab
# #
9 10
10
n b
1 2
bn# # n #
b
T
A
B
11
12
7 8
10
10
Ab

# # # b 3 b
# #
&
3
T
A
B
10
11
10 11
13
13 14
13
13 14
16
14
16
16
Ab
16 14
13
13 11
13
13 11
B
3
10
3
10
10
10 8
3
7 5
10
Ab
D
3
3
3
# # n b 3
b # n
#
b w
&
#
n b
3
T
A
B
Ab
10
11 9
b b n #
&
Ab
Ab
b b n # #
#
# #
D
b
#
b
T
A
B
4 5
Ab
10
11
Ab
b n # #
10
b b n #
&
46
T
A
B
10
10 11
10
10 11
13
13 14
13
13 14
16
16
17
9 10
16
16 17
19
19
16
11
12
In the next two exercises I ve tried to keep the chords and arpeggios on one string
set. Staying on the same string sets will give a smoother, more flowing sound to the big
interval jumps found in these triads arpeggios.
Track 24
Exercise 12a String set exercise
G bdim7 E bdim7 Or
Cdim7 Adim7
F7(b9) D7(b9)
B7(b9) A b7(b9)
4
& 4 ..
b
b
# #
b b
Ab
Ab
4
5
6
6
5
7
7
8
9
9
8
10
10
11
12
12
11
13
T
A
B
. 12
.3
3
2
4
# #
b b
# #
Ab
13
14
15
15
14
16
13
14
15
12
11
13
10
11
12
9
8
10
7
8
9
6
5
7
&
T
A
B
ww
w
Ab D
T
A
B
4
5
6
3
2
4
Ab
# b b n n #
b
# b
n
1
2
3
b
& b # n
Ab
1 3
Ab
4 6
Ab
10 12
11
10 12
T
A
B
15
14
13 15
14
16 15
14
3
1312
11
13
12
11
3
10 9
10 9
7 6
43
13
3
U
3
# n # # # b b # n
w
b n
&
# n
3
11
4 3
..
.
.
47
Track 25
Exercise 12b More triadic exercises on one
Or
G bdim7 E bdim7
Cdim7 Adim7
F7(b9) D7(b9)
B7(b9) A b7(b9)
Ab
or two string sets.
Ab
D
B
#
b
b
#
b
b b
#
4 ..
& 4
#
F
T
A
B
.
.3
7 8
10
11
12
10
10 11
12
11
13
Ab
F
F
B
D
#
b b
n
# # #
#
&
F
T
A
B
15
14
13
13 14
Ab
15
16
15
b b #
& b
T
A
B
14
Ab
14
13
11
10
Ab
11
13
11
12
10
10 8
10
7 5
10
10
10
Ab
12
14
13
12
13
b
#
b
#
11
13
13
48
11
10
15
14
13
11
12
Ab
n
#
10
w
8
b b #
n # # #
b b
& b
#
T
A
B

n
#
#
#
#
#
12
b b n
n
& b
T
A
B
13 11
10
10
12
This is an example of how you might use these major triad pairs in context.
Track 26
Exercise 13 Triads
E bMAJ 7
Excerpt from It Could Happen To You
F #dim7
Fmi7
Edim7
b 4
n
n
n
& bb 4
n #
J
#
b
T
A
B
8 5
Gmi7

bb
11
11 8
bb . J .
J
& b
T
A
B
10
11 8
n # n
B b triad
10
F # triad
C triad
8 11
10
11 10
11
Edim7
n # n n
#
#
n
F # triad
10
C triad
9
11
11
10
A bMAJ 7
A b triad
10
11
Gmi7
# #
n
E triad
8 11
7 10 9
C13(b9)
n # n J .
D triad
10
E bMAJ 7
#
b n

