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Production Booklet
Name:
Description of scripts
Multi-Camera Production roles
Assigned Roles for each interview
Mind-map for the content of your show
Defining the format of your programme
Defining the Presentation style
Defining the Visual style
Script: (add in the first draft of your script)
Writing links for your segments
Describing any footage/interviews/images/quotes to be inserted
in the interviews
Final draft of script using a highlighter show
what has changed since your first draft. Write a
small paragraph explain these changes.
Equipment List
Set Design
Lighting Design
Studio Management plan
Location Recce forms
Production Booklet
Director
The director needs to make sure that all is going to run accordingly to plan that all the cameras are
where they should be and that all guests are on QUE.
The director will usually be on the front line effacting the scene directly but in our production the
director will be in the control room looking at the shots trough a vision mixer and talking to the
guests as they wait and sending them out when they are ready.
They need to have a very wide variety of skills as they see all of the stages and overlook it all.
Camera Person
The camera person is reasonable for making sure the camera is doing what the director, make sure
every person in focused and in shot not cutting anyone out.
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They will be working i9n the studio floor as they have be in front of the action, they will have the
director talking to them from the control room telling them how to move their camera.
They need to be able to operate the camera to its full ability so the director can ask anything of the
cameraman and the can make it happen quickly so they can cut to it as soon as possible.
Sound Mixing
Sound mixers are in charge of making sure that everything said is recorded and nothing is missed,
they will have their own station and have to act fast if the loose a feed.
They will work in the control room, next to the vision mixer this is so the can communicate so if they
are moving from one camera to the other they will need to make sure the sound relates well.
They will need lots of experience so they know how to deal with any situation quickly and efficiently.
Vision Mixing
They do what is says on the tin, they mix up visuals, they change from camera to camera to keep
the audience interested in the programing.
They are in the control room, watching the whole thing unfold trough screens.
They will need lots of experience so they know how to deal with any situation quickly and efficiently.
Graphics Generator
When a guest is introduced there is a little tab that tells the audience their name and what they do,
it might also show why they are relevant to the story. Someone has to make these graphics and
Production Booklet
they are the Graphic generators. They may also be in charge of the tittle and credits.
They will probably be in the control room, however most of their work is pre-production in
preparation for the day then the vision mixer will insert it.
Lighting Desk
They have to make sure all the lights are how the director wants it.
They will need lots of experience so they know how to deal with any situation quickly and efficiently.
Floor Manager
They have to make sure that everything is running on time and all the guests are were they should
be when they need to be, the usually organise this so you cant the guest leaving or arriving.
They will be on the set floor but they might have to change rooms to collect things or guests.
Production Booklet
Organisation skills so they can plan ahead and make all runs smoothly, and people skills so they
can get across what the guests need to do quickly.
Production Booklet
Interview 1:
Interviewer
Camera Production
Directing and Sound
Mixing
Vision Mixing and
Graphics Generation
Lighting Desk and
Floor Management
Interview 2:
Interviewer
Camera Production
Directing and Sound
Mixing
Vision Mixing and
Graphics Generation
Lighting Desk and
Floor Management
Interview 3:
Interviewer
Camera Production
Directing and Sound
Mixing
Vision Mixing and
Graphics Generation
Lighting Desk and Floor
Management
Guy
Adam, Sarah
Lewis
Rory
Rory
Lewis
Guy
Guy
Rory
Rory
Adam and Sarah
lewis
Guy
Guy
Production Booklet
Create a mind map showing all the things you would like to include in your interview/chat show.
Production Booklet
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.
Add research of other interview/chat shows where the presenter has a similar style
ThepicuretotherightshowswellhowIwillwanttheshowtofeel,althoughIwillnothavethismany
guestsatoncebutyoucanseethattheyareveryhappyandrelaxed,thismakeitsfeelconfortableforthe
audiencetowatch.
FromwhatIhavefrombadinterviewspeoplefeel
awkwardandunconfortable,thiscanbedoneby
peopletryingtoforcequestionsoraskonesthat
theydontwanttoanswerandthenrepeatingthem.
