Академический Документы
Профессиональный Документы
Культура Документы
to work on swing rhythms (Kendorj. The figures are well written, easy to read, and have a logical flow. Because tuba players
are generally presented with
music that has fairly easy
rhythms, these musicians tend
to be the worst readers in the ensemble. This piece can help remedy such a problem. The rhythmic patterns presented are more
complex than those in most concert music, and the player is
challenged to listen harmonically and to play a melodic line.
Technical considerations include a first part that reaches
A4, and articulations of fairly
sophisticated swing rhythms at
a rapid tempo. All the parts are
in bass clef and include a full
score. Grade 4. $7. 2:40.
Alfred Reed's Two Bagatelles
for Four Trombones was written
for a college-level ensemble
(Barnhouse). "Cantando," the
first movement, has a professional quality along with a wellwritten chorale, full sonorities,
and good proportional balance.
The "Scherzando" exploits the
use of hemiola fc meter alternating with 4 in two-measure
phrases. The first trombone part
in tenor clef reaches A4; and, to
accommodate the nimble rhythmic figures in the score, all of
the players will need to lighten
their articulation, particularly
the bass trombonist. Grade 4. $6.
4:30.
Suite of Five Carols for Five
Trombones, transcribed by Wilbur L. Collins, includes "Coventry Carol," "Carol of the Bells,"
"Carol of the Birds," "Patapan,"
and "Ding Dong! Merrily on
High" (Southern Music). Representing carols from England,
France, the Ukraine, and other
countries, these carols are not
the ones you constantly hear
during the holiday season, For
this reason, and because they
are well arranged, the carols are
very attractive. The first trombone, which does not exceed G4,
is given frequent rests. The second trombone frequently carries
the melody, and the other voices
occasionally sound melodic material. All of the parts are in bass
clef; b u t , b e c a u s e of the
rhythmic independence of the
parts, you will need musically
Tuba
by Jack R. Tilbury
As (i member
of the United
States Armv
Brass Quintet,
W a .> // i n g ion,
D.C., tn bis l
Jack R. Tilbury
has performed,
loured, and
produced recordings with
this well-known ensemble since /972.
For the last four years he has acted
as publications coordinator for the
Tnbists Universal Brotherhood Association and is editor of the T.U.B.A.
Journal.
Etudes
I am surprised at how many
good etude books for tuba have
been published recently. If this
is the beginning of a new trend,
Quality^
Counts
FRENCH HORNS
Gebr AJoonto
Paxman
TUBAS i EUPHONIUMS
FLUTES
i.Ftedncks
PICCOLOS
S Freoncxs
RnW1 w
Mc-e-
Sa :-
Loree
8 , :.
!.J!:err
Pqr-;T,;;
BASSOONS 4
CQNTRABASSOONS
STRINGED INSTRUMENTS
MARIMBAS & XYLOPHONES
"
iSSjefKdsey
tram
H,ae'
SAXOPHONES
Kon
79
New
Ensemble Literature
Flute
Percuss/0/?
TRIOS
_
Brass_
QUARTETS
Saxophone
Five Scriabin EtudesGeorge Wolfe/Gr.4/E420
Percussion
The HawksPaul Brazauskas/Gr.2/E3400
QUINTETS
Woodwind
Percuss/0/;
87