& bb
8
8 6 8
10 8 10
F #dim7
Fmi7
T
A
B
Gmi7(b5)
10 8 10 8
B b13(b9)
Fmi7
A triad
D triad
.
b
J
b
10 10
5 6
A bMAJ 7
&
T
A
B
F triad
A triad
8
10
E MAJ 7
Fmi7
B b13(b9)
w
bGmi7(b5)
n # C13(b9)
# n n n # b
n
n
bb
& b
3
3
3
u
F # triad
T
A
B
11 10
11
11 7
C triad
10 9
E triad
11
9 8 9 8
B b triad
9 10
9
11
10
11
10
49
#nn
bbb
&
F # triad

triad
E triad
8
8 I 9find it a better sound
8
All four minor triads9will work
as well but
to toggle between7
11 10
11
11 7
8
8 11
9 8 9 8
T
major and minor triads in just one pair rather than two.10For
9 instance:
A
B
C7 ff9 =C Maj. & min. and Fss Maj. & min
Because the chords are an equal distance apart tritone , you can use these triad
pairs for two different chords.
Track 27
Exercise 14 Triad pairs w/ major-minor toggle

Dim.7 chords = B, D, F, A b
C13(b9) F #13(b9)
4
& 4
# # #
#
#
Minor to major 3rd
T
A
B
T
A
B
6 7
&
5 8
11 12 8
8 10 11
# # # #
#
11
11
8 9
10
10
# w
#
# ##
# # # #
6
6 7
8
10
9
8 9 11
13
10 11
14
12
13
14
14 15
14
12
Dim.7 chords = B b, D b, E, G
F13(b9) B13(b9)
# N
# # N #
& # #
# #
T
A
B
6 7
10
9 10
12
10 11 14
13
9 10
8 7
7
6
6 7
# #
# #
#
# #
& N #
#
Nw
T
A
B
50
5
8
7
6 7 9
8
7
10
9 10 12
14 10 11
9 10
8
10 7
7
9
6 7
5
8 5
Exercise 14 page 2
Dim.7 chords = A, C, E b, G b
B b13(b9) E13(b9)
b n bn b
b
4
b
& 4 b n
b
bn
b
T
A
B
4 58 7
6 7
8 9
11
9 101312
8 9 12
6 7
69
b n
& b n b b b n b
b
T
A
B
4
8
5 7
6
8
7
6
79
7 12
8 9
Dim.7 chords = A b, B, D, F
E b13(b9)
A13(b9)
8 5
5 8
4 587
b # b # bn
b
b b #
b #b
bnb
&
b
T
A
B
4 7 6
4 5 8
7 8
10
9 12 11
10
7 8
4 5
b b n b n b b #
b b
#
& bb bn b n b #
#
#
T
A
B
7 3
8 4 5
7
9
9 10
5
7
6
5
6 8
7 8
10
11
10
11 12
11
11
51
Exercise 14 page 3
Dim.7 chords = E, G, B b, D b
A b13(b9)
D13(b9)
b # b
b #
b #
4
b b
& 4 # b
T
A
B
10
11
9 10
7 10
7 8 11
7 10 9
13 14 10
b b b #b
& # b
#
T
A
B
10
9 11
9 10
7
9
9 10
10
7 9
10
10
7 8
10
7 9 10
b
b
#
11 7 8
10
7 10
11
11
10 7 8 11 10
D b13(b9) Dim.7 chords = C, E b, G b, A
G13(b9)
b b b b n
b
&
b b
b
T
A
B
12 13 9
7 10 9
9 11
b b b n
b
b b
&
b

b b n b
T
A
B
b b n b b
b
b

& b n b
T
A
B
52
8
9
9 10
10
11
7 12 13
U
w
Track 28
Exercise 15 Triads with major minor toggle
C #dim7
CMAJ 7
Emi7
D dim7
Dmi7
#

j
#
b b b b n #
4
& 4 J
T
A
B
9 10
9 5
5 78
7 10 8
Emi7(b5)
G13(b9)
A13(b9)
b b
b Dmi7
J
b b
b b b n n
J
& J
FMAJ 7
T
A
B
2
7 5 7
C #dim7
CMAJ 7
6 8
6 5
D #dim7
Dmi7
Emi7
b b b
b b n b N .
J
b
J
&
T
A
B
7 6
10
8 5 7
5 6
7 5
8 5
FMAJ 7
A13(b9)
G13(b9) b n
Dmi7
Emi7(b5)
b
b n b
n
j
. b
b n . J b b
&
T
A
B
7 10 8
6 5
7
5 6
D #dim7
Emi7
.
b b n
J
b
J
&
b N b
T
A
B
C #dim7
CMAJ 7
5 7
5
7
7 5
8 5
Dmi7
6 5
Emi7(b5) A13(b9)
Dmi7
b. b n b
&
FMAJ 7
5 7
7 5
10 8
CMAJ 7
G13(b9)
w
b n w
b
u
T
A
B
8 8
5 7
5 8
5
8 5
6
5
5
7
9
8
5 6
6
6
7
8
9
53
Track 29
1
Etude 4 What is This Thing? changes
Fmi7
b
b
b b b
j

