| WORLD a sy | PUM Wh). g . 1 I a Mo : / SENSES | THE DRAMATIC © a? FAIL OF THE WORLD'S | \ GREATEST ? GUITAR HERO } | " / CELTIC FROST% powered by #Guitar Workstatio ee at “OH, PRETTY WOMAN?” VAN HALEN ‘As heard on DIVER DOWN (WARNER BROS.) ‘Words and Music by Roy Orbison and Bill Dees * Transcribed by Jeff Perrin Guitars are tuned down one half step, slightly sharp (low to high: Eb Ab Db Gb Bb Eb, slightly Bass is tuned down one half step, slightly sharp (low to high:) Eb Ab D> Gb, slightly sharp. sharp). ssisd Faadst) 05 E0Ina:) Dm GSS, «Faw a g a ae ay [Almere os) Moderately fuse Fees) pause Fama) (es wt 1 egress rina coe se po oo - Mo e* =e * 2 as TU I VI I re an ceirt Noven Wee sm ne yy erent ree = (5)- 2 7 {9}—0 or ore y tat VI ry t = = — = = —— 1. pry 9PM ene gt 7 _ a ——— AS 2 4 4 ee es = Ss rey nai j as Fig? + ep pret ba is — = 3 ae 122 cortar wont ea“OH, PRETTY WOMAN” [Bist and 2nd Verses 22.040 vreman Asus2 13 vie, waking down the strat Prety woman wort you pardon me Prety woman Fém(adas) Asus2 the kind the fo. meet Prey 1 couldnt help but see Prey Fém(adas) ‘Bass plays Bass Fig 1 simile (see bar 1) a oro. | Pee more a nica cael eee Sessions feel = emo a7 Po, = et ring stile orange PMc a =] 7 a = — SSS ! Bass Fig. 2 . a Bass Fig 4 7 look a8 you Mercy ‘one jst ee (growl) Gir | bites Fill second tine NGIET) a (ee elo) Pat n PM ——_ = = ogg —s Cet y ty Ss a aT 8) ‘Bas plays Bass Pip 2 four tamer see ba 9) Asus2 3S. ? seri end Bass Fie. UrTAR WoRLD 123Paty woman yeah yah yeah Prety woman look my way Dm 6s cs 5B Asus am 96 Ge. Land? PM. Pass ploye Bas Fig. Simi (xe ar 287 Praty woman say youll stay wth me ‘cause | Dm 65 65 as a 40 Ge tad? ny PRs yo. Fém(adss) ‘44_Gie2 plays Full 2 (see below) 3 Fa? a8) Ftmada4) os e S ae ¥ ai s 124 GUITAR WwoRLD“OH, PRETTY WOMAN” D)sea verse 159) woman dont wakon by Pretty woman ont makeme ery Praty Asus2 Fim(adas) Asus2 Fim(aaas) ont Pxtey ? woman ont walk away hey 05 F3(n09) ering a 5 PMO Pa Pat HAC? pe pat ‘Bia plays Bass Fig. Sve ace bar 17) ‘Bas plays Bass Fig ten tines (ee bar 19) fay MW thatsthe way must be okay 50 py ee : erin beeen 1 guess tM go on home its late There be tomorow 63 pM ering. tering. frre (rem) rs 1s (pine) = —* me oot ] GUITAR WORLD 125acess “TOP JIMMY” VAN HALEN ‘As heard on 1984 (WARNER BROS.) Words and Music by Edward Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth + Transcribed by Andy Aledort Gtr. 1 tuned, low to high, to DA DA C D. All other guitars are in standard tuning. Bass tuned to drop-D (low to high: D A DG). Note: Pitch on recording sounds slightly sharp. To play along, tune all strings slightly sharp. ir. L chords Dass D = ite Ho Z e Dm =e oe eee we tee (009) Fast = 184 w/Halftime Feet of 1 G1 fig it 2 wl ont of —————=s ra ————t a + + =e t a = ———— a oy E +8 ai 7 eat l J L =o E = > xn es tg z a — = woe 126 currar wouLD,“TOP JIMMY” OF AD G5 FS D5 FS os 7 - = — ia Pe Pa “poem ga no po phar o ay 65F505F5 DSF Gre plays Fl 8. 