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This subject is based on the original subject transformed by contrary motion or inversion (ascending intervals
become descending intervals and vice versa). In the following image we compare both subjects:
The upper voice follows the lower voice until measure 40, where it presents the subject:
Yet there are some interesting details before measure 40. Measures 5 to 8 are inverted at the 10th in measures 9
to 11:
As in the canon at the 12th, Bach repeats measures 5 to 39 but inverting the voices at the 10th.
The canon ends with a small coda in measures 79 to 82. A short summary of the structure:
Measures
1 - 39
40 - 78
The subject reappears in the upper voice while the lower voice begins imitating the
upper voice using the inversion at the 10th.
76 - 78
Coda
Listen to the complete canon. We have highlighted the imitations using numbers. For example, the subject is
labeled as 1 and when imitated by the upper voice, the upper voice imitation will be labeled as 1. We also show
the intervals between voices:
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