Colour usage

By WGSN Creative team, 16 December 2010

Pen-ink blues are used to punctuate browns and
anchor warm gingers.

Absinthe greens and vintage workwear blues are

subverted with selective toffee brights.

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Bruised pastels on a neutral base are

highlighted with toxic brights.

Tinted neutrals add an urban twist to pastoral

blue mist.

WGSN 2014

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Ombr uses of cold clean pales are warmed

with winter hemp.

Climatic neutral shades are sharpened with black

and blue storm.

WGSN 2014

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Equal mosaics of olive-cast greens, earth

neutrals and mineral blue.

Fine strips of natural mid-tones and crisp lilac

blue merge with acid apple brights.

WGSN 2014

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Statement jade becomes comfortably subdued

among yellow-toned browns.

Not-quite-fluorescent pink and apple green pop

out from black ash-rose on a green mist ground.

WGSN 2014

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Patterned colour use of red, white and blue

primaries with beaten leather browns.

Patriotic flame red, dark uniform blue and classic

neutrals are dirtied with an olive cast.

WGSN 2014

2012/13, Autumn/winter fall/winter

2012/13, Autumn/winter fall/winter

Mauve browns move up the scale into deep

russet, mixing with electric orange and the
palest radiance.

WGSN 2014

2012/13, Autumn/winter fall/winter

Due to possible variations in your screen's output, PANTONE Colours displayed here may not match
PANTONE-identified standard.
Please consult current PANTONE Colour Publications for accurate colour.

WGSN 2014