2 ia end Half-time feet 1. Some a G5Fs GSF5G5 GI FALG FAZGL RHE FL ef FL ey FE ELD Depress ar before sounding te eae coo GUITAR WoRLD 127“TOP JIMM ec powere [Bl verse (oae 121,218) Flnds of ion ther wtp tear is coo oat oe Teysidne a.limny ore ein finooe pooe on teenth in inmy on te teres fe LORY Bu Soy ete at” Ping ebiget he sundoutewnbody se Yosh te neg ° Gr) —— t SS Serene eens t1 v E i z ee ® i. 3 droagh O18) Outro (se har) GUITAR WORLD 143,fe) NV Core Vilcclel “VISCERA EYES” om F om F eb Gr plays Rhy, Fi, 3 through 9) 9—1919:—sor010101010— H—wycH-aHy— Jae - - CRIN Fg. Poon - : hy. Fig. 3 a0 Gn F eb em F BS Gm F Gir 2 plays Rh ig ve times (ee ar 67) fa monn cnr & on F cs om F Gin 3 ply Fe? Gir 2 plays Rh, Fi. 6 see bar 71) & om F eb om F eb (Gr. 2 plays Ry, Fi. 4s times (se bar 67) a Ses" o7-7 ao: es on rs om F & on . age 5 8 10:6117108-10 37-70 — id —w 1G) —F-10.1-8-1071— 01 S080 jo 1ohO}G0)" 7 707-7 144 currar woRLD,“VISCERA EYES” e om Fog om F eb tot am F cs Gn F Gir 2 plays Rl Fig. $300 bar 69) Gir. 2 plays Ry. Fig. 6 mece (ce bar 71). 113 & om oF Bb U8 isio0-1ora100- aS. 408108108 6 0 —6 t0 —8-10(10)& 10 —& 04, 0 —6 0110) 6 10 —¢ on F & on F & Gir 2ploys Rly ig. 4 (300 bar 67) on oF eb Gm eb om F eb Gi 5 plays Riff F thre mes simile (ee bar 123) Gir 2 plays Rhy. Fig. 5 (ee bar 9) Gr. plays Rhy, Fl. 6 (306 bar 71) 125 os 5 a 105 Wat Ve seantheare shake om your mremarlc tongue Butte bralle that you weave of se it shall ead. aloud yk wa 1 sa on F & cn F e 191. Gir. 2 plas Rh: Fig. dice (see bor 67) {Gir 2 substitutes Rhy. Fig. 5 second tie see bar 09) shes aling shes sil fling and no one wat came 6m F eb om F Gir 2 plays Rl. Fig. 6 (see bar 71) (Ge 2 plays Rhy ig. 7 (see bar 73) 135 is enn non w. te i GUITAR WORLD 145“VISCERA EYES” She's crating — she's sill, She's fang” she's ill, e om F e Gar, 2 plays Rhy, Fig. tice (se bar 67) ‘She's craving she’s ai om F eb 143 Gtr 2 plays Rhy. Fig 4 see bar 97) Outro 02) ‘gourd Gm F Cy Gir 1 play Ry: Fg 3 four tines see bar 1) Gir 2 ploy Bi: Fis 6 (see bar 71), wiG oo + 0 + jo1010— 101010 waIa—aea—L 77-77-77 oIOTO 107010. nt forvard, + =a ck he do kine om F Gir 2 plays Ry: Fig. 4 ice see bar 67) Ge 3 plays RPG see bar 147) is 4 in. 181 Gm F e Gm {Gr 2 plays Rhy Fig dtc ee bar 7) Gir 2 labsntes Rh. Fg hid ime (ee