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The story of how The Artists Rifles became an officer-producing regiment in WWI. This is one of the story boards accompanying an exhibition on the regiment and the artistic output of its members held at Southampton City Art Gallery, UK in April 2014. Board 5/15
The story of how The Artists Rifles became an officer-producing regiment in WWI. This is one of the story boards accompanying an exhibition on the regiment and the artistic output of its members held at Southampton City Art Gallery, UK in April 2014. Board 5/15
The story of how The Artists Rifles became an officer-producing regiment in WWI. This is one of the story boards accompanying an exhibition on the regiment and the artistic output of its members held at Southampton City Art Gallery, UK in April 2014. Board 5/15
Victorian Art World. The Summer Exhibition drew national interest and marked the start of the London social season. Exhibiting artists could win public recognition and introductions to buyers, galleries and patrons. Being elected as an Academician brought status and wealth. However, the R.A. had a reputation as conservative and cliqueish. More progressive artists such as the Pre-Raphaelites did not exhibit there. The Artists Rifles had strong links with the Academy:
Leightons last inspection of the Regiment in 1883. William
Blake Richmond said: Leighton was a marvel, so thoroughly did he become a soldier-painter that he ... was hard at the study of Battalion and Company Drill at Wellington barracks with the Guards at 5 oclock on summer mornings. No wonder that he rose to such distinction as a commander and could hold his own with the best leaders of troops. But then, Leighton had a genius for success in whatever he put his hand to.
they shared Burlington House from 1867-1869 and
Artists Rifles Association
many members of the Regiment exhibited there and
were to become Academicians. Leightons position as leader of both organisations sealed the relationship. His energy and flair for organisation earned him command of the Regiment in 1869, while his society connections and reputation as an artist made him an influential establishment figure. The support of the Prince of Wales also helped his election as President
The Artists Rifles guard of honour at the Royal Academy
Summer Exhibition. Whistler once described Leighton as Colonel of the Royal Academy and the President of the Artists Rifles - aye, and he paints a little!
Artists Rifles Association
of the Royal Academy in 1878.
Under Leightons leadership the Academy became more representative and prestigious, but the demands
Musketry practice at Aldershot Camp in 1924.
of the role forced him to retire as the Artists
Commanding Officer in 1883. He kept up his links with the Regiment as Honorary Colonel until his death in 1896. He was succeeded as President of the Royal Academy by John Everett Millais and then Edward Poynter, both members of the Artists Rifles.
The Artists Rifles provided the honour guard at Leightons
funeral, accompanying the cortege to St. Pauls Cathedral.