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HERMENEUTICSINRUSSIA

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:
1. .. . , 1987..8.
2. . . ., 1993. . 27, 12.
3. LaRue,Jan. On Style Analysis // Journal of Music Theory, - JMT, 1962. V.6, N.1. P.99.
4. Faltin,Peter. Ph(nomenologie der Musicalische Form. Wiesbaden, 1979. S. 13.
5. Shenker,Heinrich. Organic Struture in Sonata Form (1926)// JMT, Winter 1968. V.12,N.2. P. 164.
6. .. . ., 1989. . 16.
7. Fleschig,Hartmut. Studien zu Theorie und Methode musikalischer Analyse. Munchen-Salzburg,1977. S. 90, 55.
8. ., ., ., . . ., 1965.. 9.
9. . // . .5. ., 1970. .140 (. . - ..).
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13. .. 5 . .2. .,1954. . 69.
14. , . 65.
15. Stein,Leon. Structure and Style. Thr Study and Analysis of Musical Forms. Evanston, Illinois, 1962. . 227 (. .
- ..).
16. . - . .,1970. . 23. . : . . . ., 1980. . 8-9.
17. . // : . ., 1974.
.57.
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31. Rothstein,William. Phrase Rhytm in Tonal Musik. N.Y.,1990; : Sutcliffe,W.Dean // Music Analysis, - MA,
ctober 1991. V.10,N.3.P.388-391; .. . . 31-32;
Stein,Leon. Structure and Style. Th Study and Analysis of Musical Forms.Evanston, Illinois, 1962. . 228.
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33. Morgan,Robert P. The Theory and Analysis of Tonal Rhytm // The Musical Quarterly, - MQ, ctober 1978. V.44,
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)// . ., 1989. . 26.

43. .. . .-.,1948. . 154; .
: .. . ., 1991. . 42-53.
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