Thisisagoodexampleofthis
https://www.youtube.com/watch?v=GAzAg6rD3t4
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Stick in relevant images of previous shows, interiors you would like to emulate, lighting style etc.
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Links
How will you link each interview to each other?
(You may use cut aways to clips of them doing something relevant. Remember you will all be
swapping roles so you may not be able to film live at this point.)
Inserts
Production Booklet
What clips/images/quotes etc will you insert while the interviews are taking place?
Insert no. 1
When will it happen? During my interview with Jake when we talk about the old skate park
What is the insert? Panning shots of the current skate park
Will you need to film /produce this insert? I will need to film it
Insert no. 2
When will it happen? It will be future 2 or 3 times during the interview
What is the insert? Clips of him skateboarding
Will you need to film /produce this insert? I will need to film this myself
Insert no. 3
When will it happen? At random duller times of the Jayne Davis interview.
What is the insert? Jayne walking round the collage and doing some admin.
Production Booklet
Equipment List
Equipment
Mug *2
Flowers
Tripod *3
Camera * 3
Auto que
4 lights
Production Booklet
Set Design
Production Booklet
Draw a plan of your set. Mark on the position of lights, cameras, props and Green-screen
backgrounds.
Add in photographs of your final set, including props etc.
Production Booklet
Lighting Design
Take photographs of the lighting set up for the following sections of your show;
Flowers
a) The presenter introducing the show
b) Interviews (the lighting may be different for different interviews)
c)Interviewe
The end of the show
r
Stick the photographs in and add notes explaining the setup.
Mug
Interviewe
e
Lighting
Camer
a
Sofa
Production Booklet
You must complete one of these for the studio and every location in which you film any prerecorded segments
Production Booklet
Risk Assessment
State the potential risk of your multi-camera production. Check all precautions are in place and tick off
during your set up for your show.
V9
RISK ASSESSMENT
ACTIVITY
HAZARD
On location
shoot
Camera
equipment is in a
crowded boat
RISK
H/M/L
Medium
PRECAUTIONS
IN PLACE
Activity :
Hazard :
Risk:
Precautions:
In Place:
REVIEWER
We will have
only people who
need to be
around the
cameras around
them, to keep it
clear and safe.
REVIEW
DATE
Signed
Production Booklet
Production Booklet
Shot List
Use your timed script to write a shot list. You will need copies of this to go to your Vision mixer.
Type of shot
Camera No.
Current Action
Duration of shot
Wide shot
Introduction
4 seconds
Close up
6 seconds
Close up
12 seconds
Close up
Introduction to Jayne
15 seconds
Wide shot
Welcoming jayne
4 30 seconds
Close up
Her response
2 seconds
Wide shot
Question
6 seconds
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Close up
Type of shot
Answer
Camera No.
Current Action
50 seconds
Duration of shot
Wide Shot
Question
5 seconds
Close up
Answer
50 seconds
Wide Shot
Question
4 seconds
Close up
Answer
50 seconds
Wide Shot
Question
3 seconds
Close up
Answer
50 seconds
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Wide Shot
Type of shot
Question
Camera No.
Current Action
4 seconds
Duration of shot
Close up
Answer
50 seconds
Wide shot
Question
5 seconds
Close up
Answer
50 seconds
Wide Shot
Question
6 seconds
Close up
Answer
50 seconds
Close up
Close interview
4 seconds
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Close up
Close up
Lewis on location
interview
Close up
2
Insert
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Wide shot
Close up
Close up
Close up
Close up
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
2
3
2
Reaction
Introduction Lewis
Lewis on location
interview
Indrocution to jake
interview
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Question
Reaction
Close interview
Rection
Close show
1 second
7 seconds
7 mins
21 seconds
2 sec
3 seconds
50 seconds
3 seconds
50 seconds
4 seconds
30 seconds
7 seconds
50 seconds
6 seconds
40 seconds
23 seconds
40 seconds
4 seconds
40 seconds
4 seconds
40 seconds
5 seconds
3 seconds