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Millard Kaufman, who passed away on March 14, 2009, at the age of 92, accomplished something maybe even more significant than his two Academy Awards nominations. And that is the fact that he managed to sustain a writing career for seven decades.
The Bad Day at Black Rock production was budgeted at $1.3 million.
This was the first MGM film to be shot in Cinemascope. According to director John Sturges's commentary track on the Criterion Laserdisc release, it was also filmed at the same time in the standard 4:3 ratio version because studio executives still weren't sure how well the wide screen format would work. That version was never released.
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Millard Kaufman's Screenplay for Bad Day at Black Rock 1954-07-09
Millard Kaufman, who passed away on March 14, 2009, at the age of 92, accomplished something maybe even more significant than his two Academy Awards nominations. And that is the fact that he managed to sustain a writing career for seven decades.
The Bad Day at Black Rock production was budgeted at $1.3 million.
This was the first MGM film to be shot in Cinemascope. According to director John Sturges's commentary track on the Criterion Laserdisc release, it was also filmed at the same time in the standard 4:3 ratio version because studio executives still weren't sure how well the wide screen format would work. That version was never released.
Millard Kaufman, who passed away on March 14, 2009, at the age of 92, accomplished something maybe even more significant than his two Academy Awards nominations. And that is the fact that he managed to sustain a writing career for seven decades.
The Bad Day at Black Rock production was budgeted at $1.3 million.
This was the first MGM film to be shot in Cinemascope. According to director John Sturges's commentary track on the Criterion Laserdisc release, it was also filmed at the same time in the standard 4:3 ratio version because studio executives still weren't sure how well the wide screen format would work. That version was never released.
Resisting Heteronormativity/resisting Recolonisation: Affective Bonds Between Indigenous Women in Southern Africa and The Difference(s) of Postcolonial Feminist History