bar 71) Gi 3 plays Ra (sce hae 1) Gre plays RAH sce ba 147), 55 R07 ‘co Gm F eb 146 curran worLD Gir, 2 subyttes Rhy, Fi, 5 second tie fee ar) (Gir 2 subutivtes Ry, Fi, 7 third time treba GNX4 powered crawling on your burl fang and no he wants to cm F & ground 1 ais you bral on F eb Git 2 plays Rh. Fi. 5 (ee ar 69) om F & end RIG om cbr eb ent Rig F & em F Sr plays Rhy. Fig, four ties ind fale na ice br 8) Gir plays Ru and fades out fe Bena Sm SR sine mn Beg ont ie (play tines) nd Ri ‘Bass fades Fourth te (olay 3 times)powered by 7Guitar Workstation : “JORDAN” BUCKETHEAD As heard in the GUITAR HERO II Video Game (ED. Music by Buckethead * Transcribed by Jeff Perrin TANE) Gtrs. are tuned down one half step (low to high: E> A> D> G> Bs E:). Bass tuning (low to high): E> Ab D> Gb. All notes sound one half step lower than written (key of E>). [A]ioa0.ca (0,050) ote oman (oy ime (ey? tines a: “zp pon A a —— o | Be eee eee 27 ee et ies = : ne ote Mer whe fly need + Special erangenen for conventional ete ear scons (5 (Band (C) Bache perform ‘mich ht aa i hp hand de gerne Ranring an alg. the ryt heard onthe eondng by taping cto mate of with sein hand. (oasis) (postmen = Seo — eC ey pla) === ono enn , [G25 108) i (Fs) (G5) 3 (65) wa) et py Ite = (1s rime) go back to ts) (65) (e5) F85) (65) (5) (ts) (6s) 5) ee (repeat previous two bars) =} lus corran wont aus ichts ansedvi, Osan Sy Benussio16161 ae a a a ea ee eee ve cae Pay Dar a5 Pa et Art (FAS) (05) (85) (c45) (FAS) (05) (85) (c#5) we e . ar A euhee ne reer 7 te rare t f seis Zr L t Chel eee = (45) (05) (25) (085) 18 ® Ass plays Bast Fg. 2 rice ee Bar 10) rt) 16 ya te se ae Fg Ag Gg 8 t | t 4 (cod double-time fee) (65) (Abs) (FS) (5) ow.1 ree tree tree freee tren ree fre 18 “+ » ey a tap ne phn ie ged bat nt do the ek ween rap 7 ® —— —a —| 2 GUITAR WoRLD 149)GNX4 powered (65) 5) ont fe ee ee te —— ~ = ~ = wis ie an wis" PS | Sa os ++ 1214-9 12 18 1012 7 °F 18 OR t peer ee t Bas plays Bass Fig 3 (see bar 18) (G5) 2 oo = v Fem ‘widoubletime fel (85) ® | an (25) = et te ees js fei ie = ———— end Bass Fig. 4 aaa at 187197 sf 106 aw eee ee Bass peas Bass Fi ear 2) 2a (05) (65) eae i ee) + =——————— +——+ f | = J (045) (C85) sane aS pn eae oe, i + t 4 i i + i Bas ‘hase Fie Ss Isp Guitar wortD“JORDAN” (BS) (cs) 31 ma . "s === = wpe ge etn ee wot 11) 911-439 118 2 ws) Gi) A139 19 Wwe SS i 85) cts) : nd tas Fes : : (0% FS — ots 36 pep onnennny Ges (cod dublin feet (Fa) (a5) (B5) (F #5) (5) (Fa5) (a5) (85) (C5) (85) (A5) ‘ ; a ; : Sy tet Z | ap Ha vu oO pas Fe 6 end bas Fe 6 > : , ae elias aa ee i uo ia et # GUITAR WORLD 151GNX4 powered