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Peter Roget presented his paper 'The persistence of vision with regard to moving objects' to the
British Royal Society.
1831:
Dr. Joseph Antoine Plateau (a Belgian scientist) and Dr. Simon Rittrer constructed a machine
called a phenakitstoscope. This machine produced an illusion of movement by allowing a viewer
to gaze at a rotating disk containing small windows; behind the windows was another disk
containing a sequence of images. When the disks were rotated at the correct speed, the
synchronization of the windows with the images created an animated effect.
1872:
1887:
1889:
Thomas Edison announced his creation of the kinetoscope which projected a 50ft length of film in
approximately 13 seconds.
1889:
George Eastman began the manufacture of photographic film strips using a nitro-cellulose base.
1892:
Emile Renynaud, combining his earlier invention of the praxinoscope with a projector, opens the
Theatre Optique in the Musee Grevin. It displays an animation of images painted on long strips of
celluloid.
1895:
Louis and Augustine Lumiere issued a patent for a device called a cinematograph capable of
projecting moving pictures.
1896:
Thomas Armat designed the vitascope which projected the films of Thomas Edison. This machine
had a major influence on all sub-sequent projectors.
1906:
J. Stuart Blackton made the first animated film which he called "Humorous phases of funny
faces." His method was to draw comical faces on a blackboard and film them. He would stop the
film, erase one face to draw another, and then film the newly drawn face. The stop-motion
provided a starting effect as the facial expressions changed before the viewers eyes.
1908:
In France Emile Cohl produced a film, Phantasmagorie which was the first depicting white figures
on a black background.
1910:
Emile Cohl makes En Route the first paper cutout animation. This technique saves time by not
having to redraw each new cell, only reposition the paper.
1911:
Winsor McCay produced an animation sequence using his comic strip character "Little Nemo."
1913:
J.R. Bray devised "Colonel Heeza Liar," and Sidney Smith created "Old Doc Yak."
1914:
John R Bray applies for a patent on numerous techniques for animation. One of the most
revolutionary being the process of printing the backgrounds of the animation.
1914:
Winsor McCay produced a cartoon called "Gertie, The Trained Dinosaur" which amazingly
consisted of 10,000 drawings.
1914:
Earl Hurd applies for a patent for the technique of drawing the animated portion of an animation
on a clear celluloid sheet and later photographing it with its matching background. [Cel animation]
1917:
The International Feature Syndicate released many titles including "Silk Hat Harry","Bringing Up
Father", and "Krazy Kat".
1919:
1926:
The first feature-length animated film called "El Apostol" is created in Argentina.
1923:
1923:
Walt Disney extended Max Fleischer's technique of combining live action with cartoon characters
in the film "Alice's Wonderland".
1927:
Warner Brothers released "The Jazz Singer" which introduced combined sound and images.
1928:
Walt Disney created the first cartoon with synchronized sound called "Steam Boat Willy".
1930:
The King of Jazz is produced by Universal. In it is a short animated sequence done by Walter
Lantz. It is the first animation done with the two strip technicolor process
1934:
Urb Irwek creates a multi-plane camera. This camera is capable of filming several separate
layers of cels giving the final frame a truly three dimensional look.
1943:
1945:
1957:
John Whitney used 17 Bodine motors, 8 Selsyns, 9 different gear units and 5 ball integrators to
create analog computer graphics.
1961:
John Whitney used differential gear mechanisms to create film and television title sequences.
1963:
1964:
Ken Knowlton, working at Bell Laboratories, started developing computer techniques for
producing animated movies.
1972:
1972:
University of Utah, Fred Parke creates first computer generated facial animation. >Ref: F. Parke,
"Computer Generated Animation of Faces", Proceedings of the ACM National Conference, 1972.
(In the SIGGRAPH 98 Seminal Graphics collection.)
1974:
National Research Council of Canada releases Hunger/La Faim directed by Peter Foldes and
featuring Burtnyk and Wein interactive keyframing techniques. Ref: N. Burtnyk and M. Wein,
"Interactive Skeleton Techniques for Enhancing Motion Dynamics in Key Frame Animation",
Communications of the ACM, 19(10), October 1976. (In the SIGGRAPH 98 Seminal Graphics
collection.)
1982:
1983:
Bill Reeves at Lucasfilm publishes techniques for modeling particle systems. "Demo" is Star Trek
II: The Wrath of Kahn. The paper also promotes motion blur. Ref: W. Reeves, "Particle Systems - A Technique for Modeling a Class of Fuzzy Objects", Computer Graphics, 17(3), July 1983. (In
the SIGGRAPH 98 Seminal Graphics collection.)
1984:
1984:
Porter and Duff at Lucusfilm publish paper on digital compositing using an alpha channel. Ref: T.
Porter and T. Duff, "Compositing Digital Images", Computer Graphics, 18(3), July 1984. (In the
SIGGRAPH 98 Seminal Graphics collection.)
1985:
Girard and Maciejewski at OSU publish a paper describing the use of inverse kinematics and
dynamics for animation. Their techniques are used in the animation "Eurythmy." Ref: M. Girard
and A. A. Maciejewski, "Computational Modeling for the Computer Animation of Legged Figures",
Computer Graphics, 19(3), July 1985. (In the SIGGRAPH 98 Seminal Graphics collection.)
1985:
Ken Perlin at NYU publishes a paper on noise functions for textures. He later applied this
technique to add realism to character animations. Ref: K. Perlin, "An Image Synthesizer",
Computer Graphics, 19(3), July 1985. (In the SIGGRAPH 98 Seminal Graphics collection.)
1987:
John Lasseter at Pixar publishes a paper describing traditional animation principles. "Demos" are
Andre and Wally B and Luxo Jr. Ref: J. Lasseter, "Principles of Traditional Animation Applied to
3D Computer Animation", Computer Graphics, 21(4), July 1987. (In the SIGGRAPH 98 Seminal
Graphics collection.)
1987:
Craig Reynolds then at Symbolics (now at Dreamworks SKG) publishes a paper on selforganizing behavior for groups. "Demos" are Stanley and Stella and Batman Returns. Ref: C. W.
Reynolds, "Flocks, Herds, and Schools: A Distributed Behavioral Model", Computer Graphics,
21(4), July 1987. (In the SIGGRAPH 98 Seminal Graphics collection.)
1988:
1992:
Beier and Neely, at SGI and PDI respectively publish an algorithm where line correspondences
guide morphing between 2D images. "Demo" is Michael Jackson video Black and White. Ref: T.
Beier and S. Neely, "Feature-Based Image Metamorphosis", Computer Graphics, 26(2), July
1992. (In the SIGGRAPH 98 Seminal Graphics collection.) v
1993:
Chen and Williams at Apple publish a paper on view interpolation for 3D walkthroughs. Ref: S. E.
Chen and L. Williams, "View Interpolation for Image Synthesis", Computer Graphics Proceedings,
Annual Conference Series, 1993. (In the SIGGRAPH 98 Seminal Graphics collection.)
1993:
1995: