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10/25/05
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2013-11-06 7:05 PM
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4. The triads offer a skeleton structure to base lines on. This can be very
helpful in modal settings where there are no diatonic, cycle-forth root
movements or resolutions and where each chord change may last a long
time (for instance, four, eight, or sixteen measures)"
The applications of this concept are covered in great detail in this highly
informative book.
Here is an example of the concept applied to a C melodic minor tonality:
A C melodic minor scale contains the following triadsCmin Dmin Eb+ Fmaj Gmaj Adim Bdim
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6 comments:
Anonymous said...
Are 'triad pairs' the same as the 'hexatonic scale?'
what is the hexatonic scale, and just how widely is it used in
'jazz' anyhow?
great blog!
2:21 PM
Eric said...
A better, cheaper book that covers this subject is Walt
Weiskopf's Intervallic Improvisation
9:05 AM
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Page 3 of 11
2013-11-06 7:05 PM
googlmar said...
David ,you are a wonderful teacher ,I applaud you for sharing
all these little things with us (self-taught players)...a big thank
you.....
Mario Ticlea
9:04 AM
saxman said...
I have Walt Weiskopf book, although I've not played all I see
min triad/aug triad whole step apart, maj triad/aug triad half
step apart, aug triads min third apart, maj triads tri-tone apart
5:18 PM
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