rts) (a5) (85) (FHS) (ES) Fis) ‘Bass repeats Bass Fig 6 (see bar 38) Hew ‘widoubletime feel, (085) (as) (85) wo, 2 as | Sere (05) (85) (a5) oe ey + Roti performed wimate wth dered Dr ass plays frst no bars of Bas Fig. 5 twice (se bar 30) (045) a, (045) Ree == {a t4 197198) 8) 1014100 5) oe +e pasate =— 152 cUurrar woRLD“JORDAN” 65) 53 re PT ee i oe wow = see fe ie 14 16 area ae Ses» (end double-time fet) (#5) (a5) ts) 5) 1 (ttn oy) (ue 2 (le wt and sy reff) 16 qa Sea 85) (as) 5) (05) et = = « yy 5 gee tax pig i [Kjos (F#5) (G5) (E5) (F#5) (G5) (eS) on ice SSS aaa e333 337 8 $3 a ee eet on —_— is plo bas Pe ites ce a 85) (65) (£5) (Fs) (G5) (E5) «rts (65) 5) 5) 68) © su tine GUITAR WORLD 153“CALLING ALL CARS” SENSES FAIL “is heardon STHLL SEARCHING [WaGkANT) ‘Words hy James (Buddy) Nielsen * Afusic by Senses Fail + Transcribed by FefF Perrin, ° Desa it jou FAIAS ait te Calling al cars weve got another victim ‘causemylove has become an aftleton What id you expeet rome whatdid you expect, trom me os cs susath) BH) ow oe an Ack Bm 8 Grr 3s wats) osusatt) (See“CALLING ALL CARS” Verses (028,108) Lm sory bt 1 ikl faatometon tht | aga m fs ion 5. On/my dear what Ravel gone and doe now Ws cufan calm abou "to take myst bow Bin D Case = === oi SoH ———s ——. —— ——- vil v vi v td you expel fom me vhatsd you emi tome cue Wag to Sea foam wtatad Jou Spt tome ‘toa bm 75 ° @s mie ; = = = R—I- KE J Ly = tp — — oe wr pr? le rr pr Pr FP Bis hub ig wer tee tne rting st giving: away the entire: ending ' oe nck 3 & io il (23)“CALLING ALL CARS” 1 row tow te gong toa runes the eveing sin 8m 3B as D 65 DD chorus 05131205 whaltine fel ‘ater my shes wlatiny wont be found 1 apt ny werd wna) te 8 $5 you down (and now that rm gone) Try to forget «me and est 65 Ds Ed Pt Se & <<" 3 GUITAR WoRLD So wil! you F#505 FHS.G5 -—— a a =“CALLING ALL CARS” eater my ashes werethay wont’ be found 1 kept my word and you halo me tor now 0s as Fis fu you mnew al to foe me dt oven tadine a eee rom” ' 85 os F405 FHSS = SS ote a j i pee Ee v i vi 2. [E)priage (154 ft moe on \ nt tore be kt imige ' cnt rE ct ne bs FES0SG5A5 bs as sue aaa _ eens = =F. aor rr === aE SEH bi CET i vr 4 cuITARWoRLD,“CALLI ALL CARS” inside an inside Ace you Ds FHSS F#SG5 No. FAS G5 Ds F#S05 FASC Ne. F#5 G5 =——— desparate for an answer | donthave an ounce of good let ine tow as i Cee ooo 0 back (8) Chores Tratwhy waked out So wil you 5 5 FAs IP Se Coy Ec Cb ee Rix FATT SS r tt Pt LL |“CALLING ALL CARS” 1 om at the one that you should blame bs as FRAY take what! et 7m 8m as QO SS the pain nd do your bast to forget ny ame Ds FASD5 FASGS os Rin Fla aH 2 ING. 6 cUITARWoRLD.