4 b b n
& 4
J
Gmi7(b5)
T
A
B
C13(b9)
10
Dmi7(b5)
Gmi7(b5)
Dmi7(b5)
9 10
11 10 11
G13(b9)
C13(b9)
10
10
Fmi7
b b
b
b b
b n
&
T
A
B
11 8
CMAJ 7

b
b b
10
8 11 8
11
G13(b9)
b b J
&
T
A
B
11 9
8 10 11
.
.
J
11
10
10
CMAJ 7
b n . J # n

b
j
b b.
b n
J
&
b
T
A
B
Cmi7
11
10
10
54
10
10
10
B bMAJ 7
10
10
A b7
b b b
&
6
11

# # b b
E bmi7
T
A
B
F13(b9)
b b
J
&
T
A
B
Dmi7
G7
Etude 4 page 2
Gmi7(b5)
C13(b9)
b n Fmi7
b
b
b

J
b
&
T
A
B
11
Dmi7(b5)
.b
& b
J
T
A
B
2
11
10
& b J b J
T
A
B
11 12
11
10 10 9
10
10
G13(b9)
CMAJ 7
b b n
Gmi7(b5)
11
10
10
11 12
10
C13(b9)
Fmi7
b b n
b n
.
J b b
10
Dmi7(b5)
10 11
10
G13(b9)
& b
10
b
8
11
CMAJ 7
b
b b n
T
A
B
Gmi7(b5)
C13(b9)
b b b
b
b
10
10 7
10
5
6
6
6
8
8
9
11
11
Dmi7(b5)
10
Fmi7
b
b
9
8
8
&
T
A
B
8
8
9
6
6
7
G13(b9)
9
8
8
b
n
b
J
9
9
8
CMAJ 7
..
& . b J
T
A
B
9
9
8
8
7
6
b b b b
b J
8
7
9
6
6
6
9
9
9
7
7
8
..
.
10
55
Etude 4 page 3
Cmi7
& b b
T
A
B
6
8
b J
&
56
10
Dmi7
G7
. J . J
Fmi7
b b b n
b b
Dmi7(b5)
T
A
B
C13(b9)
. b
J
& b
6
Gmi7(b5)
b b n
&
T
A
B
A b7
b b
6
b n
E bmi7
T
A
B
B bMAJ 7
F13(b9)
11
G13(b9)
b n
b
n
#
CMAJ 7
ww
w
10
10
10
11
10
tritone pairs with f5 to 5 toggle
Notice how this toggle gives a leading tone to the root of the next chord.
Track 30
F#
C13(b9)
Example 11 Triad pairs w/ f5 t0 5 toggle
F#
F#
F#
# # #
4
# # #
& 4 # # #
b5 to 5
T
A
B
3 5
4 5 4
Track 31
F#
C13(b9)
6 8
7 8 7
7 8 7
# # Nw
4 5 4
6
Example 12 More Patterns w/ f5 t0 5 toggle
F # #
F#
F#
#
#
4
#
& 4 #
# #
# #
#
#
T
A
B
9 10 7 9
F#
10 11 8
8
11
9 10
8
9
9 10 7 9
8
9
11
10
F#
9 10
8 10 11
11
11
9
11 9 11
10
F#
# #
10
9 11
F#
8
11
11
# # # n
#
# # # # Nw
&
7
10
10 11 8
# #
F#
# F #
#
T
A
B
9 11
8 10 11
11
F #
F #
C
& # # # #w
T
A
B
11
# #
#
9 10 7
9 11
F#
& Nw
T
A
B
10
10 11 8
11
11
11
11
10 11 8
11
10
10
9 10 7
10 11 8
57
Here are some patterns that combine the f3 to 3 and f5 to 5 toggle.

