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tren
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The
Daniel Perantoni
SCO
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4. David Reck, Five Studies for Tuba Alone (C.F. Peters, 1968).
1973
at
of
ef
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re
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ar
ir
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b-J\. William Kraft
s.
(3
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pe
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pr.
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tior
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tremely valuable, since he discusses many new techniques being used by composers today.
Asleep in the Deep,9 a fantasy by Phil Windsor for
tuba and pre-recorded tape or 5 tubas plus conductor,
uses a very challenging notational system. Twelve
improvisational models are given in the instructions.
These are numbered and numbers appearing in the
score refer the player back to these models. In addition, a number appearing in the score will be accompanied by dynamics (below the staff), expression
marks (on the staff), durational indications (arrows),
placement of beats (perpendicular lines), etc. These
should then be applied to the particular improvisational model indicated by the number. A wide variety
of effects (color-noises, talking, singing, clicks, blats,
shrieks, etc.) are also included in this humorous, yet
sensitive composition. The work is also important for
its tremendous audience appeal, especially when performed by 5 tubas.
35
40
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7
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if ~> 1 1
If
decrescerao
C(ef,i& ndo -
j
ields, pew/Me.
POO I ; f
(g)
TEMPO FLUCTUATION
-Accelerando
OCTAVE DISPLACEMENT
+Q
I5t
Two
TV/a oe,\aves
SPECIAL EFFECTS
, |* , T , I
0>
_L
fish,
a,e,i,o ,u
-B\ci
> tine ii
PITCH
, -
- ,T
TnViale air
Approximate pi^ch areas
P l a y approximate
pikh
TRILLS
X
^"""v.
-VVX-
SHH, Tt, AH , CH , zz
SPOkEtJ woR.05
Saiii
Pla\a
tr.
Fast t r i l l ;
Slow trill
VIBRMO
NV
5V
vibrato
Seraa vibrato
W i A e , slow vibrato (may go ^2 step)
Narrow,fast vibrato
Voca\i
Vary speed oj vibrato
26
THE INSTRUMENTALIST/FEBRUARY
GUSSANDl
REPEATED HOTE5
c-oma
or av
(as opyoyi TO 4W
3 itr-i A
'
f f |
A vcr^j 5\oui g
.
nJ ef fUe liorizonial line
3
note , ftan fcatlt up
A smootX-as-ossible
li
fJ j
TONQUIMQ
IMPROVISATION
Konfasf as
r rY
hd , td
pi
didi
Gutter
/ ,F ,
(f)
or
,r ~"
rrr
"
"r"
freely
, / x, ( ^\J>~\
w1? i (^>,
DURATION
of shcrf
PERCUSSIVE EFFECTS
en-i: wi'fln f fnjerj
Arrow ir
-fhe
af th -fcne
urn
cs
ss
^ or
sordino
t-o ; o-
-6-
27