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q = 96
X 7 times
Recorder
(Renaissance C
tenor recorder)
mf same level
between the
instruments
Baritone Saxophone
MIDI pedal
Electronics
Percussion
mf same level
between the
instruments
X 7 times
Perc.
simile
stop
X 7 times
Without snares/
the instruments
Rc.
B. Sax.
El.
X 7 times
12
Rc.
B. Sax.
El.
Perc.
18
Rc.
B. Sax.
El.
Perc.
simile
24
Rc.
B. Sax.
El.
Perc.
30
Rc.
5:4
B. Sax.
5:4
Perc.
stop
El.
rhythmic accompaniment
(click following)
mf
35
Rc.
5:4
5:4
B. Sax.
El.
Perc.
simile
40
Rc.
B. Sax.
El.
Perc.
46
Rc.
B. Sax.
El.
Perc.
Rc.
52
B. Sax.
El.
Perc.
louder ff
louder ff
mf
B. Sax.
57
Rc.
El.
Perc.
Rc.
El.
Perc.
B. Sax.
64
Rc.
B. Sax.
72
El.
Perc.
stop
B. Sax.
El.
Perc.
Rc.
77
83
Rc.
B. Sax.
El.
Perc.
El.
Perc.
B. Sax.
5:4
88
Rc.
simile
Rc.
93
B. Sax.
El.
Perc.
B. Sax.
El.
Perc.
99
Rc.
3
10
106
Rc.
3
5
B. Sax.
El.
Perc.
Perc.
5
5
111
Rc.
El.
B. Sax.
mf
mf
5
5
5
5
5
5
5
5
11
Rc.
117
B. Sax.
El.
Perc.
ff
in
muta
sopranino
ff
8
stop
5
5
5
5
RADICAL INCREASING OF THE INTENSITY
12
Improvise with the given sounds (see below). Make a little pause between each sound and
also longer pauses, (ca. 3" 4"). Avoid longer sounds (unless it sounds like an animal -from
Colombia-) leave 5" seconds of electronic sound (after press the MIDI pedal) before the
begining of the improvisation. The lasting of the improvisation is to be about 50" to 90",
anyway, It's possible to make it longer or shorter depending on the fluid of the music, the
character of the improvisation is to be quiet and with space for the electronic sounds.
When the percussion enters, make a big increment of the intensity.
Rc.
123
low register
q=96
with air
gl
iss.
ss. s.
gli glis
gliss
pp
q=96
O R
harmonic gliss
over A
B. Sax.
O R
O R
Multiphonic
1
2
3
5
6
7
short, almost
staccatto
O R
Multiphonic
1
2
4
5
6 eb
short, almost
staccatto
El.
O R
Multiphonic
focus on partials:
Rc.
129
B. Sax.
El.
Perc.
Rc.
136
B. Sax.
El.
Perc.
cresc
cresc
simile
=96
mf
x 3 times
13
AFTER CA.60" 90" SECONDS OF IMPROVISATION
x 12 times
x 3 times
x 12 times
ffff
ffff
9
ff
cresc. molto
5
5
ff
14
q=120 or x =x
x16 times
q=96
141
Rc.
E
B. Sax.
10
q=120 or x 5 =x
x16 times
q= 120
x8 times
11
12
13
ELECTRONIC: screams, samples and synthetic sounds, triggered by the MIDI pedal on each step
Perc.
Rc.
B. Sax.
q= 120
x8 times
q=x16120times
145
Perc.
q=96
14
q= 120
x16 times
15
16
17
18
15
150
Rc.
B. Sax.
x8 times
19
Perc.
Rc.
B. Sax.
20
q=96
21
22
x8 times
x4 times
q=96
x4 times
23
ELECTRONIC
SOUND:
Perc.
154
16
q= 120
q=96
x4 times
155
Rc.
B. Sax.
Perc.
24
25
q= 120
x4 times
q=96
ELECTRONIC SOUND:
q= 120
x2 times q=96
158
Rc.
B. Sax.
Perc.
26
27
ELECTRONIC SOUND:
q= 120
x2 times
q=96
q= 120x3 times
28
q= 120
x3 times
17
q=96
162
Rc.
B. Sax.
x4 times
q=96
29
30
q=96
q=96
Perc.
31
q= 120
x3 times
32
32
muta in tenor
ELECTRONIC SOLO
x18 times
x4 times
q=x4120times
x18 times
164
Rc.
B. Sax.
Perc.
33
34
18
f
169
Rc.
Perc.
x16 times
35
B. Sax.
El.
q= 120
q= 120
B. Sax.
175
Rc.
El.
Perc.
36
19
B. Sax.
181
Rc.
El.
Perc.
188
Perc.
B. Sax.
El.
Rc.
cresc.
20
195
Rc.
B. Sax.
El.
Perc.
Perc.
B. Sax.
202
El.
Rc.
simile, cresc.
5
5
5
5
21
B. Sax.
208
Rc.
El.
Perc.
5
3
3
Rc.
3
B. Sax.
Perc.
3
3
3
3
3
3
5
5
214
El.
22
Rc.
B. Sax.
221
El.
Perc.
Rc.
B. Sax.
228
Perc.
El.
37
23
Rc.
235
B. Sax.
El.
Perc.
5
3
3
Perc.
B. Sax.
El.
242
Rc.
5
3 3
24
Rc.
248
Perc.
B. Sax.
El.
El.
Perc.
5
5
Rc.
255
B. Sax.
3 3
25
3
5
Rc.
B. Sax.
262
El.
Perc.
B. Sax.
Perc.
270
El.
Rc.
5 3
5
26
277
Rc.
El.
Perc.
Rc.
Perc.
B. Sax.
simile
284
El.
B. Sax.
27
291
Rc.
B. Sax.
El.
Perc.
7
3
3
300
El.
Perc.
5
5
Rc.
B. Sax.
7
3
3
5
5
28
Rc.
308
Rc.
El.
Perc.
316
B. Sax.
Perc.
B. Sax.
El.
5
5
29
323
Rc.
Perc.
B. Sax.
El.
B. Sax.
327
Rc.
El.
Perc.
38
30"
Automatic fade
out of the voices