Track 32
B b13(b9)
Bb
Example 15 Combining the 3 and 5 f to n
Bb
Bb
Bb
n # n #
bb 4
n
& 4 # n n # #
n # n
T
A
B
4 5 8
Bb
6 7
Bb
6 8
Bb
Bb
Bb
E
# n #
n
9 10 6
Bb
7 8
Bb
# n Aw
n
bb
&
# n A
T
A
B
Bb
bb # n
n
n # #
&
# n
T
A
B
Bb
58
9 10 6
6
8
Bb
E
B
E
B
E
# #
n n n n
b
b
&
#
n # n n b
T
A
B
Track 33
Etude 5
G #dim7
Ami7
Bmi7(b5)
changes
Bb
Gmi7
E # b
#
.
4 J .
& 4
J
T
A
B
OGrande Amor
E7(b9)
C7
. J .

5
Ami7
Eb
A7(b9)

#
&
T
A
B
#
Bb
4
# b
b b
E
6
Dmi7
b n n
7
10
G7(b9)
G
Db
5
7
CMAJ 7
b
. j
b
& . J
b b n
T
A
B
B bMAJ7(#11)
.
J
Bmi7(b5)
.
J
Bb
10
10
E7(b9)
.
.
J
J
&
T
A
B
8
9
8
10
.
J
9
# . J
6
# b n
6
59
Etude 5 page 2
G #dim7
Ami7
. J .
4
J
& 4
5
T
A
B
Gmi7
C7
b
b n .
J
9
j # #
#. #
F#
b
A b n b b n b
b n b n b b B n
b
b b
&
Bmi7(b5)
T
A
B
E7(b9)
E
6
.
J
8
B
7
B bMAJ 7
T
A
B
60
10
F
9
10
10
Bb
CMAJ 7
/E .
10
10
10
10
Ami7
FMAJ 7
# b n
b #
E
E7(b9)
Bmi7(b5)
.
J
&
8
A7(b9)
Eb
b b n
&
T
A
B
E bdim7
Dmi7
A7(b9)

Triad Pairs

Загружено:

Сведения о документе

Авторское право

Доступные форматы

Поделиться этим документом

Поделиться или встроить документ

Параметры публикации

Этот документ был вам полезен?

Это неприемлемый материал?

Авторское право:

Доступные форматы

Triad Pairs

Загружено:

Авторское право:

Доступные форматы

symmetric studies: diminished

triads & triad pairs

Triads 1/2 step below Bf

Example 10 Four Triads

Could be four different dominant chords

G7(b9) B b7(b9) D b7(b9) E7(b9)

or just the triads

There are patterns using 4 triads starting on page 75 in Chapter 4,

symmetric studies: diminished

Exercise 10 Triads in tritones / from 3rd up & 5th down

symmetric studies: diminished

Exercise 11 Triads in tritones / from 3rd up & 5th down

symmetric studies: diminished

Exercise 12 Triads in tritones / from 3rd up & 5th down

symmetric studies: diminished

Exercise 12a String set exercise

symmetric studies: diminished

Exercise 12b More triadic exercises on one

or two string sets.

symmetric studies: diminished

Excerpt from It Could Happen To You

symmetric studies: diminished

C7 ff9 =C Maj. & min. and Fss Maj. & min

Exercise 14 Triad pairs w/ major-minor toggle

Minor to major 3rd

symmetric studies: diminished

symmetric studies: diminished

D b13(b9) Dim.7 chords = C, E b, G b, A

symmetric studies: diminished

Exercise 15 Triads with major minor toggle

symmetric studies: diminished

Etude 4 What is This Thing? changes

symmetric studies: diminished

symmetric studies: diminished

symmetric studies: diminished

tritone pairs with f5 to 5 toggle

Example 11 Triad pairs w/ f5 t0 5 toggle

Example 12 More Patterns w/ f5 t0 5 toggle

symmetric studies: diminished

Here are some patterns that combine the f3 to 3 and f5 to 5 toggle.

Example 15 Combining the 3 and 5 f to n

symmetric studies: diminished

symmetric studies: diminished

Вам также может понравиться